THE BIG SCARY “S” WORD – Review

An archival photo of an 20th century American socialists protest. part of the exploration of American socialism in the documentary THE BIG SCARY “S” WORD. Courtesy of Greenwich Entertainment.

In honor of Labor Day, how about a documentary about the idea that led to labor unions? That late 19th century idea also sparked such things as taxpayer-funded fire departments, health and safety laws, rural electric cooperatives, the interstate highway system and Social Security. You know, that thing so many now find so scary: socialism, which is the subject of THE BIG SCARY “S” WORD, a documentary which focuses on the long history of American socialism.

Yeah, American socialism. While socialism inspired Karl Marx (although, as this informative documentary notes, socialism pre-dates Marx and communism), socialism is a broad idea that sparked many beneficial changes to society, including those labor unions and the early labor movement, changes that made life better and fairer for ordinary people. Actually, old Soviet Union-style communism was a pretty far journey from the grass-roots, democratic, fairness ideas socialism began with, something that can be seen from the facts presented in this thoughtful documentary. Socialism, and democratic socialism, has been part of the USA for a very long time – and it is that long history of American socialism that what this documentary essentially is about.

Among the facts this well-made documentary relates is that the pledge of alliance was written by a socialist, something that flies in the face of the image of it as foreign or fringe. Director/writer Yael Bridge’s documentary THE BIG SCARY “S” WORD takes a look at American socialism in particular, and its ideas for a fairer society for ordinary people, a concept that not only led to labor unions, but was promoted by the old trust-buster Teddy Roosevelt, and helped lift ordinary people and the country out of the Great Depression of the 1930s.

Still, the documentary’s tagline, “What’s more American than socialism,” might upset some on the far-right, those so busy fuzzing the line between socialism and communism. While those folks decry “socialism” and post photos of chaos in Venezuela, they carefully avoid mention of prosperous democratic socialist (and capitalist) nations like Norway. THE BIG SCARY “S” WORD has a little tongue-in-cheek fun with all the scary talk around an idea that largely means infrastructure and services for the common good, provided by government and paid for by tax payer dollars, rather than the end of capitalism.

This documentary has polished production values and a nice mix of famous names and ordinary people as its interviewees, interspersed with archival stills and footage in its wide-ranging examination of its topic. It makes the too-often overlooked point that Martin Luther King was working for the rights of poor people as well as Black people, sprinkling the documentary with such pithy sound bites as from King and other famous figures. Among the famous socialists mentioned in this documentary are Walt Whitman, James Baldwin and Albert Einstein, as it takes us on its tour of American socialism.

The documentary also shows some contemporary labor activists and politicians who identify as socialist but it steers clear of any political Democrats versus Republican commentary, restricting its comments to the influence of money in politics, a bi-partisan concern.

As the documentary highlights that, at one time, everybody thought ideas like Social Security and labor unions were good things, even into recent years, and socialism was once a popular, ordinary part of America. The image of socialism started to shift with the start of the Cold War and particularly with Joseph McCarthy and the “red scare.” Attitudes on it further eroded during the 1980s, and even after the fall of the Soviet Union, socialism has increasingly been confused with Soviet-style communism, ignoring the fact that many of the most prosperous capitalistic economies in the world have are democratic socialist governments. While the kind of democratic socialism practiced in capitalistic democracies, like those in most of Western Europe, does not look too scary – in fact it seems to be working pretty well, with both prosperity and less income inequality – this documentary sticks to American socialism.

THE BIG SCARY “S” WORD makes some good points, many that are particularly needed right now in the midst of media and social media hysteria over the word, as it recaps this forgotten slice of American history. It covers the nation’s past forays into areas of socialism and famous figures like Eugene Debs, who looks radical now but was more mainstream then, cooperating with elected officials and businesses. It looks at efforts in the present, including some by union members, to make the country more fair and democratic. One of the most interesting present-day segments takes us inside a successful for-profit business owned and run by its employees.

While it does make good points, the documentary could be better structured. It rambles around quite a bit, fails to directly address some issues that will be top of mind for many viewers including its differences from communism, and it takes awhile before the documentary gets started on detailing the history of socialism in America, the most central part of the film. Perhaps the editing needed to be more focused on what the documentary really wanted to say, about socialism’s history in this country and its role at this current moment in time, something that could certainly need some clarification with all the present social media noise.

Coming in at under 90 minutes, this is an interesting, involving, worthy documentary that revisits the important but nearly forgotten history of American socialism and ties that history to the present in an insightful, informative way. THE BIG SCARY “S” WORD opens Friday, Sept. 3, in theaters in selected cities and on demand on Apple TV, Amazon Prime and other on demand platforms.

