We Are Movie Geeks All things movies… as noted by geeks.

October 8, 2014

Watch Bruce Greenwood in WILDLIKE Trailer

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Premiering at the Hamptons International Film Festival this Friday, October 10, here’s your first look at the trailer for WILDLIKEThe film stars Ella Purnell, Bruce Greenwood, Brian Geraghty, Ann Dowd, Nolan Gerard Funk and Diane Farr.

Mackenzie, a troubled but daring teenage girl, is sent to live with her uncle in Juneau, Alaska. She longs for her struggling, absent mother, but as her mom’s phone calls become less frequent and her uncle’s care is not what it seems, she must flee. Her only thoughts are to escape her uncle’s grasp and contact her mother somehow, but as she plunges deeper into the Alaskan interior she is suddenly helplessly alone. A chance connection with a loner backpacker, Rene Bartlett, proves to be her only lifeline. As Mackenzie shadows Bartlett across the last frontier, she thwarts his efforts to cut her loose until Bart has no choice but to help her survive in the wilderness.

Against the backdrop of a spectacular Alaska landscape, they discover the redemptive power of friendship. Mackenzie and Bartlett prove to be the unlikely salve for each other’s scars, until the damage Mackenzie carries with her threatens to destroy her newfound sanctuary. Returning to civilization, Mackenzie is once again at risk of capture by her uncle as he hounds with manipulative calls and messages. When Bartlett finally discovers her alarming secret, he must make a bold choice to take real responsibility for Mackenzie and help her escape her traumatic past and return home.

Written and Directed by Frank Hall Green, WILDLIKE is from executive producer Christine Vachon of Killer Films.

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July 24, 2009

Review: ‘The Hurt Locker’ – Scott’s Take

Chances are you have seen at least one thing that Kathryn Bigelow has done in the past, and it is probably ‘Point Break’ or ‘Strange Days’. What she has done in ‘The Hurt Locker’ is bring us one of the most real, intense films about war ever created and although that is a broad and wide open statement I can confidently stand behind it.

The film follows a Explosive Ordnance Disposal team in Iraq whose sole purpose is disabling bombs that would otherwise destroy innocent soldiers and civilians. The movie opens with Sergeant Matt Thompson(Guy Pearce) as the guy in the bomb suit putting his life on the line to disable a bomb that is threatening the lives of innocent Iraqi civilians. When he goes to attempt the disarm they quickly realize its a setup and someone remote detonates the bomb which as you can guess kills him in the suit.

Insert his replacement Staff Sergeant William James(Jeremy Renner) who jumps in the suit and immediately goes into combat. At first he comes off as a hot shot who fears nothing and is willing to put anyone and everyone in danger to get the job done but after seeing the dedication to his craft his team really comes together and puts their trust in him. He soon starts showing flashes of a true leader and that more than anything gets them through some really dangerous situations. Eventually they all realize that this is the job he is meant to do, and even when he isn’t doing this job thats all he can think about.

Jeremy Renner could easily pull off an Oscar nom for his role as Staff Sergeant William James because he is absolutely incredible in this movie. Renner has really come into his own with recent roles and this in particular really shows what he is capable of. I also want to say what an great job both Anthony Mackie and Brian Geraghty as the other 2 members in their EOD squad. The acting turned in by everyone in the film is an added bonus to the incredible and emotional story it follows.

Kathyn Bigelow went above and beyond to keep the film as authentic as possible and shot the movie in Jordan which is as close to the Iraqi border without actually crossing over the line and hanging out in the pits of where the war is still currently going on. Bigelow also went as far as to cast real Iraqi refuges who had been forced from their homes during the war in the film in the roles of Iraqi citizens.

Bigelow isn’t the only person involved that cared about the realism of the film, Jeremy Renner went and trained with real EOD teams prior to shooting the film. In interviews he also mentions that they were shot at during filming, two by fours that had nails in them were being thrown off 2 story buildings and that authenticity really comes through the film.

The one thing that you cant say about this movie is that it isnt real, or that it doesn’t feel like you are in the middle of the action. Bigelow went to great lengths to ensure that when you are watching certain scenes you feel knots in your stomach. Don’t expect to see anything this genuine without it being actual footage of EOD teams disabling bombs.

Review: ‘The Hurt Locker’ – Melissa’s Take

Filed under: Review,War Movies — Tags: , , , , , , , — Melissa Howland @ 12:00 am

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Oh, man… There is no easy way to go about telling America that I disliked a movie with American Soldiers as the main characters. I didn’t realize that there is a way to make a war that has been fought in our lifetime look positively boring and ridiculous. I am sure there are tons of stories from the men and women that have served and/or are serving overseas that are way more inspiring, real, and worthy of the screen-time.

