The New Trailer for KRAMPUS is So Scary!

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The Krampus is the anti-Santa Claus, a wicked beast from the folklore of the Alpine countries of Europe who loves to swat children who have misbehaved at Christmas with his bundle of birch sticks and rusty chains before dragging them in baskets to the underworld. Krampus is celebrated on Krampusnacht, which takes place on the eve of St. Nicholas’ Day. In parts of Europe, party-goers masquerade as devils, wild-men, and witches to participate in Krampuslauf (Krampus Run). Intoxicated and bearing torches, costumed devils caper and carouse through the streets terrifying children and adults alike. Krampusnacht is increasingly being celebrated in other parts of Europe as well as in many American cities and should be a holiday here, like Halloween. Speaking of Halloween, one of my favorite movies on the subject of October 31st was the 2007 anthology shocker TRICK ‘R TREAT directed by Michael Dougherty so imagine my delight when I heard that Dougherty was helming a new film based on Krampusnacht. A boy who has a bad Christmas ends up summoning a Christmas demon to his family home in KRAMPUS which stars Adam Scott, Toni Collette, and David Koechner. KRAMPUS opens December 4th and I cannot wait!

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There’s a new trailer for KRAMPUS that’s just been launched! Check it out:

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Synopsis:

Legendary Pictures’ Krampus, a darkly festive tale of a yuletide ghoul, reveals an irreverently twisted side to the holiday.  When his dysfunctional family clashes over the holidays, young Max (Emjay Anthony) is disillusioned and turns his back on Christmas.  Little does he know, this lack of festive spirit has unleashed the wrath of Krampus: a demonic force of ancient evil intent on punishing non-believers.

All hell breaks loose as beloved holiday icons take on a monstrous life of their own, laying siege to the fractured family’s home and forcing them to fight for each other if they hope to survive.

The horror-comedy also stars Adam Scott, Toni Collette, David Koechner, Allison Tolman, Conchata Ferrell, Stefania Lavie Owen and Krista Stadler.

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Krampus and his mischievous underlings have been created by the combined efforts of Weta Workshop and Weta Digital, both renowned for their epic work on The Lord of the Rings and The Hobbit trilogies and King Kong, among many others.

Written and directed by Michael Dougherty (Trick ’r Treat), Krampus is co-written by Zach Shields and Todd Casey and produced by Legendary’s Thomas Tull and Jon Jashni, Alex Garcia and Dougherty.  The film will be released by Universal Pictures.

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Asa Butterfield And Britt Robertson Sci-Fi Film Officially Titled THE SPACE BETWEEN US

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Motion picture and television studio STX Entertainment has officially titled their previously untitled intergalactic love story as THE SPACE BETWEEN US, it was announced today by Oren Aviv, President of STX Entertainment’s Motion Picture Group.

Set to start production this month, the film stars Gary Oldman (The Dark Knight, Harry Potter), Asa Butterfield (Ender’s Game, Hugo), Carla Gugino (“Wayward Pines,” Night at the Museum), Britt Robertson (Tomorrowland, The Longest Ride), BD Wong (Jurassic World, “Law & Order: Special Victims Unit”), and Janet Montgomery (Black Swan, “Salem”).

In this star-crossed science fiction love story about two teens from different worlds, Gardner Elliot, the first human born on Mars, is secretly raised in an experimental colony after his astronaut mother dies during childbirth. Sixteen years later, Gardner begins an online romance with a girl living in Colorado and hatches a plan to travel across the universe to meet her. Now, on the run, with Earth’s gravity threatening his very existence, Gardner must race against time and nature to find his love and win her heart. Once united, the two teens venture to seek out the enigmatic billionaire who funded the original expedition to Mars, in hopes of uncovering information about Gardner’s mother and the mysterious circumstances surrounding how Gardner came into existence.

Sam Smith To Sing New James Bond Theme Song For SPECTRE

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Albert R. Broccoli’s EON Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment today confirmed that Sam Smith has recorded “Writing’s On The Wall,” the theme song to SPECTRE, the 24th James Bond adventure.

SPECTRE will be released in the UK on October 26 and in the US on November 6. The song, released by Capitol Records, will debut and be available to purchase and stream on September 25.

