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April 17, 2015

TFF 2015 Daily Recap: April 17th

TFF 2015 Logo

“Live from New York, it’s the Tribeca Film Festival.”

I’m sure that is how some people’s coverage of this year’s TFF started off. It makes sense considering the opening night film was a documentary about Saturday Night Live! Plus, some writers can’t help but resort to puns and cheap gimmicks to appear witty. Hell, I used it and haven’t even seen the film yet. But my TriBeCa experience didn’t start off with belly laughs. Instead it began with a double feature of films about shitty parents.

THE ADDERALL DIARIES stars James Franco as an author struggling with writer’s block, which could be the inspiration for my deconstruction of an opening to this recap. The film is based on the memoir of the same title by Stephen Elliott. Franco’s version of Elliott deals with drug addiction (mostly Adderall), a BDSM fetish that could ruin a burgeoning relationship, and a haunting past retold through fractured memories. The acting is solid but the story is just too disjointed to truly feel invested in any of these characters.

Adder

Throughout the film we are consistently told (mostly by Stephen himself) that he has struggled his whole life. From our perspective it seems everything is simply handed to him. When we first meet Stephen he gets an amazing book deal, the idea for his next novel falls into his lap, and shortly after so does Amber Heard. It is Stephen’s self-destructive tendencies that mess it all up but we are unsympathetic because we don’t really know who he is. We are given a superficial glimpse but it is revealed early on that Stephen is an unreliable narrator.

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Regardless of its shortcoming, there are still some great moments in the film, mostly those that involve Stephen’s best friend Roger (Jim Parrack). He adds some levity to the film but also acts as a realistic wake up call for Stephen. Regardless of which flashbacks actually are true, we see that Stephen and Roger came from the same place but their lives diverged on two very different paths. The always fantastic Ed Harris also gives another great performance as Stephen’s father, who may or may not be the monster he initially appears. The editing of the film also deserves credit for making the narrative much more interesting to watch than the story should allow.

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Out of a curiosity, I read an article about the memoir while waiting for my second screening. This definitely appears to be a case where the source material is far better than what it inspired. I would recommend fans of Stephen Elliott check out the film since they will likely be able to connect more of the pieces than someone unfamiliar with the book. For everyone else, the film feels like a less intelligent and far more Americanized version of The Girl With The Dragon Tattoo. The film is enjoyable in its own way but it is frustrating to think how much better it could have been…

GRANDMA

Paul Weitz will always have a special place in my heart for his hugely influential directorial debut, American Pie. While he does not sport a spotless filmography, he does impress with films like About A Boy and the highly underrated In Good Company. (I’d also like to make a special mention to the even more underrated TV show Off Centre, which I couldn’t help but mention during an interview with Sean Maguire a few years back.) While GRANDMA doesn’t stack quite as high as those other films in my book, it is definitely close. This may be Weitz’s most intimate film to date but that also lends itself to an annoying problem. While the characters are vibrant and it is easy to invest in the story, at times the film can feel too small for its own good.

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A pregnant teenage girl and her eccentric grandmother drive around town trying to scrounge up $630 to pay for her abortion appointment later in the day. There are many scenes that are funny, moving and at times both. While the premise is fine, there really is no sense of urgency motivating the picture. The grandmother is cash poor but explains that she has checks coming in the following week that would cover the procedure. Why not wait? Because morning sickness is starting to kick in. That is the sole reasoning behind the events that unfold. There are other examples of weak motivations and unexplored routes that held me back from really loving the film.

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Getting past nitpicks, GRANDMA really does have a lot going for it. Namely, Lily Tomlin. Her name is sure to come up during Awards season this year and not just because Sony has already made it clear they plan a big push. This really is her film and she shines throughout. Tomlin owns the role expertly pulling off the hip granny routine without ever feeling like a shtick. That is actually her car they spend much of the runtime driving around in which speaks volumes for how much she put into this film. While it likely will not end up as one of my favorites of the festival, GRANDMA is definitely one to check out when it gets a wider release.

