Focus World has released a fun new trailer and poster for MR. RIGHT starring Sam Rockwell, Anna Kendrick and Tim Roth.
Hyperactive at the best of times, Martha (Anna Kendrick; Pitch Perfect) has gone full-on manic since her latest breakup. She babbles, parties like a monster, cooks everything in sight – and is looking to do something terrible when she meets Francis (Sam Rockwell; The Way Way Back). To anyone else, Francis’s approach would come across as creepy, but Martha can’t help but be intrigued. They seem a perfect match: she’s bananas, he’s bananas… except he’s a deadly sort of bananas. He’s a professional assassin.
Francis is a hitman with a cause: he unexpectedly kills the people ordering the hits. Just as Martha begins to realize her new beau wasn’t joking when he said he had to step out for a moment to shoot someone, things start heating up for Francis. His services are solicited by a dubious client who’s being sought by an equally dubious FBI agent (Tim Roth; Pulp Fiction, Reservoir Dogs). As the bodies pile up, Martha needs to decide whether to flee or join in the mayhem.
MR. RIGHT opens in Theaters & On Demand and Digital HD April 8.
Director Quentin Tarantino’s THE HATEFUL EIGHT is now playing in select theaters in “glorious 70mm” (including St. Louis) and will open nationwide on December 31, 2015.
Of this ensemble cast, which includes Samuel L. Jackson, Kurt Russell, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern and Channing Tatum, the one standout is the performance by Jennifer Jason Leigh.
Leigh comments on her character’s place among the eight: “Daisy is a gutsy girl, and she’s a bit of an animal in her own way. But all of these people have their values, and they all have their soft spots.”
“Jennifer Jason Leigh is fearless,” producer Stacey Sher says. “She’ll go anywhere, she’ll try anything, she’ll push it all the way, and as a result her character is constantly surprising throughout the entire journey.”
In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice.
Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass.
When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…
In his review, Jim Batts says the film is “enthralling, outrageous, and ambitious.”
For the last couple of decades film fans have been bemoaning the lack of flicks set in the old wild West. Many even remarked that the “horse opera” or “oater” was a dead genre, that its heydays were nearly twenty five years ago (Clint Eastwood’s UNFORGIVEN took Oscar gold in 1992). At the end of 2015, the corpse of the Western, seems to have been revived. And who are the “mad scientists”, well “mad movie makers” perhaps, shocking this corpse back to life via their electrifying talents? Well, Oscar winner Alejandro Inarritu, fresh off his BIRDMAN triumph, puts Leonardo DiCaprio through the wringer (emotional and physical) in THE REVENANT, which we’ll discuss in length when it gallops into theatres in a couple of weeks. The film that’s out on Christmas Day (in a very special limited release) comes from the ultimate movie fanatic turned film maker Quentin Tarantino. Now it was almost three years ago to the day that he first tried on his Stetson with DJANGO UNCHAINED, an ode to one of his beloved “grindhouse” staples, the “blackspoitation” action flick mixed with the old-fashioned “sagebrush” story. Now QT is hitting the trail once more, this time attempting to recreate the “road show” film releases of the 1950’s and 60’s with a “saddle saga” more epic in scope, eschewing digital projection and presenting it in select theatres in 70 mm (excuse me, Super Panavision 70 mm), even filming it with the same lenses that created many of those revered 60’s spectacles. And to give it the proper 60’s Western polish, he’s actually recruited the man responsible for the signature scores of that genre in that era, Ennio Morricone, to provide the music (including an overture prior to the opening titles). All this to accompany the thundering hoofbeats and exploding six guns of THE HATEFUL EIGHT. Giddyup!
As the strains of the “maestro’s” theme builds, the film opens up on the cold, snowy trails of Wyoming, not long after the end of the Civil War. A solitary figure waves down a lone stagecoach. Only two passengers are inside: bounty hunter John “the Hangman” Ruth (Kurt Russell) and his prisoner, the notorious Daisy Domergue (Jennifer Jason Leigh). After reminding Ruth of a previous meeting, the man who flagged them down, another bounty hunter, Major Marquis Warren (Samuel L Jackson), is allowed to join them (after lots of negotiations). Soon the coach is full when Chris Mannix (Walton Goggins) emerges from the woods and pleads for the last seat, telling the men that he is also headed to Red Rock to become the town’s new Sheriff (the men are very skeptical of this “wild card”). The coach’s driver soon realizes that they won’t outrun the approaching blizzard and must wait it out at the nearby “stage stop”, Minnie’s Haberdashery. Ruth and Warren are surprised to discover that owners Minnie and “Sweet Dave” are nowhere to be found. According to one of their new staff, Bob (Demian Bichir), the couple are visiting relatives, over the ridge. Once again, the bounty hunters are skeptical. But they’re not the only ones stranded. Trying to keep warm are the stoic cowboy Joe Gage (Michael Madsen), gregarious Englishman Oswaldo Mobray (Tim Roth), and former Confederate officer General Sandy Smithers (Bruce Dern). As the storm rages, Ruth and Warren soon believe that these men are not who they say they are. Could one of them, or all of them, be in “cahoots” with the dangerous, desperate Daisy?
