THE INTOUCHABLES & AMOUR On Foreign Language Film List For 85th Academy Awards


THE INTOUCHABLES

A record 71 countries, including first-time entrant Kenya, have submitted films for consideration in the Foreign Language Film category for the 85th Academy Awards®. In May, Michael Haneke’s AMOUR (LOVE) won the Palme d’Or at the 65th Cannes Film Festival and was shown this past weekend  at the 50th New York Film Festival. However the film I was happiest to see make the list below is from France – THE INTOUCHABLES from directors Olivier Nakache and Eric Toledano. Check out our review HERE.

In the Academy’s rules, only one picture will be accepted from each country. Plus the Academy Statuette (Oscar) will be awarded to the motion picture and accepted by the director on behalf of the picture’s creative talents. Ultimately five foreign language motion pictures are nominated for this award.

Director/writer Asghar Farhadi’s A SEPARATION from Iran won the Oscar for the Best Foreign Language Film at the 84th Academy Awards.

The 2012 submissions are:
Afghanistan, “The Patience Stone,” Atiq Rahimi, director;
Albania, “Pharmakon,” Joni Shanaj, director;
Algeria, “Zabana!” Said Ould Khelifa, director; 
Argentina, “Clandestine Childhood,” Benjamín Ávila, director;
Armenia, “If Only Everyone,” Natalia Belyauskene, director; 
Australia, “Lore,” Cate Shortland, director;
Austria, “Amour,” Michael Haneke, director; 
Azerbaijan, “Buta,” Ilgar Najaf, director;
Bangladesh, “Pleasure Boy Komola,” Humayun Ahmed, director;
Belgium, “Our Children,” Joachim Lafosse, director;
Bosnia and Herzegovina, “Children of Sarajevo,” Aida Begic, director;
Brazil, “The Clown,” Selton Mello, director;
Bulgaria, “Sneakers,” Valeri Yordanov and Ivan Vladimirov, directors;
Cambodia, “Lost Loves,” Chhay Bora, director;
Canada, “War Witch,” Kim Nguyen, director;
Chile, “No,” Pablo Larraín, director;
China, “Caught in the Web,” Chen Kaige, director;
Colombia, “The Snitch Cartel,” Carlos Moreno, director;
Croatia, “Vegetarian Cannibal,” Branko Schmidt, director;
Czech Republic, “In the Shadow,” David Ondrícek, director;
Denmark, “A Royal Affair,” Nikolaj Arcel, director;
Dominican Republic, “Jaque Mate,” José María Cabral, director; 
Estonia, “Mushrooming,” Toomas Hussar, director;
Finland, “Purge,” Antti J. Jokinen, director;
France, “The Intouchables,” Olivier Nakache and Eric Toledano, directors;
Georgia, “Keep Smiling,” Rusudan Chkonia, director;
Germany, “Barbara,” Christian Petzold, director;
Greece, “Unfair World,” Filippos Tsitos, director;
Greenland, “Inuk,” Mike Magidson, director;
Hong Kong, “Life without Principle,” Johnnie To, director;
Hungary, “Just the Wind,” Bence Fliegauf, director;
Iceland, “The Deep,” Baltasar Kormákur, director;
India, “Barfi!” Anurag Basu, director; 
Indonesia, “The Dancer,” Ifa Isfansyah, director;
Israel, “Fill the Void,” Rama Burshtein, director;
Italy, “Caesar Must Die,” Paolo Taviani and Vittorio Taviani, directors;
Japan, “Our Homeland,” Yang Yonghi, director; 
Kazakhstan, “Myn Bala: Warriors of the Steppe,” Akan Satayev, director;
Kenya, “Nairobi Half Life,” David ‘Tosh’ Gitonga, director;
Kyrgyzstan, “The Empty Home,” Nurbek Egen, director;
Latvia, “Gulf Stream under the Iceberg,” Yevgeny Pashkevich, director;
Lithuania, “Ramin,” Audrius Stonys, director;
Macedonia, “The Third Half,” Darko Mitrevski, director;
Malaysia, “Bunohan,” Dain Iskandar Said, director; 
Mexico, “After Lucia,” Michel Franco, director;
Morocco, “Death for Sale,” Faouzi Bensaïdi, director;
Netherlands, “Kauwboy,” Boudewijn Koole, director;
Norway, “Kon-Tiki,” Joachim Rønning and Espen Sandberg, directors;
Palestine, “When I Saw You,” Annemarie Jacir, director; 
Peru, “The Bad Intentions,” Rosario García-Montero, director;
Philippines, “Bwakaw,” Jun Robles Lana, director;
Poland, “80 Million,” Waldemar Krzystek, director;
Portugal, “Blood of My Blood,” João Canijo, director;
Romania, “Beyond the Hills,” Cristian Mungiu, director;
Russia, “White Tiger,” Karen Shakhnazarov, director;
Serbia, “When Day Breaks,” Goran Paskaljevic, director;
Singapore, “Already Famous,” Michelle Chong, director;
Slovak Republic, “Made in Ash,” Iveta Grófová, director;
Slovenia, “A Trip,” Nejc Gazvoda, director;
South Africa, “Little One,” Darrell James Roodt, director;
South Korea, “Pieta,” Kim Ki-duk, director; 
Spain, “Blancanieves,” Pablo Berger, director;
Sweden, “The Hypnotist,” Lasse Hallström, director;
Switzerland, “Sister,” Ursula Meier, director;
Taiwan, “Touch of the Light,” Chang Jung-Chi, director;
Thailand, “Headshot,” Pen-ek Ratanaruang, director;
Turkey, “Where the Fire Burns,” Ismail Gunes, director;
Ukraine, “The Firecrosser,” Mykhailo Illienko, director;
Uruguay, “The Delay,” Rodrigo Plá, director;
Venezuela, “Rock, Paper, Scissors,” Hernán Jabes, director;
Vietnam, “The Scent of Burning Grass,” Nguyen Huu Muoi, director.


