New Theatrical Trailer for THE SORCERER’S APPRENTICE

Check out the new trailer for Jon Turteltaub’s new Disney flick THE SORCERER’S APPRENTICE featuring Balthazar Blake as the powerful sorcerer Nic Cage… or, I think I got that backwards. Who can tell? Anyway, the trailer’s continue to surprise me, potentially promising a very good time of snarky humor, great special effects and the trademark style of acting that only Nic Cage can deliver. This new trailer shows us a bit more of Jay Baruchel’s “apprentice” character, but I still get goosebumps every time I am reminded of Alfred Molina’s presence in the film. What an actor! THE SORCERER’S APPRENTICE opens nationwide on July 14, 2010.

THE GOONIES – 25 Years and Still Amazing!

25 years ago on this very day, THE GOONIES, a modern classic of magical cinematic adventure opened in theaters, spawning an onslaught of adolescent fans who to this day remain devoted to this film as grown-ups. As a young boy, I could relate to the youthful recklessness and hunger for adventure and wonder that the boys of The Goonies set out to experience. I felt the excitement, and the fear, as they explored and uncovered an amazing story and all the intricate details of what made this 114 minutes of movie such a vivid memory.

THE GOONIES was written by Christopher Columbus, directed by Richard Donner and produced by Steven Speilberg. I mean, really… this was a childhood masterpiece before it even went into production! On this day in 1980’s movie history, I simply wanted to take a moment to recognize and honor one of my favorite films from my tender adolescent years.

While I don’t have kids of my own, I hope all the parents out there who shared my experience growing up with THE GOONIES do the right thing and share the film and their love of it with their kids, so that THE GOONIES remains a classic, instilling imagination and adventure in the hearts of generations to come. Please, take a moment and share your memories, your stories and your thoughts on the film in a comment below. Long live Sloth in our collective imaginations!

By the way, anyone who calls Sloth a “monster” is itching for a fight!

Who Wants to See JONAH HEX With the Movie Geeks?

Whether you’re a long-time fan of the DC Comics title or a newbie going into the film adaptation with fresh, unbiased eyes, JONAH HEX looks to promise action, sex appeal and good times… all in a slightly modern, no-holds-bar over-the-top Western genre format not quite like anything we’ve seen before. JONAH HEX stars Josh Brolin, Megan Fox, John Malkovich and Michael Fassbender.

However, some lucky few will not have to wait until June 18th… We Are Movie Geeks is giving you a chance to win your way into a special advanced screening of JONAH HEX on Wednesday, June 16th. Each winner will receive admission for two to see a disfigured Josh Brolin cowboy with a chip on his shoulder seeking revenge and a sexy dangerous Megan Fox in skimpy old west clothing hunt down an evil John Malkovich, before it opens to the general public.

The contest is simple:

First and foremost… this is a St. Louis screening. If you will not be in St. Louis on the evening of June 16th , please do not enter this to win this contest.

Here’s what you’ve got to do to win… tell us your favorite bounty hunter and/or “gun for hire” character from which movie. Submit your favorite in the form of a comment at the bottom of this post. Winners will be selected at random from the entries and notified by email.

Good Luck! And… if you’re not one of the lucky winners, be sure to check out JONAH HEX when it opens in theaters nationwide on Friday, June 18th.

Review: THE GOOD, THE BAD, THE WEIRD

The western film is nearly a forgotten genre, fading into history. On occasion, a filmmaker with a rare appreciation of this dwindling favorite will add their own deposit into the western vault, and these are often films that honor the genre’s golden past. THE GOOD, THE BAD, THE WEIRD does just that, but does it with an incredible amount of high-octane energy.

Co-written and directed by Ji-woon Kim (A TALE OF TWO SISTERS), THE GOOD, THE BAD, THE WEIRD is far from short on influence from other films and filmmakers. Clearly, Kim’s movie is influenced by the spaghetti westerns of the two Sergio’s, Leone and Corbucci. That’s evident in the title, but there’s also a free-spirited lawlessness that permeates the style and the story that harkens back to the post John Wayne days of Italian-made westerns.

