The 1988 THE BLOB Remake Screens Midnights This Weekend at The Moolah


“The organism is growing at a geometric rate. By all accounts, it’s at least a thousand times its original mass.”


THE BLOB (1988) screens Midnights this weekend (October 12th and 13th) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, MO 63108) as part of  Destroy the Brain’s monthly Late Nite Grindhouse film series.

Most remakes of old movies, especially horror or science fiction movies, are pointless affairs that fail either to capture the spirit of the original or to add anything new to the basic premise. Occasionally, a smart filmmaker will come along and actually improve upon the original.

This was the case with David Cronenberg’s remake of THE FLY (1986) and also Chuck Russell’s 1988 remake of the 1958 “classic” THE BLOB, which managed both to capture the giddy drive-in feel of the original and improve upon it, especially in terms of special effects. Savvy enough to quote from the highlights of the original and clever enough to stand on its own, THE BLOB pits the small town of Arborville against a man-eating blob from outer space that threatens to devour the entire community. Well directed by Russell, THE BLOB was a fast-paced, frightening, revolting, and witty, delivering the goods that come with the genre while developing characters and themes at the same time. If you’ve never seen it, don’t miss your chance this weekend at The Moolah!

The Facebook invite for Friday night can be found HERE
https://www.facebook.com/events/2183463138566638


The Facebook invite for Saturday night can be found HERE
https://www.facebook.com/events/2685527505005640/

THE PSYCHOTRONIC PRE-SHOW STARTS AROUND 11:30P WITH THE FILM STARTING AT MIDNIGHT.


The Moolah Theatre & Lounge serves alcohol until 2:30AM! Feel free to show up early and stay late to have some drinks and get friendly with the amazing Moolah staff.

John Carpenter’s Original HALLOWEEN Midnights This Weekend at The Tivoli


“Lynda, if this is a joke, I’ll kill you!”

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John Carpenter’s HALLOWEEN (1978) plays this weekend (October 12th and 13th) at the Tivoli as part of their Reel Late at the Tivoli Midnight series.

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It’s the film that created a genre all its own. think about every movie you’ve ever seen with the unstoppable killer stalking teenagers. add a mask, and penchant for sequels – that all started in 1978 with HALLOWEEN. After killing his sister when he was 6 years old, Michael Myers escapes from the mental institution where he’s resided for fifteen years and returns to his hometown to stab some babysitters. Though this story is general format for horror now, in 1978 it was original stuff and paved the way for films such as FRIDAY THE 13th, NIGHTMARE ON ELM STREET and even its own many sequels. John Carpenter’s use of the widescreen is skillful and he makes sure he uses all those little dark corners that are on the edge of the viewer’s vision. The lighting and Carpenter’s iconic music are brilliantly timed. Carpenter knew exactly what he wanted to do in this film and he did it perfectly, that is to scare the hell out of anyone who watches it. As with quite a few of the horror masterpieces, there is a serious lack of blood in the original HALLOWEEN, but this was remedied when Rick Rosenthal made the first sequel a couple of years later.

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he Tivoli’s located at 6350 Delmar Blvd., University City, MO. Admission is a mere $8!

The Tivoli’s website can be found HERE

http://www.landmarktheatres.com/market/st.louis/tivolitheatre.htm

And here’s the midnight line-up for the rest of the month:

October 19-20 and Oct 26-27       ROCKY HORROR PICTURE SHOW – with live shadow cast, Samurai Electricians! – All tickets $10 for ROCKY

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DAREDEVIL Season 3 Trailer: Devil May Care

By Marc Butterfield

Blinded as a young boy but imbued with extraordinary senses, Matt Murdock (Charlie Cox) fights against injustice by day as a lawyer, and by night as the Super Hero “Daredevil” in modern day Hell’s Kitchen, New York City.

Season 3 of Marvel’s Daredevil debuts exclusively on Netflix October 19th, 2018.