AMOUR

The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2012 will be presented on Sunday, February 24, 2013, at The Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.

John Landis & Rick Baker To Attend AMERICAN WEREWOLF IN LONDON Screening At The Academy For “Universal’s Legacy of Horror” Series

As we gear up for Halloween. the Academy is hosting an October-long celebration of classic horror films in honor of “Universal’s Legacy of Horror“- part of the studio’s year-long 100th anniversary celebration. This week’s films highlight THE MAN WHO LAUGHS, THE WOLFMAN and AN AMERICAN WEREWOLF IN LONDON. Just last week writer, director Guillermo del Toro, a big fan of JAWS, hosted the kick-off screening celebrating the studio that defined “horror films.”

Del Toro also answered questions from fans on the Academy’s Facebook page.

For those not in the Southern California area, you can watch all these cinematic masterpieces of the horror genre on Blu-ray in the Universal Classic Monsters: The Essential Collection which debuted on October 2 from Universal Studios Home Entertainment.

If you’re in the Beverly Hills area, check out the lineup for the rest of the month:

“The Man Who Laughs” (1928) Monday, October 8, at 7:30 p.m. Samuel Goldwyn Theater 8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include writer/director Chris and Paul Weitz, grandsons of producer, Paul Kohner.  This rarely screened silent horror feature stars Conrad Veidt and Mary Philbin.

“The Wolf Man” (1941) and “An American Werewolf in London” (1981) Tuesday, October 9, at 7:30 p.m. Samuel Goldwyn Theater 8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include director John Landis, Oscar-winning makeup artist Rick Baker, producer George Folsey, Jr. and actor David Naughton from “An American Werewolf in London.”

“Creature from the Black Lagoon” (1954, in 3D) and “The Invisible Man” (1933) Tuesday, October 16, at 7:30 p.m. Samuel Goldwyn Theater 8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include actress Julie Adams, who played Kay Lawrence in “Creature from the Black Lagoon.”