Multi-platinum selling artist Sam Smith has co-written the title song, “Writing’s On The Wall,” with fellow GRAMMY Award winner Jimmy Napes. It is the first James Bond theme song recorded by a British male solo artist since 1965.

Smith’s debut album In The Lonely Hour launched at No. 1 in the UK and bowed in at No. 2 in the US, and has since earned five No.1 UK singles, four GRAMMY Awards, three Brit Awards, six MOBO Awards, Q and AMA Awards.

Commenting on the announcement, Michael G. Wilson and Barbara Broccoli, the producers of SPECTRE, said, “Sam and Jimmy have written the most inspirational song for Spectre and with Sam’s extraordinary vocal performance, ‘Writing’s On The Wall’ will surely be considered one of the greatest Bond songs of all time.”

Smith said: “This is one of the highlights of my career. I am honoured to finally announce that I will be singing the next Bond theme song. I am so excited to be a part of this iconic British legacy and join an incredible line up of some of my biggest musical inspirations. I hope you all enjoy the song as much as I enjoyed making it.”

The 23 previous James Bond theme songs make up some of the most memorable movie music of all time.

The previous Bond theme song, SKYFALL, was performed by Adele, and was honored with the Academy Award and Golden Globe Award for Best Original Song, the Brit Award for British Single of the Year, and the Grammy Award for Best Song Written for Visual Media.

A cryptic message from the past sends James Bond (Daniel Craig) on a rogue mission to Mexico City and eventually Rome, where he meets Lucia Sciarra (Monica Bellucci), the beautiful and forbidden widow of an infamous criminal. Bond infiltrates a secret meeting and uncovers the existence of the sinister organisation known as SPECTRE.

Meanwhile back in London, Max Denbigh (Andrew Scott), the new head of the Centre for National Security, questions Bond’s actions and challenges the relevance of MI6, led by M (Ralph Fiennes). Bond covertly enlists Moneypenny (Naomie Harris) and Q (Ben Whishaw) to help him seek out Madeleine Swann (Léa Seydoux), the daughter of his old nemesis Mr White (Jesper Christensen), who may hold the clue to untangling the web of SPECTRE. As the daughter of an assassin, she understands Bond in a way most others cannot.

As Bond ventures towards the heart of SPECTRE, he learns of a chilling connection between himself and the enemy he seeks, played by Christoph Waltz.

Sam Mendes returns to direct SPECTRE, with Daniel Craig reprising his role as 007 for the fourth time. SPECTRE is produced by Michael G. Wilson and Barbara Broccoli. The screenplay is by John Logan and Neal Purvis & Robert Wade and Jez Butterworth, with a story by John Logan and Neal Purvis & Robert Wade.

SPECTRE is set for release in the UK on October 26, 2015, and in the US on November 6, 2015.

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Watch The First Trailer For DEMOLITION Starring Jake Gyllenhaal

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Opening in select theaters in the U.S. on April 8, 2016, check out the first trailer for Jean-Marc Vallée’s DEMOLITION.

Davis (Jake Gyllenhaal), a successful investment banker, struggles after losing his wife in a tragic car crash. Despite pressure from his father in law Phil (Chris Cooper) to pull it together, Davis continues to unravel. What starts as a complaint letter to a vending machine company turns into a series of letters revealing startling personal admissions. Davis’ letters catch the attention of customer service rep Karen (Naomi Watts) and, amidst emotional and financial burdens of her own, the two form an unlikely connection.

With the help of Karen and her son Chris (Judah Lewis), Davis starts to rebuild, beginning with the demolition of the life he once knew.

The film will screen this weekend at the Toronto International Film Festival.

Vallée’s recent films, 2013’s DALLAS BUYERS CLUB, starring Matthew McConaughey, Jennifer Garner and Jared Leto, (3 Oscars – Best Actor, Best Supporting Actor and Best Hair and Makeup) debuted at Toronto and WILD (2014), starring Reese Witherspoon and Laura Dern, screened at Telluride and Toronto and garnered two Oscar nominations.

