SP Releasing and Sony Pictures Home Entertainment will release RUNNING WILD in select theaters and On DemandFebruary 10, 2017.
RUNNING WILD tells the story of a young widow trying to save her ranch following her husband’s fatal car crash. She creates a convict rehabilitation program, working with a herd of wild horses that have wandered onto her property. She did not anticipate the greed, bureaucracy and vanity that she must overcome to heal the convicts, the horses and ultimately herself.
Check out the trailer:
RUNNING WILD stars Sharon Stone (Casino, Basic Instinct), Tommy Flanagan (FX’s “Sons of Anarchy,” Gladiator), Jason Lewis (NBC’s “Midnight, Texas,” HBO’s “Sex and the City”), Dorian Brown Pham (FX’s “Wilfred,” Home Run),and Tom Williamson (Freeform’s “The Fosters,” All Cheerleaders Die). The film is directed by Alex Ranarivelo (American Wrestler: The Wizard) and written by multi-hyphenate Christina Moore (Pray for Rain, New Form’s “Mr. Student Body President”) & Brian Rudnick(American Wrestler: The Wizard).
“Only I didn’t say fudge… I said THE WORD. The big one. The queen mother of all dirty words… the F-dash-dash-dash WORD!!!!”
A CHRISTMAS STORY(1983) is screening at 7:30pm Thursday December 22nd at Schlafly Bottleworks – 7260 Southwest Ave St Louis, MO 63143. Doors open at 6:30pm. It’s a fundraiser for Helping Kids Together. The film will be introduced by We Are Movie Geek’s own Tom Stockman!
I used an air rifle I got one Christmas growing up, but I never had a mail-in decoder ring which required me to consume mass quantities of Ovaltine, I never ran into bullies with yellow eyes, and I never took a dare to stick my tongue to an aluminum pole in the middle of winter. Of all the holiday films that have been released in the last thirty years, did anyone envision that the sleepy low budget film from 1983, generically titled A CHRISTMAS STORY, would be at the top of the almost everyone’s list? It actually bombed when first released in theater (though I saw it there twice) but has developed such an enormous following over the years, mostly through cable TV airings, that it probably is #1 on more favorite Christmas movies list than anything. Who would have thought Bob Clark, director of terrifying low-budget horror movies such as BLACK CHRISTMAS and DEATHDREAM (as well as the raunchy comedy hit PORKY’S) could capture such an innocent and nostalgic slice of life?
A CHRISTMAS STORY captured the idealism and–yes—the sadism of being a kid. Childhood is a crazy mix of hero worship, toy envy, survival of the fittest, daily fear of something, extreme innocence, and the desire to be treated as a grown-up without having to actually put up with being one. A CHRISTMAS STORY captures all these elements with sardonic poignancy. One of the greatest things about A CHRISTMAS STORY is ‘the Old Man’ played by Darren McGavin (61 when the film was made), who is constantly busy throughout the film, whether it’s battling the *#&*#@! furnace or trying to get his *#&*#@! car started or any other number of task that he becomes occupied with and cause him to cuss. He has very little dialog with Ralphie, yet it is he who in the end gets him his BB gun.
A CHRISTMAS STORY has a kind of timelessness that makes such a beloved piece of art, one we watch over and over and never get tired of it. Now you’ll have the chance to shoot your eye out and see A CHRISTMAS STORY in all its big screen glory and with an audience of fellow merrymakers when it plays 7:30pm Thursday December 22nd at Schlafly Bottleworks in Maplewood (7260 Southwest Ave St Louis, MO 63143). Suggested admission is $6 but all of that money will support production of A FIT KID, an active lifestyle development program produced by Helping Kids Together (http://www.helpingkidstogether.com/), a St. Louis based social enterprise dedicated to building cultural diversity and social awareness among young people through the arts and active living.
Sponsored by Karl & Beckie Heinz
A yummy variety of food from Schlafly’s kitchen is available as are plenty of pints of their famous home-brewed suds. The bartender will be on hand to take care of you.
We hope to see everyone December 22nd! It’s better than sticking your tongue on frozen pole!
THE FACEBOOK Invite for the event can be foundHERE
CBS Films has released a powerful first trailer for the upcoming drama THE SENSE OF AN ENDING, directed by Ritesh Batra (THE LUNCHBOX).