“The Birds” (1963) Tuesday, October 23, at 7:30 p.m. Samuel Goldwyn Theater 8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include actresses Tippi Hedren, who played Melanie Daniels, and Veronica Cartwright, who played Cathy Brenner, in the film.

“The Phantom of the Opera” (1925) Tuesday, October 30, at 7:30 p.m. Samuel Goldwyn Theater 8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include film historian and preservationist Kevin Brownlow, and 103 year-old Carla Laemmle, a dancer in the film and niece of Universal Studios founder Carl Laemmle.

SATURDAY DOUBLE-DOUBLE FEATURE*

“Abbott and Costello Meet Frankenstein” (1948) and “The Ghost and Mr. Chicken”(1966) Saturday, October 27, at 2 p.m. Linwood Dunn Theater 1313 Vine Street, Hollywood

Special guests scheduled include actress Joan Staley, who played Alma Parker in “The Ghost and Mr. Chicken.”

“The Incredible Shrinking Man” (1957) and “Tarantula” (1955) Saturday, October 27, at 7:30 p.m. Oscars Outdoors

1341e Street, Hollywood *Series passes are not good for the Double-Double Feature. Individual tickets are on sale now for each double feature.

In conjunction with the screening series, the Academy will present “Universal’s Legacy of Horror: A Centennial Exhibition,” which includes rare posters, stills and other artifacts celebrating Universal’s distinctive contributions to the classic horror genre and the studio’s founding 100 years ago.  The exhibition will run in the Academy Grand Lobby throughout October. Admission is free. Series passes for “Universal’s Legacy of Horror” (excluding the Saturday double features) are $20 for the general public and $15 for Academy members and students with valid ID. Tickets for individual screenings are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office, or by mail. Ticketed seating is unreserved. For more information call (310) 247-3600 or visit www.oscars.org.

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Photos: Courtesy of AMPAS

007’s “The Music of Bond: The First 50 Years” To Be Celebrated At The Academy

As part of the global 50th anniversary celebration of James Bond, the Academy of Motion Picture Arts and Sciences will present “The Music of Bond: The First 50 Years,” on Friday, October 5, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. Held 50 years to the day after the U.K. opening of the first Bond film, “Dr. No,” the evening pays homage to the memorable title songs and indelible scores that have become as celebrated as the films themselves.

Check out Vanity Fair’s latest Bond spread HERE.

Hosted by music historian and writer Jon Burlingame, the program will feature many of the people who made the music, including composer Bill Conti (“For Your Eyes Only”), songwriter Carole Bayer Sager (“Nobody Does It Better” from “The Spy Who Loved Me”), lyricist Don Black (title songs for “Thunderball,” “Diamonds Are Forever,” “The Man with the Golden Gun” and “The World Is Not Enough”) and guitarist Vic Flick, who laid down the famous guitar lick for the “James Bond Theme.” There also will be a special video message from actor Roger Moore.

Over the 22 films released to date as part of the official James Bond series, there have been several constants: suave but deadly leading men, gorgeous and sexy Bond girls, over-the-top villains and incredible music. Bond theme songs, sung by such leading performers as Nancy Sinatra (“You Only Live Twice”), Shirley Bassey (“Goldfinger”), Paul McCartney and Wings (“Live and Let Die”), Carly Simon (“Nobody Does It Better”) and Sheena Easton (“For Your Eyes Only”), consistently landed on the pop music charts. Duran Duran’s “A View to a Kill” became the first Bond song to hit #1 on the Billboard Hot 100.

My personal favorite, “You Only Live Twice,” can put you in such a mood.

Those notable elements combined with the remarkable scores by composers including Conti, John Barry, Marvin Hamlisch and David Arnold has resulted in a body of work that continues to play a major role in popular film culture.

Tickets for “The Music of Bond” are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office, or by mail. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open at 6:30 p.m. Ticketed seating is unreserved. For more information, call (310) 247-3600 or visit www.oscars.org.

