TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM, SPIDER-MAN: ACROSS THE SPIDER-VERSE Among Best Animated Feature Annie Award Nominations

L-r, backrow, BEBOP, LEATHERHEAD, SCUMBUG, ROCKSTEADY, RAY FILLET, next row l-r, WINGNUT, GHENGIS FROG, DONNIE, SPLINTER, LEO, RAPH, MIKEY, and MONDO GECKO, center, talking to SUPERFLY. in PARAMOUNT PICTURES and NICKELODEON MOVIES Present A POINT GREY Production “TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM”

ASIFA-Hollywood announced nominations today for its 51st Annie Awards™ recognizing the year’s best in the field of animation. For a complete list of nominations, please visit www.annieawards.org/nominations. 

The 51st Annie Awards™ will return to UCLA’s Royce Hall on Saturday, February 17, 2024. Pre-reception and Red Carpet will begin at 4:30 p.m., followed by the ceremony at 7 p.m., and after party immediately following the ceremony.

This year’s Best Animated Feature nominations include: Nimona – Annapurna Animation for Netflix; Spider-Man: Across the Spider-Verse – Sony Pictures Animation; Suzume – CoMix Wave Films Inc. and STORY inc.; Teenage Mutant Ninja Turtles: Mutant Mayhem – Paramount Pictures and Nickelodeon Movies; and The Boy and the Heron – Studio Ghibli / Distributed by GKIDS.

Best Animated Feature-Independent, spotlighting feature with a much smaller distribution footprint than major studio releases include: Ernest & Celestine: A Trip to Gibberitia – Folivari, Mélusine Productions, Studio Canal / Distributed by GKIDS; Four Souls of Coyote – Cinemon Entertainment; Robot Dreams – Arcadia Motion Pictures; The Inventor – Curiosity Studios; White Plastic Sky – SALTO Films & Artichoke.

The Annie Awards™ cover 36 categories and include Best Animated Feature, Best Animated Feature-Independent, Special Productions, Sponsored Films, Short Subjects, Student Films and Outstanding Individual Achievements, as well as the honorary Juried Awards.

Juried Awards will be presented during the ceremony, honoring unparalleled achievement and exceptional contributions to animation. The Winsor McCay Award in recognition of lifetime or career contributions are being presented to three recipients: Legendary animator and director Charlotte “Lotte” Reiniger (posthumous); prolific Studio Ghibli composer Joe Hisaishi and National Film Board animator and producer Marcy Page. The June Foray Award for significant and benevolent or charitable impact will be awarded to the BRIC Foundation, Alison Mann and Nicole Hendrix, co-founders.

The Ub Iwerks Award for technical advancement affecting the animation industry will be presented to John Oxberry (posthumous). The Special Achievement Award recognizing unique and outstanding achievement not recognized within the existing award category structure will be presented to The Artists of Walt Disney Animation.

Many thanks to the generous support from this year’s sponsors and advertisers: Platinum – DreamWorks Animation, Netflix, Pixar Animation Studios, Walt Disney Animation Studios and Warner Bros. Animation; Gold – Disney TV Animation and Illumination Entertainment; Silver – Nickelodeon, Paramount Pictures and Sony Pictures Animation; Bronze – GKIDS and Industry – Ottawa International Animation Festival (OIAF).

ASIFA-Hollywood is the world’s first and foremost professional organization dedicated to promoting the Art of Animation and celebrating the people who create it. Today, ASIFA-Hollywood, the largest chapter of the international organization ASIFA, supports a wide range of animation activities and preservation efforts through its membership. Current initiatives include the Animation Archive, Animation Aid Foundation, animated film preservation, open source software support, special events, classes and screenings.  

Created in 1972 by veteran voice talent June Foray, the Annie Awards™ have grown in scope and stature for five decades. For more information on the Annie Awards™, please visit www.annieawards.org

THE MITCHELLS VS. THE MACHINES Takes Home Top Prize At 49th Annual Annie Awards

THE MITCHELLS VS. THE MACHINES – (L-R) Danny McBride as “Rick Mitchell”, Abbi Jacobson as “Katie Mitchell”, Mike Rianda as “Aaron Mitchell”, and Maya Rudolph as “Linda Mitchell”. Cr: ©2021 SPAI. All Rights Reserved.