May 2, 2013

TFF 2013: My Top 6 Shorts

Tribeca Coverage Logo

I have always been a fan of short films but never really liked attending shorts programs at festivals because there are usually only 1 or 2 good films sandwiched between 4 or 5 terrible ones. That is one of the reasons why I absolutely love the online press screening room that the Tribeca Film Festival gives us access to every year. Rather than have to watch the films in blocks, you can pick and choose which films to watch and potentially review. Throughout the week I watched (or attempted to watch) well over 25 TFF shorts. I say attempt because there were quite a few misfires that I didn’t think deserved to be in this festival.  Of course there were also some I wanted to see that just were not available, which I believe is a huge mistake made by some of the filmmakers. But there were quite a few that were pretty fantastic. I didn’t just like these films but want to share them with fellow filmlovers which is why I would like to publicly invite these filmmakers to submit these shorts to the Orlando Film Festival this year. For everyone else, keep an eye on these shorts because they are well worth checking out given the opportunity.

TFF Fear Of Flying

FEAR OF FLYING

This stop-motion short absolutely blew me away. It tells the story of a bird afraid to fly south and how he deals with the winter. The technique is flawless, the voice acting is spot on and the film itself is brilliant. I expect big things from Conor Finnegan who wrote, directed and edited this little masterpiece.

TFF Fool's Day

FOOL’S DAY

This short directed by Cody Blue Snider (son of Dee Snider) took me completely by surprise. The premise is quite genius, a 3rd grade class accidentally kills their teacher on April Fool’s Day and must hide the body before their D.A.R.E officer comes in for his weekly visit. The execution (no pun intended) is equally genius with some excellent moments of dark humor. Just because you see the ending coming a mile away does not make it any less entertaining.

TFF AB-

AB-

Where FOOL’S DAY was a complete story, AB- feels more like the opening to a feature film. This isn’t necessarily a bad thing because I found myself really wanting to know where this story will go. High production values and an intriguing concept made me really appreciate this short bit of horror. I had the pleasure of meeting screenwriter/director Daniel Klein at one of the TFF parties. He told me to check out his film and send him a little email after letting him know what I think. Hopefully he likes this public pat on the back better. Well done sir.

TFF Root of the Problem

ROOT OF THE PROBLEM

Going to the dentist is never fun and in this slice of 50s suburbia setting, it is downright hell. Ryan Spindell expertly combines wonderful visuals, excellent production design and some dark humor into a fantastic little short of whimsical horror. A greatly look forward to his next short and hopefully a transition into feature filmmaking.

TFF grandma's not a toaster

GRANDMA’S NOT A TOASTER

Grandma is in bad shape but her 3 grandchildren are left out of the will. On a stormy night, they are looking to change that and granny isn’t too happy about this. A darkly funny story by itself, this short gets more fascinating because of the manner it is presented to us. The film jumps from each person’s perspective, retelling some of the same moments through the point of view of each character. Although the ending did feel a little abrupt, this truly was a perfect story and technique for the short film format.

TFF Fortune House

FORTUNE HOUSE

What happens when a shy waitress & a unique customer connect at a Chinese restaurant? This charming little simply short kept my interest at first but completely won me over by the end. I’m not quite sure if I will look at fortune cookies the same way again.

Jerry Cavallaro  – @GetStuck    www.JerryCavallaro.com

April 29, 2013

TFF 2013: TRUST ME Q & A WITH CLARK GREGG

TFF Trust Me

On my last full day at the Tribeca Film Festival, I attended a public screening of Clark Gregg’s TRUST ME. Most probably know him as Agent Phil Coulson from Marvel’s Cinematic Universe and to be honest that is mostly how I knew him as well. For some reason, I had no idea that he was the writer & director of CHOKE, which is a flick I thoroughly enjoyed and will probably revisit soon. I even have a promotional CHOKE anal beads bookmark that was handed out at NY Comic Con of all places. Following the film’s screening (only the 2nd ever) Clark Gregg was on hand for a short Q & A with the audience. I managed to film the entire thing and now have posted it for your viewing pleasure. The video may contain spoilers; however, in my opinion the few quick references probably won’t make any sense until after you see the film anyway. Enjoy!