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Photos: ©AMPAS

Academy’s Contemporary Documentaries Series Returns With INSIDE JOB

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences will kick off its 30th annual “Contemporary Documentaries” screening series with last year’s Oscar®-winning feature, “Inside Job,” and “Casino Jack and the United States of Money” on Wednesday, September 21, at 7 p.m. at the Linwood Dunn Theater in Hollywood.

Admission to all screenings in the series is free.

Directed by Charles Ferguson, who produced the film with Audrey Marrs, “Inside Job” traces the financial practices that laid the groundwork for the global economic crisis in an examination that places blame in the hands of many who are still in power. Predatory lending, credit default swaps and financial deregulation are subjected to close scrutiny and criticism in a primer on the situation that affected the lives of millions.

“Casino Jack and the United States of Money,” a portrait of disgraced Washington super-lobbyist Jack Abramoff, confirms the adage that truth is indeed stranger than fiction. A tale of international intrigue with Indian casinos, Russian spies, Chinese sweatshops and a mob-style killing in Miami, this is a story of the way money corrupts our political process. The film was directed by Alex Gibney and produced by Gibney, Alison Ellwood and Zena Barakat.

The 30th annual “Contemporary Documentaries” series is a showcase for feature-length and short documentaries drawn from the 2010 Academy Award® nominations, including the winners, as well as other important and innovative films considered by the Academy that year.

Part One of this two-part series runs through December. The screening schedule is as follows:

Wednesday, September 21

“Inside Job”
Directed by Charles Ferguson
Produced by Ferguson, Audrey Marrs
Academy Award winner: Documentary Feature

“Casino Jack and the United States of Money”
Directed by Alex Gibney
Produced by Gibney, Alison Ellwood, Zena Barakat

Wednesday, October 5

“Sun Come Up”
Directed by Jennifer Redfearn          
Produced by Redfearn, Tim Metzger
Academy Award nominee: Documentary Short Subject

“Waste Land”
Directed by Lucy Walker
Produced by Angus Aynsley, Hank Levine
Academy Award nominee: Documentary Feature

Wednesday, October 19

“Strangers No More”
Directed and produced by Karen Goodman, Kirk Simon
Academy Award winner: Documentary Short Subject

“Precious Life”
Directed by Shlomi Eldar
Produced by Ehud Bleiberg, Yoav Ze’evi

Wednesday, November 2

“Restrepo”
Directed and produced by Tim Hetherington, Sebastian Junger
Academy Award nominee: Documentary Feature

“The Tillman Story”
Directed by Amir Bar-Lev
Produced by John Battsek

Wednesday, November 9

“Born Sweet”
Directed and produced by Cynthia Wade

“Enemies of the People”
Directed and produced by Rob Lemkin, Thet Sambath

Wednesday, November 30

“The Lottery”
Directed by Madeleine Sackler
Produced by Blake Ashman-Kipervaser, James Lawler, Sackler

“Waiting for ‘Superman’”
Directed by Davis Guggenheim
Produced by Lesley Chilcott
Wednesday, December 7 – At the California Science Center IMAX Theater

“Hubble 3D”
Directed and produced by Toni Myers

All films will screen at the Linwood Dunn Theater at the Academy’s Pickford Center for Motion Picture Study on Wednesdays at 7 p.m., except for the IMAX presentation on December 7. Doors open at 6 p.m. All seating is unreserved. The filmmakers will be present at screenings whenever possible.

The Linwood Dunn Theater is located at 1313 Vine Street in Hollywood. Free parking is available through the entrance on Homewood Avenue (one block north of Fountain Avenue). For additional information, visit www.oscars.org or call (310) 247-3600.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

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Academy Grants $50,000 To Telluride Film Festival

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences has awarded a $50,000 grant to underwrite the 2011 Telluride Film Festival’s Guest Director program, this year featuring musician Caetano Veloso. Veloso has over 100 film and television credits, but may be best known to moviegoers for his performance of “Cucurrucucú Paloma” (“Cucurrucucu Dove”) in Pedro Almodóvar’s Academy Award®-winning film, “Talk to Her.”