THE GOOD, THE BAD, THE WEIRD as a title, also refers to the three main characters. “The Good” is Park Do-won (played by Woo-sung Jung), the Kevin Costner/Wyatt Earp type of long coat wearing gunslinger that prefers the rifle to the pistol and whose driven by a “good” motivation to track down and kill bad men. “The Bad” is Park Chang-yi (played by Byung-hun Lee), the suit-wearing egotistical gunslinger for hire, driven by his desire to be the best, seeking out to challenge anyone claiming otherwise. “The Weird” is Yoon Tae-goo (played by Kang-ho Song), a slightly chubby hapless thief, prone to accidental luck, driven by his search for what’s at the end of a highly coveted treasure map.

The story takes place in 1940’s Manchuria, China, a desolate desert region where outlaws, thieves and gunslingers thrive. Korea has been seized by Japan, whose army is now in Manchuria seeking the very map that “The Weird” unwittingly stole from a train at the beginning of the film. The movie has everything you’d imagine from a western and so much more that you wouldn’t, including swords and battle axes, German Lugers, motorcycles and deep sea diving helmets. Don’t ask… you just gotta see for yourself.

While the plot sounds involved at a glance, the film actually is rather light on plot and backstory. However, what it lacks is depth it makes up for in spades with plenty of action-packed scenes a pure, unadulterated fun. THE GOOD, THE BAD, THE WEIRD is 2 hours and 10 minutes of non-stop popcorn-munching good times. To put it simply, it’s a130 minute shoot’em up, over-the-top chase scene.

Speaking of such, this Korean film may likely garner the same favored fan status as 2007’s SHOOT ‘EM UP starring Clive Owen and Paul Giamatti. That’s the kind of violent, comical action viewers can expect from this movie. Likewise, the film also draws from non-western sources, namely filmmakers like Quentin Tarantino, combining creatively selected musical accompaniments and in-your-face, visually descriptive cinematography. Kim takes the general premise of the spaghetti western and injects it with an overdose of super-adrenalin.

As much action as there is in the first half to two-thirds of THE GOOD, THE BAD, THE WEIRD, this all just leads into the final 45 minutes of the film, which should pop your eyes right out of your head. Sure, its outrageous and beyond believable, but this extended final chase involving all three of the title character s as well as rival gangs and the Japanese army is pretty darn cool!

After having enjoyed the leading action and picking your jaw up after the climactic 45-minute final chase extravaganza, the audience is then treated to the final showdown between certain characters with an added twist that is neither absurd nor predictable. Be prepared for lots.., and I do mean LOTS of gunfire in this movie, from beginning to end. I dare you to count how many shots are fired, but not during your first viewing, because you won’t be able to enjoy the film.

THE GOOD, THE BAD, THE WEIRD is not a film for everyone, but the trailers and even the posters and the title ought to make that clear. However, for those who don’t mind cinematic violence and especially those who embrace it, this is a movie that will definitely entertain audiences on a purely superficial level. Enter the theater without expectations and enjoy the flick for what it is, without trying to read anything into it and satisfaction is damn near guaranteed.

Overall Rating: 3.5 out of 5

Glorious Rivalry – Second MEGAMIND Trailer

The second trailer for DreamWorks’ new computer-animated feature MEGAMIND has hit the web and the movie still looks potentially good, but I’m not necessarily compelled to get overly excited. Check it out for yourself and see if the quasi-Superman story told from the perspective of the super-villain appeals to you. Personally, my favorite part so far is still Megamind’s fish-in-a-bowl-on-a-robot henchman. MEGAMIND is set to hit theaters on November 5, 2010.

Indie Trailer: LETHAL OBSESSION

Check out this first trailer for LETHAL OBSESSION, a new indie thriller from DarkRider FilmWorks. The movie stars Brad Mills, Kitsie Duncan, Larry McAtee, Austin Dossey, Memphis Monroe with a special appearance by Marv Blauvelt. LETHAL OBSESSION is scheduled to release this summer 2010.