Netflix was the big winner at the 49th Annual Annie Awards Saturday evening garnering top honors in 20 categories with the brilliant The Mitchells vs. The Machines taking home the top prize for Best Animated Feature. Produced by Oscar winners Phil Lord and Chris Miller (Spider-Man: Into the Spider-Verse), the delightful film tells the story of a quirky, dysfunctional family’s road trip that’s upended when they find themselves in the middle of the robot apocalypse and suddenly become humanity’s unlikeliest last hope. The Mitchells vs. The Machine features the voices of Abbi Jacobson, Danny McBride, Maya Rudolph, Beck Bennett, Fred Armisen, Eric Andre, and Oscar winner Olivia Colman

The film’s eight Annie Awards include Best Feature (Sony Pictures Animation for Netflix), Best FX – Feature (Production Company: Sony Pictures Animation for Netflix, FX Production Company: Sony Pictures Imageworks- Christopher Logan, Man-Louk Chin, Devdatta Nerurkar, Pav Grochola, Filippo Maccari), Best Character Design – Feature, Best Direction – Feature (Mike Rianda, Jeff Rowe), Best Production Design – Feature, Best Voice Acting – Feature (Abbi Jacobson (Katie Mitchell)), Best Writing – Feature, and Best Editorial – Feature.

Over on the TV side Netflix’s “Arcane” took home nine awards for Best TV/Media – General Audience, Best FX – TV/Media. Best Character Animation – TV/Media, Best Character Design – TV/Media, Best Production Design – TV/Media, Best Storyboarding – TV/Media, Best Voice Acting – TV/Media, Best Writing – TV/Media.

The Annie for Best Character Animation – Live Action went to Shang-Chi and the Legend of the Ten Rings (Production Company: Marvel Entertainment, FX Production Company: Weta Digital- Karl Rapley, Sebastian Trujillo, Richard John Moore, Merlin Bela Wassilij Maertz, Pascal Raimbault).

Marvel Studios received the Annie for Best Editorial – TV/Media for the amazing series “What If…?”(Episode: What If…Ultron Won?) “What If…?” flips the script on the MCU, reimagining famous events from the films in unexpected ways. Marvel Studios’ first animated series focuses on different heroes from the MCU, featuring a voice cast that includes a host of stars who reprise their roles. Directed by Bryan Andrews with AC Bradley as head writer, “What If…?” launched exclusively on Disney+ on August 11, 2021.

This year’s Best Animated Feature nominations include Encanto (Walt Disney Animation Studios), Luca (Pixar Animation Studios), Raya and the Last Dragon (Walt Disney Animation Studios), Sing 2 (Illumination) and The Mitchells vs. The Machines (Sony Pictures Animation for Netflix).Best Storyboarding – TV/MediaThis year’s Best Animated Feature nominations include Encanto (Walt Disney Animation Studios), Luca (Pixar Animation Studios), Raya and the Last Dragon (Walt Disney Animation Studios), Sing 2 (Illumination) and The Mitchells vs. The Machines (Sony Pictures Animation for Netflix).

See the full list of awards HERE.

The Annie Awards™ cover 36 categories and include Best Animated Feature, Best Animated Feature-Independent, Special Productions, Sponsored Films, Short Subjects, Student Films and Outstanding Individual Achievements, as well as the honorary Juried Awards.

Created in 1972 by veteran voice talent June Foray, the Annie Awards™ have grown in scope and stature for nearly five decades.

Pixar’s INSIDE OUT Wins Best Animated Feature At 43rd Annie Awards

©2015 Disney•Pixar. All Rights Reserved.
©2015 Disney•Pixar. All Rights Reserved.

Pixar Animation Studios was the big winner at the 43rd Annual Annie Awards, Saturday evening at UCLA’s Royce Hall. INSIDE OUT won Best Animated Feature along with 11 other categories, including Outstanding Music – Michael Giacchino; Outstanding Editing – Kevin Nolting; Outstanding Production Design – Ralph Eggleston; Outstanding Voice Acting – Phyllis Smith as ‘Sadness’; Outstanding Writing – Pete Docter, Meg LeFauve and Josh Cooley; and Best Directing – Pete Docter.

Watch the 2016 Annie Awards here.

This year was the first for the new category Best Animated Feature, Independent with Filme de Papel’s ‘Boy and the World’ taking this top honor.