This is the fourth consecutive year that the Academy has funded the program. In 2010 the festival’s guest director was writer Michael Ondaatje; in 2009, it was Alexander Payne, the director and Oscar®-winning screenwriter of “Sideways;” and in 2008, it was Slavoj Zizek, the Slovenian political philosopher and cultural critic.

“The Guest Director Program brings added depth and a rare variety of films to the Festival that we consider an integral part of our program’s success,” said Telluride Film Festival Co-Director Julie Huntsinger. “The generous support from The Academy and our ongoing partnership allows us to continue working with brilliant artists, whose film selections are sourced from film vaults across the globe, and put together a program our audience expects and deserves.”

For more than two decades, Telluride has welcomed numerous prominent filmmakers and personalities to help select and present each year’s films. Previous guest directors include Academy Award-nominated writer-director Peter Bogdanovich, director Jean-Pierre Gorin, film curator and archivist Edith Kramer, Oscar-winning documentarian Errol Morris, author Salman Rushdie, Oscar-winning composer and lyricist Stephen Sondheim, and filmmaker Bertrand Tavernier.

The Academy Foundation – the Academy’s cultural and educational wing – annually distributes more than $1 million to film scholars, cultural organizations and film festivals throughout the U.S. and abroad. The Foundation also presents the Academy’s rich assortment of screenings and other public programs each year.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
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RAGING BULL, SUPERMAN RETURNS Among “Crew Call 2011: Celebrating the Crafts” Photos To Line Academy Gallery


Brian Hamill. From the film “Raging Bull”. Courtesy of United Artists, 1979.

Beverly Hills, CA – More than 115 images shot on the sets of such films as “Raging Bull,” “Munich,” “You, Me & Dupree,” “Rendition,” “Salt” and “Superman Returns” will be on display in the Academy of Motion Picture Arts and Sciences’ new exhibition, “Crew Call 2011: Celebrating the Crafts,”  opening Friday, September 9, in the Academy’s Grand Lobby Gallery. The exhibition, open to the public, will run through Sunday, December 18. Admission is free.

Shot by 25 members of the Society of Motion Picture Still Photographers, “Crew Call 2011” will include photographs depicting the work of numerous, and essential, ‘below-the-line’ craftspeople on a movie set, from animal wranglers, puppeteers, makeup artists, seamstresses, stunt performers and prop masters to grips, gaffers and P.A.s. Several images show how production design and visual effects departments work preparing sets and staging action sequences, and provide glimpses of how the magic of the movies is achieved during long days and nights of shooting.


David James. From the film “Superman Returns”. Courtesy of Warner Bros., 2006.

“Crew Call 2011: Celebrating the Crafts” features photographs from Karen Ballard, Claudette Barius, Ron Batzdorff, Phil Bray, Andrew Cooper, François Duhamel, Sam Emerson, Anthony Friedkin, Melinda Sue Gordon, Brian Hamill, Suzanne Hanover, Kerry Hayes, David James, Douglas Kirkland, Rolf Konow, Jay Maidment, Frank Masi, Melissa Moseley, Macall Polay, Andrew Schwartz, David Strick, Suzanne Tenner, Jaimie Trueblood, Merie Weismiller Wallace and Barry Wetcher.

The Society’s previous exhibitions, “Between Takes” and “Take 2” were on display at the Academy in 2000 and 2005.
The Academy’s Grand Lobby Gallery, located at 8949 Wilshire Boulevard in Beverly Hills, is open Tuesday through Friday, 10 a.m. to 5 p.m., and weekends, noon to 6 p.m. The gallery will be closed for the Thanksgiving holiday weekend (November 24 through 27).

For more information call (310) 247-3600 or visit www.oscars.org.