Jerry Cavallaro  – @GetStuck    www.JerryCavallaro.com

April 24, 2013

TFF 2013: Putting The “I” In Film

Tribeca Talks sign

This post will also act as my daily recap for April 20th since it is the only Tribeca event I attended on Saturday. The one screening I had access to that I really wanted to attend was MR. JONES but since that was just picked up by Anchor Bay, I’ll have another chance soon enough. Instead I decided to check out one of the screenwriting panels that I always end up missing.

Tribeca Talks Panel

PUTTING THE “I” IN FILM was billed as a conversation about putting yourself into your films. In that sense it was an accurate description but I would have liked a little more discussion about screenwriting since that is what the Pen To Paper series of Tribeca Talks is usually about. Screen International’s Mark Adams moderated the panel with Tribeca filmmakers Banker White (THE GENIUS OF MARIAN), Tom Berninger (MISTAKEN FOR STRANGERS) and Amy Grantham (LILY). GASLAND PART II director Josh Fox was a no show.

Tribeca Talks Posed

There were quite a few interesting topics brought up related to bringing yourself into your film and becoming the subject of your own work. Rather than paraphrase, I decided to keep them in front of the camera by filming the first 25 minutes of the panel. Everyone contributes something interesting to the talk but I was most fascinated by Tom Berninger’s views on his film and his relationship with his brother. I will definitely be checking out MISTAKEN FOR STRANGERS, which also happened to be the opening night film. Check out their discussion below…

 Jerry Cavallaro  – @GetStuck    www.JerryCavallaro.com

April 23, 2013

TFF 2013 DAILY RECAP: Friday April 19th

Tribeca Coverage Logo

I want to start off by apologizing for the delay in my coverage this year. I thought I’d get everything written & posted sooner this year since I was actually staying in the city but I have been getting back to the room exhausted every day. I am taking the next few days off from the festival to catch up and watch a few more of the films available in the online screening room. But before I get to that, let’s start at the beginning…

TFF press lounge

As always, my first experience of the Tribeca Film Festival was picking up my press badge at the Cadillac Press Lounge. It also doesn’t matter how early it is, this experience is always marked by my first of hopefully many free Magnum Ice Cream bars. After browsing the tables for film postcards / fliers, which there were practically none, I made my way over to Clearview Cinemas Chelsea for my first screening.

tff almost christmas

ALMOST CHRISTMAS is almost a good movie. I know that seems like a pretty easy jab but the film actually opens itself up to it quite well. With everything going for this production, especially the fantastic casting of Paul Rudd & Paul Giamatti, this film could have (and should have) been so much more. My expectations probably had a lot to do with my level of enjoyment but in the end, if this really was meant to be a comedy, it simply is not funny.

Following my first screening (and first major disappointment) of the festival, I randomly bumped into Alan LaFave of the Hells Half Mile Film + Music Festival in the theater lobby. I had seen him the last two years at Tribeca so we hung out for a little to catch up. Now that I am a board member for the Orlando Film Festival (Submissions open NOW), we talked a bit about running a smaller festival as compared to TFF. Afterward, I made my way to the next screening.

TFF Adult World

ADULT WORLD was the most packed I have ever seen a Tribeca press/industry screening. While ALMOST CHRISTMAS was a disappointment because of the quality compared to the cast involved, this film was quite the opposite. ADULT WORLD is a good film mainly because of all the talent involved. It is easy to see how this could have been a mess or at least far less interesting had it not been for the fantastic performances and great skill behind the camera. ADULT WORLD may not be the most original coming of age story but it is a satisfying and darkly funny film.

TFF Clearview

Outside the theater I again bumped into Alan LaFave. These random meetings may give the illusion of TFF being a small intimate gathering but I promise the festival is actually spread out all around Manhattan (and ironically mostly outside of the Tribeca area). We both decided to check out the RIDER AND THE STORM premiere party a few blocks away at SPIN NYC. Despite Olivia Wilde’s name being plastered all over my invite, I did not see her in attendance but there were a lot of really nice and fascinating people that I did get to meet. One of them being Bryn Mooser, co-director of RIDER AND THE STORM and co-founder of RYOT.ORG. I have not had a chance yet to view his film but I hope that changes before the end of the festival. I left the party after about 90 minutes, thus ending my first day at TFF 2013.