Pretty impressive octet, eh? Actually there’s a few more cast members (including a very hot, young Hollywood hunk not seen ij the film’s ads) who are also very impressive. As you see, the majority of the eight are QT vets. The most frequent member, Jackson, really becomes the story’s main protagonist, deducing and dishing out justice. There’s more than a touch of Jules (his breakout role in PULP FICTION) in Warren, the man who must deftly manuever through the still wounded by war America. Jackson still projects that fierce determination and intelligence we’ve seen in his very best work, making him a most memorable Western hero. Closer to the usual “oater” lead “buckeroo” is Russell (nearly hidden beneath that walrus,Yosemite Sam ‘stache) as the swaggering man of action (said swagger almost channeling Western icon John Wayne), who and often succeeds at being the alpha male among this “wolf pack”. His boisterous performance at times turns Minnie’s into a private concert hall, entertaining and intimidating us with his outrageous bluster and behavior. Part of that behavior is his brutal treatment of Daisy, somewhat shifting our sympathies to her. That’s until her true, sinister nature kicks in. Leigh (making her astounding arrival into the “Tarantino-verse”) is a sullen, feral she-demon, spewing obscenities and racial epithets like a spitting cobra. With Leigh’s silent glare she tells us that she’s just as savage, if not more so, than any hombre.
Just as watchable is Goggins, who had a small role in DJANGO, as Mannix. His body language conveys a very malleable misfit, whose loyalties can switch in seconds, even as his somewhat think skull struggles to process each new curve thrown at him. After racking up a terrific TV career (from “The Shield” to “Justified”), he proves to be a great screen presence. Another vet from that earlier flick has been a screen star before the birth of Mr. Goggins. Dern as Smithers seems to be the stereotyped, docile old “coot” in a rocking chair, but when he’s verbally poked, he shows us that seething stare, warning his tormentor like a rattlesnake, that his fury will be unleashed. It’s a great follow-up to Dern’s award-worthy work a couple of years ago in NEBRASKA. Roth has a unique spin on the old cliché of the smiling, refined English “dandy” whose effete manners hides his motives. Madsen is surly and sullen as the tight-lipped, close-to-the-vest cowpoke, who is all squint-eyed, laid-back menace. Bichir gives a toned-down performance as the deferential Bob, who suffers ethnic slurs without blinking while trying to keep his “customers’ comfortable.
Much as with his earlier “horse opera”, Tarantino’s new film is a bit of a hybrid. His original screenplay and story is almost equal parts Zane Grey and Agatha Christie, reminiscent of her oft-filmed “Ten Little Indians” (some have even called it a “cowboy CLUE”). It’s a drama of observed looks and gestures that can suddenly erupt in bloody violence (often as over-the-top as any of George Romero’s zombie classics). Since so much of the story is set in Minnie’s roomy general store, many have speculated that this may have been conceived as a stage play. That’s not to infer that Tarantino has treated it as such. His camera swoops in to capture the gunplay, while his edits and cuts direct us right to the most drama and conflict. He even makes the weather a character, as the blizzard, like a howling beast, presses in the cracked door. This is particularly true with the visuals used during a flashback tale. You can almost feel the frigid air cutting through you right to the bone. It may seem an odd choice to shoot a mostly indoor story with “old school” 70mm, but the results are never “stagey” or claustrophobic. The superb, sweeping score by Morricone certainly aides in opening things up. Best of all may be that Tarantino dialogue, though peppered with “f-bombs’ and “n-words”, is gloriously “un-PC”, and often close to poetic. We can see the delight in the cast’s eyes has they savor each syllable like a fine wine. He’s been threatening a retirement from films, but hopefully this true cinema lover (it truly oozes out of every frame) will continue to keep us entertained with work as enthralling, outrageous, and ambitious as THE HATEFUL EIGHT. Whoa!
