VENOM: THE LAST DANCE – Review

Okay “Marvel maniacs”, are you ready for a deep deep dive into another franchise? After all, it’s been nearly three months since the blockbuster “mash-up” DEADPOOL AND WOLVERINE. Of course you are, but hold up, true believer. This isn’t the beloved MCU (Marvel Cinematic Universe). Rather, we’re back in the “Sony Spider-verse”. So Tom Holland is off polishing his web-shooters (not a metaphor), as we get another “spin-off” from Spidey’s long-running comics series. And, unfortunately, this isn’t another romp in the surprisingly fun animated epics. No, this is the second live-action flick this year, after the “so bad it may be good” MADAME WEB, and while Kraven sharpens his claws for his December attack. And, sorry that vapid vamp MORBIUS is not returning, although this film’s focus has had better luck with two previous outings in 2018 and 2021. Now, with this third entry, Sony promises that this is the “finale of the trilogy”. Hence the full title VENOM: THE LAST DANCE. But that all depends on those all-mighty box office returns, so…

This time the story begins on the symbiote home world (or universe, perhaps) as its ruler/king Knull sends out several reptile/spider-like “hunters” to locate the “codex”, an energy portal that grants him access to all worlds, which Knull will conquer. So, who has the codex? None other than Eddie Brock (Tom Hardy) and his own BFF symbiote entity. When we last saw him (them) during the end credits of SPIDER-MAN: NO WAY HOME, he was getting blotto in a bar on our Earth (#616). Brock and V then pop back to his homebase, where his black-ooze buddy dispatches some baddies. Ah, but it turns out that morphing into Venom sends out a homing beacon to Knull’s hunters. Also, an elite group of special ops soldiers led by Rex Strickland (Chiwetel Ejiofor) is also trying to capture Eddie. He and his “inner voice” escape and set their sights on the “Big Apple”. We soon learn that Strickland is working with a team of scientists headed by Dr. Teddy Payne (Juno Temple) who operate out of a secret symbiote research lab deep below the soon-to-be demolished Area 51. In order to evade their “radar”, Eddie hitches a ride with the groovy Moon family in a van driven by daddy Martin (Rhys Ifans) and mom Nova (Alanna Ubach), who want their kids (Hala Finley and Dash McCloud) to take in 51 before it’s gone. They drop Eddie off in Vegas where a reunion with an old friend leads to a battle atop the casino canyons which spills into the desert and that iconic military locale, as Venom must make its “last stand”…with some unexpected support.

As with the previous two flicks, everything’s resting on Eddie B, the “host with the most” who is given a world-weary gravitas by Hardy. Again, he’s a bit baffled by his fate, and has a “push/pull” relationship with the toothy ebony puddle. He’s convincingly hungover in the opening sequence, but his hangdog grousing becomes a tad tiresome, even as he’s a “symbiote straight-man”. It’s odd that Brock is so often “one-note” since Hardy worked on the script (as he did with the last one), and too often sounds like his “cycle-poppa” from BIKERIDERS. Most of the supporting cast get little to do, perhaps to leave more time for the CGI chaos. The very talented Ms. Temple (so good in the streaming shows “Ted Lasso” and “The Offer”) does her best to bring nuance to the standard “don’t destroy my discovery” scientist from countless 50’s sci-fi flicks, but too often she’s shouting while doing a “deer in headlights” expression. Much of the same can be said for the equally gifted Ejiofor, who’s another “late show” cliched “kill this thing!” soldier, who is there to bark orders while spouting exposition. The biggest misuse of talent may be Ifans as the “Earth papa” who offers support to Eddie while having to deal with a corny “moonbeam” stereotype (ditto for Ubach). There is a nice “Lasso” reunion with Cristo Fernandez as a really patient “booze-slinger”.

