Teaser and Concept Art for ‘Black Lightning’

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Timur Bekmambetov (‘Wanted’) is back with the movie ‘Black Lightning’ and surprise, surprise… it looks to be yet another visually stunning fun-filled crazy eye-popper. The film is being co-directed by Dmitriy Kiselev and Alexander Voytinskiy, with Timur Bekmambetov producing.

Black Lightning is the story of a Russian college student who buys a second hand car which turns out to have magical powers, yes it can fly, and it turns him into the superhero who has to protect the city. — /film


Black Lightning from AO on Vimeo.

Check out more of the concept art below…

Continue reading Teaser and Concept Art for ‘Black Lightning’

Park Chan-wook has a ‘Thirst’

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Fans of ‘Oldboy’ should take note. Writer and director Park Chan-wook is set to unleash a heap of awesome upon your fragile eyeballs with ‘Thirst,’ the filmmaker’s take on the vampire genre.

Travis first covered this film here, so check out his article for details. Below the break is the trailer and, even though it is all in Korean, it still commands your undivided attention.

Continue reading Park Chan-wook has a ‘Thirst’

Hardwicke considering ‘Maximum Ride’

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From one pre-teen/young-adult fantasy adaptation to another, director Catherine Hardwicke is considering an offer from Sony’s Columbia Pictures to develop and direct ‘Maximum Ride’.

The five-volume series by James Patterson chronicles six teens, known as the Flock, who are genetically altered so that they are part human and part bird. Learning to fly, they escape the laboratory where they have been housed and are pursued by a pack of creatures called the Erasers that are part human and part wolf. — HR

The screenplay is being penned by Don Payne (Fantastic Four: Rise of the Silver Surfer) and Patterson himself is serving as an executive producer. The series was popular enough to spawn a Manga version, but it’s my personal opinion that they would benefit more from a different choice at the wheel, so to speak. The “success” of ‘Twilight’ was not due to the director, but solely due to the mass following of the series of books.

[source: Hollywood Reporter]

First Image from ‘The Goon’ Feature Surfaces!

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OMG, I am SOOO excited about this project! (So excited that I decided to use IM Talk) After being out of the comic book scene for a while, I recently decided to re-enter the hobby on a limited basis. Believe it or not, writing for WeAreMovieGeeks is kind of time-consuming.

Anyway, I decided to find just 2-3 “newer” titles I like and simply follow those. Well, the very first one I discovered was ‘The Goon’ and goodness gracious is it a wonderful thing… assuming you’re into zombies, thugs, nasty creatures and comic book violence.

So, needless to say… I was ecstatic when I first discovered a feature adaptation was being developed. Then, learned it would be animated… good call! Then, it’s being produced by David Fincher! Holy sh**! When the poster was revealed at Comic Con, I feel further into the geek abyss of fandom. Now, the very first image from the movie has surfaced and I am such a happy movie geek!

Oh, and in case you missed it… here’s the poster again:

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[source: AICN]

Andy Fickman remains Disney’s ‘M.A.N.’

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Hot off the heals of the (ahem) “successful” Disney remake ‘Race to Witch Mountain’, director Andy Fickman has been attached to a new Disney family adventure movie called ‘Monster Attack Network’.

…focuses on a team of first-responders who guard the citizens of Lapuatu, a Pacific island that would be a paradise except for frequent attacks by giant monsters that rise from the sea. — Variety

The film is an adaptation of the 2007 AIT/Planet Lar graphic novel written by Adam Freeman and illustrated by Nima Sorat. Scott Elder and Josh Harmon have been brought on to write the script. Disney apparently plans for this to be a “visual effects heavy” project.

[source: Variety]

Eastwood directs Damon in ‘Human Factor’

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So, we’ve seen Clint’s final acting performance (perhaps) but he’s still staying as active as a twenty-something behind the camera. His next film will be ‘The Human Factor’ based on the book called Playing the Enemy: Nelson Mandela and the Game That Made a Nation (whew! long title) by John Carlin. The story is centered around the 1995 Rugby World Cup.

Damon plays rugby star and South African team captain Francois Pienaar, who along with former South African president Nelson Mandela (Freeman) created an event that gave the country’s whites and blacks a common cause to rally around as the country healed from years of apartheid. — TBAU

Here’s a few “on set” photos of Clint and Matt, caught by The Bad and Ugly… check out the website to see them all.

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[source: The Bad and Ugly]

Hot Docs festival will begin with an ‘Act of God’

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Documentary filmmaker Jennifer Baichwal’s new film Act of God is set to open this year’s Hot Docs Festival in Toronto on April 30. ‘Act of God’ is based on the book written by lightning-strike survivor Paul Auster.

Baichwal is an extraordinary filmmaker, probably best known for her 2006 documentary Manufacturing Landscapes that won Best Canadian Feature at the Toronto Film Festival, but has also amazed audiences with her first two films, The True Meaning of Pictures: Shelby Lee Adams’ Appalachia and Let It Come Down: The Life of Paul Bowles.

This movie is bound to be incredible. Anyone who has seen ‘Manufacturing Landscapes’ (or any of her films, really) should know that. I love films like this that take real-life human stories and reveal them in great detail with great passion. Errol Morris used to do this, but he’s losing his touch. Perhaps Baichwal is destined to take his place. Here’s to hoping we get at least a short, limited indie theater run of this movie in Saint Louis.

[source: Variety]

‘Knowing’ Alex Proyas is Awesome!

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Alex Proyas is arguably (no!) IS the coolest sci-fi filmmaker out there that most people have never heard of… here, let me jog your memory. The Crow, Dark City, Garage Days, I Robot and coming soon Knowing.