4.5 Out of 5
THE HATEFUL EIGHT opens in Super Panavision 70mm in select theatres (including Wehrenberg’s Ronnies 20 Cine in St. Louis) on Christmas Day. It opens in wide release on New Year’s Eve
The Weinstein Company has released a brand new, seven plus minute featurette for their highly anticipated film, THE HATEFUL EIGHT, written and directed by Quentin Tarantino.
THE HATEFUL EIGHT will have a 70 mm roadshow release in select theaters starting on Christmas Day.
Not sure what a roadshow is? Watch below to hear all about it, straight from Quentin Tarantino and the cast members.
In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff.
Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern).
As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all… (Trailer)
THE HATEFUL EIGHT hits theaters on December 25, 2015 (70 mm release), January 8, 2016 (nationwide).
The Weinstein Company has released a brand new poster for their highly anticipated film, THE HATEFUL EIGHT, written and directed by Quentin Tarantino.
The new TV Spot will air during Sunday’s showing of “The Walking Dead.” (via EW)
(ew.com)
In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff.
Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…
Starring Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern, Channing Tatum and more, THE HATEFUL EIGHT hits theaters on December 25, 2015 in special 70mm release, and on January 8, 2016 nationwide.
The Weinstein Company has released a new trailer for their highly anticipated film, THE HATEFUL EIGHT, written and directed by Quentin Tarantino.
In post-Civil War Wyoming, eight travelers try to find shelter during a blizzard but get involved in a plot of betrayal and deception. Will they survive?
Starring Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Tim Roth, Michael Madsen, Bruce Dern, Demian Bichir, Channing Tatum and more, find out on December 25, 2015 in special 70mm release, and on January 8, 2016 nationwide.
In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff.
Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…
Tarantino told the audience the film was shot in Ultra Panavision with the same 70MM cameras used on 1959’s BEN HUR. 7 minutes of special edited footage was shown that introduced the characters.
“F$@! the page!” Quentin Tarantino on Demian Bichir KILLING IT and making the character his own. pic.twitter.com/opES7V9360
— The Hateful Eight (@thehatefuleight) July 11, 2015
It was also announced that Ennio Morricone will be composing an original score for the film – his first Western score in 40 years. It was also revealed during the panel that when the movie is released it will be brought around like an old road show.
(L-R) QUENTIN TARANTINO directs KURT RUSSELL, JENNIFER JASON LEIGH, and TIM ROTH on the set of THE HATEFUL EIGHT
In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice.
Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff.
Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern).
As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…
THE HATEFUL EIGHT will be released on Christmas Day in 70MM, for two weeks, and will expand on January 8, 2015.
Director Quentin Tarantino will be bringing sneak peek footage of his highly anticipated THE HATEFUL EIGHT to Comic-Con 2015 and, today, the Weinstein Company has released a new photo from the film.
The Pulp Fiction director will be taking over Hall H on Saturday, July 11 at 1:30 p.m. to talk about his ambitious 19th-century tale of eight dangerous people holed up during a blizzard and to show off footage from the upcoming western. Comic-Con’s go-to moderator Chris Hardwick will emcee the proceedings, which will also include appearances from unspecified members of the cast.
(L-R) QUENTIN TARANTINO directs KURT RUSSELL, JENNIFER JASON LEIGH, and TIM ROTH on the set of THE HATEFUL EIGHT
In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice.
Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff.
Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern).
As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…
Let the awards buzz begin – THE HATEFUL EIGHT will be released on Christmas Day in 70MM, for two weeks, and will expand on January 8, 2015.
Compared to everything Martin Luther King Jr. achieved during his lifetime, SELMA showcases but a fraction of his accomplishments. Of course that fraction is one of the biggest triumphs of his lifetime. It was a turning point for so many in America and a cornerstone in the Civil Rights Movement. SELMA doesn’t try to be an all-encompassing look at Martin Luther King (played with gusto by David Oyelowo); it simply chronicles the events leading up to a march Dr. King led from Selma, Alabama to Montgomery, Alabama that occurred in 1965 as a protest to institute a unencumbered equal rights voting bill. It quickly becomes evident though that this isn’t just King’s show. There are a number of people that led to the formation of the Voting Rights Act of 1965, and learning about the secondary characters in SELMA is just as important to the film as King’s many, many speeches that director Ava DuVernay sometimes gets lost in highlighting.
Cinematographer Bradford Young perfectly captures the presence of Martin Luther King as he delivers his inspiring speeches while also showing the brutal confrontations that the protestors from Selma and from other parts of America had to endure. Attacks on a bridge leading out of Selma are filmed in a frenzied and energetic manner but are still clearly understood even amid all the smoke and tear gas. There are many instances where shots are framed in a symmetrical way – King at the lectern anchored by sconces or protestors arm in arm walking towards the camera in solidarity. Other times a simple shot of a pair of shoes walking on the asphalt will pull back to reveal a sea of people. It is moments like this that emphasize King’s idea that all it takes is one person to stand-up and make a difference.