This film marks the feature directing debut of actress/writer Kelly Marcel, who wrote the last two Venom flicks and teamed up with Hardy on the script for this one. She is adept at keeping the plot moving at a brisk pace for the first act or so, but the requirements of an action/effects “tentpole”, sends any character development and humor far into the background. There’s also some irritating “fan service” as a supporting character from the first films is clumsily “shoe-horned” into the big finale in Nevada. This one’s an improvement over CARNAGE as they make great use of the dusty locales. And we’re not stuck in those near-pitch black alleyways as the tenements crumble. Plus there’s a few nifty visual tricks as the symbiote bonds with various wildlife (be warned, his equine form is fleeting). But, by the time we get back to 51, the script desperation kicks in as we get an “Avengers-team” of “Venom-lites” to dash up and fill the screen with fire and pixels. As the smoke clears, we’re feeling as tired as Eddie Brock appears. This is one alien that should “phone home” since it has truly worn out its welcome (along with the moviegoers patience). But since the Spidey series is so strong. it’s a given that he’ll be back to bare his teeth and wiggle that serpent-like tongue despite the promise in the title of VENOM: THE LAST DANCE. I can almost hear that growling gravelly voice (I could only “get” two thirds of its quips) chuckling…

1.5 Out of 4

VENOM: THE LAST DANCE is now playing in theatres everywhere

Happy Birthday To Tom Hardy And Check Out The New Trailer For VENOM: THE LAST DANCE

Venom in Columbia Pictures VENOM: THE LAST DANCE. Photo Courtesy: Sony Pictures

WAMG wishes actor Tom Hardy Happy Birthday on this Sunday and to celebrate we have the brand new trailer for VENOM: THE LAST DANCE.

Halloween 2024 is filled with movies featuring ghosts, ghouls, monsters and one particular antihero. On October 25, VENOM is back on the big screen. Tom Hardy returns as Venom, one of Marvel’s greatest and most complex characters, for the final film in the trilogy. Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie’s last dance.

VENOM: THE LAST DANCE stars Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu and Alanna Ubach. The film is directed by Kelly Marcel from a screenplay she wrote, based on a story by Hardy and Marcel. The film is produced by Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy and Hutch Parker.

2018’s VENOM brought in a worldwide gross of $856 million while the successful follow-up, 2021’s VENOM: LET THERE BE CARNAGE, saw global ticket sales at $507 million, solidifying Venom as a popular character in the Sony Pictures’ Spider-Man Universe. (SSU)

Sony’s other Marvel film, KRAVEN THE HUNTER, from director J. C. Chandor, hits theaters on December 13 and stars Aaron Taylor-Johnson as Kraven the Hunter, Ariana DeBose as Calypso, Russell Crowe as Sergei Kravinoff (Kraven’s father), and Fred Hechinger as Dmitri Smerdyakov (Chameleon).

Win Passes To The St. Louis Advance Screening Of THE BIKERIDERS

THE BIKERIDERS captures a rebellious time in America when the culture and people were changing. After a chance encounter at a local bar, strong-willed Kathy (Jodie Comer) is inextricably drawn to Benny (Austin Butler), the newest member of the Midwestern motorcycle club, the Vandals led by the enigmatic Johnny (Tom Hardy). Much like the country around it, the club begins to evolve, transforming from a gathering place for local outsiders into a dangerous underworld of violence, forcing Benny to choose between Kathy and his loyalty to the club.

The cast includes Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Mike Fast and Norman Reedus.

From director Jeff Nichols, THE BIKERIDERS opens only in theaters June 21.

The St. Louis advance screening is Tuesday, June 18, 7pm at Marcus Ronnies 20 Cine (5:30PM or earlier Suggested Arrival)

PASS LINK: http://focusfeaturesscreenings.com/hdYPO56716

Please arrive early as seating is not guaranteed.

This film is rated R

Tom Hardy Stars In First Trailer For VENOM: THE LAST DANCE – In Theaters October 25

In VENOM: THE LAST DANCE, Tom Hardy returns as Venom, one of Marvel’s greatest and most complex characters, for the final film in the trilogy. Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie’s last dance.

VENOM: THE LAST DANCE stars Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach and Stephen Graham. The film is directed by Kelly Marcel (Saving Mr. Banks, Fifty Shades of Grey, Venom and Venom: Let There Be Carnage) from a screenplay she wrote, based on a story by Hardy and Marcel.

The film is produced by Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy and Hutch Parker.

The film opens in theaters on October 25, 2024.

https://venom.movie

MARVEL and all related character names: © & ™ 2024 MARVEL

Austin Butler, Norman Reedus, Michael Shannon And Tom Hardy Star In New Trailer For Jeff Nichols’s THE BIKERIDERS

Check out the brand new trailer for director Jeff Nichols’s THE BIKERIDERS, in theaters June 21.