Trailer Introduces THE ADJUSTMENT BUREAU

Here’s the first trailer for THE ADJUSTMENT BUREAU, the new dramatic, sci-fi thriller written and directed by George Nolfi () based on the Philip K. Dick story “Adjustment Team”. This is Nolfi’s first outing as a director, but has written screenplays for OCEAN’S TWELVE, THE SENTINEL and THE BOURNE ULTIMATUM. The film stars Matt Damon and Emily Blunt, with Terrence Stamp in a mysterious, semi-villainous role.

The affair between a politician (Matt Damon) and a ballerina (Emily Blunt) is affected by mysterious forces keeping the lovers apart.

The trailer as it is presented, boasts an intriguing philosophical/sci-fi concept revolving greatly around the idea of free will, but the overall tone of the trailer felt slightly too familiar. Hopefully, there’s an edge to the film that we’ll see in theater that simply doesn’t come through in the trailer. THE ADJUSTMENT BUREAU is due out in theaters on September 17, 2010.

Trailer and Poster for Danny Trejo’s VENGEANCE

Check out the trailer and poster for the new film VENGEANCE, starring Danny Trejo. This grindhouse-style film is written and directed by Gil Medina, also features a supporting cast of Jason Mewes, Donal Logue, 50 Cent and Dallas Page. The film is st for release in the US on November 11, 2010.

Jack (Danny Trejo) is a retired undercover vice cop whose world is suddenly torn apart by the murder of his wife and daughter. After serving a prison term for a crime he didn’t commit, Jack returns to the streets with a vengeance against crime, and takes to vigilantism.

For more images and information about VENGEANCE and an opportunity to order a signed collector’s edition poster, check out the website.

Character Cage Match: Week #1

I’ve dug up the old Character Cage Match and dusted it off, upgrading it to version 2.0 with a new, more interactive purpose. The new CCM will be a weekly feature, randomly pitting two note-worthy cinematic characters against one another in a battle of popularity. Readers will vote on which character is their favorite and the victor will advance to next week’s face-off against a new contender. Who will hold the title the longest? Who will be eliminated in shame? The outcome is in your hands!

Being the first of a new generation of CCM, this happens to ab an all Al Pacino week. This week’s cage match features Al Pacino as Tony Montana, from Brian De Palma’s SCARFACE (1983) versus Al Pacino as Michael Corleone in Francis Ford Coppola’s GODFATHER trilogy. Bare in mind, the contest isn’t necessarily determined by the number of appearances, assumed bad ass-ness or number of awards or box office draw, how these may play into your decision. Simply put, its a contest of popularity, by whatever means of determination those voting deem pertinent.

For all intents and purposes, this is an experimental project. The continuation of this weekly feature will be determined by the amount of participation from our readers. The new Character Cage match is part of an effort to develop some more interactive content with our readers, just to see what sticks. So, if you like the idea, or are simply curious to see how things pan out, please cast your vote once a week. Its easy… read the short post, then choose between the two cinematic characters based on which is your favorite, for whatever reason you choose. Then, place your vote by leaving a comment on this post with your selection. Feel free to elaborate on your choice, if you choose, but it is not necessary for the vote to count. On with the show…

Review: ROBIN HOOD

The film is filled with fun and adventure, allowing the audience an escape to another time and place in history. Exciting and fast-paced, viewers experience the journey of a legendary hero as he plots against the greed and corruption of the king. This is a film that will live on in the imaginations of movie goers for decades to come, iconic and memorable, immortalizing the outlaw with a penchant for doing good.

Now that I’ve invoked visions of Disney’s 1973 classic animated film, let’s discuss Ridley Scott’s 2010 live action ROBIN HOOD. Ridley Scott is a filmmaker whose career in the 80’s produced such indisputable classics as ALIEN, BLADE RUNNER and LEGEND… which led to a modest, yet less fantastic run in the 90’s, and has leveled out to a currently uneven rate of success since GLADIATOR in 2000. As much as it pains me to say it, ROBIN HOOD may turn out to be one of, if not his least accomplished films to date. With that said, I once felt the same about KINGDOM OF HEAVEN, until I watched it again in the director’s cut and found myself with foot in mouth. However, KINGDOM OF HEAVEN is a far more ambitious and solid film as a whole than ROBIN HOOD could ever hope to become with multiple viewings. One could suggest that the failure of this film began with the rewrite, but the script is only the beginning. From there, and as part of the rewriting process, the direction of the film takes the lump sum of the blame for this 140-minute snore fest.