The Hurt Locker follows Staff Sergeant William James (Jeremy Renner), Sergeant JT Sanborn (Anthony Mackie), and Specialist Owen Eldridge (Brian Geraghty), three elite soldiers in Iraq that are part of a special bomb unit. The three men, especially Staff Sergeant William James, have one of the most dangerous jobs in the world. They have to find and disable bombs, while also keeping their eyes peeled for suspects that might be trying to detonate them while the soldiers are working on them. As if their job isn’t dangerous enough, Staff Sergeant William James comes in after their former leader was brutally blown up, and is completely reckless. He does things his own way, doesn’t listen to orders, and jeopardizes the safety of his team. Now it’s a struggle of not only getting out alive, but controlling their new leader so that they make it home.

One of the problems I have is that the characters are very dry. The characters have very little development other than being soldiers in the same place, at the same time. If you want your audience to empathize with your characters, then you have to introduce them to each other. They give you very little personal information about the three soldiers that they are following. Sure, we know how they react to one another, and that they are brave, and even that Staff Sergeant William James has a family, but that is as far as they delve into the characters. I get that they are scared, every rational human being would be terrified, but tell me where the character grew up, how they got to where they are, and what kind of person they are.

It really doesn’t help that I am not a big Jeremy Renner fan either. He made a horrible Jeffrey Dahmer in Dahmer, being in an awesome zombie movie didn’t help him (28 Weeks Later), and even the naughty sheriff in Pink’s Trouble video didn’t earn him cool points in my book. Guess there were no real bonus points to be earned unless this movie was stellar. Brian Geraghty is the only one who gets some street cred for Jarhead, but that is quickly destroyed by his role in Lindsay Lohan’s I Know Who Killed Me. Ohh… tough break! Even the explosions didn’t add excitement to this movie, which for a movie involving a bomb squad didn’t have any cool ones.

Just to clarify… I am not saying that I do not like war films, or that I do not appreciate the men and women fighting for our country. I do however, think that this film is going to be given way to much credit and praise just because of its content rather than its cinematic value.

June 24, 2009

WAMG Interviews Kyle, Brian & Kel from ‘Easier With Practice’

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During my time attending the 2009 CineVegas Film Festival, I managed to get some time to sit down with director Kyle Patrick Alvarez and stars Brian Geraghty and Kel O’Neill of ‘Easier With Practice‘. One of the best films of the festival, we talk about their experience, their inspiration and what went on during the making of this fine film.

I want to apologize for the shakiness of the video. Due to technical difficulties with our HD camera, we had to rely on our emergency backup Flip Mino camera to shoot the interview. Otherwise, enjoy!

June 8, 2009

CineVegas Review: ‘Easier With Practice’

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For many, the act of finding and then retaining a meaningful relationship is easy. It comes naturally to these people, for some it occurs once and lasts forever and for many more it occurs over and over, with varying levels of success. Then you have that group of deserving individuals who just don’t have that ingrained knack for making the romantic bonds between two human beings work for them. The formula for getting from point A to point B with an intimate relationship eludes these people and they find themselves feeling like outsiders, even though they yearn for the same connection as everyone else on the inside.

‘Easier With Practice’ is a wonderful little film written and directed by Kyle Patrick Alvarez, based on a GQ article by Davy Rothbart. Brian Geraghty plays Davy Mitchell, a writer who works as a temp to pay the bills. Davy and his brother Sean (Kel O’Neill) set out on a book tour across the country together in Sean’s old POS station wagon to promote Davy’s book. During their journey from town to town, Sean spends his free time in the bars and picking up chicks while Davy, exhausted from the weeks of traveling and living off of PB&J sandwiches, spends most of his free time in hotel rooms, bored and lonely.

Davy is one of those individuals unable to make that romantic formula work. He struggles with this, seeing this come so easily to his brother, but at the same time frustrated with him for taking that gift for granted. During one of their stops, Davy receives a phone call on the hotel room phone from a mysterious woman. Davy believes this call to be a wrong number at first, but the woman aggressively forces her sexuality upon Davy, who finds himself strangely drawn to her advances. After a relatively “successful” first call, Davy and the woman named Nicole choose to continue their intimate phone relationship throughout the book tour.

The heart of ‘Easier With Practice’ lies within Davy’s longing for the type of relationship that has eluded him his whole life. Davy sees the the signals from interested parties but lacks the ability to move on them. Davy and Nicole maintain a healthy phone sex relationship, but it also develops into a more intimate and personal friendship as well. Davy’s life seems to be turning around for him, until he asks to meet Nicole and she refuses. She prefers this type of arrangement with Davy, and for a while Davy feels the same. With time, however, Davy feels this relationship could never truly be real unless they can physically be together, but is Davy truly ready to match a face and body to the voice he has come to hold so close?

‘Easier With Practice’ embraces that uncomfortable feeling of self-inflicted loneliness. The film perfectly captures Davy’s unrealized passion for a partner he has not yet met, building on his expectations, should the day he and Nicole meet ever occur. Davy attempts to keep his relationship with Nicole a secret, concerned that he feel ashamed of the fact, which only fuels his insistence on meeting her. Once home from his trip, Nicole stops calling and Davy truly realizes how much his virtual time with Nicole has affected him and his life as he shuts himself off from the world, hoping Nicole reconnects with him.

The entire film was shot on the new RED ONE digital technology and it shows. The atmosphere of the film is moody and slightly tarnished, but the camera manages to pick up on and elaborate an incredible amount of detail and the color palette is at once drab and alluring. ‘Easier With Practice’ leads the viewer down a slower, more methodical path of revelation that allows for Davy to reflect on the direction of his life. Slow and boring, however is not an appropriate way to describe the film.

As an audience, we really get to know Davy and we empathize with his heavy heart and longing. One of my favorite visual themes in the film is the use of isolation to convey Davy’s feeling of the same. The film was shot in New Mexico, a state with vast stretches of barren landscape, easy to isolate one’s self while at the same time surrounded by immense natural beauty. It’s a metaphor for Davy’s situation, isolated but still surrounded by so much beauty.

If the visual acuity and attention to the cinematic conveyance of feeling was great, the incorporation of indie music into the film’s landscape was down right brilliant. Kyle Patrick Alvarez is said to be quite the indie music enthusiast and it shows, having meticulously selected and placed an absolutely perfect soundtrack into his film. The songs were carefully chosen and used not just to fill silent space, but to accentuate a scene or emotion and further move the story along in a constructive fashion. The soundtrack to ‘Easier With Practice’ reads like a pop fans worst nightmare, featuring indie musicians and bands unknown to many like Emily Easterly, Source Victoria, Deer Tick and Grizzly Bear, not to mention the other 10 or more bands with licenced music featured on the theatrical playlist.

I have to admit, ‘Easier With Practice’ has a bit of an advantage from the start as it’s the type of indie film that I’m really enthusiastic about. With that said, the film still had to impress me and I can honestly say I am impressed, even more so after researching the making of the film and learning that Alvarez managed to put together such a great film in so little time and seemingly without a hitch. If there’s one movie that will premiere this year and deserve the attention of audiences on a massive scale, ‘Easier With Practice’ is definitely ranked highly amongst the candidates.

June 6, 2009

CineVegas 2009 Preview: ‘Easier With Practice’

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CineVegas 2009 is right around the corner (next week to be precise), and We Are Movie Geeks are going to be there in full force. Throughout the festival, which runs from June 10th through the 15th, we are going to be bringing you all the coverage you need including reviews, interviews, party breakdowns, and red carpet premiere coverage.

‘Easier With Practice’ offers a new twist to a genre of film that’s very old hat, two genres to be exact. The film combines the road movie with the love story in an off-beat story about a writer who finds happiness in a relationship outside the normal boundaries of what we might call normal. The movie looks to be a fresh take on a familiar subject.

Here’s the film’s synopsis:

Language, communication, relationships, sex — they all get easier with practice. And they are all the elements that infuse lurid life into writer/director Kyle Alvarez’s provocative film about a man who establishes a sexual relationship with someone he’s never seen.

To promote his unpublished novel, Davy Mitchell sets out on a road trip with his younger brother. Yet, the initial novelty quickly wears off and the road life turns lonely and unfulfilling for Davy. Then, one night in a motel room, a random phone call from a mysterious woman named Nicole ignites a funny and intimate long-distance relationship that leaves Davy happier than he has been in years. Hoping there is more to his new reality than a voice and a phone bill, Davy decides he must meet Nicole. Ultimately, his decision means he must face not only the truth about his relationship but also the truth about himself.

Based on Davey Rothbart’s autobiographical article for GQ Magazine, EASIER WITH PRACTICE avoids the visual limitations of a phone relationship by fleshing out the story with inspired cinematography and three-dimensional performances. Combined, they bring to life a truly well-crafted story. Erotically charged yet intellectually stimulating, EASIER WITH PRACTICE is an enthralling love story for the cell-phone generation.

‘Easier With Practice’ premieres at CineVegas on Friday, June 12 at 3:30 pm and screens again on Saturday, June 13 at 1:00 pm.

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