The film stars Academy Award winner Jim Broadbent (Iris, Gangs of New York, Moulin Rouge!), HarrietWalter (Babel, Atonement, Sense and Sensibility), Michelle Dockery (Babel, Atonement, Sense and Sensibility), EmilyMortimer (Shutter Island, Hugo, Lars and the Real Girl), BillyHowle (The Witness for the Prosecution, Cider with Rosie, Glue), Joe Alwyn (Billy Lynn’s Long Halftime Walk, Higher Education, Keepers), Freya Mavor (The Lady in the Car with Glasses and a Gun, Sunshine on Leith, Skins), Matthew Goode (The Imitation Game, Belle) and Charlotte Rampling (45 Years, Melancholia).
Tony Webster (Broadbent) leads a reclusive and quiet existence until long buried secrets from his past force him to face the flawed recollections of his younger self, the truth about his first love (Rampling) and the devastating consequences of decisions made a lifetime ago.
Adapted for the screen by award-winning playwright Nick Payne and produced by David Thompson and Ed Rubin (Woman In Gold).
Variety recently listed the Indian director (English-language debut) on its 10 Directors to Watch for 2016.
Fly over the moon. Sing in the rain. Fasten your seatbelts. Make an offer no one can refuse. See classic movies on the big screen!
Gene Kelly will sing in the rain, Bette Davis will fasten her seatbelt for a bumpy night, Marlon Brando will make an offer no one can refuse, Cary Grant and Eva Marie Saint will scurry across Mount Rushmore, and Elliott and E.T. will fly over the moon – and they’ll do it all on the silver screen in 2017. Today, Fathom Events and TCM announce their continuing partnership to bring monthly screenings of their “TCM Big Screen Classics”series to movie theaters nationwide throughout the year.
For the second consecutive year, “TCM Big Screen Classics” offers film fans an amazing journey into the magic of movies year-round. Beginning in January, the series presents one or more films each month in movie theaters – all accompanied by specially produced commentary from TCM host Ben Mankiewicz or Saturday-afternoon host Tiffany Vazquez, giving unique insight and behind-the-scenes tidbits that enhance the movie-going experience. Each title returns for four showings only, making the “TCM Big Screen Classics” series a monthly must-see for movie buffs of all ages.
Each of these cinematic treasures will be digitally projected in its original aspect ratio at 2:00 p.m. and 7:00 p.m. local time each day (Sundays and Wednesdays).
Tickets for the 2017 “TCM Big Screen Classics”series can be purchased online by visiting www.FathomEvents.com, or at participating theater box offices. For a complete list of theater locations visit the Fathom Events website(theaters and participants are subject to change).
“TCM and Fathom are proud to announce some of the greatest feature films of all time in the 2017 TCM Big Screen Classics series. These 14 titles were released over five decades and include Best Picture winners, epic storytelling, astounding direction, legendary star-power and memorable soundtracks, all of which have captured the hearts of film lovers and defined moviemaking magic,” said Fathom Events Vice President of Studio Relations Tom Lucas.
“The TCM Big Screen Classics series presents a unique opportunity for movie lovers to experience some of the most beloved classics of all time, on the big screen and with a live audience, as they were originally intended to be shown,” said Genevieve McGillicuddy, vice president of partnerships and brand activation, Turner Classic Movies. “Expanding our long-term relationship with Fathom Events and our studio partners makes it possible for TCM to directly engage with a community of movie fans in a meaningful and memorable way, and share our love of classic film in local markets across the country.”
From January to December 2017, here’s a month-by-month look at the amazing films that comprise this year’s “TCM Big Screen Classics” series:
Silent film movie star Don Lockwood (Gene Kelly) finds his muse in Kathy Selden (Debbie Reynolds) just as Hollywood discovers talking pictures, but mega-star Lina Lamont (Jean Hagen) isn’t going to stand for it – she’s bigger “than Calvin Coolidge, put together!” With the help of Cosmo Brown (Donald O’Connor), Don and Kathy will find a way to overcome the scheming Lina. Co-directed by Kelly and Stanley Donen, Singin’ in the Rain is a glorious, grin-inducing example of the Hollywood studio system at its finest, one of the happiest of musicals ever made.
The perfect Valentine’s Day event for romantics and movie-lovers alike, this CinemaScope classic remains as much a tearjerker today as it was 60 years ago, when its misty-eyed tale was first released. Cary Grant and Deborah Kerr star as the two lovers who meet by chance on a trans-Atlantic voyage and fall in love despite their existing relationships. When they agree to meet six months later atop the Empire State Building, they cannot foresee the tragic circumstances that will test the limits of their devotion – and of the tear ducts of millions of moviegoers who have fallen in love with this swooning story of love, fate and circumstance.