Visit the film’s official site: http://www.foxsearchlight.com/demolition/

Jean-Marc Vallée and Jake Gyllenhaal on the set of Demolition. Photo by Anne Marie Fox. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved
Jean-Marc Vallée and Jake Gyllenhaal on the set of Demolition. Photo by Anne Marie Fox. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved

Sandra Bullock And Billy Bob Thornton Star In OUR BRAND IS CRISIS Trailer

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Here’s your first look at the brand new trailer for director David Gordon Green’s OUR BRAND IS CRISIS, starring Oscar winners Sandra Bullock (THE BLIND SIDE) and Billy Bob Thornton (SLING BLADE).

The film will debut this coming weekend at the Toronto International Film Festival and then in theaters on October 30th.

In the film, a Bolivian presidential candidate failing badly in the polls enlists the firepower of an elite American management team, led by the deeply damaged but still brilliant strategist “Calamity” Jane Bodine (Bullock). In self-imposed retirement following a scandal that earned her nickname and rocked her to her core, Jane is coaxed back into the game for the chance to beat her professional nemesis, the loathsome Pat Candy (Thornton), now coaching the opposition.

But as Candy zeroes in on every vulnerability – both on and off the campaign trail – Jane is plunged into a personal crisis as intense as the one her team exploits nationally to boost their numbers. Dramatic, rapid-fire and laced with satire, OUR BRAND IS CRISIS reveals the cynical machinations and private battles of world-class political consultants for whom nothing is sacred and winning is all that matters.

The drama also stars Anthony Mackie, Joaquim de Almeida, Ann Dowd, Scoot McNairy and Zoe Kazan.

Green directs from a screenplay by Oscar nominee Peter Straughan (“Tinker Tailor Soldier Spy”), suggested by the documentary by Rachel Boynton, which outlined the American political campaign marketing tactics employed in the real-life 2002 Bolivian presidential election.

The film is produced by Oscar-winning Smokehouse Pictures’ principals Grant Heslov and George Clooney (ARGO), with Bullock, Stuart Besser, and Participant Media’s Jeff Skoll and Jonathan King serving as executive producers.

Green’s behind-the-scenes creative team includes frequent collaborators director of photography Tim Orr, editor Colin Patton, production designer Richard A. Wright and composer David Wingo (MANGLEHORN,), as well as costume designer Jenny Eagan (NOW YOU SEE ME).

http://www.ourbrandiscrisismovie.com/

https://www.facebook.com/OurBrandIsCrisisMovie

https://instagram.com/ourbrandiscrisis/

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Super-8 Comedy Show This Sunday Night at The Book House in St. Louis

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A night of laughs at The Book House! It’s The Super-8 Comedy Show! The fun takes place Sunday, September 13th from 7pm to 10pm. The Book House is located at 7352 Manchester Rd St. Louis, MO, 63143. We’ll be projecting, on Super-8 sound film, condensed versions of films starring Abbott and Costello, The Marx Brothers, Shirley Temple, W.C. Fields. The Little Rascals, Mel Brooks, Monty Python, and More! Admission is FREE and this is part of The Book House’s Comedy Festival, which runs September 9th through the 16th. For more information, visit The Book House’s site HERE
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A Facebook invite for this event can be found HERE
https://www.facebook.com/events/390366521162227/
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ELECTRIC BOOGALOO – Doc About Cannon Films Screening at The Tivoli September 17th

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Bronson!….Norris!…..Dudikoff!

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ELECTRIC BOOGALOO was the name of the wacky 1985 sequel to the break dance epic BREAKIN’ – which I don’t know was worthy of a follow-up but if there was one studio up to the effort in the mid-‘80s, it was Cannon Films. ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS is the title of a new documentary that plays for one night only in St. Louis at Landmark’s The Tivoli Theater Thursday, September 17th at 7pm.

