LES MISÉRABLES – The Review

Over a year ago, when it was announced that Academy award-winning director Tom Hooper would be bringing the iconic musical LES MISÉRABLES to the big screen – as a musical, diehard fans of the show breathed a collective sigh of skepticism.  When it comes to musicals adapted to film, the general rule of thumb is that you have to trade professional Broadway caliber “no-names” for A-list Hollywood stars  who aren’t trained singers (see RENT, ROCK OF AGES – both hugely successful on stage but bombed as movies because RENT was cast with relative no-names and ROCK OF AGES had the big names that couldn’t sing a note!).

It’s a tricky combination to pull off and I am very happy to say that FINALLY it has been done!

Miraculously, Tom Hooper has put together the exact perfect combination, with staggering credentials. In Hugh Jackman (Valjean), you have a Broadway trained, Tony award-winning, A-list actor that was born to play this role. Also perfectly cast is Russell Crowe (Javert), an A-list, Academy award-winning actor who just so happens to sing in a rock band in his spare time! Then you have Anne Hathaway (Fantine), another A-lister and Hollywood darling who has shown she has an aptitude for musical theater. It just doesn’t get any better than that. Throw in Sascha Baron Cohen and Helena Bonham Carter (The Thenardiers), who are also perfectly cast and more than capable, and you have what I consider The Dream Team.

The other near-impossible undertaking was that Hooper declared that for his adaptation, the actors – all of the actors – would be singing live. LIVE! For those not familiar with how movie musicals are normally filmed, the actors pre-record the songs in a recording studio and then lip-sync to the tracks played back when filming. While this allows a sort of vocal perfection, the emotion of the music and lyrics is lost trying to perfectly match the lip-sync. What Hooper has created is raw emotion while the actors are singing because they are singing live and the music stays with them, rather than them having to stay with the music. They are perfectly in the moment.

And even though Jackman, Hathaway, Crowe and the rest of the cast are at different singing-ability levels, the entire movie is sung with no real spoken dialogue. And it works. When Hathaway gut-wrenchingly sings Fantine’s “I Dreamed a Dream” while sobbing and getting her hair chopped off, it’s heartbreaking (and Oscar gold, by the way). Crowe’s Inspector Javert is so angry and menacing that when he sings in that state of anger, you get it. And Jackman’s Valjean is just one huge pile of raw, exposed emotions that you forget he’s singing and concentrate on what he’s emoting so flawlessly.

As a diehard fan of this show, having seen it many times on stage, I think this movie is perfection. It’s sweeping and epic and emotional and I hope it gets all the appreciation and accolades that it deserves. As for movie musicals, this is a game changer. LES MISÉRABLES will be the blueprint for how musicals are filmed from now on. The live singing will make everyone step up their game and the big winners will be audiences.

In theaters on Christmas Day, LES MISÉRABLES should absolutely be experienced on the big screen. So after the presents are opened, and the family meal is over, go to the movies! Go see LES MISÉRABLES

Five out of five stars.

Merry Christmas From The Movie Geeks

Merry Christmas from all of us here at wearemoviegeeks.com. While you’re enjoying the day eating, watching the 24hr run of A Christmas Story and opening up all those presents, we’ll leave you with these warm fuzzy thoughts from NATIONAL LAMPOON’S CHRISTMAS VACATION.

From all of us at We Are Movie Geeks, have a Merry Christmas, Happy Holidays, and a fun and safe New Years!

JOYEUX NOEL – The DVD Review

Review by Sam Moffitt

Christmas always brings lists. Lists of gifts to buy, cards to mail, lists of things accomplished during the year past and resolutions for the coming New Year. And, always, lists of everybody’s favorite Christmas movies. Some are so very well known; It’s a Wonderful Life, several versions of A Christmas Carol, (The version with Alistair Sim is my favorite) Miracle on 34th Street, A Christmas Story (24 hours of it every year on TBS!) National Lampoon’s Christmas Vacation, one of the newer ones that I enjoy, Bad Santa. Classics each and every one, and then bad one’s like Christmas with the Kranks.

But here’s a more recent film about Christmas that deserves to be more well known and ought to be revisited every year. Joyeux Noel (French for Merry Christmas) was directed by Christian Carion and released in 2005. It recieved got no theatrical release in this country that I am aware of and has very little cult following, to my knowledge. Yet it tells the incredible true story of a spontaneous truce and stand down that happened on Christmas Eve 1914 at the very beginning of World War One, also known as the War to End All Wars (Yeah! Right!)

