MOTHER OF FLIES – Review

MOTHER OF FLIES is a low-budget horror flick that plays out as a sordid endurance test for both the cast and audience, as it straddles the fence between the psychological and supernatural, without delivering on either. It’s a product of the Adams family, written and directed by John, daughter Zelda and wife Toby Poser; starring that trio, plus their other daughter, Lulu. They are not to be confused in any way with the more familiar, and noticeably superior, Addams family. The missing “d” seemingly makes quite a difference.

The plot follows a grieving woman who retreats into isolation after a personal loss, taking refuge in a decaying rural house that quickly becomes less a sanctuary than a cauldron. As her mental state deteriorates, the environment reflects it: rot creeps into every corner; flies proliferate; her own body becomes another site of infestation. That dangled suspense of insanity vs. the supernatural remains vague – presumably by design.

What could have been a marketable premise turns out confusing and dull. Scenes stretch on forever, not because they’re tense or meaningful, but because no one apparently was objective enough to do some editing. No member of the clan could snip another’s dialog or screen time without offending the rest of the household, and ruining the next Thanksgiving. The camera lingers with more familial pride than dramatic purpose. Grotesque images feel inserted or exaggerated for shock value, more than narrative enhancement.

In terms of the performances, the cast is trapped in monotones. There’s no escalation, no modulation—just suffering, presented as a moral achievement. Dialogue is mercifully sparse, but the visuals between talky bits are nothing special. They rely on tropes – rot as metaphor, insects as symbolism, silence as seriousness, etc.

By the time MOTHER OF FLIES slogs its way to the finish line, it brings more relief than enlightenment, leaving us a package that’s less disturbing than exhausting. This one’s unfortunately short on both the sizzle and the steak. All of which is really a shame. This is the family’s fourth collaboration. I haven’t seen the previous three, but note they earned favorable ratings on IMDb, which supports my belief that they have more to offer than this one displays. Enough so that I plan to check out the others.

MOTHER OF FLIES is available streaming on Shudder starting Friday, Jan. 23, 2026.

RATING: 1 out of 4 stars

Here’s the Scary Trailer For the Acclaimed Occult Horror HELLBENDER — Shudder Original Film Premieres Exclusively February 24th

“ONE OF THE BEST HORROR MOVIES OF THE YEAR”SyFy Wire

The Shudder Original Film HELLBENDER Premieres Exclusively on Thursday, February 24

In Hellbender, 16-year-old Izzy (Zelda Adams) suffers from a rare illness that has kept her isolated on a mountaintop with her mother (Toby Poser) her whole life. As Izzy begins to question her sickness, she pushes back against her confinement and secretly befriends Amber (Lulu Adams), another girl living on the mountain, but her newfound happiness is derailed after she eats a live worm as part of a juvenile game and finds an insatiable and violent hunger awakened within her. To understand the hunger, Izzy must learn the dark secrets of her family’s past and the ancient power in her bloodline. Here’s the trailer

Shudder, AMC Networks’ premium streaming service for horror, thrillers and the supernatural, will exclusively premiere the critically acclaimed released Shudder Original Hellbender on Thursday, February  24.

The latest film from the upstate N.Y. filmmaker family The Adams, Hellbender is written, directed, produced, scored, and edited by Toby Poser, John Adams, and Zelda Adams (The Deeper You Dig) — who also star, alongside Lulu Adams. It’s the sixth feature from Wonder Wheel Productions, the family-run production company founded by Poser and Adams and their children, and the family also produced the music for the feature with tracks from their experimental punk band H6LLB6ND6R.