So the Daredevil Season 3 trailer finally dropped on Netflix. If you’ve seen seasons I and II (and that means you have incredible taste and love great story, nuance, and impeccably choreographed ass-beatings) then you know that this series excels in deep angst. Lots of it. From the very beginning of season 1 though, we got action, story, blood, gore and some truly stunning violence. It was the darkest and grittiest entry into the super hero genre yet, bar none. (that is, of course, until they released “The Punisher” series.) From that point on, we got exactly the Daredevil from Netflix that we fans had always wanted. Matt Murdock and his crew of supporting characters, each of them now written to be not just interesting, but really relevant to the story arc and developing Matt’s character. Pack in the extras like Elektra and Frank, and combining him with The Defenders as a reluctant senior hero, and you had a real winning property. Judging from the season 3 preview that we got today, and it looks like the best is yet to come. Kingpin is back. Played by Vincent D’Onofrio so charmingly, so brutally, yet with such a vulnerable side that you almost feel sorry for him. That is, of course, until he beats a man to death or orders the execution of some innocent bystander. And this time he appears to be going all out for DD, bringing in a ringer (the jury is out as to whether it’s Taskmaster or Bullseye), and wants not to just physically hurt the hero Daredevil, but to destroy his reputation and end his legacy forever. When the reveal as to who the new season bad guy would be is made, we see Wilson Fiske ready to make a deal to get out of prison, sounding remorseful, telling us how he wants to contribute to society again, how he regrets his past…and then we see Foggy Nelson, Matt Murdock’s partner and part of the team who helped take down the Kingpin see the headlines on his smartphone that Fiske will be released. Foggy is horrified, and probably terrified as well. And this whole time, we see Matt dressed in his Season 1 black sweats and mask, confessing in church about his motivations, threaded with shots of him fighting a barrage of thugs throughout the city.

It’s clear that the drama meter is cranked up to about 11 for this third season, and that the danger isn’t going to be just on Matt, but on Foggy, Karen, and most likely, anyone in Hell’s Kitchen that gets in Fiske’s way.  There was no sign of Elektra (who seemingly died at the ending of season 1 of The Defenders…and only for the second time in 2 seasons of appearances).  Or Frank (The Punisher) who now has his own problems.  No, it looks like Daredevil is on his own this time, facing down a foe that wants his complete and total destruction, and possibly the destruction of all of Hell’s Kitchens’ best citizens.

Good Luck, Matt

Watch Marvel’s Daredevil on Netflix.

Photo credit: David Lee/Netflix

Documentary GENERATION WEALTH Arrives on DVD October 16th


The mind-blowing documentary, Generation Wealth comes to DVD on October 16 from Lionsgate. Emmy-nominee director and photographer, Lauren Greenfield, gives you a look into the lives of America’s most wealthy. Beware, as not everyone who makes it to the top are as innocent as they appear to be!

Acclaimed Emmy-nominated documentary photographer and director Lauren Greenfield (2007, Outstanding Nonfiction Directing, Thin) gives us an inside look at the “precise, eye-opening, and absolutely chilling” (Kate Erbland, Indiewire) heights of narcissism and greed within the global boom-bust economy whenGeneration Wealth arrives on DVD and Digital October 16 from Lionsgate. The insightful and thought-provoking film is “a blistering takedown of greedy Kardashian culture” (The Daily Beast) reflected through the lenses of Greenfield’s life’s work. The opening film of the 2018 Sundance Film Festival, the GENERATION WEALTH DVD includes a gallery of Greenfield’s photos, and will be available for the suggested retail price of $19.98.

Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously a personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late-stage capitalism, narcissism, and greed.

DVD / DIGITAL SPECIAL FEATURES

  • Photos By Lauren Greenfield

 

CAST

Florian Homm                        Himself

Tiffany Masters                      Herself

and Jacqueline Siegel            The Queen of Versailles

Scary New Shocker MINUTES TO MIDNIGHT Now on DVD and VOD


Screen sensation William Baldwin and Uncork’d Entertainment count down the Minutes to Midnight.


In the tradition of The Strangers, and featuring the hottest ensemble of the year,  Minutes to Midnight premiered on VOD in July

What happens when a night of fun turns into a night of horror?  Seven friends and a mysterious backpacker converge at a desolate ski lodge in the mountains and as the clock begins the countdown to the New Year, they discover that the end of the old year may be the end of all their years as they are systematically hunted down by ruthless masked men with a deadly agenda.


Film is scripted by Victoria Dadi and Christopher M. Don.

