X-MEN: FIRST CLASS – The Review

The other day I was thinking the concept of a movie prequel was a fairly new notion. I suppose it was George Lucas who really promoted that idea with his first trilogy in 1999 with STAR WARS: THE PHANTOM MENACE. But as I thought about it, movie prequels have been around for a while. Back in the 30’s and 40’s they were made to delve into the backgrounds of historical figures as in YOUNG TOM EDISON and YOUNG MR. LINCOLN. In the early 70’s we had BUTCH AND SUNDANCE : THE EARLY YEARS. The 80’s saw YOUNG SHERLOCK HOLMES, and INDIANA JONES AND THE TEMPLE OF DOOM ( which technically is a prequel to RAIDERS OF THE LOST ARK as it is set a couple of years earlier ). The post Star Wars first trilogy prequels have been used as a way to restart or reboot an aging franchise. In that way CASINO ROYAL was a Bond restart. Sometimes this re-inveigorates the series with fresh blood as J.J. Abrams did with STAR TREK  in 2009. This has been done again with Matthew Vaughn’s X- MEN: FIRST CLASS.   A film series that limped through two lackluster sequels and a spin-off (  X- MEN ORIGINS: WOLVERINE ) now seems fresh and exciting once again.

The first X- Men movie was set in 2000, so to see how the group was first formed we’ve got to go back to the swingin’ 60’s.  That is after a brief stop in the 1940’s and World War II. The memory of young Erik Lehnsherr being separated from his parents at a Nazi concentration camp in occupied Poland is replayed. This time his gifts are observed by a Nazi scientist. Back in upstate New York young Charles Xavier comes upon his mother making a midnight snack. He sees through the ruse and meets a kindred spirit: the shape shifting Raven ( later Mystique ). Back at the camp the Nazi scientist ( Sebastian Shaw played by Kevin Bacon ) murders Erik’s mother to pressure the young boy into using his talents. The boy’s fury unleashes his mutant magnetism much to Shaw’s delight. Now we leap to the 60’s -1962 to be exact. Charles Xavier ( James McAvoy ) and his adopted sister Raven ( Jennifer Lawrence ) are two star students at Oxford while Erik ( Michael Fassbender ) explores Switzerland and Argentina in his quest for revenge on Shaw. In Las Vegas, CIA agent Moira MacTaggert observes a high ranking US general entering the Hellfire Club ( along with several barely clad female escorts ). Thinking on her feet, Moiria sheds her dress and enters the club as one of the escorts. Inside, the general is taken to a private booth by Emma Frost ( January Jones ). Through a secret entrance they are sent to a private room where Shaw and his two aides Riptide and Azazel greet them. Shaw is paying the general to use his influence to get a missile base in Turkey. Later Moira enlists Charles and Raven in an assault on Shaw’s yacht. There they meet Erik, who is thwarted in his attempt to kill Shaw. Reluctantly Erik agrees to join them in their quest to stop Shaw and his crew. Since Shaw, Frost, Riptide, and Azazel all have mutant abilities, Charles uses a device called Cerebro created by the CIA’sresident genius Hank McCoy ( Nicholas Hoult )  to seek other gifted individuals. Can this young team stop Shaw in his quest for a nuclear nightmare?

Director Vaughn is no stranger to this material ( after helming the comic book-based  KICK-ASS ) and keeps the plot moving at a great clip. The film could use a few minutes trimmed from it’s 2 and a 1/4 hour running time, but it  never seems to slow for too long-unlike some other Summer actioners ( I’m looking at you, Capt. Jack! ). The film makers do a fairly good job of re-creating the look of the 60’s in the sets, fashions, and autos. I have to nit-pick over some of the hairstyles. A Russian general would never have hair over his back collar. Speaking of 60’s fashion, January Jones is no stranger to them as part of TV’s Mad Men. Her Emma Frost is almost Betty Draper with super powers. Scary thought! McAvoy exudes intelligence and even has a bit of fun with the later stodgy Professor X. Love his groovy mutant pick-up line! Michael Fassbender brings a sinister, sexy energy to his future super villain,Magneto. Jennifer Lawrence shows that her WINTER’S BONE performance was the start of a great screen career with her conflicted Raven. My favorite of the original X-Men was the Beast and Hoult really nails his portrait of the clumsy braniac who desperately wants to fit in. I was a bit conflicted over Kevin Bacon. I wasn’t sure if he was right for this ruthless, evil mutant, but he uses his charm to great advantage when wheeling and dealing. I’ll give you a heads up-there’s no post end credits bonus scene on this superhero flick. Oh, and I’ve got to give special kudos to the producers for not giving in to greed and releasing this in 3D. Excelsior! Now I don’t want to spoil any surprises, so I’ll just tell you to hold off on a rest room or snack run when the Cerebro sequence begins. After THOR and this movie, it’s turning out to be a great superhero Summer. I’d say Marvel is two for two, but this film is not produced by Marvel Studios as was THOR, the Iron Man movies, and the upcoming CAPTAIN AMERICA: THE FIRST AVENGER. This a great popcorn picture with a bit of a social message snuck in between the fantastic stunts and effects.

Overall Rating: 4.5 out of 5 stars