Phil Bray. Electric Raft. From the film “Yogi Bear 3D”. Courtesy of Warner Bros., 2010.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy


Rolf Konow. Puppeteers at Work. From the film “Seed of Chucky”. Courtesy of Rogue Pictures, 2004.

AMPAS Bringing GIANT To Big Screen In NYC

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences’ Monday Nights with Oscar® will present “Giant” on Monday, September 12, at 7 p.m. at the Academy Theater at Lighthouse International in New York City. The evening will also feature actress Carroll Baker and historian Foster Hirsch in an onstage discussion about the making of “Giant” and working with George Stevens.

In the 1956 film adaptation of the novel by Edna Ferber, screenwriters Fred Guiol and Ivan Moffatt bring to life the saga of a family of Texas ranchers headed by Jordan “Bick” Benedict (Rock Hudson) and his wife, Maryland socialite Leslie Lynnton (Elizabeth Taylor).  Spanning several decades, Stevens’s “Giant” is drama on a grand scale, confronting themes of family expectations, class warfare, alcoholism, discrimination against Mexican Americans, and how the oil industry transformed a generation of Texas ranchers into super-rich oil barons. In addition to Baker, the star-studded cast includes James Dean in his final role, Dennis Hopper, Mercedes McCambridge, Earl Holliman and Jane Withers.

“Giant” was nominated for 10 Academy Awards® including Best Picture, but received only one, given to Stevens for Directing. This 55th anniversary screening celebrates the life and legacy of Stevens and is presented as part of the George Stevens Lecture Series, established by the Academy in 1981 after Stevens’s personal papers were donated to the Margaret Herrick Library by George Stevens Jr.

Baker appeared in “Giant” as Luz Benedict II shortly before her Oscar-nominated breakout performance in Elia Kazan’s “Baby Doll.”

Tickets for “Giant” are $5 for the general public and $3 for Academy members and students with a valid ID. Tickets may be purchased online at www.oscars.org or by mail (a printable order form is available in the Events & Exhibitions section of the website).  Tickets may also be purchased at the box office prior to the event (subject to availability).

The Academy Theater is located at 111 East 59th Street (between Park and Lexington avenues) in New York City. Doors open at 6:30 p.m.  For more information, visit www.oscars.org or call (212) 821-9251.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

All photographs © A.M.P.A.S.

Nine Scientific Achievements In Competition For 84th Academy Awards(R)


credit: Michael Yada / ©A.M.P.A.S

Beverly Hills, CA – The Scientific and Technical Awards Committee of the Academy of Motion Picture Arts and Sciences announced today that nine scientific and technical achievements have been selected for further awards consideration.

The list is made public to allow individuals and companies with similar devices or claims of prior art the opportunity to submit their achievements for review. The deadline to submit additional entries is Tuesday, August 30, at 11:59 p.m. PST.

The committee has selected the following methods or devices for further consideration:

  • Micro-Voxel Volume Rendering (Side Effects Software, Inc.)
  • Mova CONTOUR Dense Mesh Motion Capture (Mova)
  • ARRI Zeiss Master Primes Lens Family (ARRI, Inc.)
  • Phantom High-Speed Cameras for Motion Picture Production (Vision Research. Inc.)
  • Pictorvision Eclipse (Pictorvision, Inc.)
  • RealD Cinema System for Theatrical Projection of Stereoscopic Content (RealD)
  • The “Lowry Process” (Reliance MediaWorks)
  • FUJIFILM Black and White Recording Film ENTERNA-RDS for Archive (FUJIFILM North America Corporation)
  • Lyre Microphone Suspension (Rycote Microphone Windshields, Ltd.)

After thorough investigations are conducted on each of the entries, the committee will meet in early December to vote on recommendations to the Academy’s Board of Governors, which will make the final awards decisions.

The 2011 Scientific and Technical Awards will be presented at the Beverly Wilshire in Beverly Hills on Saturday, February 11, 2012.