Award-winning actor William Baldwin (Backdraft, Flatliners, Sliver), Richard Grieco (“21 Jump Street”), Bill Moseley (The Devil’s Rejects), John Hennigan (Never Leave Alive), Dominique Swain (Astro), Viva Bianca (“Spartacus : War of the Damned”), Jared Cohn (Pernicious) and Christopher Judge (“Stargate SG-1”) star in a Christopher Ray (Circus Kane) film.

Award Winning Supernatural Thriller THE LIGHTHOUSE Now on DVD


BAFTA-award winning supernatural thriller THE LIGHTHOUSE, starring Michael Jibson (Hunter Killer, Beauty and the Beast) and Mark Lewis Jones (Star Wars : The Last Jedi, “Game of Thrones”), is now available on DVD.

“A dark and disquieting journey into the heart of madness” (Starburst), THE LIGHTHOUSE, inspired by a terrifying true story, tells of two men trapped in an isolated lighthouse, surrounded by the deadly Irish sea, with both their minds ultimately pushed to the limits.


Directed by Chris Crow, and nominated for five BAFTA awards including Best Director and Best Actor, winning Best Visual Effects, THE LIGHTHOUSE is now available on DVD.

THE BIG LEBOWSKI at Urban Chestnut October 3rd – ‘Strange Brew’


“That rug really tied the room together!”


Webster University’s Award-Winning Strange Brew Film Series has moved! The new location is Urban Chestnut in the Grove (4465 Manchester Avenue, St. Louis 63110). This month’s film is THE BIG LEBOWSKI. It’s this Wednesday, October 3rd. The movie starts at 8pm and admission is $5.

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Sometimes it’s easy to forget that THE BIG LEBOWSKI is a mystery, like the Coen brothers’ previous film, FARGO. Where Fargo is a thriller, THE BIG LEBOWSKI is a parody. Hidden in the jokes, satire, idiosyncratic characters, and musical numbers, the story is about a hippie “bum,” brilliantly portrayed by Jeff Bridges, who is unwittingly sucked into becoming a pawn in kidnapping and embezzling scams. As the narrator aka ‘The Stranger’ (Sam Eliot) succinctly puts it, “Sometimes there’s a man–I won’t say a hee-ro, ’cause what’s a hee-ro?–but sometimes there’s a man. And I’m talking’ about the Dude here–sometimes there’s a man who, well, he’s the man for his time’n place, he fits right in there–and that’s the Dude” The Dude takes us on an anti-hero’s journey. The Dude’s legal name happens to be the same as a bigwig whose trophy bride and former porn star, Bunny (Tara Reed), owes money to a porn producer whose goons confuse the two Lebowskis and whiz on the Dude’s room-tying-together rug. This sets off a chain of events that have entertained audiences now for 17 years.

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THE BIG LEBOWSKI was not a hit theatrically but it’s developed a cult reputation over the years and is now considered a beloved masterpiece with Bridge’s ‘The Dude’ being one of cinema’s all-time great eccentrics. But the entire cast: John Goodman, Steve Buscemi, Julianne Moore and, most hilariously John Turturro in a cameo as Jesus, the uptight, pedophilic rival who represents everything The Dude dismisses, are at the top of their game. Don’t miss THE BIG LEBOWSKI when it screens October 3rd at Urban Chestnut in the Grove (4465 Manchester Avenue, St. Louis 63110)

A Facebook invite for this event can be found HERE

https://www.facebook.com/events/299939097262542/

The movie starts at 8pm and admission is $5. There will be food to order and plenty of pints of Urban Chestnut’s famous home-brewed beer.

SUPERMAN: THE MOVIE Returns To Big Screen For 40th Anniversary On Sunday, November 25 And Tuesday, November 27

Two of the most iconic DC Super Heroes in pop-culture history are coming back to the big screen this November as each celebrates a milestone cinematic anniversary with special presentations by Fathom Events, Warner Bros. and DC.

