OFFICIAL SECRETS – Review

Keira Knightley as “Katharine Gun” in Gavin Hood’s Official Secrets. Photo credit: Nick Wall. Courtesy of IFC Films. An IFC Films Release.

Keira Knightley takes a break from period costumes to star in the true-story based political thriller OFFICIAL SECRETS, about a British intelligence specialist turns whistle-blower in the run-up to the invasion of Iraq.

South African writer/director Gavin Hood has built a reputation for thoughtful dramas focused on timely topics with ethical complexities, starting with the Oscar-winning TSOTSI. Hood has also directed action films like X_MEN ORIGINS: WOLVERINE but he has recently offered up drama with serious subjects but featuring big enough stars to get the subject wide audience attention. In the Helen Mirren-starring EYE IN THE SKY, Hood spotlighted the complex human and ethical issues underlying drone strikes. This time Hood focuses on the case of a British intelligence analyst who decided the public’s right to know about government lies being used to justify going to war was worth the risk of breaking the Official Secrets Act oath she signed when she joined the British intelligence, and risk being tried for treason.

The excellent British cast includes Matt Smith, Ralph Fiennes, Matthew Goode, and Rhys Ifans. The story is set in 2003, as the Bush administration is making the case for the invasion of Iraq. Writer/director Gavin Hood uses the issues the story raises to connect to the present. Hood focuses on the people involved and the ethical dilemma and complex decision they face. As with EYE IN THE SKY, Hood’s calm focus on the facts and human drama lets the audience draw their own conclusions rather than pushing a point-of-view, apart from reminding us of the human element in these political issues.

Keira Knightley plays Katharine Gun, a low-level office worker in the British intelligence service. Gun’s job is little more than clerical and routine but like everyone else in the building, she had to sign the Official Secrets Act agreement to work there. She rarely, if ever, sees anything of importance as she transcribes or translates messages but one day she is sent a startling memo in which the British government is asked to participate in questionable actiont as the Bush administration lays the groundwork to justify invading Iraq. The memo from the NSA reveals a plan to enlist Britain’s help in collecting compromising information on United Nations Security Council members, with the intention of blackmailing them into voting in favor of invading Iraq.

She is so shocked by the top-secret memo that she wonders if it was sent to her by mistake, until she learns all her co-workers received it as well.

Gun is so disturbed by the way the British, and global, public are being deceived to justify the Iraq invasion, that she eventually secretly shared the information in the memo with an activist friend. That activist passes it along the a journalist, and in the ensuing explosion of coverage, the British intelligence launches a hunt for the leaker.

The film actually opens with Keira Knightley’s character on trial, so we already know she will revealed as that leaker. Those who remember this recent history will know the basic facts of the outcome but may not know the details of what happened to Katharine Gun, so there is an element of suspense. Gun’s situation is further complicated by the fact that her husband Yasar (Adam Bakri) is an Iraqi Kurdish immigrant, which sparks suspicion in the officials investigating the case. Although he is a legal resident and married to a British citizen, he is at risk, as his wife.

Hood uses this recent history to connect to the present and make us think about the ethical and moral dilemmas we face now. Hood builds tension and suspense, and we are on edge about Katharine’s fate, even if we know what happened with Iraq. Still, the director’s fact-focused but human-centered approach invites the audience to think calmly and deeply about what the characters are grappling with and to connect with them emotionally.

Knightley does her usual excellent job, helping us connect emotionally with this sincere young woman and her tension-filled situation. She is well supported by the rest of the cast, with a particularly nice performance by Fiennes in a pivotal role as her barrister.

Once again, Gavin Hood delivers a thought-provoking film on a serious topic that is also gripping human drama. OFFICIAL SECRETS opens Friday, Sept. 13, at Plaza Frontenac.

RATING: 3 1/2 out of 4 stars

THE BOURNE LEGACY – The Review

The success of the original BOURNE trilogy meant the inevitable continuation of the franchise. This, despite what had seemed an end to the source material and Matt Damon’s exiting the franchise, would probe not enough to stop the Hollywood sequel machine. The directorial outcome from Doug Liman on THE BOURNE IDENTITY (2002) wound up with mixed reactions, primarily over the stylistically blurred and chaotic action sequences. This approach, however softened, was carried out through the following two sequels by director Paul Greengrass, both of which received relatively more favorable reactions.

THE BOURNE SUPREMACY (2004) and THE BOURNE ULTIMATUM (2007) round out the original trilogy of films, all of which star Matt Damon as the title character of Jason Bourne, a highly trained off-the-books operative, lost and searching to regain the truth of his own identity. Aside from the fast pacing and exhilarating action, the appeal of the original trilogy lies within the mystery, the journey we take with Jason Bourne as he seeks the truth of himself. As Bourne does not know where his journey will take him, nor does the audience know and must learn as we search and survive with the character.

This is the primary downfall of THE BOURNE LEGACY… there is no mystery. There is nothing to keep the audience guessing. THE BOURNE LEGACY is 2 hours and 15 minutes of chasing and talking. This is not to suggest it’s done poorly, but merely that what is done is light on plot and intrigue. Written and directed by Tony Gilroy, who also co-wrote all three of the original BOURNE screenplays, is no rookie to the story or the source material, but this fourth installment fails drastically to live up to its predecessors. With this said, I did not find myself bored or frustrated, but rather just terribly disappointed.

THE BOURNE LEGACY is essentially a race against time. Jeremy Renner plays another physically and mentally enhanced operative named Aaron Cross. Renner (THE HURT LOCKER) is most recently and widely recognized as Hawkeye from THE AVENGERS (2012). This fourth film takes place immediately following the events of THE BOURNE ULTIMATUM, in fact, the first act of THE BOURNE LEGACY actually overlaps with the third act of THE BOURNE ULTIMATUM. There is a brief tie-in of the Jason Bourne character, but we do not see a return of Matt Damon, except for his mug shot. Unlike the Jason Bourne character, Aaron Cross is fully aware of who he is and what he can do, but the procedure is significantly different. This plays into one half of the straight-forward plot that drives the movie forward.

In the original trilogy, Jason Bourne is said to have gone rogue as he hops from country to country, tracking down those in the program with answers as he survives one assassination attempt after another, led by the head honcho who wants him to disappear. In THE BOURNE LEGACY, this obstacle is revealed as Eric Byer, a retired colonel now responsible for keeping the Treadstone, Blackbriar and any other secretive black ops programs from going “sideways” and causing a catastrophic media storm. Byer, played by Edward Norton, is a world-class asshole with a one-track mind… to eliminate Jason Bourne, and now Aaron Cross. Norton is fabulous at portraying a head strong prick, as he proves again here.

Aaron Cross is on a mission of survival, not only from his would-be assassins, but to keep himself properly drugged on the program medicine, or “chems,” that keep him enhanced. As a necessity of this endeavor, Cross tracks down and drags Dr. Marta Shearing along for the ride. Shearing, played by Rachel Weisz, is a scientist in the top secret program and Cross hopes she can lead him to acquiring more of the all-important drugs. Weisz gives a commendable performance as an understandably neurotic and frantically frightened citizen, giving the film an extra little dimensional slice to make up slightly for the lacking plot. Jeremy Renner also hands in a quality performance, convincing us once again he at least looks like a total bad ass on screen.

THE BOURNE LEGACY is not a failure. That would be too harsh and inappropriate for a film that delivers well enough as a typical summer blockbuster action film. Unfortunately, this fourth installment gives us nothing new and lacks all of the elements that kept us on our seats in the first three films. If you choose to go see this film, you will likely be entertained by it’s popcorn movie value, but I would recommend not comparing it to the other films. Consider THE BOURNE LEGACY as you would any of Jason Statham’s TRANSPORTER films and you’ve got roughly the same entertainment value, but this film truly does nothing for the “legacy” of Jason Bourne.

Overall Rating: 3 out of 5 stars

THE MAN NOBODY KNEW – SLIFF Review

Upon the death of a parent a son or daughter will often spend hours and hours sifting through the deceased’s artifacts. Such is the case with Carl Colby, but with a couple of notable exceptions. His father William Colby was for many years the director of the CIA. And Carl has put together a documentary about him called THE MAN NOBODY KNEW : IN SEARCH OF MY FATHER, CIA SPYMASTER WILLIAM COLBY. The film serves as a look at a post WWII family and an overview of American foreign relations. As the film opens the camera pans over the contents of senior Colby’s top dresser drawer as the soundtrack plays various news reports about his mysterious disappearance while in a canoe. We’re then taken back to his entry into WWII as a paratrooper prior to volunteering for the OSS. This is illustrated with newsreel footage and personal family photos. With his slight build and spectacles, Colby seems to be an unlikely secret agent ( he’s looks like a cross between Wally Cox and Harold Lloyd ). At wars’ end he marries, starts a family, and begins his work overseas, first in Italy to prevent the country from going Communist. The photos and footage are quite startling pared up with comments from friends and historians. From there it was off to a very long stint in Southeast Asia, particularly Vietnam, at the request of President Kennedy. After the US withdrawal we get to see and hear Colby as he testified about the agency’s activities before a Senate committee. He remains calm and cool as he’s relentlessly grilled by many different members of Congress. Colby’s refusal to stonewall them soon lead to his removal by President Ford, who replaced him with George H.W. Bush. Carl Colby includes many interviews with newsmakers from the time periods from newsman Daniel Shorr to Donald Rumsfeld. The viewer gets the impression that the film lead to a better understanding of his father for the film maker, but in many aspects William Colby remains an enigma. This documentary offers a unique perspective on our government’s hand in other countries politics while also telling the story of a man coming to terms with his family’s past.

Showtimes
Saturday, November 19th at 3:00pm – Webster University/Moore Auditorium