THE DEAD LANDS starring Te Kohe Tuhaka and Darneen Christian Releasing June 8th

RLJE Films, a business unit of AMC Networks, has picked up select rights to THE DEAD LANDS from Shudder, AMC Networks’ streaming service for horror. THE DEAD LANDS will be released on Digital HD on June 8, 2020. Check out this terrifying trailer:

Co-Directed by Peter Meteherangi Tikao Burger (“Mataku,” Until Proven Innocent) and Michael Hurst (“Hercules: The Legendary Journeys”) from a script by Glenn Standring (Truth About Demons), the action/horror stars Te Kohe Tuhaka (“Go Girls,” 6 Days), Darneen Christian, Kirk Torrance (“Outrageous Fortune,” “The Lost Children”), and Vicky Haughton (Whale Rider, King Kong).

In THE DEAD LANDS, Waka, a murdered Māori warrior returned from the Afterlife, and Mehe, a determined young woman, embark on a quest to find who “broke the world” and how to close the breach between the living and the dead. AMC Networks’ Shudder and TVNZ present THE DEAD LANDS, an epic supernatural fantasy series set in mythical New Zealand.

HOW TO BUILD A GIRL Starring Beanie Feldstein Opens Next Week

HOW TO BUILD A GIRL WILL BE AVAILABLE IN SELECT THEATERS, DIGITAL AND CABLE VOD MAY 8TH

The critics love HOW TO BUILD A GIRL!

Beanie Feldstein is incandescent.”

Katey Rich, VANITY FAIR

“It’s a joyful thing to behold. As fun as a night in the mosh pit with your best mate”

Leslie Felperin, THE HOLLYWOOD REPORTER

“A loving tribute to young women with overactive imaginations and a desire to reinvent themselves. Beanie Feldstein is as charming as ever.”

Anne Cohen, REFINERY29

Check Out the trailer:

Johanna Morrigan (Beanie Feldstein) is a bright, quirky, 16-year-old who uses her colorful imagination to regularly escape her humdrum life in Wolverhampton and live out her creative fantasies. Desperate to break free from the overcrowded flat she shares with her four brothers and eccentric parents, she submits an earnestly penned and off-beat music review to a group of self-important indie rock critics at a weekly magazine. Despite being brushed off initially, Johana clamors to the top of the 90s rock music scene by reinventing herself as Dolly Wilde – a venerable, impossible-to-please music critic with an insatiable lust for fame, fortune, and men. It isn’t long before the rapid pace at which Johana’s life is changing becomes overwhelming and she runs face-first into a devastatingly real, existential crisis: Is this the type of girl she wants to become? Or does she need to start over and build again from the ground up? Based on the best-selling novel by Caitlin Moran, How to Build a Girl is a sassy, sexy, and a profoundly touching coming-of-age comedy that traces the rocky road to womanhood through the lens of a unique and wildly hilarious protagonist. Co-starring Alfie Allen, Paddy Considine, Chris O’Dowd, and Emma Thompson.

About the director: Coky Giedroyc is a British, critically acclaimed director most recently celebrated for her work on Harlots, written by Moira Buffini for Monumental Television and Hulu. In 2016, she was awarded a BAFTA for best director of The Sound Of Music Live starring Kara Tointon and Alexander Armstrong. Coky set up the award-winning drama The Hour written by Abi Morgan and starring Dominic West, Ben Wishaw and Romola Garai which she was nominated for a Golden Globe and an Emmy. She was nominated for both an International Emmy and a BAFTA for the BBC Drama, The Virgin Queen, starring Anne Marie Duff and Tom Hardy. She directed Oliver Twist and Wuthering Heights, both of which also starred Hardy. Other credits include the four-part BBC1 series What Remains written by Tony Basgallop, Spies of Warsaw, an adaptation of Alan Furst’s novel and Nativity, a Canadian co-production starring Tatiana Maslany. Her work in the US has included: The Killing, Penny Dreadful with Eva Green and Rory Kinnear, Broad Squad, a pilot for ABC, Veena Sud’s series Seven Seconds and Gypsy, starring Naomi Watts and Billy Crudup. Coky served for four years on the board of Directors UK and is a mentor to young female film makers starting out in the industry.

The Starlite Drive-In in Cadet, MO Opens This Weekend With TROLLS WORLD TOUR, DOLITTLE, FOOTLOOSE, and FERRIS BUELLER

This is this closest Drive-in to St. Louis that is open, and it’s really not very far (48 miles from me and I live near the Brewery). The Starlite (15605 N. State Highway 21, Cadet, MO 63630) opens tonight with TROLLS WORLD TOUR and DOLITTLE on screen one and FOOTLOOSE, and FERRIS BUELLER’S DAY OFF. The show starts at 8:15pm.

There are a LOT of rules:

  • The price is $15 per carload
  • All ticketing online – Bring printed ticket or save to your phone. Cell service is sometimes not available. The Starlte’s site and ticket info is HERE
  • All Food ordering online – The food will be delivered to your car.
  • Concession stand is closed otherwise
  • Restrooms limited to 1 person at a time 6′ between those in line. Emergency use only is suggested.
  • Parking will be beside even number spots only. 
  • You may be outside of your car but must wear a mask if doing so. Social distancing is in place please abide by

Got all that?

Witness the Terrifying New Trailer for THE CANDY WITCH

Sweet dreams… forever! Check out this scary trailer:

Two ghost hunters are called upon a distressed family who claim they are being tormented by an evil spirit known in their local town as The Candy Witch. But as the mystery of her curse is uncovered, surprising and sinister turns are discovered around The Candy Witch’s identity. Their hardest case yet, can they solve this evil curse before more people are killed by the demonic spirit?

From writer-director Rebecca J.Matthews (Pet Graveyard), and starring Kate Lush, Abi Casson Thompson, Heather Jackson and Richard D Myers, The Candy Witch serves up sweet death June 9 on DVD and Digital from Uncork’d Entertainment. 

Get in. Get Out. Or Die! Check Out the New Poster and Trailer For DRIVEN

Supernatural’s Richard Speight Jr demands to be Driven  this June! Check Out the trailer:

Emerson Graham’s nights as a cab driver are filled with annoyances and inconveniences, but until tonight, never attacks and disappearances. After picking up a mysterious passenger her evening goes from working a job to performing a quest as they must race against the clock to stop demons from invading the world.

Casey Dillard wrote and stars in a film by Glenn Payne, co-starring Richard Speight Jr (“Supernatural”, “Band of Brothers”), Jessica Harthcock (Ender’s Game), Nicholas Roylance (“Punishment!”), Andy Field (Avengers : Endgame), Bill Luckett (Battlecreek), and Leah Hudspeth (“The Resident”). Driven arrives on DVD and Digital June 16 from Uncork’d Entertainment.

THE WARRIOR QUEEN OF JHANSI Arrives on Digital and DVD May 19th

Experience an epic tale of heroism, leadership, and female empowerment when The Warrior Queen of Jhansi arrives on Digital and DVD May 19 from Lionsgate.

Experience an epic tale of heroism, leadership, and female empowerment when The Warrior Queen of Jhansi arrives on Digital and DVD May 19 from Lionsgate. This film is based on the true story of Rani of Jhansi, the Indian Queen who was a leading figure and symbol of resistance in the 1857 Indian rebellion against the British Empire. Directed by Swati Bhise (one of the producers of The Man Who Knew Infinity) and co-written by Swati, her daughter Devika Bhise (Mosaic), who also stars as “Rani Lashkmi Bai,” and Olivia Emden (Hero), The Warrior Queen of Jhansi features Nathaniel Parker, Golden Globe® nominee Rupert Everett (2000, Best Actor in a Musical or Comedy, An Ideal Husband), Ben Lamb, Jodhi May, and Primetime Emmy® winner Derek Jacobi (1989, Best Supporting Actor in a Limited Series, Hallmark Hall of Fame). The Warrior Queen of Jhansi will be available on Digital for the suggested retail price of $12.99 and on DVD for purchase through online retailers for the suggested retail price of $19.99.

The Warrior Queen of Jhansi tells the epic true story of the legendary Rani (translation: Queen) of Jhansi, the fearless freedom fighter who became a feminist icon in India. In 1857 India, this 24-year-old general led her people into furious battle against the British Empire, shifting the balance of power in the region—and setting in motion the demise of the notorious British East India Company and the beginning of the British Raj under Queen Victoria.

DIGITAL/DVD SPECIAL FEATURES

  • “The Making of The Warrior Queen of Jhansi” Featurette
  • Photo Gallery
  • Theatrical Trailer

 
CAST
Devika Bhise                           TV’s “Elementary,” The Man Who Knew Infinity,                                                    Mosaic
Rupert Everett                         My Best Friend’s WeddingThe Happy Prince
Nathaniel Parker                     StardustSwimming with Men, TV’s “Of Kings                                                      and Prophets”
Ben Lamb                               DivergentNow You See Me 2, TV’s “Knightfall”
with Jodhi May                        The Last of the Mohicans, TV’s “The Witcher”
and Derek Jacobi                    GladiatorMurder on the Orient ExpressTolkien,
                                                 TV’s “Last Tango in Halifax”

Before You See Tom Hardy as CAPONE, Take a Look at These Other Al Capones From Hollywood History

The star-studded biopic CAPONE is due to be released via digital platforms on May 12th. Tom Hardy plays Al Capone in his later years in the movie and he looks fantastic. Linda Cardellini, Kyle MacLachlan, and Matt Dillon co-star. Al Capone is America’s best-known gangster and the single greatest symbol of the collapse of law and order in the United States during the 1920s Prohibition era. Capone had a leading role in the illegal activities that lent Chicago its reputation as a lawless city and an interesting variety of Hollywood stars have had the leading role as Al Capone in the many films that have been made that featured him as a character.

The first film about Capone was produced when he was still making headlines. The main character may be named Antonio Camonte, but there’s little doubt as to who producer Howard Hughes had in mind when he and director Howard Hawks filmed SCARFACE during the Great Depression. Camonte shares more than the same initials with one Al Capone, who was about to begin his eleven-year sentence for tax evasion when the movie was released in 1932. Legend has it that a pair of Capone’s enforcers paid an unannounced visit to screenwriter Ben Hecht’s Los Angeles Hotel room, demanding to know if the movie was indeed about their boss. When told that it was not, the pair was curious as to why the picture was titled SCARFACE while Capone had a famous facial scar, a souvenir from his days as a bouncer at a Coney Island speakeasy when he was 18. “If we call the movie SCARFACE, people will think it’s about Capone and come to see it” Hecht explained, “It’s part of the racket we call show business”. The two thugs were persuaded and left. Camonte is played by Paul Muni, in an over-the-top performance displaying ape-like maniacal behavior and prominent use of the Thompson submachine gun. George Raft and Boris Karloff appear in memorable supporting roles. Many similarities exist between the film’s characters and actual organized crime figures of the time. In addition to Tony Camonte being Al Capone, Johnny Lovo (played by Osgood Perkins, father of Tony) resembles crime figure Johnny Torrio, the Chicago-based mobster who helped build the criminal empire known as the Chicago Outfit before Capone took it over. The St. Valentine’s Day massacre, the hospital murder from the life of Legs Diamond, and the 1920 killing of Capone’s Irish, North Side enemy Deanie O’Bannion in a flower shop are also recreated in the film. At the end of SCARFACE, Camonte is slaughtered at the hands of the police force. The 1983 cocaine-era update of SCARFACE was more removed from Capone’s story. It followed the original’s plot closely but Al Pacino’s Tony Montana was Cuban and the action took place in Miami.

Actor Neville Brand was the 4th most decorated GI in WWII. He was a natural heavy with his gravelly voice and brutish facial features and was cast as Al Capone, a recurring character on The Untouchables TV series which ran on ABC from 1959 to 1963. The show was a spin-off of a 1959 TV movie THE SCARFACE MOB with Brand as Capone and Robert Stack as Elliott Ness. Brand had a lot of fun with the role of Capone, laughing and then turning furious and surly in a split second, as his cronies fearfully tried to keep up with his mood swings. Capone is killed at the end of THE SCARFACE MOB but came back for the subsequent show several times as did other real-life gangsters including Frank Nitti (played by Bruce Gordon) whose character was killed off no less than four times during the show’s run. The Untouchables became so popular that THE SCARFACE MOB was released in movie theaters in 1962 to cash in. A second season two-part Capone-centered episode The Big Train was edited together and released to theaters as THE ALCATRAZ EXPRESS in 1961. The plot follows Capone (Neville Brand) having been convicted and sentenced on the income tax charges. On his train ride to Alcatraz, transferring from the Federal pen near Atlanta where he began his sentence, members of his gang attempt to spring him loose. Notwithstanding the fact that Capone and Ness never really met, The Untouchables, with its memorable narration by Walter Winchell, was groundbreaking, power-packed TV crime drama that holds up well today

The most comprehensive and authentic film portrait of the notorious mob boss was the 1959 film AL CAPONE. The script by Malvin Wald and Henry F. Greenberg sticks mostly to the real story and the film crackles with hard-boiled dialogue as it charts Capone’s rise from New York City crime soldier to unchallenged head of the Chicago underworld. Method actor Rod Steiger, who bore a strong physical resemblance to the gangster, starred as Capone and gives the lively, larger-than-life performance that the subject deserves. Martin Balsam’s character in AL CAPONE, Mac Keeley, was based on real-life Chicago Tribune reporter Jake Lingle who wrote mob-related stories for the paper. Lingle had close ties to Capone as well as the notoriously corrupt Chicago Police Department and was paid by both mobsters and a police commissioner as a middle man. Lingle was murdered in 1930 after “getting too big for his hat”, as Capone put it, and demanding too much for his services. Actor Nehemiah Persoff who portrays Capone’s boss, Johnny Torrio, had a recurring role in the TV series The Untouchables playing, among other roles, Capone’s bookkeeper, Jake “Greasy Thumbs” Guzik. AL CAPONE was nicely shot in noirish black and white by Lucien Ballard with a fine sense of period detail, and directed by longtime Orson Welles associate Richard Wilson. The final scene accurately depicts Capone’s assault by a fellow inmate while at Alcatraz.

Director Roger Corman was criticized for casting a gaunt Jason Robards as Al Capone in THE ST. VALENTINES DAY MASSACRE, the 1967 film that centers on the rivalry between Capone and Bugs Moran. Corman originally planned on casting Orson Welles as Capone and Robards as Moran, but he was directing the film for Twentieth Century Fox (one of the few times he would direct for a major studio), and did not have the control over the film that he was used to. Fox vetoed Welles so Robards became Capone and Ralph Meeker was brought on to play Moran. Robards looked nothing like the real Capone but gives the gangster a menacing, mercurial persona. THE ST. VALENTINES DAY MASSACRE was an intelligent gangster film presented mostly with documentary precision and factual accuracy, focusing on the Sicilian nature of the Mafia and its relations with non-Sicilians like Capone. While we will never know what the film could have been with the added talents of Orson Welles on board, it is nevertheless an outstanding example of Corman’s versatility as a director.

Ben Gazzara entered the gangster cinematic sweepstakes in 1975, ably playing Al Capone in the Roger Corman production CAPONE directed by Steve Carver. Clearly intended as exploitation – with liberal doses of nudity and foul language to embellish the blood-soaked exploits, the Fox film was one of many gangster sagas produced in the wake of THE GODFATHER. Gazzara’s interpretation of the gangster borders on parody at times and the film gives little insight into Capone’s early years. While it sometimes has characters describing him as an animal, it also depicts him as the sympathetic lover of a hard-living (but totally fictional) flapper played by Susan Blakely. Don’t look to CAPONE for the historical accuracy though – for example, Frank Nitti (played by a pre-ROCKY Sylvester Stallone) is seen giving the eulogy at his boss’s funeral despite having died four years earlier. John Cassavettes has a small role as Capone’s New York-era boss Frankie Yale and Harry Guardino costars as Johnny Torrio.

Actor Bob Hoskins, a dead ringer for Al Capone, was paid $200,000 to play the mobster in Brian DePalma’s 1987 big-budget updating of THE UNTOUCHABLES. Unfortunately for Hoskins, the studio’s first choice for the part was Robert DeNiro, who had passed on the role earlier but was persuaded to star after Hoskins had been signed. Hoskins took his $200k “Play or Pay”money and went home while DeNiro gained a few pounds (and padded himself with pillows) to play Capone. DeNiro, always the method man, insisted on wearing the same style of silk underwear that Capone wore, even though it would never be seen on camera. Set in 1930, the film, from a screenplay by David Mamet, is centered on Elliott Ness (played by Kevin Costner) and his Untouchables, who work tirelessly to bring down the ruthless Capone and his criminal empire. DeNiro’s Capone is a larger-than-life, cartoonish interpretation – with his chest puffed out in front of him, he creates a satire on the idea of Capone as villain – so black-hearted that it’s impossible to root for him. It’s an over-the-top portrayal that’s perfect in the context of the film. The memorable scene in THE UNTOUCHABLES where Capone takes a baseball bat to the skull of one of his crew is based on a true incident from 1929. Two of Capone’s most feared hitmen, Albert Anselmi and John Scalise, had hatched a plot to kill Capone and take over the outfit. Capone got wind of this plan and invited all his associates to a dinner party. In the middle of the soup, Capone pulled out a bat and clubbed Anselmi and Scalise to death, then shot them both in the head. DePalma’s THE UNTOUCHABLES is a great adventure movie, with at least a half-dozen tremendous action scenes and a script that delivers one quotable line after another. “You can get further with a kind word and a gun than you can with just a kind word.”

There have been many other portrayals of Capon in the movies and on television. The 1995 film DILLINGER AND CAPONE theorized that John Dillinger (played by Martin Sheen) was not killed outside the Biograph in 1934 but lived to team up with Capone (F Murray Abraham) for a bank heist. Abraham played Capone again the next year in BABY FACE NELSON opposite C. Thomas Howell as the titular gangster. Ray Sharkey was Capone in 1989’s THE REVENGE OF AL CAPONE and Eric Roberts took the role in 1990’s THE LOST CAPONE. When The Untouchables was revived for television in 1993, William Forsyth was well-cast as Capone and most recently Jon Bernthal, star of the popular Walking Dead TV show played Capone in NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN. Currently, British actor Stephen Graham, who portrayed Baby Face Nelson in PUBLIC ENEMIES,  played Capone on the popular HBO series Boardwalk Empire. Capone’s fame is lodged permanently in the consciousness of Americans and there will no doubt be many future films about the man who held the imagination of the public as few figures ever do. In his forty-eight years, Capone left his mark on the rackets, on Chicago, and on Hollywood.

WAMG Presents: The TOP TEN Best Movie Car Chases of the 1970’s

There’s nothing like a good car chase in a movie. Maybe it’s the daring-do of the stunt drivers that makes you feel you’re in danger even though you’re comfortably in your seat, or the high stakes of the moment in which the characters we’re rooting for will either get out of the situation or have a gruesome finale, but an impressive car-chase scene can make even a mediocre movie a beloved classic.   What makes a car chase legendary, you ask? They’re the ones that keep you at the edge of your seat and actually fit in with the rest of the plot. While the “Fast and Furious” movies have collectively taken the car chase to the next level,  they don’t count. They’re far too CGI-enhanced. The 1970’s may have marked a new age in American cinema, but it was also a decade of movies filled with practical car chases that are still the best. Here are the 10 greatest car chase movies of that glorious decade.

10.  RACE WITH THE DEVIL (1975)

RACE WITH THE DEVIL was an unforgettable hybrid of  horror and car chases. Warren Oates and Peter Fonda (along with wives Loretta Swit and Lara Parker) hit the road in a mammoth state-of-the-art (for 1975) motor home with a horde of devil worshipers in hot pursuit. The satanic road rage on display in the stunt-filled highway climax is insane.

9. WHITE LIGHTNING (1973)

What list about 70s car culture would be complete without a couple of Burt Reynolds movies? The 1973 moonshine opus WHITE LIGHTNING was full of booze, broads, car chases, corruption and revenge — all the things that make life worthwhile. Burt Reynolds at his peak of awesomeness (and sans mustache) mostly drove a 1971 Ford Galaxie Custom 500 to take on on despicable  redneck Sheriff Ned Beatty.

8. DIRTY MARY CRAZY LARRY (1974)

Basically a movie-long car chase, this 1974 drive-in standard takes Susan George, Peter Fonda, and Adam Roarke through miles of rural countryside and small town highways with local police, led by Sheriff Vic Morrow, in pursuit after they’ve robbed a grocery store. They start off in a 1966 Chevrolet Impala, which they eventually ditch for a 1969 Dodge Charger 440 to stay ahead of Morrow in his Bell JetRanger helicopter.

7.VANISHING POINT (1971)

The 1971 road movie VANISHING POINT directed by Richard C. Sarafian is notable for its scenic film locales across the American Southwest and its social commentary on the post-Woodstock mood in the United States. Barry Newman and his 1970 Dodge Challenger R/T take a journey across the country defying everything the authorities can throw at him in this cult classic.

6. THE DRIVER (1979)

Walter Hill’s THE DRIVER gives us a number of lengthy car chases, including a thrilling and lengthy one near the beginning through the streets of Downtown LA. The Driver (Ryan O’Neal) steals a blue 1974 Ford Galaxie 500, which he promptly uses to escape the police with a crew of casino robbers on board. THE DRIVER is somewhat forgotten today, but well worth seeking out.

5. GONE IN SIXTY SECONDS (1974)

Amateurish, badly-acted and shot on the cheap, the original GONE IN SIXTY SECONDS (1974) is still perhaps the ultimate drive-in car chase movie. If that sounds like a backhanded compliment, then you don’t know the sheer visceral thrill of this great tire squealing, chassis-slamming, slice of outlaw auto cinema. The cult item features a 40-minute car chase that features every 60s and 70s muscle car you can imagine. Writer/Director H.D. Halicki was killed in an on-set accident while filming the sequel.

4. SMOKEY AND THE BANDIT (1977)

Redneck bad boys were all the rage in 1977. Cars were still made in Michigan and CB radios were the hot technology with phrases like “10-4 good buddy” familiar expressions and SMOKEY AND THE BANDIT captured that side of American culture as well as any film. It was the directorial debut for former stuntman Hal Needham and was the first of nine stunt-filled collaborations with his pal Burt Reynolds.

3. MAD MAX (1979)

This low-budget, high-octane  Australian thriller spawned three sequels, two of which (ROAD WARRIOR in 1982 and MAD MAX FURY ROAD in 2015) are action masterpieces. The Mad Max films show that stunts themselves would be nothing without a filmmaker behind the camera and George Miller, a doctor and film buff making MAD MAX, his first feature in 1979, showed he knew what cinema was all about. Max’s black Pursuit Special driven by Mel Gibson was a 1973 Ford Falcon.

2. THE FRENCH CONNECTION (1971)

Gene Hackman’s Popeye Doyle commandeers a civilian’s 1971 Pontiac LeMans in THE FRENCH CONNECTION which begins one of the greatest, most heart-pounding car chase sequences in movie history.  Doyle is frantically chasing an elevated train, on which a hitman is trying to escape. The scene was filmed in Bensonhurst, Brooklyn and is a masterpiece of editing for which Gerald Greenberg took home a well-deserved Oscar.

1. THE SEVEN-UPS (1973)

This 1973 follow-up to THE FRENCH CONNECTION (some of the same cast play different characters – plus Richard Lynch and Joe Spinell!) was the sole directing credit of FRENCH CONNECTION producer Philip D’Antoni. The  movie is highlighted by one absolutely incredible car chase, occurring just past the halfway point which cranks up the films’ energy level to a high degree. This is old school stunt driving and editing at its finest. The driver in the 1973 Pontiac Grand Ville sedan pursued by Roy Scheider in his 1973 Pontiac Ventura Sprint coupe is Bill Hickman, who was also the wheelman in the chase scene in BULLITT!

There were of course great car chase movies before and after the 70’s. Harold Lloyd’s SPEEDY features an eye-popping chase through the streets of New York that was filmed way back in 1927 while Robert Mitchum delivered the high-speed goods in THUNDER ROAD back in 1958. Some think the wrong-way car chase on a Los Angeles freeway in William Friedkin’s TO LIVE AND DIE IN L.A. (1985) outdid the chase sequence in his THE FRENCH CONNECTION. John Frankenheimer’s RONIN in 1998 was one of the last great car chase films before CGI took over, and of course THE ROAD WARRIOR and MAD MAX FURY ROAD are in a class by themselves, but the ‘70s is definitely when the car chase movie was at its peak.

Check Out the Trailer for CASTLE IN THE GROUND Starring Alex Wolff and Imogen Poots – Available On Demand May 15

Castle in the Ground Starring Alex Wolff (Hereditary, “The Naked Brothers Band”), Neve Campbell (Scream, “House of Cards”) and Imogen Poots (The Art of Self-DefenseBlack Christmas) and from writer/director Joey Klein (The Other Half), the drama, which premiered at the Toronto International Film Festival, will be available on demand on May 15th. Check out the new trailer:

A grieving teenager (Alex Wolff) befriends his charismatic but troubled next-door neighbor (Imogen Poots), only to become ensnared in a world of addiction and violence as the opioid epidemic takes hold of their small town.

CASTLE IN THE GROUND is Written & Directed by Joey Klein and stars Alex Wolff, Imogen Poots, Tom Cullen, with Keir Gilchrist and Neve Campbell.

Crime Thriller CHAMELEON Debuts on DVD and North American VOD Platforms on May 19th

Freestyle Digital Media, the digital film distribution division of Byron Allen’s Entertainment Studios, has acquired North American rights to the crime thriller feature CHAMELEON. CHAMELEON will be available to rent and own on DVD and North American digital HD internet, cable, and satellite platforms through Freestyle Digital Media on May 19, 2020. Check Out the Trailer:

CHAMELEON tells the story of two ex-cons who scam L.A. trophy wives and their rich older husbands. Recently released ex-con Patrick is unable to find a legitimate opportunity to get ahead and stumbles back into a life of crime when unpredictable Dolph, whom he owes for protection while in prison, pays him a visit. Patrick and Dolph begin a series of scams that involve seducing and kidnapping Los Angeles trophy wives in order to extort money from their wealthy husbands. But their latest victim, Rebecca, is not who she seems. Rebecca threatens to ruin everything just when Patrick has had a change of heart and is ready to call it quits.

Written, directed, and produced by Marcus Mizelle, CHAMELEON features an ensemble cast including Joel Hogan (‘Patrick’), Donald Prabatah (‘Dolph’), Alicia Leigh Willis (‘Rebecca’), Jeff Prater (‘Frank’), Acelina Kuchukova (‘Annette’), Daniel Tolbert (‘Peoples’), Fernanda Hay (‘Mariana’), Allison Rose Williams (‘Jenna’), and Andrew Golov (‘Jimmy’).


Executive Producers are Jillian Longnecker (VICE, PHANTOM THREAD, THE BALLAD OF BUSTER SCRUGGS, BOOKSMART, END OF WATCH) Paula Marcus (CHARLIE’S ANGELS) and Dustin Taylor (ACTOR FOR HIRE).

“CHAMELEON is essentially about deception and how it leads to alienation,” said filmmaker Marcus Mizelle. “I wanted to tap into the desperation people with limited opportunities feel and contrast that against the unappreciative folks who have too much.”