Richard Donner’s legendary 1978 “Superman” will play on Sunday, November 25, and Tuesday, November 27, at 2:00 p.m. and 7:00 p.m. (local time). The revolutionary Batman animated adventure Batman: Mask of the Phantasm” returns to movie theaters for only one night on Monday, November 12, playing at 2:00 p.m. and 7:00 p.m. (local times). Tickets for both of these special presentations – which will play in more than 500 movie theaters nationwide – are available now and can be purchased online at www.FathomEvents.com or at participating theater box offices.

To celebrate the 40th anniversary of the landmark film and the 80th anniversary of the beloved DC character created by Jerry Siegel and Joe Schuster, Fathom Events will present “Superman” in its original theatrical version, as audiences saw it upon its initial release in December 1978. A box-office sensation, “Superman” broke industry records and went on to gross more than $300 million worldwide, leading to three direct sequels – and helping introduce the world to the enormous possibility of comic-book film adaptations.

Christopher Reeve stars as Superman and Clark Kent, leading an incomparable cast that includes Margot Kidder as Lois Lane, Gene Hackman as villainous Lex Luthor, Marlon Brando and Susannah York as Superman’s parents Jor-El and Lara; Ned Beatty and Valerie Perrine as Luthor’s sidekicks Otis and Miss Tessmacher; Jackie Cooper as Perry White; Glenn Ford and Phyllis Thaxter as George and Martha Kent; and Jeff East as teenaged Clark Kent. “Superman” was written by Mario PuzoDavid NewmanLeslie Newman and Robert Benton from a story by Mario Puzo.

Accompanying “Superman” will be a cinematic rarity: Max Fleischer’s animated Superman short “Mechanical Monsters,” presented in movie theaters for the first time since its original release in 1941. The 10-minute, Technicolor cartoon is one of 17 animated shorts produced in the 1940s that were based on DC’s legendary hero.

Since its first appearance in 1993, “Batman: Mask of the Phantasm” has become a favorite of fans and critics alike. “Batman: Mask of the Phantasm” will thrill fans 25 years after its initial release with its tale of the Dark Knight and his mission to clear his own name after vicious mob bosses are found murdered – with all fingers pointing toward Batman as the criminal.

Told in a bold, memorable animated style, “Batman: Mask of the Phantasm” stars the voices of Kevin Conroy as Batman, Stacy Keach as Phantasm, Efrem Zimbalist Jr. as Alfred, Dana Delaney as Andrea Beaumont, and Mark Hamill as The Joker. “Batman: Mask of the Phantasm” – directed by Eric Radomski and Bruce W. Timm from a screenplay by Alan Burnett, Paul Dini, Martin Pasko and Michael Reaves – will be presented with the hilarious 2010 Looney Tunes animated short “Rabid Rider,” starring Wile E. Coyote and the Road Runner.

“There are no bigger Super Heroes in the world than Batman and Superman, and these incredible cinematic adventures are true movie milestones,” said Tom Lucas, Fathom Events VP of Studio Relations. “Fathom Events is honored to be working with Warner Bros. and DC to return them to the silver screen for their anniversaries, and we can’t wait to share the excitement of these movies with fans of all ages.”

NOSFERATU With Live Music by The Rats and People Motion Picture Orchestra October 25th at Urban Chestnut

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” Is this your wife? What a lovely throat!”

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There’s nothing better than silent films accompanied by live music and I’d go as far as saying there’s nothing better than silent films accompanied by the Rats and People Motion Picture Orchestra. And I’ll go even farther by saying that there’s nothing better than the 1922 silent spooker NOSFERATU accompanied by the Rats and People Motion Picture Orchestra which is an event that will be taking place Thursday night, October 25th at Urban Chestnut Brewing Company’s Midtown Brewery & Biergarten (3229 Washington Ave, St. Louis 63103). Doors open at 6pm and the movie unspools after dark!

ADMISSION IS FREE !!!

A Facebook invite for this event can be found HERE

https://www.facebook.com/events/255950208596615/permalink/255952768596359/

I’ve seen NOSFERATU with live music before and have even shown a 25-minute cut of the film at my old monthly Super-8 Movie Madness show with live keyboard accompaniment  (by the talented Linda Gurney), but seeing the full-length version  near Halloween on the big screen at Urban Chestnut with an original score performed the Rats and People is not something you want to miss.