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Israeli cousins Menahem Golan and Yoram Globus, prolific salesmen with little regard for quality, bought Cannon Films for half million dollars in 1979 (it was founded in ’67) and turned it into an efficient assembly line of high-concept, action, and exploitation. Lovers of low-brow cinema could always count on a good time when that Cannon Films logo appeared on-screen. THE TEXAS CHAINSAW MASSACRE PT 2, the Sly Stallone arm wrestling opus OVER THE TOP, Chuck Norris actioners such as MISSING IN ACTION, INVASION USA, and DELTA FORCE, Bronson in DEATH WISH 2 (and 3 and 4), Tobe Hooper’s LIFEFORCE, THE EXTERMINATOR 2, and THE LAST AMERICAN VIRGIN were all part of Cannon’s dependably entertaining output. Cannon gave the likes of Jean Claude Van Damme (CYBORG) and Dolph Lundgren (MASTERS OF THE UNIVERSE and I COME IN PEACE) their start and even created their own action hero with Michael Dudikoff (AMERICAN NINJA and AVENGING FORCE). Cannon flirted with arthouse fare with LADY CHATTERLY’S LOVER, THE COMPANY OF WOLVES, BARFLY, John Cassavette’s LOVE STREAMS, and Franco Zefferelli’s OTTELO, and even received some Oscar love when the two stars of its 1984 hit RUNAWAY TRAIN (Jon Voight and Eric Roberts) were nominated for acting awards. But its films like COBRA and NINJA III DOMINATION, with their low-brow scripts rushed into production, that has made the Cannon studio (which folded in ’94), the stuff of legend. With ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS , filmmaker Mark Hartley, the man behind the wildly entertaining documentaries about B-grade films and filmmakers, NOT QUITE HOLLYWOOD (about the Australian exploitation scene from 2008) and MACHETE MAIDENS UNLEASHED (about the Philippine film industry from 2010) has set his sights on Cannon. Full of clips from the films and interviews with such Cannon luminaries as Dolph Lundgren, Luigi Cozzi, Sybil Danning, Tobe Hooper, Diane Franklin, Franco Nero, Bo Derek, and Lucinda Dickey, the doc is said to be (I have not seen it) a colorful look at the video dustbins of exploitation movie history.

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Landmark Theaters will be presenting a special one-night only screening of ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS September 17th at 7pm. (The Tivoli is located at 6350 Delmar Boulevard, in The Loop, St. Louis, MO, 63130)

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For ticket information go HERE

http://www.landmarktheatres.com/st-louis/tivoli-theatre/film-info/electric-boogaloo

A Facebook invite for the event can be found HERE

https://www.facebook.com/events/1690661997889804/

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and I dare you to skip this screening after watching this amazing trailer:

 

Top Ten Tuesday – The Best M. Night Shyamalan Characters

08 Jul 2006, New York City, New York, USA --- Film director M. Night Shyamalan poses in New York City in support of his new film "Lady in the Water" which opens nationwide July 21. --- Image by © Chip East/Reuters/Corbis

THE VISIT, opening this Friday,  is the terrifying story of a brother and sister who are sent to their grandparents’ remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day. It’s the newest film from director M. Night Shyamalan, whose career path has been rocky of late. Shyamalan had been at the top of heap with movies like THE SIXTH SENSE and SIGNS, but he’s fallen so far from grace that the promotion for his last movie AFTER EARTH went to great lengths to avoid mentioning his involvement (but the director has always been a hit with WAMG’s Michelle McCue, who once penned some ‘Geek Crush’ Happy Birthday wishes that can be found HERE). Will THE VISIT be a return to form for the director, or another AFTER EARTH-sized disaster? We Are Movie Geeks has faith! We were thinking about our favorite ‘M Nighters’ (listen to this week’s podcast, where we discuss his career at length HERE) and decided that since he’s only directed 8 movies since his 1999 breakthrough THE SIXTH SENSE, it would make more sense to honor the characters he created instead of the films he made, so here is a list of the Top Ten Characters from films by M. Night Shyamalan:

 Honorable Mention: STUART LITTLE

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STUART LITTLE is a movie Shyamalan is rarely remembered for, but as a kid’s flick, it was quite enjoyable both for children and adults that may get stuck watching it with them. For that matter, its not a half bad movie to watch as an adult just for fun… as a way to escape in a light-hearted humorous way. Now, the tiny talking mouse Stuart Little may not have only been written by M. Night – the film was directed by Rob Minkoff – but he’s got a big personality. Voiced by Michael J. Fox, the little white, furry dude has a subtle streak of Ferris Bueller in him, combined with the smart and funny writing, the character provides a family-friendly character that’s entertaining and not dumbed down.