 Jerry Cavallaro  – @GetStuck    www.JerryCavallaro.com

April 28, 2012

Video: MARVEL’S THE AVENGERS Assemble For Closing Night Of The 2012 Tribeca Film Festival

Filed under: General News,Tribeca — Tags: , — Michelle McCue @ 9:50 pm

MARVEL’S THE AVENGERS, presented by Marvel Studios in association with Paramount Pictures, closed the 11th edition of the Tribeca Film Festival on SaturdayApril 28.

MARVEL’S THE AVENGERS cast members Robert Downey Jr., Mark Ruffalo, Chris Hemsworth, Tom Hiddleston, Clark Gregg and Cobie Smulders honored everyday heroes from New York’s finest, first responders from the NYPD and NYFD and America’s best – service men and women from the Army, Navy, Air Force, Marines and Coast Guard. These local heroes had an opportunity to attend the screening and meet the cast.

Marvel Studios’ producer Kevin Feige says, “We are proud that MARVEL’S THE AVENGERS is the closing film of this year’s Tribeca Film Festival and we are excited to welcome local heroes to the screening as special guests. We all know and love our iconic Super Heroes, but when it really counts, it’s our real-life heroes who save the world every day by making it a better place for all of us.”

Starring Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Tom Hiddleston, with Stellan Skarsgard and Samuel L. Jackson as Nick Fury, and directed by Joss Whedon, MARVEL’S THE AVENGERS is an engaging, character-driven story packed with action, adventure and special effects. When an unexpected enemy emerges that threatens global safety and security, Nick Fury, Director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins to assemble the iconic Marvel Super Heroes Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. Marvel’s The Avengers is based on the ever-popular Marvel comic book series “The Avengers,” first published in 1963 and a comics institution ever since.

MARVEL’S THE AVENGERS is an exciting ride that absolutely transports audiences,” said Jane Rosenthal, Co-Founder of the Tribeca Film Festival. “It is the perfect way to end our 11th Festival.”

Comments director Joss Whedon, “Showing at Tribeca is both an honor and a double homecoming for me, who grew up in Manhattan, and for the movie, which wrapped production there. I’m thoroughly psyched to be closing the festival with our intimate little think-piece.”

MARVEL’S THE AVENGERS is produced by Marvel Studios’ Producer Kevin Feige and executive produced byAlan Fine, Jon Favreau, Stan Lee, Louis D’Esposito, Patricia Whitcher, Victoria Alonso and Jeremy Latcham. The story is by Zak Penn and Joss Whedon, and the screenplay is by Joss Whedon. The film releases May 4, 2012, and is distributed by Walt Disney Studios Motion Pictures.

Closing night took place at Tribeca BMCC PAC and was sponsored by BOMBAY SAPPHIRE® Gin.

Follow @Avengers on Twitter for more details.
Website and Mobile site: marvel.com/avengers_movie
Like on Facebook: facebook.com/MarvelsTheAvengers

April 24, 2012

Tribeca Announces $20,000 Heineken Affinity Award To Support African-American Filmmakers

Filed under: Film Festivals,General News,Tribeca — Tags: — Michelle McCue @ 7:41 am

Heineken USA and the Tribeca Film Institute have announced their partnership to establish and launch the Heineken Affinity Award. The award, which aims to empower and recognize a working generation of African American filmmakers and encourage them to continue to craft stories that share their experiences and visions, will launch during this year’s Tribeca Film Festival. Heineken USA will host a private launch event on April 27th to raise awareness about the program. The winner of the Heineken Affinity Award, a rising African-American filmmaker (age 21 and over) will be honored with a $20,000 cash award and year round project support and professional development from the Tribeca Film Institute.

“Heineken is ecstatic to launch the first-ever Affinity Award with the prestigious Tribeca Film Institute,” said Carolyn Concepcion, Brand Manager of Heineken. “Heineken prides itself as a brand that opens the world to our consumers through unique and unexpected experiences. We hope to use the first-ever Affinity Award as a platform to further expose the work of talented African-American filmmakers.”

Heineken and the Tribeca Film Institute will survey a wide range of industry executives to nominate an African-American filmmaker who exhibits great creative potential and will benefit from extra exposure and resources for their next creative project. Based on the nominations, the Tribeca Film Institute will invite filmmakers over the age of 21 to apply for the award.

“The Tribeca Film Institute is excited to partner with Heineken on the Affinity Award and continue to provide support for working filmmakers from communities that are underrepresented in the film industry,” said Tamir Muhammad, Feature Programming Director of Tribeca Film Institute. “We look forward to seeing the submissions for the Affinity Award and announcing the winner in 2013 alongside Heineken.”

Submissions will be judged on how well it fulfills the mission of the Tribeca Film Institute, the quality and strength of the proposal, the potential for international and US distribution, as well as the filmmakers’ previous body of work. The Affinity Award winner will be announced during the 2013 Tribeca Film Festival.

For more information about the Heineken Affinity Award please visit www.tribecafilminstitute.org, @TribecaFilmFest or follow Heineken on Twitter at @Heineken_US.

April 3, 2012

Tribeca Film Festival, Professor Clayton Christensen And Disruptor Foundation Announce Honorees For Third Annual Tribeca Disruptive Innovation Awards

Filed under: General News — Tags: , — Melissa Howland @ 10:15 am

TRIBECA FILM FESTIVAL, PROFESSOR CLAYTON CHRISTENSEN

AND DISRUPTOR FOUNDATION ANNOUNCE HONOREES

FOR THIRD ANNUAL TRIBECA DISRUPTIVE INNOVATION AWARDS

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Awards to highlight successful disruptive innovation in non-traditional, identity-based domains such as culture, education, healthcare, philanthropy, politics, religion and social entrepreneurship

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Twitter and Square Founder Jack Dorsey and Room to Read Founder John Wood to Receive Lifetime Achievement Honorees; “Thinking, Fast and Slow” by Daniel Kahneman named Book of the Year; Award Winners Also Include Justin Bieber, Scooter Braun, Rick Rubin, Pat Metheny, Edward Burns

The Tribeca Film Festival (TFF), in association with noted Harvard Business School Professor Clay Christensen and the Disruptor Foundation, announced it will hold the third annual Tribeca Disruptive Innovation Awards, hosted by NYU Stern School of Business, on April 27. The 11th edition of TFF runs April 18 to 29.

Lifetime Achievement Awards will be given to Jack Dorsey, founder of Twitter and Square, and John Wood, founder of Room to Read. Wood has opened over 13,500 libraries around the world at a cost of $5,000 per library. The Book of the Year honor will go to Thinking, Fast and Slow by Nobel Laureate Daniel Kahneman. DARPA (Defense Advanced Research Projects Agency) will be returning this year with Agency Program Manager Dr. Gill Pratt showcasing the Hummingbird, DARPA’s prototype nano-drone, as well as a new prototype making its debut from DARPA’s M3 program—the Cheetah. The roster of other award winners is a colorful and eclectic group spanning several realms of culture and society, among them pop superstar Justin Bieber and manager Scooter Braun, honored for the historic discovery of Bieber on YouTube and his subsequent social media rise; producer Rick Rubin, for founding Def Jam Records 30 years ago in an NYU dorm room; and oncologist Steven A. Curley for his advances in cancer treatments.

After publishing his best-selling book The Innovators Dilemma in 1997, Christensen moved to center stage as one of the world’s leading experts on innovation; the book presented his startling theory of disruptive innovation. It since has become one of the business world’s most important theories, and explains why great companies fail: They are frequently decimated by “two guys in a garage” who develop a simpler, cheaper, more accessible product or service that is “good enough to get the job done.” Forbes magazine recently hailed Christensen as “one of the world’s most important business theorists of the past 50 years.” This year Thinkers 50 recognized Christensen as the most influential business thinker in the world.

“Last year’s awards shined a spotlight on fascinating exceptions to the original theory,” Christensen said. “Theorists and practitioners alike must vigilantly hunt for anomalies, explanations, and narratives that help keep the theory fresh. I am thrilled to join Tribeca in celebrating this year’s honorees, who are propelling us toward Disruptive Innovation 2.0.”

Honorees receive Disruptor Awards nicknamed Maslow’s Silver Hammer, in honor of psychologist Abe Maslow, who created the famous hierarchy of human needs. One of Maslow’s most famous quotes—

“When your only tool is a hammer, every problem starts looking like a nail”—embodies the spirit of the Awards and symbolizes the need for new approaches to old problems.

The Awards Ceremony, moderated by journalist and public health advocate Perri Peltz and Tribeca co-founder Craig Hatkoff and supported by Accenture, aims to showcase applications of and advancements in disruptive innovation theory that have spread far beyond the original technology and industrial realms. It is now being applied to vexing societal problems such as healthcare, education, philanthropy, politics, religion and spirituality. But its impact is nowhere more pronounced than in the fields of media, arts and entertainment. The original theory is undergoing its own evolution, impacted by the Internet and connection technologies, open-source business models, and platforms that democratize content creation and attract new audiences. Christensen will address the new insights and lenses in his opening remarks on Disruptive Innovation 2.0.

“Since its inception, Tribeca has been a living laboratory for disruptive innovation, where technology, business, culture and storytelling collide,” said TFF co-founder Craig Hatkoff. “This event, expanded for 2012, intends to shed light on the chaos of rapidly changing technologies and business models. We are beginning to see how identity-based goods, services and experiences create a powerful, yet predictable, array of resistances that change the dynamics of disruptive innovations.”

“We are delighted to host the third annual Disruptive Innovation Awards at the Paulson Auditorium, at NYU Stern School of Business,” said Peter Henry, Dean of NYU Stern School of Business.  “At NYU Stern, we prize innovation and disruptive thinking for their power to create value.  We are delighted that our students will share in this great learning experience.”

A luncheon will follow the Awards, with breakout sessions to follow until 4 p.m. A limited number of tickets will be made available. Visit tribecafilm.com/disruptive for more information about how to attend.

The 2012 Tribeca Disruptive Innovation Award honorees are as follows:

Lifetime Achievement Award – Jack Dorsey, Co-Founder and Chairman, Twitter & Co-Founder, CEO, Square – Originally from St. Louis, Dorsey had an early fascination with mass-transit and how cities function, which led him to Manhattan and programming real-time messaging systems for couriers, taxis, and emergency vehicles. Through this work, Dorsey witnessed thousands of workers in the field constantly updating where they were and what they were doing; Twitter is a constrained simplification designed for general usage and extended by the millions of people who make it their own every day. As part of Dorsey’s continued devotion to simplifying the complex and making technology accessible to everyone, everywhere, he co-founded Square in 2009. Square enables anyone to accept credit card payments on their mobile device and has empowered more than 1 million individuals and merchants in the U.S. to start and grow a business.

Lifetime Achievement Award – John Wood, Founder and Board Co-Chair, Room to Read – Wood’s organization focuses on improving literacy and gender equality in education in the developing world. Since 2000, they have established over 13,500 libraries, 1,600 schools and distributed over 10 million books, impacting over 6 million children in the developing world.

Dr. Patricia Bath, President, American Institute for the Prevention of Blindness – When Dr. Bath became the first person to demonstrate Laserphaco cataract surgery she also became the first African American woman to receive a medical patent. She recently published “ilaser,” an educational science App designed to inspire the next generation of inventors. Her next mission: “to help the blind see.”

Justin Bieber, Global Superstar, and Scooter Braun, Music Manager and Entrepreneur – In the first major discovery of an artist on YouTube, videos posted by Bieber and seen by Braun on YouTube led to an unprecedented success story that disrupted the traditional gatekeepers of the music industry. Bieber has sold more than 15 million albums worldwide to date and has amassed more than 2.7 billion video views on YouTube, plus more than 41 million Facebook fans and more than 18 million Twitter followers. The Bieber phenomenon shows that emerging talent can now be sourced online, flattening the hierarchical structure and the barriers to entry.

Ed Burns, Writer, Director, Actor, Newlyweds – When a feature film can be shot on a micro-budget of $9,000 with no fixed sets, in live environments and on a small HD camera, watch out. Burns’ Newlyweds is a case in point. Shot in the neighborhood of Tribeca, it was the Closing Night film at the 2011 TFF and was later acquired and released by distribution label Tribeca Film.Newlyweds shows how disruptive innovation for independent filmmakers has arrived and is challenging the economics of the more traditional business model.