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The Rats and People is a treasure and St. Louis is lucky to have them here. I’ve seen them perform with silent films several times, often at The St. Louis International Film Festival, and usually at Webster University’s Moore Auditorium and it’s always a stunning good time at the movies. I’ve seen  Rats and People play along to some Charlie Chaplin and Buster Keaton at the SLIFF/KIDS film fest, and Harold Lloyd’s THE FRESHMAN. At last year’s St. Louis International Film Festival, I had the privilege of orally translating the Dutch subtitles of the 1912 version of IVANHOE while they played. Last year, The Rats and People Motion Picture Orchestra accompanied the 1927 collaboration THE UNKNOWN as part of last year’s St. Louis International Film Festival and they will be accompanying Fritz Lang’s DESTINY at this year’s SLIFF on Saturday, Nov. 5 at 8:00pm at Webster University’s Moore Auditorium, but this NOSFERATU event October 20th will show you how talented these musicians are and will be a great opportunity to see their unbeatable combination of Silent film and live music.

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Released in 1922, NOSFERATU was essentially an unofficial adaptation of Bram Stoker’s 1897 novel. Disguising the film under different names and details, this Dracula story portrays Count Orlock negotiating a move to Bremen in Germany  with realtor Thomas Hutter, and like the plagued-diseased rats of history, Count Orlock is a harbinger of death, bringing a great darkness with him in as he obsessively pursues the neck of Hutter’s wife and brings death and menace to the people of Bremen.
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Masterfully directed by F W Murnau, NOSFERATU features timeless images of the nocturnal blood sucker gravitating through the shadows – the epitome being the iconic shot of the shadow ascending the stairs, as one with the dark  – an image that will send chills down your spine. Max Schreck’s Count Orlock grotesques all with his rat-like physical demeanor and long, bony fingers ending in talon-like nails – white-washed pale face – pointed ears – dark, sunken eyes – and hideous fangs centered in the very front of his mouth. Schrek’s Orlock takes his rightful place as one of the scariest movie monsters to grace celluloid. Count Orlock is a vampire you won’t be accustomed to seeing if you have been a regular viewer of the shirtless escapades present in the ‘Twilight’ films. NOSFERATU is not exactly heart-warming, buff or sexy. More, a pale stick insect which has just crawled out of a rat hole. Edward Cullen and family like transparent architecture, with their expensive, modern real estate. Nosferatu prefers his abode to be a beautifully haunting, Bavarian castle. It’s all so cool. Bram Stoker’s widow sued the producers of NOSFERATU and the resulting ruling ordered all copies to be destroyed. But, like the movie’s iconic monster, it seems the film was destined for immortality. At least one print survived and NOSFERATU has lived on as the best silent horror film in cinema history. Don’t miss this screening!

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The Rats and People Motion Picture Orchestra site can be found HERE

http://theratsandpeople.com/

The Urban Chestnut site can be found HERE

http://urbanchestnut.com/home/

 

GRABBERS (2012) – The DVD Review


Does this sound familiar?  A meteor crashes to Earth, near human habitation, “something”  comes out of the meteor and proceeds to run amok among the local human populace. Or it could be a human built space craft, returning from Mars, Venus or the moon and “something” gets loose near a city or small town and creates mayhem every where it goes. Or it could be an alien spacecraft, or even big seed pods.

My point being, this is one well used concept in science fiction movies, especially science fiction monster movies.  You wouldn’t think there was much film makers could do to return to that story and do something new with it.  The fine Irish film crew that created Grabbers did exactly that.

Part of my post duty orders here at We Are Movie Geeks is to shine a spotlight on little known and largely unseen moves that deserve a larger audience.   Grabbers is one of those movies.

First, Ireland is not exactly a hot bed of film making activity.  I can think of only one other recent Irish movie The Guard  2011 with Brendan Gleason and Don Cheadle.  And I doubt if I could name 10 other Irish movies that I have ever seen unless I did some research.

Off shore of Aran Island “something” crashes into the ocean near a fishing vessel and, yes, something comes out and starts running amok.  The first kill happens in the first two minutes of the movie, so we’re off to a bang up start.  Aran Island is a tourist destination with very few constables, in fact when the Chief takes a vacation he leaves Garda Ciaran O’Shea (Richard Coyle) with a temporary replacement Garda Lisa Nolan (Ruth Bradley) the Irish equivalent of a big City Cop (Dublin.)