RATING: 2 1/2 out of 4 stars

MLK/FBI – Review

Last month the documentary feature DEAR SANTA proved to be the perfect film to coincide with the upcoming holiday. And though this week’s doc is only a couple of days away from its holiday, it couldn’t be more timely and relevant to today’s headlines. This coming Monday our nation once again celebrates the life and legacy of Martin Luther King, Jr. (his actual birthday is Friday, but the official holiday, with schools and offices closed, is the third Monday of the month). Of course, he wasn’t as revered then, during his own lifetime, as he is now. Some groups openly despised him. At the top of that list, white supremacists like the Ku Klux Klan may have been the most vocal (and violent). But Dr. King had a more powerful enemy, very close to the President, none other than “G-man number one” J. Edgar Hoover, who put considerable effort into spying on and discrediting him. How did Hoover’s obsession over King begin? And just how far did it go? Most of those queries are answered and illustrated in MLK/FBI.

Though King is generally associated with the 1960s, the story of this conflict begins in 1956, when he made headlines for organizing the bus boycott in Montgomery, Alabama. It also put him on Hoover’s “radar”. His immediate concern was King’s association with documented communist “leftie” Stanley Levison, an advisor/mentor and major fundraiser from NYC. But the wiretaps on his phones netted a “bonus” for the feds: King was a “player” indulging in many extra-marital “indiscretions”. Hoover had his new mission. Over the next dozen years, his agents made King their top priority with surveillance, phone-taps, and hotel “bugs”. Hours of audio recordings were collected as Hoover publicly called King “the world’s biggest liar” and his movement the greatest threat to US democracy. And he had a direct line to the oval office. JFK and his brother Robert, the Attorney General, even urged King to distance himself from Levison. After he receives the Nobel Peace Prize, King bonds with new President Johnson as he pushes through the Civil Rights Act in 64 and the Voting Rights Act the following year. But as the Reverend promoted non-violent protest, Hoover went on the attack, even sending a box of tapes to Kin’s wife Coretta and mailing him an anonymous letter (supposedly from a supporter) urging him to “do the right thing” (suicide). The harassment escalates when King goes out of favor with LBJ by speaking out against the Vietnam War. All ends with an ironic twist when the FBI devotes all of its efforts to capture King’s assassin, though many considered James Earl Ray a “patsy”, Hoover would stay on at the Bureau until his death in 1974.

Filmmaker Sam Pollard cements his reputation as one of the most talented historical documentarians, breathing vibrant life into often familiar iconic celebrated figures. Though much of his work has been presented through PBS venues (his look at the life and career of Sammy Davis, Jr. from 2017 is well-worth locating), Pollard proves his ability to work on a much larger canvas, with this feature theatrical triumph. Of course the “I have a speech” is represented with crisp, clear archival material (though there are some new camera angles), but he juggles other well-trod incidents (protests, newsreel snippets) with more intimate “at home” scenes (we even see the King children playfully dashing about), snapshots (King getting some sun at an island retreat), and TV kinescopes, from “Face the Nation” (being grilled by a baby-faced Dan Rather) and “The Merv Griffin Show” (along with fellow crusader Harry Belafonte, subject of another new great doc on his stint as a “Tonight Show” guest host). Pollard also provides lots of “face-time” with Hoover, showing us how the coifed “straight-hair” morphed over the decades into his “bulldog” persona. Some of the salacious tabloid-style stories around are briefly recalled while Pollard injects a bit of “camp” with the newsreel clips (a young actor Hoover to tell him how to “join up”) and depictions of his agents from Hollywood studio crime “potboilers” with actors in crisp double-breasted suits without a hair out of place (and yes, there’s Efrem Zimbalist, Jr. leading the way in the long-running ABC-TV Sunday night staple, “The FBI”). Writers Benjamin Hedin and Laura Tomaselli craft the film’s structure, forgoing one narrator and relying on comments from historians like Beverly Gage, current newsmakers like James Comey, and those surviving King confidants like Andrew Young, with most off-camera, though each gets an occasional “close-up” for impact. With their help, we learn that the country then was also divided with many siding with Hoover (in some news polls, over 50%), much of that split stemming from King’s wildly unpopular views on the war in Southeast Asia. And there’s a wide disconnect between his pleas for non-violence and the “man on the street” interviews dubbing him an “instigator of trouble”. The whole film makes for a great “crash course” in US history and leaves us with many questions about the release of those audiotapes, scheduled for 2027. The film’s “talking heads” split on their value and credibility, but 1960’s buffs and doc fans will be united in their appreciation for the enlightening and compelling MLK/FBI.

3.5 Out of 4

MLK/FBI opens in select theatres and screens exclusively in the St. Louis area at Landmark’s Plaza Frontenac Cinemas beginning Friday, January 15, 2021. It is also available as a Video-on-Demand via most streaming apps and platforms.