The film stars Jodie Comer, Austin Butler and Tom Hardy, Michael Shannon, Mike Faist with Norman Reedus.

THE BIKERIDERS follows the rise of a midwestern motorcycle club, the Vandals. Seen through the lives of its members, the club evolves over the course of a decade from a gathering place for local outsiders into a more sinister gang, threatening the original group’s unique way of life.

Nichols and Shannon worked together on the terrific, but overlooked sci-fi film MIDNIGHT SPECIAL. Read the review here and check out our list of the 5 reasons we thought the 2016 film was one of the best of the year.

For his new film, the director has once again assembled what has come to be known as his “film family” for the shoot, a core group of behind-the-scenes talent, many of whom have been with him from his first feature. They include director of photography Adam Stone, production designer Chad Keith, editor Julie Monroe, and composer David Wingo.

THE BIKERIDERS premiered as the opening film of the 50th Telluride Film Festival on August 31, 2023. Check out THR’s Scott Feinberg’s analysis of the film. https://www.hollywoodreporter.com/movies/movie-news/telluride-awards-analysis-the-bikeriders-jodie-comer-1235578910/

(L-R): Austin Butler as Benny and Jodie Comer as Kathy in director Jeff Nichols’ THE BIKERIDERS, a Focus Features release. Credit: Courtesy of Focus Features. © 2024 Focus Features. All Rights Reserved.

Tom Hardy as Danny in director Jeff Nichols’ THE BIKERIDERS, a Focus Features release. Credit: Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.

Austin Butler as Benny in director Jeff Nichols’ THE BIKERIDERS, a Focus Features release. Credit: Courtesy of Focus Features. © 2024 Focus Features. All Rights Reserved.

Austin Butler as Benny in director Jeff Nichols’ THE BIKERIDERS, a Focus Features release. Credit: Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.

(L to R) Austin Butler as Benny and Tom Hardy as Danny in director Jeff Nichols’ THE BIKERIDERS, a Focus Features release. Credit: Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.

Michael Shannon as Zipco in director Jeff Nichols’ THE BIKERIDERS, a Focus Features release. Credit: Courtesy of Focus Features. © 2024 Focus Features. All Rights Reserved.

VENOM: LET THERE BE CARNAGE – Review


Carnage in Columbia Pictures’ VENOM: LET THERE BE CARNAGE.

Okay, movie fans were ready to re-enter the Marvel Cinematic Universe at the multiplex and sent SHANG-CHI AND THE LEGEND OF THE TEN RINGS to the top of the box office (still hovering there, actually). Are they ready for another fix, though this new flick has “tenuous ties” to the MCU? Yes, this is part of Sony’s licensing deal with Marvel (much like last year’s THE NEW MUTANTS was with Fox), but is not a co-production with Marvel Studios, as was the last two Spidey flicks and the upcoming NO WAY HOME. Three years ago, Sony decided to do “spin-offs” without the wall-crawler. But before the Oscar-winning animated epic SPIDER-MAN: INTO THE SPIDER-VERSE there was VENOM. And because he made a decent haul in theatres, a sequel was shot, then delayed due to the pandemic, and now finally “escapes”. But there’s no number in the title, as it’s called VENOM: LET THERE BE CARNAGE.

But before we catch up to the “big V”, the new entry flashes back several years as future serial killer Cletus Kasady is separated from his first love Francis Barrison, when she is transferred out of the orphanage they shared and sent away to be studied at the secret research center Ravencroft (she emits a deadly high-pitched wail, a “gift” that earns her the nickname “Shriek”). Jump ahead to present-day San Francisco where Eddie Brock (Tom Hardy) is trying to get back into journalism while dealing with the ravenous alien Symbiote, Venom, that shares his body. One big setback is the news that his former lady love Anne (Michelle Williams) is now engaged to the annoying Dan (Reid Scott). Ah, but the now grown-up and incarcerated Cletus (Woody Harrelson) has decided to grant an interview with only Eddie. He gets the scoop, while Venom gets the location of Cletus’ still missing victims by recreating Casady’s cell wall chalk mural. This sends him quickly to “death row”. A follow-up “pre-execution” interview ends in a struggle between Eddie and Cletus. This eventually leads to Cletus becoming a “host” himself to the deadly red-tainted creature known as Carnage. After breaking out of Alcatraz, he rescues Shriek as the duo embarks on a rampage of destruction and death. But who will stop this new menace after Venom finally exits Eddie for “greener pastures” ?