Backstage backstabbing and treachery has never been as deliciously fun or as intensely dramatic as it is in All About Eve – which is tied only with Titanic for the most Academy Award® nominations for a single film. Director Joseph L. Mankiewicz’s black-and-white masterpiece also stars a young Marilyn Monroe in one of her first important roles. With a record-breaking four nominations in female acting categories (Bette Davis and Anne Baxter as Best Actress and Celeste Holm and Thelma Ritter as Best Supporting Actress), it remains one of the most riveting dramas ever made, a movie often imitated but never duplicated.
From its dazzling opening credits sequence by Saul Bass, set to a wild scherzo by Bernard Hermann, to its cliffhanging finale atop Mount Rushmore, director Alfred Hitchcock’s cross-country adventure offers non-stop thrills. It stars Cary Grant as Roger O. Thornhill, a man wrongly accused of murder, who hops on to a train … and into the lap of Eve Kendall (Eva Marie Saint). All the while, he’s pursued by the sinister Philip Vandamm (James Mason), who is convinced that Thornhill is a spy. He’s not – but he’s about to become one. Few films are as effortlessly delightful as Hitchcock’s grandest adventure ever.
Dustin Hoffman delivers a Hollywood rarity: a true star-making performance as the confused, floundering Benjamin Braddock. He’s a new college graduate who seems to have no ambition in life until he crosses paths with the very married Mrs. Robinson (Anne Bancroft). The biggest box office surprise of the decade, The Graduate was an Oscar winner for director Mike Nichols (among its seven nominations), and Simon & Garfunkel’s score started a new trend in movie soundtracks. The Graduate may be celebrating its 50th anniversary, but it remains as insightful, relevant and sharply funny as ever, and comes back to movie screens just in time for a new generation of graduates to learn the secret to success: Plastics.
The summer of 1977 might be best known for a certain intergalactic adventure, but Smokey and the Bandit was the year’s second highest-grossing movie, a gleefully silly romp that grossed the adjusted box-office equivalent of nearly $500 million. The plot is almost non-existent – the Bandit (Burt Reynolds) has 28 hours to drive a truckload of Coors beer from Texas to Georgia while avoiding the relentless “Smokey,” Sherrif Buford T. Justice (Jackie Gleason) – and takes a backseat to the stunt-driven action of director Hal Needham and the still-sizzling on-screen chemistry of Reynolds and Sally Field.
There is the sheer perfection of the performances by such legendary names as Brando, Pacino, Keaton and Duvall; the impeccable direction of Francis Ford Coppola; the haunting musical theme by Nino Rota; and the stunning cinematography by Gordon Willis. Any one of these elements would make The Godfather a classic, but this epic crime drama combines them all into a towering achievement in American filmmaking celebrating its 45th anniversary, an epic saga that redefined cinema.
This hysterical comedy from director Billy Wilder finds Tony Curtis and Jack Lemmon masquerading as women inorder to elude irate Chicago mobsters while befriending a beautiful singer, Sugar Kane (Marilyn Monroe). One of the most influential movies ever made, Some Like It Hot is one of the greatest comedies of all time, still generating laughs nearly sixty years later.
Director Amy Heckerling’s adaptation of Cameron Crowe’s book (he also wrote the screenplay) didn’t simply capture a moment in time – it defined a generation by observing the behaviors and habits of teenagers in the early ‘80s with sharpness and an endless wellspring of humor. Pitch-perfect performances and a soundtrack filled with hits of the ‘70s and ‘80s, make Fast Times at Ridgemont High one of the quintessential cinematic experiences of the era – a nostalgic look back for those who lived through it and an eye-opening revelation for younger audiences.
1968 file photo of Faye Dunaway and Warren Beatty in the movie BONNIE AND CLYDE. Courtesy of Warner Home Video.
Faye Dunaway is Bonnie Parker and Warren Beatty is Clyde Barrow in Arthur Penn’s violent, sexually charged and deeply influential crime drama, a nostalgic look back at notorious outlaws filmed with the passion and zeal of filmmakers who were beginning to explore the boundaries of their craft. With a legendary screenplay by writers Robert Benton and David Newman, Bonnie and Clyde features supporting performances by an exemplary cast that includes Gene Wilder, Gene Hackman, Michael J. Pollard and Estelle Parsons and became a pop-culture sensation. A movie about legends that became a legend itself, Bonnie and Clyde made international superstars out of its cast and influenced generations of filmmakers and audiences.