A true ensemble Joyeux Noel tells of French (Guillaume Canet as Lt. Audebert) Scottish (Alex Ferns, Capt. Gordon) and German (Daniel Bruhl, Lt. Horstmayer) officers who come to an agreement for all men under their command to stand down, cease fire and get some small measure of relief from a miserable war on Christmas Eve, 1914.

The inspiration comes from a German soldier who left his career as an opera singer (Benno Furman as Nicholaus Sprink) who sings Oh Come All Ye Faithful, in the original German of course, from the middle of no man’s land between the two sides in that barbaric conflict. The Scottish troops give him a round of applause leading to the three commanders meeting and deciding on the truce.

A Scottish chaplain (Gary Lewis as Palmer) says Mass for all the troops assembled. The men share what little they have with each other, the Germans have chocolate (of course!) while the French have wine (naturally!) and wouldn’t you know the Scottish have bag pipes with them which they play at the slightest provocation. They argue over a stray cat as tow which side he belongs to, the French or the German. The cat shows no preference and enjoys the company of all the soldiers present.

They look at photos of each other’s wives and girl friends and joke about sex as men always do when they are far from home and in uniform. The problem is they get to know each other too well and have a very hard time picking up their weapons and going back to the war. The truce extends to Christmas day when they choose up sides and play football while the three officers get to know each other only too well.

And the truce continues the day after Christmas (Boxing Day in the UK) when the Germans come walking across no man’s land to talk to the French again, a scene that brought me to tears, and tell their sworn enemies that their position is about to be shelled by artillery fire and why don’t they and the Scots come over and sit with the Germans in their trench line until the shelling ceases?

The three armies sit together and then the Scots officer makes the suggestion that, tit for tat, the German position will now be shelled and shouldn’t they move to the other trench line?

Of course this starts all sorts of complications in the chain of command. How can you have a decent war if the two sides are getting friendly and don’t want to kill each other any more? The French officer comes from a military family and his Father gives him a lecture on Duty, Honor and Country before relieving him of his command. The Scots officer is also relieved of command and his men reassigned to other units who are more in tune with the program of killing instead of playing football. And the Germans? The entire unit is reassigned to the Eastern Front. The last words from their Division Commander: “hope you’re as friendly with the Russians as you are with the French and the God Damn Scottish”.

The Scottish Chaplain is likewise defrocked by his Monsignor and told he did a very Un-Christian thing by giving Mass to the Enemy. He tries to defend himself as doing exactly what a Christian is supposed to do, Forgive and not Judge, but of course that helps him not at all.

This movie is a heart breaker. Having served in the military, four years regular Navy (in peacetime) I can understand the reluctance of these guys to pick up a gun and shoot at people you don’t even know and who have done you no personal harm. During my time at sea we used to see the Russians every time we went to the Mediterranean . Some times their ships would get so close we could see their rank and insignia, who had a mustache and whose shirt tail was hanging out. They looked like fine fellows to me, I found out years later when I got to know some Russians, that they ARE fine fellows! I had no argument with them but the Cold War was still in full swing, I was on active duty from 1975 to 1979 and had no interest in combat what so ever.

Joyeux Noel is a fine Christmas movie, which illustrates what Christmas is supposed to be all about, Peace and Goodwill, to All Men, no exceptions! It is also one of the greatest of Anti-War movies, easily the equal of All Quiet on the Western Front, Wooden Crosses, Paths of Glory (these are all about WWI, any one see a pattern here?)

It is also wonderful to see a war movie in which the USA is not present, not even mentioned. We did not enter that war until 1917, when it was almost over. Here it is early in the war, the French and Scots do not even wear helmets yet. The French are wearing bright red and blue uniforms and everyone appears reasonably clean and healthy. All that would change, World War One took the lives of 9 million men, devolved into the dirtiest and most miserable affair and resolved nothing. It lead directly to World War Two and an even bigger misery visited on the human race.

The DVD has a making of documentary and several versions of the theatrical trailer. We learn that the French production crew wanted accurate period detail, the uniforms and weapons are genuine. Even more heart breaking, the entire movie is taken from letters and diaries written by men who served in all three Armies. And we learn that truces broke out every Christmas after that and that fraternization was considered a problem on both sides of the trenches.

Even more accurately, the officers and men are all very young. This is not like an American World War Two movie where the army appears to be made up of middle aged men. The French officer, especially well played by Guillaume Canet , looks like a little boy playing at being a soldier, his uniform and cap appear too big for him, maybe a deliberate choice by the film makers to emphasize his innocence.

And the biggest irony, here is a film made by the French, twice invaded by the Germans, which makes every effort to be fair to the Germans. I challenge anyone to watch Joyeux Noel without crying, it is that powerful and moving a statement that war fare is not a natural condition for men to be in and that given a chance to know the ‘enemy’ makes it that much harder to pull that trigger. This is a movie that should be seen by every man, woman and child on this planet, but many people will pass it by because it is partly subtitled. Still it brightened my last three Christmas, I hope it brightens yours and gives hope for the future. I’ll be watching it again on Christmas Eve, I hope you will give it a look, and I wish a very Merry Christmas to all!

Tina Fey And Paul Rudd In First ADMISSION Trailer


Credit: David Lee / Focus Features

Tina Fey (“30 Rock”) and Paul Rudd (“This is 40”) star in the new comedy ADMISSION directed by Academy Award nominee Paul Weitz (“About a Boy”), about the surprising detours we encounter on the road to happiness.

Straight-laced Princeton University admissions officer Portia Nathan (Tina Fey) lives by the book, both at work and at home. But Portia is caught off guard when she makes a recruiting visit to an alternative high school headed by her former college classmate, the freewheeling John Pressman (Paul Rudd). Pressman has surmised that Jeremiah (Nat Wolff), his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago. Soon, Portia finds herself bending the rules for Jeremiah, putting at risk the life she thought she always wanted – but in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having. By turns hilarious and heartwarming, Portia is an unforgettable screen heroine.

Written by Karen Croner (“One True Thing”), the film is based on the novel by Jean Hanff Korelitz. Starring Tina Fey, Paul Rudd, Michael Sheen, Wallace Shawn, Gloria Reuben, Nat Wolff, and Lily Tomlin, ADMISSION will be in theaters March 8, 2013.

MPAA Rating: PG-13

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TYLER PERRY’S TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR New Photo & Trailer

Marking the filmmaker’s 13th feature film production with Lionsgate in seven years, here your first look at TYLER PERRY’S TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR starring Jurnee Smollett-Bell, Lance Gross, Kim Kardashian, Vanessa Williams, Robbie Jones, Renee Taylor and Brandy Norwood. Check out the new trailer.

A bold exploration of the intrigue and perils of infidelity, Tyler Perry’s TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR is a compelling love story that dives straight into the heart of obsessive passion. “It’s about a woman who starts to get restless in her relationship and her choice to be with another man has a huge effect on the rest of her life,” explains screenwriter/producer/director Tyler Perry. “She goes on a journey – in her career and in her marriage – and she ends up in a very different place than she expected.” In a departure from his previous dramas, this explosive film finds Perry exploring the nature of desire – and just how powerful and dangerous a taste of the forbidden can be. “This is definitely one of the most provocative movies – sexually and otherwise – that I’ve made,” says the director. “There are a lot of people who struggle in their relationships. They make bad choices about their marriages. They get divorced. And so many of them don’t step out of their situation and really think about the consequences of what they’re doing. This movie asks, ‘Are you sure you want to do this?’ It sends up a flag.”

The film was produced under Perry’s recently extended multi-year first look partnership with Lionsgate. Perry’s 11 theatrical releases for Lionsgate in the past six years have grossed more than $572 million at the box office. Tyler Perry’s most recent film that he directed, MADEA’S WITNESS PROTECTION, opened over the summer and went on to gross over $65 million. Looking ahead, MADEA’S CHRISTMAS opens December 13, 2013 followed by TYLER PERRY’S SINGLE MOMS CLUB on May 9, 2014.

Written for the screen, produced and directed by Tyler Perry, TEMPTATION: CONFESSIONS OF A MARRIAGE COUNSELOR will be in theaters March 29, 2013.

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Ryan Gosling And Bradley Cooper Star In THE PLACE BEYOND THE PINES Trailer


Credit: Atsushi Nishijima

The new trailer has come online for director Derek Cianfrance’s (“Blue Valentine”) THE PLACE BEYOND THE PINES. The film powerfully explores the consequences of motorcycle rider Luke’s (Academy Award nominee Ryan Gosling) fateful decision to commit a crime to support his child. The incident renders him targeted by policeman Avery (Golden Globe Award nominee Bradley Cooper), and the two men become locked on a tense collision course which will have a devastating impact on both of their families in the years following.


(via Yahoo! Movies)

Written by Derek Cianfrance, Ben Coccio, and Darius Marder, the cast also includes Eva Mendes, Golden Globe Award nominee Rose Byrne (Damages), Mahershala Ali (Treme), Emory Cohen (Smash), Dane DeHaan (Chronicle), Gabe Fazio, Bruce Greenwood (Flight), Ray Liotta (Killing Them Softly), Ben Mendelsohn (The Dark Knight Rises), and Harris Yulin (Scarface).

In September Focus Features announced that it had acquired the US rights for Cianfrance’s film at the Toronto International Film Festival, where the it had its world premiere. In his glowing review, Kevin Jagernauth of IndieWire wrote, “Derek Cianfrance has now placed himself in the canon of great, contemporary American filmmakers like James Gray, Paul Thomas Anderson and the Coen Brothers. This is a film that desires to say something about how we relate to each other, and how the often overlooked consequences of our actions can refract down avenues we could never expect. A brilliant, towering picture, “The Place Beyond The Pines” is a cinematic accomplishment of extraordinary grace and insight.”

THE PLACE BEYOND THE PINES will be in theaters March 29, 2013. MPAA Rating: R


Bradley Cooper stars as Avery Cross. Credit: Atsushi Nishijima

Six New “On-The-Set” LES MISÉRABLES Featurettes

Universal Pictures has released six new “on-the-set” featurettes for Tom Hooper’s musical epic. In these videos, the cast and crew describe the massive undertaking to bring the greatest muscial of all time – LES MISÉRABLES – to the big screen. Universal announced earlier this week the release of the free Multi-Touch book “Les Misérables: The Musical Phenomenon,” a digital companion to the film. Highlighting the timeless music, celebrated performers, intricate costumes and sweeping cinematography of the film, the book presents an in-depth, behind-the-scenes look at the artistry of LES MISÉRABLES. It includes exclusive interviews, photo galleries and video, musical performances, interactive timelines and more. It is available worldwide for free, exclusively on the iBookstore at iTunes.com/iBookstore.

LES MISÉRABLES is the motion-picture adaptation of the beloved global stage sensation seen by more than 60 million people in 42 countries and in 21 languages around the globe and still breaking box-office records everywhere in its 27th year. Helmed by The King’s Speech’s Academy Award®-winning director, Tom Hooper, the Working Title/Cameron Mackintosh production stars Hugh Jackman, Oscar® winner Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Aaron Tveit, Samantha Barks, with Helena Bonham Carter and Sacha Baron Cohen.

Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption—a timeless testament to the survival of the human spirit. Jackman plays ex-prisoner Jean Valjean, hunted for decades by the ruthless policeman Javert (Crowe) after he breaks parole. When Valjean agrees to care for factory worker Fantine’s (Hathaway) young daughter, Cosette, their lives change forever.

In four days, the world’s longest-running musical brings its power to the big screen in Tom Hooper’s sweeping and spectacular interpretation of Victor Hugo’s epic tale. With international superstars and beloved songs—including “I Dreamed a Dream,” “Bring Him Home,” “One Day More” and “On My Own”—Les Misérables, the show of shows, is now reborn as the cinematic musical experience of a lifetime.

LES MISÉRABLES will be released on December 25, 2012. The film is rated PG-13 for suggestive and sexual material, violence and thematic elements.

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Watch Steve Carell, Steve Buscemi, Olivia Wilde & Jim Carrey In THE INCREDIBLE BURT WONDERSTONE Trailer

Longtime Vegas magicians Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi) face cutthroat competition from guerilla street magician Steve Gray (Jim Carrey) in this funny trailer for THE INCREDIBLE BURT WONDERSTONE. Afterwards check out the ingenious character, magician cards.

Hilarious! Everyone is playing it to the hilt! Oscar winner Alan Arkin works a lot – good for him! His next film – STAND UP GUYS with Al Pacino and Christopher Walken – comes out February and he was recently nominated for Golden Globe and Screen Actor Guild awards for his stellar work in Warner Bros.’ ARGO. Arkin is most likely assured of an Academy Award nod when the nominations are announced on January 10th. As far as this film, the killer wigs and crushed velvet suits on Carell and Buscemi put it over the top. Director Don Scardino’s comedy looks good and definitely on our 2013 list of must-sees.

In THE INCREDIBLE BURT WONDERSTONE, superstar magicians Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi) have ruled the Las Vegas strip for years, raking in millions with illusions as big as Burt’s growing ego. But lately the duo’s greatest deception is their public friendship, while secretly they’ve grown to loathe each other. Facing competition from magician Steve Gray (Jim Carrey), whose cult following surges with each outrageous stunt, even their show looks stale. But there’s still a chance Burt and Anton can save the act – both onstage and off – if Burt can get back in touch with what made him love magic in the first place.

Starring Steve Carell, Steve Buscemi, Olivia Wilde, Alan Arkin, James Gandolfini, Jim Carrey, and Jay Mohr, THE INCREDIBLE BURT WONDERSTONE materializes in theaters on March 15th.

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AMOUR, THE INTOUCHABLES, SISTER Among 9 To Advance In Foreign Language Film Oscar Race


THE INTOUCHABLES Photographer: Thierry Valletoux Copyright: © 2011 Gaumont

SISTER, AMOUR and THE INTOUCHABLES are among the nine films to advance to the next round of voting in the Foreign Language Film category for the 85th Academy Awards®. A record seventy-one films had originally qualified in the category.

The films, listed in alphabetical order by country, are:

     Austria, “Amour,” Michael Haneke, director; 
     Canada, “War Witch,” Kim Nguyen, director;
     Chile, “No,” Pablo Larraín, director;
     Denmark, “A Royal Affair,” Nikolaj Arcel, director;
     France, “The Intouchables,” Olivier Nakache and Eric Toledano, directors;
     Iceland, “The Deep,” Baltasar Kormákur, director;
     Norway, “Kon-Tiki,” Joachim Rønning and Espen Sandberg, directors;
     Romania, “Beyond the Hills,” Cristian Mungiu, director;
     Switzerland, “Sister,” Ursula Meier, director. (Recent EDA winner for Best Female-Directed Narrative Feature at the 21st Annual St. Louis International Film Festival).

According to the Academy’s official rules, a foreign language film is defined as a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track. The Academy Statuette (Oscar) will be awarded to the motion picture and accepted by the director on behalf of the picture’s creative talents.


SISTER

Foreign Language Film nominations for 2012 are again being determined in two phases.

The Phase I committee, consisting of several hundred Los Angeles-based members, screened the 71 eligible films between mid-October and December 17. The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.

The shortlist will be winnowed down to the five nominees by specially invited committees in New York and Los Angeles. They will spend Friday, January 4, through Sunday, January 6, viewing three films each day and then casting their ballots.

The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater. Academy Awards for outstanding film achievements of 2012 will be presented on Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network.

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Watch The New Trailer For DreamWorks Animation’s TURBO

Gentleman, start you engines. Along with a great voice cast that includes Ryan Reynolds, Paul Giamatti, Michael Pena, Luis Guzmán, Bill Hader, Richard Jenkins, Ken Jeong, Michelle Rodriguez, Maya Rudolph, Ben Schwartz, Kurtwood Smith, Snoop Dogg,, and Samuel L. Jackson, check out the first trailer for DreamWorks Animation’s TURBO.

The scenes of the Indy Motor Speedway look incredible!

DreamWorks Animation’s TURBO is the story of a snail who dreams of being the greatest racer in the world, just like his hero, 5-time Indianapolis 500 champ, Guy Gagné. Turbo’s obsession with speed and all things fast has made him an outsider in the slow snail community, and a constant embarrassment to his cautious older brother, Chet.

Turbo desperately wishes he could escape the slow-paced life he’s living. He gets that chance after a freak accident when he suddenly finds himself vested with the power of incredible speed. Turbo embarks on an extraordinary journey to achieve the impossible: racing against the best that IndyCar has to offer. Turbo is the ultimate underdog who achieves the impossible by refusing to let his limitations limit his dreams.

TURBO is based on an original idea by David Soren (Merry Madagascar), who is directing the film.

The family animated film races into theaters on July 19, 2013.

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