10. Merrill Hess (Joaquin Phoenix) in SIGNS

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SIGNS is another example of Shyamalan’s motto: “There are no coincidences.” Since leaving his former life as a record-setting baseball player, Merrill Hess has been staying with his recently widowed brother Graham and his family. “It felt wrong not to swing,” he says of being let go by the team and has been wandering aimlessly through life until crop circles appear in the fields of their Pennsylvania farm. After the beginning of an apparent alien invasion, Merrill truly believes that they will not be harmed by these hand-over-your-mouth scary events because a higher power will take care of them in the end. Joaquin Phoenix’s dramatic facial expression during SIGNS are what give the film its human quality and amusingly helps turn down the stress level. In one of the funnier parts of the movie, Graham discovers that his son and daughter, along with Merrill, have fashioned goofy, cone-head hats out of tin-foil to protect them against alien mind probing. In the thrilling finale to SIGNS, Merrill realizes that his inner passion with a baseball bat was warranted when he’s told by Graham to “swing away” at the alien whose invaded their living room and is holding one of the kids hostage. It’s a battle for the ages. This mantra of “Everything happens for a reason” was the underlying theme throughout SIGNS making Merrill Hess the embodiment of Night’s running idea.

09. Elliot Moore (Mark Wahlberg) in THE HAPPENING

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THE HAPPENING is easily the worst movie I’ve seen in the past decade and I mean that as high praise. It’s the type of delirious masterpiece where every star aligned to form the perfect terrible movie and I can’t get enough of it. Shyamalan claimed (after the nasty reviews started pouring in) that Mark Wahlberg’s overly mannered performance was a deliberate throwback to the B-movies movies of yesteryear; to everyone else it just felt like bad acting. I wish I could have been on the set when M Night directed Marky Mark singing The Doobie Brother ‘Black Water’ through a door to show that he was normal (!). And as for Walhberg’s scene talking to a plastic houseplant: “Hello? My name is Elliot Moore. Just want to talk in a very positive manner, giving off good vibes. We’re just here to use the bathroom, and then we’re just going to leave. I hope that’s OK.” – God save us! THE HAPPENING rules!

08. Rev. Graham Hess (Mel Gibson) in SIGNS

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Reverend Graham Hess… What a fitting role for everyone’s favorite controversial Aussie actor, Mel Gibson. The “man of the cloth” has his doubts, but that’s not gonna stop him from protecting his family from whatever mysterious, lurking danger awaits them outside their home. Terrorized by unknown intruders on their family farm, Graham Hess struggles to protect his family as he toils internally with his faith and what “it” all means. What’s outside? Where’d “they” come from? Do the events that unfold in Shyamalan’s SIGNS have a greater meaning, a double entendre of science and religion? Gibson’s performance is riveting, as much as it is thought-provoking and even a bit humorous at times, despite the subject matter. As always, audiences were split 50/50 with SIGNS, but one thing Shyamalan always does is offer viewers an array of interesting characters full of quirks and conundrums.

07. Reggie (Freddy Rodriguez) in LADY IN THE WATER

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Freddy Rodriguez plays Reggie in Shyamalan’s under-appreciated, fairy tale LADY IN THE WATER. He’s just another unassuming tenant at the apartment complex, ‘The Cove,’ introduced to the audience by custodian Mr. Heep. Reggie’s a guy whose strict regimen consists of an science experiment of working on only the right side of his body. He proudly claims, “there’s is a 4 1/2 inch difference” between his left and right biceps. Reggie’s harmless and, like so many others, simply wants to find his special place in the universe and boy does he ever when he unexpectedly finds himself “The Guardian” of Story, the lady in the water. Unaware of it at the time, there’s a hidden reason for all that working out that wouldn’t be realized until the exciting climax of the film. James Newton Howard’s rousing score adds to Reggie’s edge-of-your-seat mano y mano battle with LITW’s nemesis, the “scrunt,” and helps him to protect and save the Narf. Turns out his daily idiosyncracy was no coincidence and makes Reggie one of Night’s most relatable characters.