Thirty-five years since its release, E.T. The Extra-Terrestrial remains a singular achievement, a movie that enchanted a generation with its sheer moviemaking prowess and its simple, exquisite story of the bond between a little boy and an alien. Directed by Steven Spielberg from a screenplay by Melissa Mathison, it’s one of the rare movies that can be universally defined by a single shot: Elliott and E.T. flying on a bicycle against a full moon. Set to a lush, unforgettable score by John Williams, E.T. The Extra-Terrestrial mesmerizes everyone who sees it – including the United Nations, who, in September 1982, awarded Spielberg the U.N. Peace Medal for his creation of one of Hollywood’s most enduring movies.
Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles – doesn’t sound too bad! Director Rob Reiner’s charming fantasy-adventure, from a screenplay by William Goldman (and based on his novel) is a fairy tale like no other, a movie that is as beguiling to adults as it is to children, infused with magic and beauty. Robin Wright stars as Princess Buttercup, with Cary Elwes as her dashing Westley, and Mandy Patinkin is the revenge-seeking Inigo Montoya – just the beginning in an adventure that’s as fresh, fun and tongue-in-cheek as ever. The perfect cast also includes Christopher Guest, Wallace Shawn, Andre the Giant, Peter Falk, Billy Crystal, Carol Kane and, as the young boy who gets the best bedtime story ever, Fred Savage.
As time goes by, some movies age – but Casablanca remains timeless. Perhaps no other movie has become as beloved and as synonymous with Hollywood glamour as Casablanca. Humphrey Bogart is Rick Blaine, owner of Rick’s, the nightclub that everyone in Casablanca attends – including resistance leader Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), whose sudden appearance leads to some of the best dialogue ever written for the movies. The screenplay by Julius J. Epstein, Philip G. Epstein and Howard Koch took an unproduced stage play and turned it into a movie unlike any other, which received the Academy Award® for Best Picture and became one of the most classic films of all time.
Fifty years ago, Guess Who’s Coming to Dinner scandalized audiences with its bold depiction of interracial romance – a poignant subject at this time in history, and its depiction of prejudice overcome by love remain powerful and moving. Sidney Poitier delivers a commanding performance as John Prentice, who accompanies his fiancée, Joey, (Katharine Houghton) to her parents’ home – without telling them that he is black. As her parents, Katharine Hepburn and Spencer Tracy star in their final film together. Produced and directed by Stanley Kramer and written by William Rose, Guess Who’s Coming to Dinner was a box-office sensation across the country, including in the South, where the studio worried that audiences would shy away from its subject. It is, in the words of TheNew York Times, “a deft comedy and – most of all – a paean to the power of love.”
“I don’t blame you. When I was your age, I was knockin’ ’em off left and right; but I never did it with nobody’s daughter.”
THE WANDERERS (1979) screens Friday December 16th through Sunday December 18th at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts at 7:30 all three evenings.
The Bronx, 1963. The 50’s style greaser gang the Wanderers find themselves becoming obsolete as the world changes all around them. The beginning of the Vietnam war and the assassination of President Kennedy signify the end of innocence while these lovably macho and rugged Italian-American lugs deal with gang fights, racial conflicts, finishing high school, and the awkward, yet inevitable transition from adolescence to adulthood. With the 1979 film THE WANDERERS, based on Richard Price’s cult novel, Director/co-writer Philip Kaufman delivered a vivid, funny, moving and sometimes even surreal evocation of a magical period in time. He made especially inspired use of the authentically gritty urban locations and a fantastic golden oldies soundtrack. The uniformly terrific acting from the top-drawer cast featured stand-out work from Ken Wahl as proud, charismatic gang leader Richie, John Friedrich as brash, excitable shrimp Joey, Karen Allen as the sassy Nina (read my recent interview with Karen Allen HERE), Toni Kalem as Richie’s sweet, but overbearing girlfriend Despie Galasso, Alan Rosenberg as the bumbling Turkey, Tony Ganios as the intimidating, but good-hearted and protective Perry, Linda Manz as scrappy tomboy Peewee, Erland van Lidth as fearsome, hulking behemoth Terror, Dolph Sweet as smooth, hearty bowling alley owner Chubby Galasso, William Andrews as Joey’s abusive, muscular pop Emilio, and Val Avery as decent, but ineffectual history teacher Mr. Sharp.