Yep, that’s the guy that made all these cool movies. Proyas averaged four years between his first three movies and two years between Garage Days and I Robot, making him a director that takes him time to get his films right. I appreciate that!

Let’s go back in time for a minute. (Ha! Knowing pun intended.)

The Crow (1994) is just simply a masterpiece! ‘Nuff said. What a brilliant adaptation of James O’Barr’s graphic novel and so well done. Visually, the only way to have done this film more justice would have (maybe) been to shoot it ‘Sin City’ style to further emphasize the graphic novel feel, but honestly, the judgement is still out on that one. I love it the way it is. Brandon lee was incredible and, despite his unfortunate and untimely death, had given his best performance and proved to mass audiences that he would have been a stellar action star and very possibly become a serious actor.

Dark City (1998) is a film that, better than any other, perfectly melds the genres of science-fiction and film noir. What a great concept that is and an even better movie it became. This just recently got a Director’s Cut DVD re-release (finally) and deserves to be seen multiple times. Again, visually an incredible film and Jack Bauer, I mean, Kiefer Sutherland even did a decent job. Dark City also stars Rufus Sewell and William Hurt. The movie is dark and gritty, dismally beautiful and had some nifty special FX for the time it was made. If you haven’t seen it, what the heck are you waiting for?

Garage Days (2002) is the one movie, guaranteed, that most people are thinking “Huh?” This little gem totally slipped under the radar for most as it’s theatrical play was extremely limited. What’s intriguing is that Garage Days may be visually Proyas’ best achievement so far. The movie is about an Australian punk garage band who bomb miserably during their first “gig” and the lead singer sets out on a journey to find the “best” manager. A great comedy, somewhat in the style of Trainspotting and a fun rock-n-roll movie to boot. If you haven’t seen it yet, go out and rent it… NOW!

I, Robot is easily Proyas’ most recognizable film, but even with that said, I promise most people probably have no idea who directed it. Yeah, it was Proyas. Imagine that? Based on Isaac Asimov’s story, the movie stars Will Smith and is a smart science-fiction/action movie that doesn’t get dumbed down and is a rare example of how a movie like this can survive the Hollywood machine that often ruins great stories.

Knowing is his newest movie and comes out in theaters on March 20, 2009. The movie stars Nicolas Cage and Rose Byrne. I’m intrigued to find out how Proyas’ manages to use Cage and whether Cage works in the role or not, seeing as he always plays, well… Nic Cage. To read more about the movie, check out my original post here and watch the trailer here.

Now that you’re up to speed on the past works of Alex Proyas, you may be asking what he has in the works. Good question! He’s got three projects on his plate currently, two of which he’s moving forward on and one that he’s optioned.

Dracula Year Zero(Est. 2011) Vampire mythology combined with the true history of Prince Vlad tell the origin of Dracula. A script has been written and the movie is currently in the budgeting phase.

The Tripods – (Est. 2012) Beings known as the Tripods have conquered Earth and turned the human race into slaves by implanting everyone over the age of 14 with a mind-control device. 13-year-old Will Parker and his friends, however, plot to defeat the Tripods before a humans are no more. Currently in development with a script either written or being written, based on the books by John Christopher.

The Unpleasant Profession of Jonathan Hoag – (Est. 2011) The story focuses on a man who realises that he cannot remember what he does for a living. He recounts his problems to a husband-and-wife detective team who subsequently uncover a series of revelations about their client. This is an optioned property, based on the novella by science fiction author Robert A. Heinlein.

Aja’s Next to be a Drama

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Alexandre Aja, who, despite the less-than-stellar ‘Mirrors’, is quickly becoming one of the modern masters of horror, will next turn his sights on a different genre altogether, the drama. Â  The French-born director is set to direct the drama ‘The Contractor’.

The story is set in a world where the U.S. government can no longer afford to fight wars and authorizes private contractors to send a band of elite soldiers on missions around the world. Â  Ian Jeffers, who recently wrote ‘The Grey’, rewrote ‘Castlevania’, and directed ‘Sylvain White’, is currently rewriting the script.

Aja will being production on ‘The Contractor’ as soon as he finishes his 3D remake of ‘Piranha’. Â  Here’s hoping this venture into drama-land is brief and he gets back to making quality horror films quickly.

Source: Variety

Danny Devito Directing ‘Crazy Eddie’

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Danny Devito is set to direct ‘Crazy Eddie’, a film based on the life of  consumer electronics king Eddie Antar.   Peter Steinfeld (’21’) is writing the screenplay.

Eddie Antar  launched the successful Crazy Eddie  chain in 1971 but wound up serving six years in prison for fraud.   He  was a pioneer in discount consumer electronics, and Crazy Eddie’s grew to 43 stores, fueled by TV ads in which a frenzied pitchman promised prices that were “In-sa-a-a-a-a-ane!” Antar took the company public and briefly became a Wall Street  sensation.

He’d been skimming money and falsifying inventory to inflate stock value. Losing control of his company in a hostile takeover, Antar went on the lam after the new owners uncovered his financial shenanigans and the SEC charged him with stock fraud. He fled to Israel — where he’d deposited millions of dollars — only to be extradited three years later. He ultimately served a prison term that ended in 1999 and was ordered to pay $150 million in fines.

“He started as a guy who loved making deals more than money,” DeVito said.

“He lived an outrageously spectacular life and suffered an outrageously spectacular fall,” Steinfeld said.

Devito last directed the 2003 comedy ‘Duplicity’. Â  Say what you will about that.

Source: Variety