This doesn’t sit well with O’Shea who feels he can take care of everything by himself, despite his raging alcoholism (this being an Irish movie strong drink is a major plot point and I’ll get to that in due time!)

So right away we have the old story of a woman in a “man’s” job having to overcome every obstacle to not only do the job but get some respect in the process.  Coyle is very good as the always hung over Garda O’Shea but Ruth Bradley shines as Garda Nolan.  We see right away that she knows her job, loves it and, another major plot point, is sober, never takes a drink.   That she is a very attractive young lady with a great sense of timing in the comedy parts helps a great deal.  For Grabbers is as much a comedy as a monster movie.

As soon as she arrives and the Chief leaves things begin happening.  Whales are washed up dead on the beach, and they did not beach themselves.  “Something” attacked and mauled and killed them at sea. Investigating these whale deaths is an oceanographer Dr. Adam Smith (Russell Tovey) who takes a shine to Garda Nolan right away.  Se we have the classic monster movie set up of police (or military) and a scientist and a possible love triangle.

Soon a drunken lobster man Paddy (naturally!) Barrett (Lalor Roddy)  catches “something” in his lobster trap.  Ugly, stanky and pissing on anyone who tries to look at it this is a baby Grabber, the multi tentacle, toothy and very hungry, to both eat and reproduce, monsters, who proceed to take over the whole movie.


Through a series of events as citizens of Aran Island start to disappear and the Gardas and the oceanographer do their job it comes to light that the best protection against the Grabbers, no matter what size they are, is to be piss drunk.

And apparently Irish police are not issued fire arms.  There is not one gun in the entire movie, unless you count a super soaker filled with petrol.  Several makeshift weapons are thrown together but the citizens best weapon is to drink to extreme excess.  The big showdown with the Grabbers, who reproduce rapidly and look like something out of H.P. Lovecraft, all tentacles and a huge  mouth filled with teeth and a long tongue whiplash quick that will suck the blood out of humans, happens at the local pub where everyone in town gets hammered.

Everyone except Garda O’Shea who, in a nice bit of irony is the one character who has to stay sober to direct the fight against the Grabbers.  And previously sober Garda Nolan becomes, for the first time in her life, three sheets to the wind and is hilarious at it.  Her tumble down the stairs of the pub, where in all are drinking to combat the alien invasion, and somehow landing on her feet to proclaim “I’m alright!” is a highlight not to be missed.

If there is a downside the CGI which brings the Grabbers to life is not the best.  About on the level of SyFy movies like Dynocroc vs Supergator, or (almost) the Sharkanado movies.)  However the monsters do have their scary moments but it’s as a comedy that Grabbers really shines.  A long sequence in the oceanographers lab involving all four major characters is both hysterical and a nice reference to the Alien movies.  In fact I saw references to Alien, Predator, Night of the Creeps and even ET.   The use of alcohol is a nice turnaround on one of the classic AIP drive in movies, Invasion of the Saucer Men, wherein the “little green men” injected people with alcohol in order to render them easy to round up and do…..whatever it was those guys wanted to do with people.

And the photography is so good, the Irish scenery so beautiful, Grabbers almost looks like a European art film.   I am somewhat Irish myself, my people were known as Scots-Irish.  My ancestors left Scotland and went to Ireland to look for a better life.  Which the Irish themselves will tell you is a very foolish thing to do.  The Irish have left Ireland for generations and gone elsewhere, looking for a better life.


But I identify with Ireland much more so than Scotland, maybe it’s the taste of a cold bottle of Guinness Stout!  So I and my sweetheart Radah had a grand time seeing Grabbers.  With Halloween fast approaching you could do very well with a viewing of Grabbers, with a nice six pack of Guinness to tide you over.

And as an added bonus Grabbers has the most hysterically funny Making Of documentary I have ever seen.  The writer, the director, producer and all the actors talk about their “research” to get ready to make this movie, yes, they all went out and got hammered, repeatedly, in many Irish pubs.   Come to think of it Grabbers would be a good movie for St. Patrick’s day as well, if you’ve already seen The Quiet Man enough.