Upon entering the theater, throw all notions of the classical Robin Hood lore out the window, for little of it will apply here. On one level, the film appears to be an unsuccessful and unwanted attempt at a Robin Hood prequel, spending the majority portion of the first two hours shuffling aimlessly through a weak back story for Robin “of the hood” Longstride, played by Russell Crowe, that is worth it’s weight in fool’s gold. Eventually, this relatively uneventful story dissolves into a slowly developing romance of convenience between Robin and Lady Marion, played by Cate Blanchett.

ROBIN HOOD opens with the journey home of King Richard the Lionheart (played by Danny Huston) and his crusading army, plundering their way through France in an effort to recover any riches possible after squandering the royal wealth in a pointless holy war. Robin Longstride is an archer in King Richard’s army, fighting closely alongside fellow soldiers and friends Will Scarlet, played by Scott Grimes, and Little John, played by Kevin Durand. When the king is killed in battle, Robin and his “merry men” set off on their own path, anticipating chaos in an unstable England. Now that we’ve met the “good guys” let’s have a go at the “bad guys” in the story, beginning with Prince John, played by Oscar Isaac, whose immature desire for power clouds his judgment and blinds him to the true motives of his lifelong friend Godfrey, played by Mark Strong. Godfrey has been up to no good and plotting dastardly things. As this plot unfolds, Robin and his merry men, with the help of Friar Tuck, played by Mark Addy, find themselves the force of change with Robin at the helm.

Unfortunately, all this intrigue and back stabbing and plotting takes far too long to develop, often resulting in unbearably boring stretches of inactivity between the rare snippets of onscreen interest. Even the scenery is less than stimulating most of the time, whereas one would expect glorious forests within which Robin and his followers hide and do their thieving, but the visual style is kept mostly dull and washed out, as is likely the case in England, but adds nothing to the efforts of keeping the audience awake. The film also has some strange and unnecessary story elements, such as a band of young boys introduced early on and sporadically and briefly reappearing, until their presence is explained as mostly useless and a tad silly in the end.

With all this negativity, I feel it’s necessary to point out the one positive aspect of ROBIN HOOD. While the pacing, plot and length were all detrimental, the casting and ultimately the performances were pretty close to perfect. Cate Blanchett embodies my vision of what Lady Marion should be, a far better choice than the original option of Sienna Miller, a decent actress in her own right, but no Blanchett. Kevin Durand (SMOKIN’ ACES, 3:10 TO YUMA) was a brilliant choice as Little John, capturing both the physical and personality traits of the character flawlessly. Danny Huston’s performance as King Richard the Lionheart, while brief, was believable and engaging. As always, Mark Strong (SHERLOCK HOLMES, KICK-ASS) thoroughly personifies the villain, rich with the details and intricacies that bring his characters to life. Even Mark Addy from television’s STILL STANDING does his part with subtle comic relief as Friar Tuck. The cast rounds out with veteran actors Max Von Sydow as Sir Walter Loxley and William Hurt as Marshall.

With such a wonderful cast, it’s shameful that the film lacked any real significance or depth. In the end, ROBIN HOOD feels like an extended courtship between Robin and Marion, lengthened with needless filler and a lack of originality. The big climatic battle scene, the petty payoff for staying awake through the first two hours, makes up the final thirty minutes and feels shockingly similar to the first thirty minutes of another, more modern war film. Overall, ROBIN HOOD is 120 minutes of movie that induce cravings for caffeine that places all of it’s action in the final thirty minutes and ends in a way, well… let’s just say that Ridley Scott’s ROBIN HOOD ends the way it should have begun.

Overall Rating: 2.5 out of 5 stars