Claims of prior art or similar technology must be submitted on our online site at www.oscars.org. For further information, contact Awards Administration Director Rich Miller’s office at (310) 247-3000, ext. 1131, or via e-mail at scitech@oscars.org.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards “in which the members vote to select the nominees and winners” the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

Academy to Salute Malcolm McDowell With Special Screening Of A CLOCKWORK ORANGE

Beverly Hills, CA – The Academy of Motion Pictures Arts and Sciences will celebrate the life and career of Malcolm McDowell with an onstage discussion and a 40th anniversary screening of a new digital restoration of “A Clockwork Orange” on Friday, September 16, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. The pre-screening discussion with McDowell will be led by Los Angeles Times writer Geoff Boucher.

After appearing on television and in bit parts with the Royal Shakespeare Company, McDowell burst onto the big screen in “If…,” Lindsay Anderson’s savage 1968 satire of British boarding school life. That performance caught the attention of Stanley Kubrick, who then chose McDowell to portray Alex DeLarge, the leader of a merry band of thugs who relish a bit of “ultra-violence,” in his adaptation of Anthony Burgess’s controversial novel A Clockwork Orange.

Kubrick’s film, which was rated X when it was released in 1971 (now rated R), features a striking juxtaposition of classical music (including that of Alex’s cherished ‘Ludwig van’) with violent imagery, and hinges upon McDowell’s riveting performance as the hoodlum who is subjected to an experimental behavior modification program. “A Clockwork Orange” garnered four Academy Award® nominations and solidified McDowell’s status as one of the most versatile young actors of the 1970s.

McDowell has gone on to enjoy a dynamic and busy career in film, television and theater, and has played a wide range of characters in such films as “O Lucky Man!” “Time after Time,” “Cat People,” “Star Trek Generations” and “Easy A.”  McDowell also appeared in a 2001 documentary profiling Kubrick’s extraordinary career.

Tickets to “An Academy Salute to Malcolm McDowell” are $5 for the general public and $3 for Academy members and students with a valid ID, and will be available for purchase starting Thursday, September 1 online at www.oscars.org and by mail. Doors will open at 6:30 p.m.

The Samuel Goldwyn Theater is located at the 8949 Wilshire Boulevard in Beverly Hills. For more information call (310) 247-3600 or visit www.oscars.org.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

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www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

The Academy Takes A TRIP TO THE MOON

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences will present “A Trip to the Moon” (1902) on Tuesday, September 6, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills.  This historic touchstone film by Georges Méliès’s will be screened in its original hand-colored version direct from its re-premiere at the Cannes Film Festival this May.

An original color print of “A Trip to the Moon” was recently discovered in poor condition and underwent delicate work to rescue and digitize the elements.  The restoration was carried out by Lobster Films, the Groupama Gan Foundation for Cinema and the Technicolor Foundation for Cinema Heritage, and took place at Technicolor Los Angeles.  The French band Air composed an original soundtrack to accompany the film.

The program will be introduced by film historian and archivist Serge Bromberg of Lobster Films and Tom Burton, head of the preservation department at Technicolor Los Angeles.  A newly restored print of “A Trip down Market Street” (1906), recorded by the Miles Bros. of San Francisco days before the famed earthquake leveled the city, along with rare primitive films such as 3D versions of early Méliès films and turn-of-the century attempts at sound films, will round out the evening’s screenings.

“A Trip down Market Street” source elements are courtesy of Rick Prelinger, the Library of Congress.
Tickets to “A Trip to the Moon” are $5 for the general public and $3 for Academy members and students with a valid ID.  Tickets may be purchased online at www.oscars.org, at the Academy box office (8949 Wilshire Boulevard, Monday through Friday, 9 a.m. to 5 p.m.), or by mail.

The Samuel Goldwyn Theater is located at the 8949 Wilshire Boulevard in Beverly Hills.  Doors will open at 6:30 p.m.  For more information call (310) 247-3600 or visit www.oscars.org.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy