Tag: will ferrell

YOU’RE CORDIALLY INVITED – Review

Margot (Reese Witherspoon) and Jim (Will Ferrell) in YOU’RE CORDIALLY INVITED. Photo Credit: Glen Wilson/Prime Video

Now that we’re shaking off the ice and snow (at least for a few days), is it too early to think about weddings, or even movie weddings? Sure, they’re always a ripe setting for romance and drama, though for the last couple of decades, it’s proven to be a perfect backdrop for comedy, from the FATHER OF THE BRIDE reboots to BRIDE WARS, the BEST MAN series, and, of course, BRIDESMAIDS. which often concern the ceremony itself and the long “prep”. Well, for this new flick we get two wedding parties, but the big focus isn’t on the couple, but rather on two relatives of the brides. And it’s the first pairing of two movie comedy vets. It’s a rare mix of a “rom-com” icon and a fellow from the slapstick “fratboy” genre. Hmmm, it seemed to work when Adam Sandler teamed with Drew Barrymore and Jennifer Aniston for several movies. Now audiences can find out if this duo generates some sparks and laughs as their fans get word that YOU’RE CORDIALLY INVITED.


We first meet the male half of this new comic “power couple” as Jim (Will Ferrell) prepares his cozy cottage for a visit from his only child, his adored (now graduated from college) daughter Jenni (Geraldine Viswanathan). He has taken pride in his role of “girl dad” since the passing of his wife several years ago (even baking a welcome cake and cookies). His “snuggle-bug” finally arrives, though she’s brought along her old pal Oliver (Stony Blyden). But that’s not the biggest surprise: the two are engaged. Once Jim regains his senses he insists on booking the spot where he was married, a quaint little resort off the Georgia coast, Palmetto Island. The resort’s elderly matriarch takes his call and says she’ll pencil them in on the first weekend in June. And no need for a credit card number, he’s considered family. All is set, until fate steps in. Meanwhile, in LA, TV producer Margot (Reese Witherspoon) gets an unexpected visit from her much-loved “kid sister” Neve (Meredith Hanger). She then stuns Margot with her engagement news to hunky Dixson (Jimmy Tatro). Neve’s rather nervous since no one else in the family knows that Dixon’s an “exotic dancer” and that she’s already pregnant. Although Margot’s estranged from their straight=laced judgemental mother and their siblings, she’ll plan the nuptials, which will take place near the home of their much-missed Grandma, the same Palmetto Isle, in June, natch’. It turns out that a major management ‘shake-up” at the resort took place between Jim and Margot’s reservation calls. The arrival of both wedding parties to the island is just the start of the comedy chaos, which becomes more complicated when the new manager Leslie (Jack McBrayer) begrudgingly agrees to host both over that sunny weekend (though he insists that the facilities only have the space of one wedding). Ah, but what could go wrong? Well, with ‘big sis” Margot and “big daddy” Jim trying to make everything perfect, what do you think?

Oh, this unorthodox pairing works surprisingly well thanks to the welcome comedy return of Ms. Witherspoon after spending much of the last few years on some dramatic streaming shows (limited and series). She gives Margot an aggressive but still engaging “take charge” quality which explains her success with some insipid-looking reality/game shows (“Is It Dead?”). Plus she’s a passionate “mama bear’ to her “lil’ sis” despite her resentment toward their other “kin”. Witherspoon gives us access to the hurt, but driven Margot. Plus, she’s always a perfect “straight-woman” to Ferrell’s passive-aggressive, too “in touch with his feelings” Jim, tapping into the “softer”, less” in your face” roles in the DADDY’S HOME flicks and GET HARD (not to mention the hysterical Lifetime parody “A Deadly Adoption”). Ferrell also adds a funny exasperation to his delivery as his plans begin to collapse while dealing with the “generation gap’ of Jinni’s pals. But he’s also adept at physical schtick whether Jim is styling hair, crooning an inappropriate pop tune, or wrestling a gator. Their brides also give terrific comedy performances. Viswanathan literally throws herself into the role of Jinni, a nice follow-up to her work last year in the quirky DRIVE-AWAY DOLLS ( and “stealing” BLOCKERS), enduring lots of ‘bonkers brutality” (get her some “combat pay”) or just rolling her eyes at her papa. And Sanger rebounds from the dopey VACATION FRIENDS flicks, making Neve a strong comic partner to Margot, while not allowing herself to be pushed around as she valiantly tries to “hide that bump”. The film also benefits from some terrific vets of stand-up comedy, specifically Leanne Morgan as the “no filter’ sister Gwyneth and Rory Scovel as clueless bro Colton. Unfortunately the wonderful Fortune Feimster is given little to do as the resort’s “boat captain”, though McBrayer is very funny as the prim and proper Leslie as is Keyla Monterroso Mejia as Jinni “hard-partying” maid of honor.


They’re all “clicking” under the guidance of another comedy movie vet, writer/director Nicholas Stoller, bouncing back from BROS after scoring with the NEIGHBORS flicks. He keeps the film running along at a brisk pace, although it feels a bit worn by its 109-minute runtime. perhaps some of the family angst, especially with Margot’s family dynamics, could’ve been trimmed along with the operatic warbling on the soundtrack. But on the plus, Stoller squeezes in some choice satiric jabs at over-produced TV, the “artistry” of DJ-ing, and social media “buzzwords’ (nice they clear up the overuse of “gaslight”). And Stoller doesn’t allow the comic cast to go too “over the top”, though the “gator ‘razzling” (it’s on the poster) seems to be from a more cartoonish Ferrell flick form a dozen years ago. And many of the “misunderstandings’ are too “telegraphed” to have real impact, other than to generate more conflict and calamity. But the resort locale is quite lovely, adding to the baffling decision not to send this out to the multiplex (the same thing happened with several Amazon movies last year). That’s not up for debate, as the streamers hope to lure lots of new subscribers with the welcoming main title phrasing of YOU’RE CORDIALLY INVITED.

3 Out of 4

YOU’RE CORDIALLY INVITED is now streaming exclusively on Amazon Prime Video

Win Passes To The St. Louis Advance Screening Of YOU’RE CORDIALLY INVITED – Stars Reese Witherspoon and Will Ferrell 

When two weddings are accidentally booked on the same day at the same venue, each bridal party is challenged with preserving their family’s special moment while making the most of the unanticipated tight quarters. In a hilarious battle of determination and grit, the father of the bride (Will Ferrell) and sister of the other bride (Reese Witherspoon) chaotically go head-to-head as they stop at nothing to uphold an unforgettable celebration for their loved ones.

YOU’RE CORDIALLY INVITED comes to Prime Video January 30.

The St. Louis screening is 7PM on Tuesday, Jan 28th at Galleria 6 Cinema (6PM Suggested Arrival)

PASS LINK:  http://amazonscreenings.com/WAMGinvited

Please arrive early as seating is not guaranteed.

Rated R

Margot (Reese Witherspoon) and Jim (Will Ferrell) in YOU’RE CORDIALLY INVITED. Photo Credit: Glen Wilson/Prime Video

WILL & HARPER Trailer Stars Will Ferrell and Harper Steele – See The Netflix Documentary September 27

The official trailer and poster for the highly anticipated Sundance hit documentary film WILL & HARPER debut today. 

Will Ferrell and his close friend, former head writer at SNL, Harper Steele embark on a cross-country road trip together after Harper comes out as a trans woman in the documentary film, WILL & HARPER. In select cinemas this September and on Netflix September 27. It also features Seth Meyers, Tina Fey, Kristen Wiig, Colin Jost, Will Forte, Molly Shannon, Tim Meadows, Paula Pell.

Three years ago, Will Ferrell was filming a movie when he received a most surprising email: his dear friend of nearly 30 years was coming out to him as a trans woman.

That friend was Harper Steele, a writer he met on his first day at Saturday Night Live back in 1995. From that fateful first meeting in the halls of 30 Rock, Will knew he had found a match made in comedy, and their friendship and creative partnership would only continue to grow over the next 3 decades.

In this intimate, honest, and heartfelt documentary, Will and Harper hit the open road together to process this new stage of their friendship and reintroduce Harper to the country that she loves – this time, as herself. Over 16 days, the two drive from New York to LA, visiting stops that are meaningful to them, to their friendship, and to America. Through laughter, tears, and many cans of Pringles, they push past their comfort zones as they re-examine their relationships to these spaces, and to each other, in this new light.

https://www.netflix.com/title/81760197

Win A Family 4-Pack Of Passes To The St. Louis Advance Screening Of DESPICABLE ME 4 

In the first Despicable Me movie in seven years, Gru, the world’s favorite supervillain-turned-Anti-Villain League-agent, returns in Illumination’s DESPICABLE ME 4. Featuring the voice cast of Steve Carell, Kristen Wiig, Will Ferrell, Pierre Coffin, Joey King, Sofia Vergara, Stephen Colbert, Miranda Cosgrove, Chloe Fineman, Steve Coogan, Chris Renaud, Dana Gaier, Madison Polan and Will Ferrell, THIS SUMMER, IT’S A BOLD NEW ERA OF MINIONS MAYHEM!

DESPICABLE ME 4 opens only in theaters July 3rd!

The special screening is Monday, July 1st at The Galleria 6 Cine at 7PM (6PM Suggested Arrival)

Please arrive early as seating is not guaranteed.

FOUR winners will each receive 4 passes to the screening.

GET YOUR PASSES HERE: http://gofobo.com/HYusb03202

Rated PG.

Despicable Me 4 © Illumination Entertainment and Universal Studios. All Rights Reserved.

Following the 2022 summer blockbuster phenomenon of Illumination’s Minions: The Rise of Gru, which earned almost $1 billion worldwide, the biggest global animated franchise in history now begins a new chapter as Gru (Oscar® nominee Steve Carrell) and Lucy (Oscar® nominee Kristen Wiig) and their girls —Margo (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Madison Polan)—welcome a new member to the Gru family, Gru Jr., who is intent on tormenting his dad.

Gru faces a new nemesis in Maxime Le Mal (Emmy winner Will Ferrell) and his femme fatale girlfriend Valentina (Emmy nominee Sofia Vergara), and the family is forced to go on the run. 

The film features fresh new characters voiced by Joey King (Bullet Train), Emmy winner Stephen Colbert (The Late Show with Stephen Colbert) and Chloe Fineman (Saturday Night Live). Pierre Coffin returns as the iconic voice of the Minions and Oscar® nominee Steve Coogan returns as Silas Ramsbottom.

Packed with non-stop action and filled with Illumination’s signature subversive humor, Despicable Me 4 is directed by a co-creator of the Minions, Oscar® nominee Chris Renaud (Despicable Me, The Secret Life of Pets), and is produced by Illumination’s visionary founder and CEO Chris Meledandri and by Brett Hoffman (executive producer, The Super Mario Bros. Movie and Minions: The Rise of Gru). The film is co-directed by Patrick Delage (animation director Sing 2 and The Secret Life of Pets 2), and the screenplay is by the Emmy winning creator of White Lotus, Mike White, and the veteran writer of every Despicable Me film, Ken Daurio.

Despicable Me 4 © Illumination Entertainment and Universal Studios. All Rights Reserved.

DESPICABLE ME 4 Trailer Features Steve Carell, Kristen Wiig, Will Ferrell, Pierre Coffin, Joey King, Sofia Vergara And Stephen Colbert

Gru in DESPICABLE ME 4, from Illumination

ILLUMINATION and UNIVERSAL PICTURES have unveiled the new all-star cast and first trailer of DESPICABLE ME 4.

The biggest global animated franchise in history returns with the first DESPICABLE ME film in seven years.

In the first Despicable Me movie in seven years, Gru, the world’s favorite supervillain-turned-Anti-Villain League-agent, returns for an exciting, bold new era of Minions mayhem in Illumination’s Despicable Me 4.

Following the 2022 summer blockbuster phenomenon of Illumination’s Minions: The Rise of Gru, which earned almost $1 billion worldwide, the biggest global animated franchise in history now begins a new chapter as Gru (Oscar®nominee Steve Carrell) and Lucy (Oscar® nominee Kristen Wiig) and their girls —Margo (Miranda Cosgrove), Edith (Dana Gaier) and Agnes (Madison Polan)—welcome a new member to the Gru family, Gru Jr., who is intent on tormenting his dad.

Gru faces a new nemesis in Maxime Le Mal (Emmy winner Will Ferrell) and his femme fatale girlfriend Valentina (Emmy nominee Sofia Vergara), and the family is forced to go on the run.