The Best Animated Special Production was awarded to ‘He Named Me Malala’ (Parkes-MacDonald/Little Door); Best Animated Short Subject ‘World of Tomorrow’ (Don Hertzfeldt); Best Animated TV/Broadcast Commercial ‘Man and Dog’ (Psyop); Best General Audience Animated TV/Broadcast Production for Preschool Children ‘Tumble Leaf’ – Mirror (Amazon Studios and Bix Pix Entertainment); Best Animated TV/Broadcast Production for Children ‘Wander Over Yonder’ – The Breakfast (Disney Television Animation); Best Animated TV/Broadcast Production for a General Audience ‘The Simpsons’ – Halloween of Horror (Gracie Films in Association with 20th Century Fox Television); Outstanding Achievement for Character Animation in a Live Action Production: ‘The Revenant’ – The Bear (Regency Enterprises, New Regency Pictures, Anonymous Content, M Productions, Appian Way, RatPac-Dune Entertainment; and Best Student Film ‘ed’ (Sheridan College – Taha Neyestani).

“The Annies are drawing more attention from both our industry and the general motion picture industry,” said ASIFA-Hollywood Executive Director, Frank Gladstone. “We wait all year for this event and it never disappoints! It was a fun evening looking back at our history and celebrating what we have accomplished over this past year.”

Presenting the coveted Annie trophies this year were actor, producer & director Edward James Olmos with actress Rita Moreno; actor & writer Tom Kenny (SpongeBob SquarePants) with actress Laraine Newman (Dawn Of The Croods); actors Alexander Garfin and Hadley Belle Miller (“Linus and Lucy” from The Peanuts Movie) & Snoopy via Video; actress Kristen Schaal (Bob’s Burgers), composerChristophe Beck; Phyllis Smith (voice of ‘Sadness’ from Inside Out) with Bing Bong (Richard Kind) via video; Anomalisa co-directors Charlie Kaufman and Duke Johnson, John Musker and ASIFA-Hollywood President, Jerry Beckand Executive Director, Frank Gladstone.

This year’s Juried Award recipients included Winsor McCay lifetime achievement award – Joe Ranft (posthumously), Phil Romanand Isao Takahata. The Winsor McCay Award is one of the highest honors given to an individual in the animation industry in recognition for career contributions to the art of animation. Don Hahn was this year’s June Foray award recipient which honors an individual who has given significant and benevolent contributions to the art and industry of animation.

The Annie Awards honor overall excellence as well as individual achievement in a total of 36 categories from best feature, best feature – independent, production design, character animation, and effects animation to storyboarding, writing, music, editing and voice acting, and have often been a predictor of the annual Academy Award for Best Animated Feature.

Check out the complete list of winners at www.annieawards.org

HOW TO TRAIN YOUR DRAGON 2 Wins Big At 42nd Annie Awards

HOW TO TRAIN YOUR DRAGON 2

DreamWorks Animation’s HOW TO TRAIN YOUR DRAGON 2 took Best Animated Feature top honors at the 42nd Annual Annie Awards held Saturday, January 31 at UCLA’s Royce Hall.

The film, produced by Bonnie Arnold, also won Outstanding Achievement, Character Animation in a Feature Production – Fabio Lignini, Outstanding Achievement, Directing – Dean DeBlois, Outstanding Achievement, Music in an Animated Feature – John Powell, Jónsi, Outstanding Achievement, Storyboarding – Truong “Tron” Son Mai, Outstanding Achievement, Editorial in an Animated Feature Film – John K. Carr.

Read my interview with John Powell HERE.

HOW TO TRAIN YOUR DRAGON 2

The Best Animated Special Production was awarded to ‘Cosmos: A Spacetime Odyssey’ (Voyager Pictures LLC); Best Animated Short Subject FEAST (Walt Disney Animation Studios); Best Animated TV/Broadcast Commercial ‘Flight of the Stories’ (Aardman Animations); Best General Audience Animated TV/Broadcast Production for Preschool Children ‘Tumble Leaf’ (Amazon Studios); Best Animated TV/Broadcast Production for Children’s Audience ‘Gravity Falls’ (Disney Television Animation); Best General Audience Animated TV/Broadcast Production ‘The Simpsons’ (Gracie Films in association with 20th Century Fox Television); Best Animated Video Game ‘Valiant Hearts: The Great War’ (Ubisoft); and Best Student Film ‘My Big Brother’ (Savannah College of Art and Design, Jason Rayner).

FEAST

The Annie Awards honor overall excellence as well as individual achievement in a total of 36 categories from best feature, production design, character animation, and effects animation to storyboarding, writing, music, editing and voice acting, and have often been a predictor of the annual Academy Award for Best Animated Feature.

The ceremony was live-streamed again this year at www.annieawards.org/watch-it-live where animation enthusiasts and those who were unable to attend the event, could watch the show. A complete list of winners can be viewed at www.annieawards.org and highlights of the ceremony will be uploaded to the Annies website in the next few weeks.

“Our industry waits all year for this event and it never disappoints,” said ASIFA-Hollywood Executive Director, Frank Gladstone. “This was a terrific night with something for everyone. It was fun to take a look back at our history, celebrate and honor what we have accomplished over the past year, and even look forward a little to what is in store for 2015 and beyond.”

Presenting the coveted Annie trophies this year were the comedy-folk duo Garfunkel  & Oates – actress-songwriters Riki Lindhomeand Kate Mucucci; Veteran voice talent and industry legend June Foray; Songwriter and music director Richard Sherman, Filmmaker and artist Tomm Moore; Industry professionals Leslie Iwerks, John Musker, Ron Clements and ASIFA-Hollywood president Jerry Beckand Executive Director, Frank Gladstone.

This year’s Juried Award recipients included Winsor McCay lifetime achievement award – producers Didier Brunner and Lee Mendelson, and legendary animator Don Lusk; June Foray benevolent service award – author and critic Charles Solomon; Ub Iwerks technical achievement award – DreamWorks Animation’s Apollo Software; and the Annie Special Achievement award – The Walt Disney Family Museum.

Visit www.annieawards.org.

Disney/Pixar Withdraws From Annie Awards

In what the studio is saying due to animation event’s judging, Variety is reporting that Hollywood’s longest running toon kudofest, the Annie Awards, which Disney has sponsored since its first year in 1972, will have to go on without submissions or support from Walt Disney and Pixar Animation Studios.

“After more than a year of discussions with the ASIFA board, we have regretfully decided to withdraw from the organization and no longer participate in the annual Annie Awards,” said Disney-Pixar prexy Ed Catmull. “We believe there is an issue with the way the Annies are judged, and have been seeking a mutually agreeable solution with the board. Although some initial steps have been taken, the board informed us that no further changes would be made to address our concerns.”

While some at Disney suggested the move could cripple ASIFA-Hollywood — a 5,000-strong organization of animation professionals and enthusiasts — by rendering its top prize “the best animated feature not produced by Disney-Pixar,” org chief Antran Manoogian insisted releases such as Pixar’s “Toy Story 3” and Disney Animation’s “Tangled” can still compete.Catmull’s criticisms come at a time when animated features have been driving the box office, boosted by the use of 3D in the field. Though the Annies predate the addition of animated feature categories to such award shows as the Oscars, Golden Globes and the PGA Awards, the rise of such prestigious competition has forced ASIFA to reevaluate its own process in order to remain credible.

“The Annies have become recognized as the animation community’s award,” Manoogian said. “In maintaining that standard, the board members felt it was important that we make this an industry prize where only qualified animation professionals working in a creative capacity get to determine that award.”

At issue was the fact that anyone can buy a membership to ASIFA (not unlike Film Independent, whose paying members vote for the Spirit Awards), whereas members of the Motion Picture Academy and other awards-giving bodies must be voted in by their peers.

Some, including those in the Disney camp, have charged that the distribution is tilted in favor of DreamWorks Animation, which gives each new employee an ASIFA membership upon joining the company. While that hasn’t prevented Pixar toons from winning six of the past 10 Annie feature awards, “Wall-E’s” 2009 shutout caught many by surprise, with “Kung Fu Panda” taking the top prize that year.

In response to Disney pressures, ASIFA tightened its rules somewhat last year, limiting the voting on individual achievement categories to animation pros (students and non-professionals were still permitted to vote in production categories, such as best animated feature).

Manoogian refers to those changes as a “midstep” toward this year’s dramatic overhaul, which requires all members wishing to vote in the Annie awards to be approved by a qualifying committee. Non-pros will not be able to vote in any category.

That wasn’t enough for Catmull, who had called for an advisory committee of toon execs representing each studio to recommend rule changes to the ASIFA board. In an email sent to Disney-Pixar employees stating the company’s position, Catmull wrote, “Individuals are encouraged to maintain their memberships and support for the Annies as they deem appropriate.”

So, while the Mouse House will not be submitting the names of its most deserving below-the-line talent for Annie consideration, as other studios do, Disney-Pixar producers and artists may still enter their own work by ASIFA’s Oct. 15 deadline. Even if individual artists fail to submit, Manoogian expects Disney-Pixar to be well represented on future ballots.

“The Annies are about honoring the best in animation, and we will continue to do so,” he said. “The awards are set up in such a way that the nominating committee can put a nominee on the ballot even though it hasn’t been formally submitted.”

Source: Variety