Hardy brings lots of “working class”, “average Joe” heart to the often exhausting role of Brock, though it may be considered a dual role. He’s often frustrated and frazzled while in nearly constant arguments with Venom, though all those around can’t hear the growling “hangry” alien. Luckily Hardy makes it clear that Brock is the moral compass of the two. And lacking one of those needed guides, Cletus as played with frenzied glee by Harrelson, is the unchained id, lashing out even before he receives his “upgrade”. It’s a nice rift on his iconic role of Mickey Knox in the 1994 (!) classic NATURAL BORN KILLERS ( a bookend perhaps). The super-powered Bonnie to his Clyde is Shriek played by Harris as a most dangerous and unpredictable “wild card”, a loose cannon who might unleash sonic Hell with no warning. Scott scores lots of laughs as the endearing, but exceedingly understanding dweeb Dan. It’s great to see Williamson back on the big screen, but as with the 2018 original, her crusading lawyer Anne gives her even less to do, aside from being in need of rescue. It seems that her small screen roles have been much more interesting (she’s amazing in “Fosse”). Much the same can be said for Stephen Graham (so formidable in THE IRISHMAN), who mainly gives Brock the “stink eye” when he’s not barking out orders and firing his ineffectual pistol as Detective Mulligan.

Taking over the directing duties this time out is actor Andy Serkis, master of “mo-capture” emoting. who puts those skills to good use with the CGI-heavy third act. And that’s a big part of the film’s problem as the story devolves into a tiresome (even with the whole running time at a lean 90 minutes) battle of the pixels with gooey-ooey tentacles and claws filling the screen as they flail about and disorient the viewer (it doesn’t help that the big showdown occurs inside a dusty old cathedral under renovation…around midnight). Occasionally Cletus or Eddie will peel about from the rubbery “beasties”, but the human connection is lost in the mud and muck. At least Venom gets off some clever quips in the film’s first act, thanks to the screenplay by Kelly Marcel and Hardy himself, but the lines often overlap clumsily with some words getting mangled by the alien’s guttural growl. Oh, and his eyes still look like slick shiny white plastic orbs, while the teeth are gnarled with seemingly ending rows of spiky fangs. Often it appears as though Serkis is trying to inject an energetic urgency by whipping the camera about to the point of motion sickness. And the Shriek stuff feels lifted from one of the older X-MEN entries. Those who enjoyed the 2018 flick (and even SPIDER-MAN 3) will get lots of wild action for their buck, but he’s never been one of my top-tier Spidey villains (looking forward more to the much-delayed MORBIUS spin-off in the new year). But, as the old saying goes (with liberties), VENOM: LET THERE BE CARNAGE is a tale full of sound and fury signifying nothing (well, maybe a set-up for a “Sinister Six” future flick). Still, I’ll bet that it would’ve worked better over in the real MCU.

2 Out of 4

VENOM: LET THERE BE CARNAGE opens in theatres everywhere on Friday, October first, 2021.

THE MAD MAX ANTHOLOGY – All Four Mad Max Films Together on 4K Ultra HD Blu-ray Combo Pack and Digital HD – Available November 2nd

Greetings from The Humungus! The Lord Humungus! The Warrior of the Wasteland! The Ayatollah of Rock and Rolla!”

madmax2

arner Bros. Home Entertainment announced today that The Mad Max Anthology, featuring 1979’s acclaimed post-apocalyptic action film Mad Max, 1981’s Mad Max The Road Warrior, 1985’s Mad Max Beyond Thunderdome and 2015’s Mad Max Fury Road will be released together on 4K Ultra HD Blu-ray Combo Pack and Digital HD on November 2. Created by George Miller and Byron Kennedy, Miller directed or co-directed all four films. Mel Gibson starred as Max Rockatansky in the first three films and Tom Hardy took over the lead role in the fourth film.  Additionally Mad Max The Road Warrior and Mad Max Beyond Thunderdome will also be available individually in 4K, joining Mad Max and Mad Max Fury Road which are already available in 4K.