There has been much debate recently among the news media surrounding how supportive Lyndon B. Johnson was of the Civil Rights Movement. Some critics have pointed out that SELMA unfairly and maliciously paints him in a negative light in order to push the film’s story. Others have been quick to point out that his voting record prior to gaining the Presidential seat shows that he was actually not in favor of it, and it was only until late that his views shifted. Given the fact that the film picks up after LBJ meets King for the first time after winning the Nobel Peace Prize I can only judge what the film shows from that point on. Also, considering I’m a film critic and not a major historian, I can only impart that what I witnessed was a very complex and troubled character. I didn’t necessarily see a bad guy nor did I see someone who fully stood behind King. I saw a politician – a man who was out for his own personal gain but who struggled with his personal feelings along with the demands of the public and outside political parties. He’s shown as someone attempting to maintain a balance, and it’s only when the media shows the shift in public opinion that he is able to drop his political agenda in favor of giving in to his own personal desires to match that of the general public. Tom Wilkinson as LBJ doesn’t come across as cartoonishly evil as Tim Roth playing an Alabama Governor, or as bad as the recent news media has accused the film of mislabeling him. SELMA may not get the facts 100% accurate according to some, but I would argue that it does paint LBJ in shades of grey instead of just black and white.
There is no denying that the true hero of SELMA is David Oyelowo. He embodies the charismatic leader and orator while still adding a level of humanity when he isn’t delivering rousing speeches. DuVernay is careful not to shine too bright of a light on King. He certainly is no saint and SELMA shows him as he deals with marriage woes and internal fighting among his cohorts. When the film does drift into these treacherous waters is when it gets a little shaky. The drama between King and his wife Coretta (Carmen Ejogo) feels tacked-on and doesn’t add much to the real drama at the center of the story. I found myself wanting to get back to the tension between the Selma marchers and their opposing forces. Even though their constant round-about fights created an often cyclical effect, I still found the slowly mounting tension from the history making events to be more inspiring than a dining room quarrel.
I’m afraid to necessarily say SELMA is an important film because I feel that undermines the point DuVernay was trying to make. Martin Luther King is such an important figure in our nation’s history and what he helped achieve for so many is groundbreaking. But a film like SELMA shows that it wasn’t just one man struggling on behalf of an entire race of people. He had hundreds, thousands, millions of supporters from all over, and while this film occasionally relegates the outspoken leader’s life to the background in lieu of the bigger cultural picture, that’s precisely the point. SELMA is about a moment in history when many came together for a common goal and a shared love of equal rights for all. King may be the man standing in front, but DuVernay is hear to show us that that person is no different from you or I. That’s what makes SELMA an important film.
In his review, Omar P.L. Moore (PopcornReel.com) says, “SELMA is an instant classic, a film that will be revered and applauded throughout the annals of American history, long after we are gone.”
SELMA is the story of a movement. The film chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson (Tom Wilkinson) signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement.
Director Ava DuVernay’s SELMA tells the story of how the revered leader and visionary Dr. Martin Luther King Jr. (David Oyelowo) and his brothers and sisters in the movement prompted change that forever altered history.
Starring David Oyelowo, Tom Wilkinson, Cuba Gooding Jr., Alessandro Nivola, Giovanni Ribisi Common, Carmen Ejogo, Lorraine Toussaint, with Tim Roth and Oprah Winfrey as “Annie Lee Cooper,” SELMA opens in St. Louis on Friday, January 9.
WAMG invites you to enter for a chance to win passes (Good for 2) to the advance screening of SELMA on January 6 at 7PM in the St. Louis area. We will contact the winners by email.
Answer the following:
Martin Luther King Jr. and Coretta Scott King led thousands of protesters during the Selma to Montgomery March in March 1965.
Name the bridge they crossed over.
(Photo courtesy of The Birmingham News)
TO ENTER, ADD YOUR NAME, ANSWERS AND EMAIL ADDRESS IN OUR COMMENTS SECTION BELOW.
OFFICIAL RULES:
1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.
Left to right: David Oyelowo (as Dr. Martin Luther King, Jr.) discusses a scene with Director/Executive Producer Ava DuVernay on the set of SELMA, from Paramount Pictures, Pathe, and Harpo Films.
(c) 2014 Paramount Pictures. All Rights Reserved. Photo credit: Atsushi Nishijima