The Minions in DESPICABLE ME 4, from Illumination

The film features fresh new characters voiced by Joey King (Bullet Train), Emmy winner Stephen Colbert (The Late Show with Stephen Colbert) and Chloe Fineman (Saturday Night Live). Pierre Coffin returns as the iconic voice of the Minions and Oscar® nominee Steve Coogan returns as Silas Ramsbottom.

Packed with non-stop action and filled with Illumination’s signature subversive humor, Despicable Me 4 is directed by a co-creator of the Minions, Oscar® nominee Chris Renaud (Despicable Me, The Secret Life of Pets), and is produced by Illumination’s visionary founder and CEO Chris Meledandri and by Brett Hoffman (executive producer, The Super Mario Bros. Movie and Minions: The Rise of Gru). The film is co-directed by Patrick Delage (animation director Sing 2and The Secret Life of Pets 2), and the screenplay is by the Emmy winning creator of White Lotus, Mike White, and the veteran writer of every Despicable Me film, Ken Daurio.

DESPICABLE ME 4 arrives in theaters July 3, 2024.

DESPICABLE ME 4, from Illumination

Honey Badger and Baby Gru in DESPICABLE ME 4, from Illumination

QUIZ LADY – Review

So, how accurate are some of those old sayings? Well, in the case of “You can pick your friends, but you can’t pick your family”, well…yes, 100 percent. That’s especially true with siblings, going all the way back to Cain and Abel. Sure brothers battle, but is that ditto for sisters? This weekend’s new comedy uses that as its “springboard”. These two ladies couldn’t be more different or argumentative, Fortunately, they’re both hilarious, and their characters are played by two talented actresses. You see, the elder is a party gal while the other is saddled with the title QUIZ LADY.


We first meet the aforementioned QZ as a timid eight-year-old indulging in her favorite weekday activity, watching the live TV show “Can’t Stop the Quiz” hosted by true hero Terry McTeer (Will Ferrell). And she pretty much aces all the questions despite her older sister indulging in lots of teenage drama (boys, friends, dresses, etc.). And just a few years later she storms out of the house, as lil’ sister focuses on that program. Cut to her today and her grown-up adult self, Anne Yum (Awkwafina). She’s now living in a duplex building next to her cranky older neighbor Francine (Holland Taylor), and still never misses CSQ, though she now shares it with her aging pooch, Mr. Linguine. The next morning, like clockward, she’s off to her nine-to-five cubicle job as an accountant. Her routine is disrupted one day as she gets a call at work. It seems that her Mom has “booked” from the nursing home. Anne dashes down there just in time for an unexpected (and very unwanted) reunion with big sis Jenny (Sandra Oh). After some bickering, they learn that Mom is actually in Macao with her new beau. Then things get really complicated when her “loan shark” Ken (Jon Park) dognaps Linguine to ensure the sisters clear her eighty grand debt. But Jenny’s got a plan: Anne has to win the dough on CSQ! But she’s painfully shy and wants to go unnoticed and blend into the background. Can the two stop their verbal sparring long enough to get to the TV studio and get the beloved doggie back home?

Now here’s a great new comedy team-up! Though she’d be considered the “straight” partner of the duo (much like Bud Abbott). Awkwafina elicits lots of laughs as she commits to a constant shoulder slump while trying to dash past anyone who might spot her. This makes her annoyance about unwanted fame work so well. And it’s a terrific “set-up” for her loopy, loose body language under the influence of “relaxers” given by the human wrecking ball that is Ms. Oh as the no-filter big sis Jenny. Unlike lil’ sis, she’s confident with little talent or smarts to back it up, even comparing herself to Oprah as she tosses off her hair extensions. In the supporting but certainly pivotal role as the master TV MC, Ferrell tones down his usually manic persona, giving McTeer an endearing dorky quality echoing his SNL work as the great Trebek in their “Celebrity Jeopardy” sketches and killing it with awkward attempts at humor (to a contestant: “I see you’re from Kentucky. Did you ride here on your horse?”). Plus he’s got a great comic rapport with Jason Schwartzman as the unctuous, smarmy long-time CSQ champ Ron Heacock, flashing his way too bright “pearly whites”. Taylor brings her decades-old sitcom skills to bear as the always irritated and noisy next-door neighbor. Kudos also to the fabulous Tony Hale as the owner of a motel in Philly who really tries to stick with his Ben Franklin cosplay (“Does thou have a major credit card?”).