06. Dr. Malcolm Crowe (Bruce Willis) in THE SIXTH SENSE

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In 1999 M. Night Shyamalan coaxed from Bruce Willis one of his very best performances in THE SIXTH SENSE. Willis played Malcolm Crowe, a child psychiatrist who’s lost faith in his talents due to a failure to help a long-ago patient. Willis was (and still is) primarily a physical actor and he at first seemed miscast in the role, but he let the child star, Haley Joel Osment, play off his quiet charisma in a way a more emotive actor couldn’t and the result was perfection.  When Shyamalan made the cover of Newsweek magazine in 2002, underneath his picture the caption read; “The Next Spielberg”. Several creatively questionable films later, that caption could not be further from the truth, but at least we’ll always have THE SIXTH SENSE.

05. Cole Sear (Haley Joel Osment) in THE SIXTH SENSE

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Cole Sear (Hayley Joel Osment) … Imagine being a child that can “see dead people.” Cole Sear is one of those children. He is a psychic who can both see and talk to the dead. Cole’s psychologist, Dr. Malcolm Crowe, has a responsibility to help Cole, especially after he failed a child much like him years before. This role was a huge building block in Osment’s career, earning him an Academy Award nomination for Best Supporting Actor.

04. Cleveland Heep (Paul Giamatti) in LADY IN THE WATER

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At first glance we see an unassuming shlub of a man that manages the apartment building in LADY IN THE WATER. But upon closer inspection, we realize that Mr. Heep is a very kind and sensitive, but sad man. Unable to save his wife and children from an assailant years before, he is primed for redemption when he meets Story, a mythical creature from another world that needs to be saved. Something deep inside tells him that he must rally the other residents of the apartment complex to save Story, having no idea the profound effects this will not only have on his own life, but the on the future of mankind.

03. Lynn Sear (Toni Collette) in THE SIXTH SENSE

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Lynn Sear (Toni Collette): Lynn Sear is the mother of Cole Sear (See his listing on our top 10). He confesses to her that he can see and talk to dead people. He then goes on to tell her her own mother once went to view her dance recital as a child, but she stood in the back so that Lynn couldn’t see her. He also gives her an answer to a question that she asks alone at her mothers grave. SPOOKY! Sear is a crucial role because she not only has to find help for her son, but has to pretend not to be creeped out by him!

02. David Dunn (Bruce Willis) in UNBREAKABLE

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While David is the hero of UNBREAKABLE, he enters the film as a melancholy middle-aged man staring vacantly ahead on a commuter train. Soon he catches the sight of a young woman’s bare tattooed torso and quickly removes his wedding band. After being rebuffed by the woman after a clumsy pass he earns the disapproving look of a tot in a seat nearby (and probably most of the audience). All in all, not very heroic behavior. David is soon jolted out his stupor when he becomes the sole survivor of a horrific train crash. In the aftermath of the accident, David is confused when he wakes up in a hospital. His good health should be cause for celebration for his family, but we see David and his wife, Audrey, unclasping hands after they are brought together by their young son. We learn that David wakes every day with a heavy sadness which may contribute to the strain on the marriage. Shortly his mind is opened up to new possibilities after a talk with Elijah Price. David realizes he may be meant for things beyond his job as a college football stadium security guard.

M. Night does a great job in showing how this character reacts to these new ideas. After initially dismissing and denying his discovered abilities, David decides to embrace them and take action. Even after learning of his weakness (or as Elijah puts it, his “kryptonite”) David becomes a fighter for justice. Like Tony Stark, he overcomes his flaws and triumphs. But as the ending reveals, his awakening has come at a terrible price. I hope that perhaps one day an enterprising publisher can bring us more tales of David Dunn. It would be interesting to see what’s become of David (or, is he now The Protector or Sentry-Man?).

01. Elijah Price/Mr. Glass (Samuel L. Jackson) in UNBREAKABLE

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Every good story of a hero needs a great villain and M. Night provides us with a memorable one in UNBREAKABLE’s Elijah Price (aka, Mr. Glass). As with the later Spider-Man films, this villain has a personal connection to the hero, David Dunn, and a back story full of tragedy. The film opens with a flashback to the birth of Price at a department store. There we learn of his condition (brittle bones that break on the slightest impact). Flash ahead a few years and we see a lonely boy sitting alone in front of a blank TV screen, his arm in a sling. He tells his mother of the schoolyard taunts (“They call me Mister Glass!”). His mother is finally able to coax him outside with the promise of a gift… the newest issue of Active Comics. We jump ahead to adulthood and Price has found a way to make a living with his love of heroic fantasy as the owner of a comic book art gallery called Limited Edition. This is where he meets David Dunn after leaving a note on his car during a church service for the train crash victims. It’s then that we finally see him happy at the possibility of discovering a real life super-hero.

