COLD BLOOD – Review

Jean Reno in the thriller COLD BLOOD. Photo credit: Screen Media

French action star Jean Reno re-teams with Thierry Arbogast, the cinematographer on LA FEMME NIKITA and,THE FIFTH ELEMENT, for action thriller COLD BLOOD. In this English-language French-Ukrainian film, Jean Reno plays a legendary hit man, the kind of role he has played well many times. With the help of cinematographer Arbogast, stunning locations, and a good supporting cast, they do their best to add style and suspense to this action thriller. Unfortunately, it is not enough to overcome the messy, nonsensical script.

Reno plays a retired hit man living in a remote cabin in Washington State when a young woman (Sara Lind), who has been injured in a snowmobile accident, suddenly turns up nearly on his doorstep. This begins a twisty tale built around the assassination of a mysterious billionaire, a tale of secrets, power, and money, with a couple of persistent cops on the case and all set in a snowy Washington State landscape.

With Thierry Arbogast’s stylish, striking cinematography and some breathtaking scenery, the film almost looks like a James Bond-like thriller. COLD BLOOD also stars Joe Anderson (TWILIGHT), David Gyasi (INTERSTELLAR), François Guétary (“Lost”) and Samantha Bond (“Downton Abbey”). Director Frédéric Petitjean does try to build suspense and create a feeling of a mystery but he is battling a script that isn’t sure where it wants to go. However, he bears blame for this mess, as he also wrote the script.

This film is filled with odd bits that seem to be there for no logical reason, or maybe because the filmmaker just wanted to include it but didn’t know how. The film opens in Washington State at Reno’s hermit hit man’s snowbound cabin but then flashes back to months earlier in New York City, where a wealthy man is assassinated. The film switches to Washington State for the millionaire’s lavish funeral. But then something weird happens, and the murder investigation moves to WA too.

Maybe the writer/director didn’t know that is not how murder investigations work in the U.S. or maybe there is an unseen investigation in NYC going on, but it really does not make sense – except that the filmmaker wanted the rest of the story to take place in snowy rural Washington (with Ukraine playing the part of Washington State). Why the script didn’t have the murder take place there to begin with is not clear, except maybe the filmmakers just wanted to shoot in NY (which plays itself in its brief scenes).

That bit of illogical plot is typical of the strangeness that runs throughout this thriller. If some of these oddities could have been played for comedy, but the film is played completely without humor. A few examples: In one scene as the young woman recuperates in the cabin, Reno’s character Henry fries a fish and serves her the whole fish on a plate, with only a wooden spoon to eat it. Neither of them reacts, as if everyone eats fried fish with a wooden spoon. Hmm. It’s not the only example either.

Overall, the plot makes no real sense and stretches itself in all kinds of directions trying to create plot twists and surprises. At times, the plot is far too transparent and then completely confusing at others. Although the film is in English, it is clear that some of the cast are dubbed, which adds an additional distraction to some scenes. The film ends with a dramatic scene, but since the script has not bothered to keep track of all the loose ends, it leaves the audience with plenty of unanswered questions and even big plot points unresolved. If they are still there.

Arbogast’s cinematography is spectacular, making the best of the film’s admittedly wonderful locations, which include breathtaking wilderness scenery and stately mansions. The cinematography and art direction are excellent, providing the film’s major enjoyment, Too bad all that beauty serves such a lame story.

Likewise, Reno does his best with this sorry material, and he manages to milk a few good moments, Overall the cast is good but there is only so much they and Reno can do with this sloppily cobbled together story.

COLD BLOOD opens Friday, July 5, in several cities and is available on-demand.

RATING: 1 out of 4 stars

Second Wave of FANTASTIC FEST 2012 Films Announced

The second wave of genre films slotted to play this year’s Fantastic Fest has been unleashed upon the masses. Among the the are two of the year’s most anticipated films, LOOPER and SINISTER. Continue reading for the films announced and a brief plot synopsis of each… but, do so at your own risk! (The inconceivable awesomeness of Fantastic Fest may be too much for some to handle. Those unaccustomed to this level of awesomeness should refrain from indulging in such films without first consulting your physician to verify you are in fact an adult with adventurous taste and not still just a sniveling, winy brat.)

THE ABCs OF DEATH (2012)
US Premiere with multiple directors in person
Director – Various, 110 minutes
Twenty-six directors. Twenty-six ways to die. Co-produced by Drafthouse Films, and finally ready to be unleashed—see what happens when you give more than two dozen of the most brilliant filmmakers from around the world free reign to indulge their creative impulses and black humor. From A to Z, it’s got something for every genre fan and is like nothing you’ve ever seen before.

THE AMERICAN SCREAM (2012)
World Premiere with director Michael Paul Stephenson and stars Manny Souza and Victor Bariteau in person
Director – Michael Paul Stephenson, 81 minutes
In a small Massachusetts community, three Halloween-obsessed households transform into neighbor-terrifying supernatural wonderlands in this surprisingly touching documentary from the director of BEST WORST MOVIE.

COLD BLOODED (2012)
Regional Premiere with director Jason LaPeyre in person
Director – Jason LaPeyre, 86 minutes
Things quickly spiral out of control when a policewoman must protect her recently comatose suspect from a violent crime boss who has cornered them in an isolated hospital wing.

COLD STEEL (2011)
Texas Premiere
Director – David Wu, 107 minutes
After 17 years spent directing television series in North America, director David Wu (a longtime collaborator of John Woo) returns to his native China to deliver the heart-pounding World War II epic COLD STEEL.

DOOMSDAY BOOK (2012)
Austin Premiere
Director – KIM Jee-woon and YIM Pil-sung, 113 minutes
Innovative Korean genre directors Kim Ji-Woon (A TALE OF TWO SISTERS, A BITTERSWEET LIFE, THE GOOD, THE BAD AND THE WEIRD, I SAW THE DEVIL) and Yim Pil-Sung (HANSEL & GRETEL) turn their imaginations to apocalyptic sci-fi with this three-part omnibus film which outlines three possible ways in which the world goes kaput.

GRACELAND (2012)
Texas Premiere with director Ron Morales and producers Theo Brooks and Joshua Sobel in person
Director – Ron Morales, 84 minutes
When a driver for a powerful congressman picks up his and his boss’s daughter from school, he’s annoyed to find himself being pulled over. But this alleged cop, far from an officer of the law, sets in motion a downward spiral of kidnapping, murder, deceit and deep depravity.

HENGE + THE BIG GUN (2012)
US Premiere
Director – Hajime OHATA, 106 minutes
A double shot from Japanese up-and-comer Hajime Ohata. Blending elements of Kiyoshi Kurosawa and Shinya Tsukamoto with just the right amount of kaiju monster battles, Ohata is quickly building a reputation as one of Japan’s brightest new talents.

HERE COMES THE DEVIL (2012)
US Premiere with director Adrian Garcia Bogliano in person
Director – Adrian Garcia Bogliano, 97 minutes
Fantastic Fest veteran Adrian Garcia  Bogliano (COLD SWEAT, PENUMBRA) returns with his latest supernatural horror.  When two children who went missing while exploring a cave are found, it quickly becomes apparent something evil has come home with them.

HOLY MOTORS (2012)
North American Premiere
Director – Leos Carax, 116 minutes
While following a day in the life of Mr. Oscar as he attends several appointments, things quickly unravel and spiral out of control, abandoning all sense of logic or sanity.  Fans of Carax’s ‘Mierde’ segment of Fantastic Fest 2008 hit TOKYO! will be right back at home.

LOOPER (2012)
Special Screening with director Rian Johnson and Joseph Gordon-Levitt in person
Director – Rian Johnson, 118 minutes
In the futuristic action thriller LOOPER, time travel will be invented – but it will be illegal and only available on the black market.  When the mob wants to get rid of someone, they will send their target 30 years into the past, where a “looper” – a hired gun, like Joe – is waiting to mop up.  Joe is getting rich and life is good… until the day the mob decides to “close the loop,” sending back Joe’s future self for assassination. The film, starring Bruce Willis, Joseph Gordon-Levitt, and Emily Blunt, is written and directed by Rian Johnson and produced by Ram Bergman and James D. Stern.

MY AMITYVILLE HORROR (2012)
US Premiere
Director – Eric Walter, 88 minutes
You’ve seen the movie, now hear the story of the Amityville haunting from someone who lived it. Regardless of the source, it’s clear there was darkness in that Long Island house.

NEW KIDS NITRO (2012)
US Premiere with cast Huub Smit, Wesley van Gaalen, Steffen Haars and Flip Van der Kuil
Director – Steffen Haars & Flip van der Kuil, 78 minutes
In 2011, NEW KIDS TURBO rocked Fantastic Fest audiences with its potent brand of Dutch gross-out humor. Now, Fantastic Fest is proud to present the highly anticipated—and very offensive—sequel: NEW KIDS NITRO.

NO REST FOR THE WICKED (2012)
Regional Premiere
Director – Enrique Urbizu, 104 minutes
A dirty cop who tries to cover up a crime stumbles upon a massive criminal conspiracy.  NO REST FOR THE WICKED swept the Spanish Goya awards this year with an electrifying performance by lead actor Jose Coronado.

OUTRAGE BEYOND (2012)
US Premiere
Director – Takeshi Kitano, 112 minutes
As Japanese police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West.  What started as internal strife in director Takeshi Kitano’s OUTRAGE, has now become a nationwide war in his latest film OUTRAGE BEYOND.

SINISTER (2012)
Special Screening with director Scott Derrickson, producer Jason Blum and writer C. Robert Cargill in person
Director – Scott Derrickson, 110 minutes
SINISTER is a frightening new thriller about a true crime novelist who discovers a box of mysterious, disturbing home movies that plunge his family into a nightmarish experience of supernatural horror.

UNIVERSAL SOLDIER: DAY OF RECKONING (2012)
World Premiere with Dolph Lundgren and Scott Adkins in person
Director – John Hyams, 93 minutes
Surviving Unisols Luc Deveraux and Andrew Scott battle anarchy to build a new order ruled by Unisols without government oversight. To accomplish this, they weed out the weak and constantly test their strongest warriors in brutal, life-and-death combat.

VANISHING WAVES (2012)
US Premiere
Director – Kristina Buozyte, 124 minutes
A scientist with a neurological research team volunteers to experiment with a new technology which will allow him to access the thoughts of a coma victim.

WARPED FOREST, THE (2011)
US Premiere
Director – Shunichiro Miki, 81 minutes
Shunichiro Miki delivers a shot of utter madness. Penis guns! Nipple monsters! A giant girl running a very small shop! This quasi-sequel to THE FUNKY FOREST more than lives up to the weird factor of its predecessor.

Fantastic Fest – Austin, Texas – September 20-27, 2012!

Look for more film and event programming announcements for Fantastic Fest in the weeks ahead. For the latest developments, tickets and badges visit the Fantastic Fest official site and follow us on Facebook and Twitter.