This sprightly-paced, candy-colored farce is helmed by Jessica Yu, squeezing every ounce of yucks possible from the screenplay by Jen D’Angelo. There are terrific satiric jabs at celebrity culture, workplace politics, and even at society’s stereotypes of Asians (when a trucker yells, “Learn to drive”, Jenny calls him racist until he leans out of the driver’s side window and, well you can guess). Not only does Yu elicit wonderful work from the lead duo, but she peppers the whole film with funny folks including a loving cameo showcasing a recently “taken too soon” comedy icon. Sure it is a smart script, but the film’s not too sophisticated for some well-executed slapstick and plenty of subtle sight gags. Yes, the idea of a long-running TV game show being broadcast live feels far-fetched (though Regis did it for several weeks twenty years ago), but it just adds to the silly comedy chaos and family bonding at the happy heart of QUIZ LADY.

3 Out of 4.

QUIZ LADY is now streaming exclusively on Hulu

STRAYS (2023) – Review

This Summer the multiplex has been filled with superheroes, supercars, giant robots, dolls, atom bombs, and secret agents. So, where’s “man’s best friend”? How about a sweet family-friendly flick about those angelic “fur babies”? This weekend that request is addressed…sorta’. Yes, it’s full of cute, cuddly (mostly) live-action canines, but it is far from family-friendly as you can tell by the poster with one of the pups tearing into an “R” rating insert. Yes, there are a few sweet moments, but these mutts are behaving like, well, real mutts, engaging in all manner of crude activities (hence that rating). and this cursing pack of pooches would growl at being called “fur babies” as they prefer flaunting their “street cred” as STRAYS.


The first of them we meet, actually the story’s narrator, is a fuzzy naive border terrier named Reggie (voice of Will Ferrell). Oh, but his human owner calls him by a variety of nasty nicknames. That’s the slacker stoner Doug (Will Forte). who had acquired Reg for a long-departed girlfriend (smart lady). And now Doug wants to be rid of him, although Reggie thinks it’s a new fun version of “fetch”. Doug drives him to a desolate field or forest and tosses Reggie’s beloved ratty tennis ball. And the dog brings it back to their dingy shack every time. Then Doug decides to really “go for it”. The two drive two hours away from rural Oakwood to a scary big city. Poor Reggie is now truly lost. Just as it looks like he’ll be a “chew toy” for some bigger brutal dogs, he’s befriended by the self-proclaimed “street king”, a Boston terrier named Bug (VO: Jamie Foxx). While showing Reg the “ropes” he introduces him to a couple of pals. Maggie (VO: Isla Fisher) is a lovely Australian Shephard with a keen sense of smell, whose master ignores her in favor of a cute new puppy. And there’s the timid, lumbering Hunter (VO: Randall Park) a service Great Dane who won’t take off his “healing cone”.The quartet bonds and hatches a plan. Going by Reggie’s memory of “landmarks” (“a giant mouse-wheel, a huge cone, and the devil in the sky”). they’ll travel back to Doug for some very painful “payback”. But can they survive the long journey or will they end up in that fabled “farm up north”?

Careful, this is NSFW!!

Well since the title named ‘strays” are the main focus of the film, we should discuss the vocal performances of several movie comedy vets. Ferrell makes Reggie a furry canine cousin to Buddy the ELF with his sunny outlook and bouncy energetic innocence. But Ferrell is also able to convey his frightened panic and Reggie’s near-boundless joy. Foxx gives Bug a very different energy, one of (sorry) alpha-dog swagger and aggressive determination. His wall of macho is finally chipped away by Reggie when he reveals his own past heartbreak with a human. Fisher exudes pluck and spunk as the lone lady who’s usually several steps ahead of the boys when the stakes are high. The biggest laughs (his “howling” got me every time) might be those garnered by the endearing Park who makes the looming giant Hunter into a sympathetic and emotionally vulnerable hero, though full of self-esteem issues (he can’t tap into his “BDM” energy). Along the trail, the quartet encounters a surly intimidating German Shephard police dog voiced by the gregarious Rob Riggle. As for the “people”, Forte somehow upstages those adorable pups as the cruel but somehow entertaining lowlife Doug, making him more than a nasty one-note villain. There’s also a scene showcasing the terrific comic actor Bret Gelman, but his skills are squandered in a sequence that makes little sense and seems to be a way to indulge in some scatological gags (honestly).

So despite the marketing campaign that makes the R-rated content clear, even taking a cue from the “red backdrop” poster from 2019’s GOOD BOYS, some folks still think this is a fun-filled all-ages furry romp. Which it certainly is not. So, does it deliver what it promises? Yes, there are indeed more laughs than in the funny “red band” trailers from the last couple of months. And somehow the script from Dan Perrault does include some heart-tugging moments as the strays try to deal with their need to be free and the yearning for a “people parent”.Director Josh Greenbaum, in his follow-feature to the underrated gem BARB AND STAR GO TO VISTA DEL MAR, keeps the pace fairly taut at a brisk 93-minutes though the dreaded lull rears its head before the final showdown. Oh, the effects are splendid harkening back to the “Dogville” comedy shorts 90 years ago. They used classic 2D animation to make the mutts’ mouths move, while slick CGI keeps the pups chattering away, and enables them to perform all manner of dangerous slapstick (the highlight may be a sight gag about the “invisible fence”). Sure it’s crude with the doggies indulging their “animal impulses”, but if you’re in the mood for some “low-bred” laughs then you may want to join this pack of STRAYS. So “sit”, “stay” and put away that phone (“bad viewer!”).

2.5 Out of 4

STRAYS is now playing in theatres everywhere

BARBIE – Review

And now the topper to one of this movie year’s biggest trends. Sure, we’ve had comic book superheroes, action tentpoles, and even a couple of flicks based on TV shows. But who knew that 2023’s box office would be “turbo-charged” by “toy stories”. No, I’m not speaking of Woody and Buzz. No, we started the year with a horror hit based on a phony toy that’s not named Chuckie, M3GAN. Then came the true story “spy-like” thriller about the creation of the video game TETRIS (I consider it a toy, so nyah). the stakes were raised considerably by another pixel powerhouse, THE SUPER MARIO BROTHERS MOVIE, followed by a new Transformers entry (also in that “action tentpole” category). And now, at last, “the queen” has arrived. Yes, the perennial princess of the toy department shelves comes to the big screen (after a slew of “straight-to-video” releases and a few TV shows), and she looks fabulous at age 64 (cue the Beatles ditty). Of course, she’s “pretty in pink”. (Imagine Ed McMahon or Nicholson in THE SHINING) Herrre’s BARBIE!

After a terrific nod to a cinema classic via a prologue narrated by Helen Mirren (you may have caught it in an early teaser), we’re whisked away to the wondrous realm of “Barbieland”. In the prettiest of the pink houses lives “stereotypical” Barbie (Margot Robbie), who is just beginning her day. After floating into her convertible, she cruises through the town to wave good morning to the other Barbies, even President Barbie (Issa Rae). Oh, and she’s greeted by the “spin-off” toys, Skipper, Midge, and the awkward Allan (Michael Cera). Finally, we’re at the beach for a visit from the adoring but dim Ken (Ryan Gosling), who’s thrilled to see Barbie but furious at his rival, another Ken (Simu Lui), along with assorted other Kens. But he still gets an invite to Barbie’s big nighttime “rager”. But the singing and dancing are nearly derailed when Barbie warbles a lyric questioning her mortality. This “glitch” continues into the next day, when Barbie endures several odd occurrences like “morning bad breathe” and, to everyone’s disgust, “flat feet” when she steps out of her stylish high heels. Confiding in her Barbie BFFs, they implore her to seek help from “weird” Barbie (Kate McKinnon). Her prognosis: Barbie’s “human” handler isn’t “playing” with her “correctly”. And so Barbie must venture into the “real world” and find her. The trip gets ‘trippier” when Ken “stows away” in her car. The duo is in for a wild journey as they deal with a woman named Gloria (America Ferrera) who works at the doll HQ Mattel. She’s a dream compared to her snarky pre-teen daughter Sasha (Ariana Greenblatt) and the excitable CEO (Will Ferrell). But all this pales to the radical “rewiring” of Ken himself, a personality change that threatens all the denizen dolls of Barbieland.

Could there be a more perfect casting choice than Robbie in the title role? Ten years ago she almost set movie screens afire as the “trophy wife” in THE WOLF OF WALL STREET, but she was intent on being more than “eye candy”. Robbie has forged an impressive movie resume, carefully juggling dramatic and comedic roles. In this story, she really gets to showcase those skills. Sure Barbie is bubbly and perky, but we see her confusion as the dark thoughts seem to engulf her. Robbie expresses that panic as she is overwhelmed by the chaos of the “real world”. She’s more than up to the challenge, bouncing from zany comedy to getting her first pangs of heartache. Perfectly balancing her pathos is the inspired comic performance of Gosling. He’s grabbed laughs before in CRAZY STUPID LOVE and LA LA LAND, but here he totally gives himself over to the buffoonish antics of the ultimate “himbo”, Ken. Yet, for all his goofy behavior, there’s a child-like charm to him. Gosling somehow holds on to that even after Ken has a much different reaction to “reality”.Speaking of that “setting”, Ferrera as Gloria is the story’s real dramatic “anchor” as the adult “human” who still has a sense of wonder about Barbie, but is hardened to the ways of society, highlighted in her rousing monologue about what the world expects of her gender (a riveting “throw down the gauntlet” moment). Greenblatt as her daughter Sasha makes her more than a cliched surly movie teen. Sure she’s wanting to “spread her wings”, but we see how Sasha still yearns to be on an adventure with Mom, even beginning to admire and respect her. The film also benefits from the supporting work of several comic vets. Ferrell is still a manic “man-child” as the exec, but he never “takes over” the tale with shrill slapstick and makes his character more than the “suit villain”. McKinnon makes great use of her loopy, off-kilter persona as the Barbie “who’s been played too much”, giving her a zany “sing-song” line delivery and using a near-marionette ‘floppy” body language and movement (almost like a certain scarecrow). Cera also has lots of fun with his nerdy screen image earning chuckles every time he’s awkwardly waving at the “first string toys”. I won’t spoil the identity of her role, but it’s terrific to see Rhea Perlman as a warm, nurturing mystery woman.

Huzzaah to director Greta Gerwig for delivering an impressive solo directing hat trick, building on her terrific work on LADY BIRD and LITTLE WOMEN to give us this intelligent fantasy farce that’s also a keen social satire. I must mention that she also co-wrote this with Noah Baumbach (a fabulous filmmaker himself and her spouse). Bravo for addressing the many criticisms and controversies swirling around the iconic toy over the last few decades, using them to lay out a clear message of female empowerment, while never lecturing. Rather than having Barbie and her pals dashing around and evading the “people” ala the TOY STORY flicks, they venture among with almost no secrecy, making the story a “switcheroo” on THE WIZARD OF OZ with a pinch of SPLASH. Plus it really has fun with the history of the toy franchise as we meet characters who never really “caught on” while making playful jabs at the “product powerhouse”. Oh, did I mention the eye-popping visual treats, some that come close to the spider-verses? Barbie’s “suburban subdivision” recalls so many of the “big box” playsets with her closet resembling a full-scale “fashion accessory” flat box. Yes, the fashions are great ‘call-backs” to the classic looks, especially that black and white striped one-piece swimsuit in the opening prologue. The pace is breezy and bouncy thanks to a wonderful soundtrack of pop standards and hilarious original tunes. Now some of the themes and subplots may go over the heads of the youngest viewers, but those with memories of lazy afternoons creating adventures for the characters will really get a real nostalgic euphoria along with subtle societal parody. Really this is a great time at the movies, perfect for the Summer. And to paraphrase the old ad line from Mattel, BARBIE…it’s swell!!

3.5 Out of 4

BARBIE is playing in theatres everywhere

BARBIE The Movie Gets a Fun New Trailer

BARBIE THE MOVIE might be hitting theaters this summer, but today we have this first look at the new posters and second trailer for the film that’s sure to be a splash!

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.

From Oscar-nominated writer/director Greta Gerwig (“Little Women,” “Lady Bird”) comes “Barbie,” starring Oscar-nominees Margot Robbie (“Bombshell,” “I, Tonya”) and Ryan Gosling (“La La Land,” “Half Nelson”) as Barbie and Ken, alongside America Ferrera (“End of Watch,” the “How to Train Your Dragon” films), Kate McKinnon (“Bombshell,” “Yesterday”), Michael Cera (“Scott Pilgrim vs. the World,” “Juno”), Ariana Greenblatt (“Avengers: Infinity War,” “65”), Issa Rae (“The Photograph,” “Insecure”), Rhea Perlman (“I’ll See You in My Dreams,” “Matilda”), and Will Ferrell (the “Anchorman” films, “Talladega Nights”). The film also stars Ana Cruz Kayne (“Little Women”), Emma Mackey (“Emily,” “Sex Education”), Hari Nef (“Assassination Nation,” “Transparent”), Alexandra Shipp (the “X-Men” films), Kingsley Ben-Adir (“One Night in Miami,” “Peaky Blinders”), Simu Liu (“Shang-Chi and the Legend of the Ten Rings”), Ncuti Gatwa (“Sex Education”), Scott Evans (“Grace and Frankie”), Jamie Demetriou (“Cruella”), Connor Swindells (“Sex Education,” “Emma.”), Sharon Rooney (“Dumbo,” “Jerk”), Nicola Coughlan (“Bridgerton,” “Derry Girls”), Ritu Arya (“The Umbrella Academy”), Grammy Award-winning singer/songwriter Dua Lipa and Oscar-winner Helen Mirren (“The Queen”).

Gerwig directed “Barbie” from a screenplay by Gerwig & Oscar nominee Noah Baumbach (“Marriage Story,” “The Squid and the Whale”), based on Barbie by Mattel. The film’s producers are Oscar nominee David Heyman (“Marriage Story,” “Gravity”), Robbie, Tom Ackerley and Robbie Brenner, with Michael Sharp, Josey McNamara, Ynon Kreiz, Courtenay Valenti, Toby Emmerich and Cate Adams serving as executive producers.

Gerwig’s creative team behind the camera included Oscar-nominated director of photography Rodrigo Prieto (“The Irishman,” “Silence,” “Brokeback Mountain”), six-time Oscar-nominated production designer Sarah Greenwood (“Beauty and the Beast,” “Anna Karenina”), editor Nick Houy (“Little Women,” “Lady Bird”), Oscar-winning costume designer Jacqueline Durran (“Little Women,” “Anna Karenina”), visual effects supervisor Glen Pratt (“Paddington 2,” “Beauty and the Beast”), music supervisor George Drakoulias (“White Noise,” “Marriage Story”) and Oscar-winning composer Alexandre Desplat (“The Shape of Water,” “The Grand Budapest Hotel”).

Warner Bros. Pictures Presents a Heyday Films Production, a LuckyChap Entertainment Production, a Mattel Production, “Barbie.” The film will be distributed worldwide by Warner Bros. Pictures and released in theaters only nationwide on July 21, 2023 and beginning internationally on July 19, 2023.

You Sit On a Throne of Lies! Will Ferrell in ELF at The Wildey Theater in Edwardsville Tuesday December 7th

“We elves try to stick to the four main food groups: candy, candy canes, candy corns, and syrup.”

Nothing’s more fun than The Wildey’s Tuesday Night Film Series. Will Ferrell in ELF (2003) will be on the big screen when it plays at The Wildey Theater in Edwardsville, IL (252 N Main St, Edwardsville, IL 62025) at 7:00pm Tuesday December 7th. Tickets are only $3  Tickets available starting at 3pm day of movie at Wildey Theatre ticket office.  Cash or check only. (cash, credit cards accepted for concessions)  Lobby opens at 6pm.

Buddy was a baby in an orphanage who stowed away in Santa’s sack and ended up at the North Pole. Later, as an adult human who happened to be raised by elves, Santa allows him to go to New York City to find his birth father, Walter Hobbs. Hobbs, on Santa’s naughty list for being a heartless jerk, had no idea that Buddy was even born. Buddy, meanwhile, experiences the delights of New York City (and human culture) as only an elf can. When Walter’s relationship with Buddy interferes with his job, he is forced to reevaluate his priorities.