What could have been a one note villain becomes a very sympathetic character as we witness his frustrations in dealing with his medical condition. A climb down subway stairs becomes a frightening trek down a mountain top. UNBREAKABLE is one of the few DVD’s that has a terrific deleted scene. We see Elijah again as a pre-teen sneaking away from Mom to a street fair and a ride on a Tilt-A-Whirl. It’s a shame M. Night had to leave it out of the final film, the scene shocks you then tears your heart out. It really shows us what a sad life he’s lived and adds to the horror of that final scene. Elijah Price also benefits from a great restrained performance from Samuel L. Jackson.

This Week’s WAMG Podcast – TRANSPORTER, GRANDMA, Shyamalan, and More!

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This week’s episode of our podcast WE ARE MOVIE GEEKS The Show is up! Hear WAMG’s  Jim Batts, Michelle McCue, and Tom Stockman discuss the weekend box office, and next weekend’s releases. We’ll review TRANSPORTER REFUELED, PAWN SACRIFICE and GRANDMA. We’ll also preview THE VISIT and CAPTIVE. We’ll discuss the exciting news out of the Telluride and Venice Film Festivals and we’ll take an in-depth look at the films of writer/director M. Night Shyamalan. WE ARE MOVIE GEEKS The Show is a weekly podcast and we will soon be streaming at ONStl.com Online Radio.

Here’s this week’s show. Have a listen:

Watch Thomas Edison’s FRANKENSTEIN – A look Back at 1910

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FRANKENSTEIN, starring Boris Karloff and directed by James Whale in 1931, is usually referred to as the ‘original’ movie version of Mary Shelly’s 1818 novel, but, as any real horror movie buff knows, the Karloff/Whale version of FRANKENSTEIN was not the first time Shelly’s story was filmed. Inventor Thomas Edison filmed his own 14-minute take 21 years earlier.

The story behind the first FRANKENSTEIN is a fascinating one. Thomas Edison had been the leading pioneer of the first kinetoscopes, an early motion picture viewing device, and then projected motion pictures. His FRANKENSTEIN was filmed in 1910 at Edison Motion Picture Studios located in the Bronx, New York, one of several dozen movies the studio produced that year. The studio was built between 1906 and 1907 in response to the growing demand for films.

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Here’s how the March 15, 1910 edition of The Edison Kinetogram, the catalog that the Edison Company would send to distributors to hype their new films, described FRANKENSTEIN:

“To those familiar with Mrs. Shelly’s story it will be evident that we have carefully omitted anything which might be any possibility shock any portion of the audience. In making the film the Edison Co. has carefully tried to eliminate all actual repulsive situations and to concentrate its endeavors upon the mystic and psychological problems that are to be found in this weird tale. Wherever, therefore, the film differs from the original story it is purely with the idea of eliminating what would be repulsive to a moving picture audience. To those familiar with Mrs. Shelly’s story it will be evident that we have carefully omitted anything which might be any possibility shock any portion of the audience. In making the film the Edison Co. has carefully tried to eliminate all actual repulsive situations and to concentrate its endeavors upon the mystic and psychological problems that are to be found in this weird tale. Wherever, therefore, the film differs from the original story it is purely with the idea of eliminating what would be repulsive to a moving picture audience.”

The part of the monster in the 1910 FRANKENSTEIN was played by actor Charles Ogle. He joined the Edison Stock Company Players in 1909 and had portrayed Scrooge in a 1910 Edison production of A CHRISTMAS CAROL and George Washington in a series of films on the history of the United States. Since actors at the time were responsible for their own wardrobe and makeup, it was likely Ogle one who developed the monster’s wild-eyed, nightmarish appearance, with its shrieking grimace, straw-like hair and clawed hands. FRANKENSTEIN premiered on Friday, March 18, 1910, a mere two months after it had finished shooting (such a quick turnaround was not uncommon at the time). The film was well-received by critics.

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The New York Dramatic Mirror wrote:

“This deeply impressive story makes a powerful film subject, and the Edison players have handled it with effective expression and skill.”

However, FRANKENSTEIN did not find an audience in 1910. There are several possible reasons that may have contributed to its box-office failure. FRANKENSTEIN was the first horror movie and audiences unaccustomed to such a weird story may not have known what to make of it. Also, movies were already becoming more sophisticated. Directors were using close-ups and editing within scenes so it’s possible that audiences found director James Dawley’s stagey wide shots to be old fashioned. Or perhaps audiences were offended by the blasphemous content of the film with its theme of man creating man, especially during the creation scene, one where Dr. Frankenstein’s success is more through alchemy than science. Whatever the reason, FRANKENSTEIN quickly faded from the public’s minds. In those days, Edison Studios would only strike a few dozen prints of each of their films, which would then be sent out for distribution. After the films had circulated for a few months, they were returned where they were stripped for their silver content. It’s hard to comprehend today but films in the early silent days were considered a quickly disposable medium and no thought was given to preserving them after their initial money making run. Film then was made with a chemically unstable silver nitrate that deteriorated and even spontaneously combusted if not stored correctly. It is for these reasons that it is estimated between eighty and ninety percent of all silent films are irretrievably lost.

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Film preservationist Robert A. Harris has said: “Most of the early films did not survive because of wholesale junking by the studios. There was no thought of ever saving these films. They simply needed vault space and the materials were expensive to house.”

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Edison’s 1910 FRANKENSTEIN was for many decades though lost with not as much as a single still of its production surviving. In1963 a film historian discovered the March 15, 1910 edition of the aforementioned The Edison Kinetogram with its picture of Charles Ogle in full Frankenstein make up on its cover in the Edison archives in New Jersey. That photo was published in numerous books and magazines, including Famous Monsters of Filmland, sparking a renewed interest among horror film buffs. In 1980, the American Film Institute declared the 1910 production of FRANKENSTEIN to be one of the top ten most “Culturally and historically significant lost films.”

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Enter Wisconsin-based film collector Alois Dettlaff. When Detlaff heard the of the film’s placement on the AFI’s list, he announced, to the shock of the film world, that he indeed was in possession of a print of the 1910 FRANKENSTEIN. The sole surviving print had originally belonged to his wife’s grandmother who used to screen the film and other silent shorts as part of a stage show. The film was passed down and eventually landed in the hands of Detlaff. However, Detlaff was originally stingy with his treasure. In the early ‘80s he had allowed a few minutes to be shown as part of a BBC documentary, later released to home video. These snippets would later wind up in various silent cinema video compilations without attribution or payment made to Dettlaff. Feeling slighted, Dettlaff became guarded in allowing the film to be screened. In 1986, he donated a “copyright protected” version of the film, with a copyright notice that scrolled across the center of the film making viewing difficult, to the Academy of Motion Pictures Arts and Sciences. Dettlaff died in 2005 and finally, in 2010, exactly 100 years after its production, BearManor Media released the film on DVD without the scrolling copyright.

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So what can one expect when finally seeing Edison’s FRANKENSTEIN? Detlaff ‘s print was in somewhat deteriorated condition, especially the first few minutes. But it is viewable and complete with intertitles and the color tints as seen in 1910. The film is accompanied by a decent synthesized music score. With a running-time of only fourteen minutes, FRANKENSTEIN is necessarily a much abbreviated version of Mary Shelley’s story, yet what remains is a lively and efficient condensation of the novel’s plot.There are some fascinating elements in the film. The special effects of the monster gradually forming before our eyes are extremely primitive by today’s standards but were unprecedented for 1910. The monster is created through chemicals in a large cauldron in a long sequence that employs puppetry and reverse motion and it is both eerie and effective.The use of mirrors is also interesting, with the monster visible in several scenes through the door-sized looking glass in Frankenstein’s bedroom, implying that the creature may be simply a reflection of its own creator.

Watch the 1910 FRANKENSTEIN in it’s entirety Here:

 

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