The Mad Max Anthology 4K UHD release, along with the 4K UHD releases of Mad Max The Road Warrior and Mad Max Beyond Thunderdome, are from scans of the original camera negatives. The 4K UHD remasters were supervised by the mastering team at Motion Picture Imaging (MPI).

mad-max-immortan-joe-xlarge



4K Ultra HD** showcases 4K resolution with High Dynamic Range (HDR) and a wider color spectrum, offering consumers brighter, deeper, and more lifelike colors for a home entertainment viewing experience like never before.  

The 4K Ultra HD Blu-ray disc of the Mad Max The Road WarriorMad Max Beyond Thunderdome and Mad Max Fury Road will feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar. Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

The Mad Max Anthology will be available on 4K Ultra HD Combo Pack for $89.99 SRP and features Ultra HD Blu-ray discs with the 4 feature films in 4K with HDR and remastered Blu-ray discs of Mad Max, Mad Max The Road Warrior, Mad Max Beyond Thunderdome and Mad Max Fury Road.

Mad Max The Road Warrior and Mad Max Beyond Thunderdome be available on 4K Ultra HD Combo Pack for $33.99 SP each and feature an Ultra HD Blu-ray disc with the feature films in 4K with HDR and remastered Blu-ray disc of the films.

Fans can also own the Mad Max AnthologyMad Max The Road Warrior and Mad Max Beyond Thunderdome in 4K Ultra HD via purchase from select digital retailers beginning on November 2.

Mad Max (1979) was directed by Miller from a screenplay by Miller & James McCausland and a story by Miller and Byron Kennedy.  The film was produced by Kennedy and stars Mel Gibson as Max Rockatansky, Joanne Samuel as Jesse Rockatansky, and Hugh Leays-Byrne as the Toecutter.

Mad Max The Road Warrior (1981) was directed by Miller and written by Miller, Terry Hayes & Brian Hannant.  It was produced by Kennedy and stars Gibson as Max, Bruce Spence as the Gyro Captain, Mike Preston as Pappagallo, Max Phipps as Toadie, Vernon Wells as Wez, Emil Minty as the Feral Kid, and Kjell Nilsson as The Hummungus.

Mad Max Beyond Thunderdome (1985) was co-directed by Miller and George Ogilvie and written by Miller and Terry Hayes.  It was produced by Miller and stars Gibson as Max, Tina Turner as Auntie Entity, Bruce Spence as Jedediah, and Angelo Rossitto as Master.

Mad Max Fury Road (2015) was directed by Miller and written by Miller, Brendan McCarthy & Nico Lathouris.  It was produced by Miller, Doug Mitchell and PJ Voeten.  The film stars Tom Hardy as Max Rockatansky, Charlize Theron as Imperator Furiosa, Nicholas Hoult as Nux, Hugh Keays-Byrne as Immortan Joe, Rose Huntington-Whitely as The Splendid Angharad, Riley Keough as Capable, Zoe Kravitz as Toast the Knowing, and Abbey Lee as The Dag.

Ultra HD Blu-ray and Blu-ray Elements
The Mad Max Anthology Ultra HD Blu-ray contains the following previously released special features:

Mad Max The Road Warrior

  • Introduction by Leonard Maltin
  • Commentary by Director George Miller and Cinematographer Dean Semler
  • Road War: The Making of Road Warrior

ABOUT DIGITAL
Digital movies or TV episodes allow fans to watch a digital version of their movie or TV show anywhere, on their favorite devices. Digital movies or TV episodes are included with the purchase of specially marked Blu-ray discs. With digital, consumers are able to instantly stream and download movies and TV shows to TVs, computers, tablets and smartphones through retail services. For more information on compatible devices and services go to wb.com/digitalmoviefaq. Consult a digital retailer for details and requirements and for a list of digital-compatible devices. 

PRODUCT                                                                            SRP
Mad Max Anthology Ultra HD Blu-ray                                 $89.99
Mad Max The Road Warrior                                                $33.99
Mad Max Beyond Thunderdome                                          $33.99

VENOM: LET THERE BE CARNAGE Brand New Trailer Reveals

Tom Hardy returns to the big screen as the lethal protector Venom, one of MARVEL’s greatest and most complex characters. Directed by Andy Serkis, the film also stars Michelle Williams, Naomie Harris and Woody Harrelson, in the role of the villain Cletus Kasady/Carnage.

Check out the latest trailer now for VENOM: LET THERE BE CARNAGE.

Sinister Six is forming nicely, led by Doctor Doom and the upcoming Fantastic Four. Here comes Doctor Octopus, Vulture, Electro, Rhino, Sandman, and Venom (Eddie Brock). Spiderman: No Way Home and Doctor Strange in the Multiverse of Madness is setting all this up, along with Wanda Vision. What a great time to be a fan of the Marvel villains!

Screenplay by Kelly Marcel and story by Tom Hardy & Kelly Marcel, Based on the Marvel Comics

The movie opens in theaters September 24.

Carnage from Columbia Pictures’ VENOM: LET THERE BE CARNAGE.
Carnage in VENOM: LET THERE BE CARNAGE.

See Carnage And Venom In First VENOM: LET THERE BE CARNAGE Trailer And Watch The Trailer Breakdown With Director Andy Serkis – In Theaters September 24

Carnage in VENOM: LET THERE BE CARNAGE. Courtesy Sony Pictures Entertainment ©2021 CTMG. All Rights Reserved. MARVEL and all related character names: © & ™ 2021 MARVEL

“Rules: No Eating People”

Tom Hardy returns to the big screen as the lethal protector Venom, one of MARVEL’s greatest and most complex characters. Directed by Andy Serkis, the film also stars Michelle Williams, Naomie Harris (“Shriek”) and Woody Harrelson, in the role of the villain Cletus Kasady/Carnage.

Only in cinemas on September 24, check out the first trailer for VENOM: LET THERE BE CARNAGE.

This is such a great teaser as we got our first look at Carnage! The dialogue sounds fun and the story looks good!

The original film was a huge hit when it premiered in 2018, grossing $213 million at the domestic box office and a massive $855 million worldwide.

Listen as Serkis breaks down the trailer for his film.

The screenplay is by Kelly Marcel, who previously co-wrote VENOM, with the story by Tom Hardy & Kelly Marcel.

It is produced by Tom Hardy, Kelly Marcel, Avi Arad, Matt Tolmach, Amy Pascal and Hutch Parker. Barry Waldman, Jonathan Cavendish, Ruben Fleischer, Edward Cheng and Howard Chen serve as executive producers. Marco Beltrami is composing the music for the film.

Tom Hardy and director Andy Serkis on the set of Venom: Let There Be Carnage.
Venom in VENOM: LET THERE BE CARNAGE. Courtesy Sony Pictures Entertainment
COPYRIGHT: ©2021 CTMG. All Rights Reserved. MARVEL and all related character names: © & ™ 2021 MARVEL

Before You See Tom Hardy as CAPONE, Take a Look at These Other Al Capones From Hollywood History

The star-studded biopic CAPONE is due to be released via digital platforms on May 12th. Tom Hardy plays Al Capone in his later years in the movie and he looks fantastic. Linda Cardellini, Kyle MacLachlan, and Matt Dillon co-star. Al Capone is America’s best-known gangster and the single greatest symbol of the collapse of law and order in the United States during the 1920s Prohibition era. Capone had a leading role in the illegal activities that lent Chicago its reputation as a lawless city and an interesting variety of Hollywood stars have had the leading role as Al Capone in the many films that have been made that featured him as a character.

The first film about Capone was produced when he was still making headlines. The main character may be named Antonio Camonte, but there’s little doubt as to who producer Howard Hughes had in mind when he and director Howard Hawks filmed SCARFACE during the Great Depression. Camonte shares more than the same initials with one Al Capone, who was about to begin his eleven-year sentence for tax evasion when the movie was released in 1932. Legend has it that a pair of Capone’s enforcers paid an unannounced visit to screenwriter Ben Hecht’s Los Angeles Hotel room, demanding to know if the movie was indeed about their boss. When told that it was not, the pair was curious as to why the picture was titled SCARFACE while Capone had a famous facial scar, a souvenir from his days as a bouncer at a Coney Island speakeasy when he was 18. “If we call the movie SCARFACE, people will think it’s about Capone and come to see it” Hecht explained, “It’s part of the racket we call show business”. The two thugs were persuaded and left. Camonte is played by Paul Muni, in an over-the-top performance displaying ape-like maniacal behavior and prominent use of the Thompson submachine gun. George Raft and Boris Karloff appear in memorable supporting roles. Many similarities exist between the film’s characters and actual organized crime figures of the time. In addition to Tony Camonte being Al Capone, Johnny Lovo (played by Osgood Perkins, father of Tony) resembles crime figure Johnny Torrio, the Chicago-based mobster who helped build the criminal empire known as the Chicago Outfit before Capone took it over. The St. Valentine’s Day massacre, the hospital murder from the life of Legs Diamond, and the 1920 killing of Capone’s Irish, North Side enemy Deanie O’Bannion in a flower shop are also recreated in the film. At the end of SCARFACE, Camonte is slaughtered at the hands of the police force. The 1983 cocaine-era update of SCARFACE was more removed from Capone’s story. It followed the original’s plot closely but Al Pacino’s Tony Montana was Cuban and the action took place in Miami.

Actor Neville Brand was the 4th most decorated GI in WWII. He was a natural heavy with his gravelly voice and brutish facial features and was cast as Al Capone, a recurring character on The Untouchables TV series which ran on ABC from 1959 to 1963. The show was a spin-off of a 1959 TV movie THE SCARFACE MOB with Brand as Capone and Robert Stack as Elliott Ness. Brand had a lot of fun with the role of Capone, laughing and then turning furious and surly in a split second, as his cronies fearfully tried to keep up with his mood swings. Capone is killed at the end of THE SCARFACE MOB but came back for the subsequent show several times as did other real-life gangsters including Frank Nitti (played by Bruce Gordon) whose character was killed off no less than four times during the show’s run. The Untouchables became so popular that THE SCARFACE MOB was released in movie theaters in 1962 to cash in. A second season two-part Capone-centered episode The Big Train was edited together and released to theaters as THE ALCATRAZ EXPRESS in 1961. The plot follows Capone (Neville Brand) having been convicted and sentenced on the income tax charges. On his train ride to Alcatraz, transferring from the Federal pen near Atlanta where he began his sentence, members of his gang attempt to spring him loose. Notwithstanding the fact that Capone and Ness never really met, The Untouchables, with its memorable narration by Walter Winchell, was groundbreaking, power-packed TV crime drama that holds up well today

The most comprehensive and authentic film portrait of the notorious mob boss was the 1959 film AL CAPONE. The script by Malvin Wald and Henry F. Greenberg sticks mostly to the real story and the film crackles with hard-boiled dialogue as it charts Capone’s rise from New York City crime soldier to unchallenged head of the Chicago underworld. Method actor Rod Steiger, who bore a strong physical resemblance to the gangster, starred as Capone and gives the lively, larger-than-life performance that the subject deserves. Martin Balsam’s character in AL CAPONE, Mac Keeley, was based on real-life Chicago Tribune reporter Jake Lingle who wrote mob-related stories for the paper. Lingle had close ties to Capone as well as the notoriously corrupt Chicago Police Department and was paid by both mobsters and a police commissioner as a middle man. Lingle was murdered in 1930 after “getting too big for his hat”, as Capone put it, and demanding too much for his services. Actor Nehemiah Persoff who portrays Capone’s boss, Johnny Torrio, had a recurring role in the TV series The Untouchables playing, among other roles, Capone’s bookkeeper, Jake “Greasy Thumbs” Guzik. AL CAPONE was nicely shot in noirish black and white by Lucien Ballard with a fine sense of period detail, and directed by longtime Orson Welles associate Richard Wilson. The final scene accurately depicts Capone’s assault by a fellow inmate while at Alcatraz.

Director Roger Corman was criticized for casting a gaunt Jason Robards as Al Capone in THE ST. VALENTINES DAY MASSACRE, the 1967 film that centers on the rivalry between Capone and Bugs Moran. Corman originally planned on casting Orson Welles as Capone and Robards as Moran, but he was directing the film for Twentieth Century Fox (one of the few times he would direct for a major studio), and did not have the control over the film that he was used to. Fox vetoed Welles so Robards became Capone and Ralph Meeker was brought on to play Moran. Robards looked nothing like the real Capone but gives the gangster a menacing, mercurial persona. THE ST. VALENTINES DAY MASSACRE was an intelligent gangster film presented mostly with documentary precision and factual accuracy, focusing on the Sicilian nature of the Mafia and its relations with non-Sicilians like Capone. While we will never know what the film could have been with the added talents of Orson Welles on board, it is nevertheless an outstanding example of Corman’s versatility as a director.

Ben Gazzara entered the gangster cinematic sweepstakes in 1975, ably playing Al Capone in the Roger Corman production CAPONE directed by Steve Carver. Clearly intended as exploitation – with liberal doses of nudity and foul language to embellish the blood-soaked exploits, the Fox film was one of many gangster sagas produced in the wake of THE GODFATHER. Gazzara’s interpretation of the gangster borders on parody at times and the film gives little insight into Capone’s early years. While it sometimes has characters describing him as an animal, it also depicts him as the sympathetic lover of a hard-living (but totally fictional) flapper played by Susan Blakely. Don’t look to CAPONE for the historical accuracy though – for example, Frank Nitti (played by a pre-ROCKY Sylvester Stallone) is seen giving the eulogy at his boss’s funeral despite having died four years earlier. John Cassavettes has a small role as Capone’s New York-era boss Frankie Yale and Harry Guardino costars as Johnny Torrio.

Actor Bob Hoskins, a dead ringer for Al Capone, was paid $200,000 to play the mobster in Brian DePalma’s 1987 big-budget updating of THE UNTOUCHABLES. Unfortunately for Hoskins, the studio’s first choice for the part was Robert DeNiro, who had passed on the role earlier but was persuaded to star after Hoskins had been signed. Hoskins took his $200k “Play or Pay”money and went home while DeNiro gained a few pounds (and padded himself with pillows) to play Capone. DeNiro, always the method man, insisted on wearing the same style of silk underwear that Capone wore, even though it would never be seen on camera. Set in 1930, the film, from a screenplay by David Mamet, is centered on Elliott Ness (played by Kevin Costner) and his Untouchables, who work tirelessly to bring down the ruthless Capone and his criminal empire. DeNiro’s Capone is a larger-than-life, cartoonish interpretation – with his chest puffed out in front of him, he creates a satire on the idea of Capone as villain – so black-hearted that it’s impossible to root for him. It’s an over-the-top portrayal that’s perfect in the context of the film. The memorable scene in THE UNTOUCHABLES where Capone takes a baseball bat to the skull of one of his crew is based on a true incident from 1929. Two of Capone’s most feared hitmen, Albert Anselmi and John Scalise, had hatched a plot to kill Capone and take over the outfit. Capone got wind of this plan and invited all his associates to a dinner party. In the middle of the soup, Capone pulled out a bat and clubbed Anselmi and Scalise to death, then shot them both in the head. DePalma’s THE UNTOUCHABLES is a great adventure movie, with at least a half-dozen tremendous action scenes and a script that delivers one quotable line after another. “You can get further with a kind word and a gun than you can with just a kind word.”

There have been many other portrayals of Capon in the movies and on television. The 1995 film DILLINGER AND CAPONE theorized that John Dillinger (played by Martin Sheen) was not killed outside the Biograph in 1934 but lived to team up with Capone (F Murray Abraham) for a bank heist. Abraham played Capone again the next year in BABY FACE NELSON opposite C. Thomas Howell as the titular gangster. Ray Sharkey was Capone in 1989’s THE REVENGE OF AL CAPONE and Eric Roberts took the role in 1990’s THE LOST CAPONE. When The Untouchables was revived for television in 1993, William Forsyth was well-cast as Capone and most recently Jon Bernthal, star of the popular Walking Dead TV show played Capone in NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN. Currently, British actor Stephen Graham, who portrayed Baby Face Nelson in PUBLIC ENEMIES,  played Capone on the popular HBO series Boardwalk Empire. Capone’s fame is lodged permanently in the consciousness of Americans and there will no doubt be many future films about the man who held the imagination of the public as few figures ever do. In his forty-eight years, Capone left his mark on the rackets, on Chicago, and on Hollywood.