Among THE WANDERERS’ many memorable moments are: the Wanderers hassling attractive women on the street with a raunchy pastime called “elbow titting”, an erotic strip poker game, the Wanderers getting lost in a rival gangs’ neighborhood (this particular set piece is very eerie and nightmarish), a football game which degenerates into a savage brawl with the scary and strange gang the Ducky Boys, and the mass a cappella rendition of Dion’s classic song “The Wanderers” at Richie’s bachelor party. Michael Chapman’s slick cinematography gave the picture an attractive bright and glossy look. THE WANDERERS was a gloriously rough’n’ready gem that did not find much success in the U.S. upon its initial release (I wonder if people confused it with THE WARRIORS, which came out the same year), but it’s been a cult film in Europe for decades and deserves to be rediscovered.
Admission is:
$6 for the general public
$5 for seniors, Webster alumni and students from other schools
$4 for Webster University staff and faculty
Free for Webster students with proper I.D.
Advance tickets are available from the cashier before each screening or contact the Film Series office (314-246-7525) for more options. The Film Series can only accept cash or check.
The Webster University Film Series site can be found HERE
Stormtroopers, the Empire and an X-Wing Fighter were on Hollywood Boulevard at the World Premiere of Lucasfilm’s highly anticipated, first-ever standalone Star Wars adventure, ROGUE ONE: A STAR WARS STORY.
Felicity Jones, Diego Luna, Riz Ahmed, Ben Mendelsohn, Mads Mikkelsen, Alan Tudyk, Donnie Yen; Gareth Edwards (director), Kathleen Kennedy, Allison Shearmur, Simon Emanuel (producers), Kiri Hart, John Knoll, Jason McGatlin (executive producers) and Michael Giacchino (music) were all in attendance.
Opening crawl from of A NEW HOPE
Episode IV, A NEW HOPE It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet. Pursued by the Empire’s sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy….
Who were these rebel spies and how did they manage to steal secret plans to the Empire’s ultimate weapon?
Lucasfilm presents ROGUE ONE: A STAR WARS STORY, the first in a new series of Star Wars standalone films set in the universe fans know and love, but featuring new characters and storylines.
As the first of these compelling, creative stories, ROGUE ONE tells the story of a group of unlikely heroes, who in a time of conflict band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
ROGUE ONE: A STAR WARS STORY is directed by Gareth Edwards (“Godzilla,” “Monsters”) and produced by Kathleen Kennedy, Allison Shearmur (“The Hunger Games: Catching Fire,” “Cinderella”) and Simon Emanuel (“The Dark Knight Rises,” “Harry Potter and the Deathly Hallows Parts 1&2”).
Ben Mendelsohn, Mads Mikkelsen, Riz Ahmed, Felicity Jones, Diego Luna, Alan Tudyk and Donnie Yen
Composer Michael Giacchino, director Gareth Edwards, actors Mads Mikkelsen, Riz Ahmed, Felicity Jones, Diego Luna, Alan Tudyk and Donnie Yen (back row) Executive producer John Knoll, Producer Allison Shearmurs, Kathleen Kennedy, actor Ben Mendelsohn and producer Simon Emanuel
Actor Mads Mikkelsen
Producer Allison Shearmur, actors Mads Mikkelsen, Riz Ahmed, Felicity Jones, Alan Tudyk and Donnie Yen (back row) Walt Disney Studios President Alan Bergman, Screenwriter Chris Weitz, Executive producer John Knoll, director Gareth Edwards, Chairman, The Walt Disney Studios, Alan Horn, producer Kathleen Kennedy, actor Ben Mendelsohn, Executive producer Jason McGatlin, Composer Michael Giacchino, producer Simon Emanuel and The Walt Disney Company Chairman and CEO Bob Iger
Peter Mayhew (L) and Diego LunaActor Mads Mikkelsen (L) and actress Felicity Jones
SPIDER-MAN: HOMECOMING is coming to cinemas July 7, 2017 and we have your first look at the brand new trailer for the upcoming film.
A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in SPIDER-MAN: HOMECOMING.
Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.
20th Century Fox has debuted the first trailer and poster for WAR FOR THE PLANET OF THE APES.
Check out the first trailer for director Matt Reeves latest film coming out this summer, just a year shy of a big anniversary for the beloved franchise.
The first film, PLANET OF THE APES, starring Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison, was released on February 8, 1968.
In the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.
Stars Andy Serkis, Woody Harrelson, Steve Zahn, Amiah Miller, Karin Konoval & Terry Notary.
The film is written by Mark Bomback & Matt Reeves and produced by Peter Chernin, Dylan Clark, Rick Jaffa & Amanda Silver.
WAR FOR THE PLANET OF THE APES hits theaters everywhere July 14, 2017.