Kevin Carroll, MS, CP, FAAOP, Vice President of Prosthetics for Hanger Clinic & Dan Strzempka, CPO, Area Practice Manager for Hanger Clinic – Carroll and Strzempka worked with engineers to develop WintersGel™, a unique prosthetic liner that serves as the critical interface between delicate skin and prosthetic devices. First developed for a tail-less dolphin at Clearwater Marine Aquarium (and dramatized in 2011 hit movie Dolphin Tale), WintersGel has since been adapted for human use, providing comfort and gentle adhesion to thousands of amputees nationwide.

Rachael Chong, Founder & CEO, Catchafire Inc, – Chong created an online matching service for social entrepreneurs and non-profits in need of pro-bono professional services, engaging a network of professionals seeking worthy projects for the public good.

Steven A. Curley, M.D., Professor of Surgical Oncology, M. D., F.A.C.S.
 Anderson Cancer Center – Kanzius Cancer Research Foundation – Curley led the development of a promising, non-invasive nano-particle radio-wave cancer treatment that fries hyper-targeted cancer cells.

Marci Harris, Founder & CEO, POPVOX – Harris introduced an innovative, distributed solution for online, grassroots advocacy. The platform organizes citizens around important issue, disrupting the traditional lobbying industry.

Hummingbird, developed by DARPA’s Nano Air Vehicle (NAV) program, Dr. Gill Pratt, DARPA Program Manager and AeroVironment, Matt Keennon, Project Manager — The latest in nano-drone technology, the Hummingbird brings strategic surprise to a new level of realism. The life-size prototype uses flapping wings for propulsion and control. Carrying a video camera and downlink, it has a wingspan of 16 cm (9.5 in) and weighs just 19 grams (0.66 oz). It can hover for 8 minutes, remaining stable in gusts up to 5 mph, and reach up to 11 mph in forward flight.

Cheetah, developed by DARPA’s M3 (Maximum Mobility and Manipulation) program, Dr. Gill Pratt, Program Manager and Boston Dynamics, Dr. Marc Raibert, Project Manager — Robots hold great promise for improving both the safety and productivity of human beings. But, compared to humans present day robots have poor mobility. The goal of the Cheetah prototype, which recently broke the speed record for legged robots, is to develop and test technologies that will enable future robots to assist humans in missions (e.g. scouting, search and rescue) where the robot must travel across rough terrain at high speed with high energentic efficiency.

Jason Kottke, Designer & Blogger, Kottke.org – A pioneering blogger since 1998, Kottke used crowd funding to keep his blog running and has created one of the most influential voices on the Internet through consistent yet eclectic curation.

Nigel Jacob & Chris Osgood, Co-Chair, Mayor’s Office of New Urban Mechanics, Street Bump App – City of Boston’s newest mobile phone app designed to help Boston residents improve their neighborhoods. Taking advantage of the sensors on smart phones, Street Bump will provide the City with a near-real time picture of Boston’s road conditions and the location of its potholes.

Bre Pettis, Co-Founder & CEOMakerBot Industries —  – With “The Replicator,” a desktop 3D printer that can make objects about the size of a loaf of bread, Bre Pettis has created an entire ecosystem for desktop 3D printing, a cutting-edge consumer brand, and a flourishing open source design community on Thingiverse.com. MakerBot offers a simpler, more affordable, 3D desktop printer, giving consumers access to 3D printing for under $2,000.

Pat Metheny and Linda Manzer – Legendary jazz guitarist Metheny and pioneering designer Manzer have had a three-decade collaboration, which began with the creation of the 42-string Pikasso guitar in 1984. It has a special feature known as “The Wedge,” a tapered body shape that makes the side closest to the player thinner than the side that rests on the player’s knee. That design makes the top lean back toward the player for a more aerial view of the strings.

L. Rafael Reif, Provost, MITx, (Eric Grimson, Chancellor of the Massachusetts Institute of Technology, accepting on Reif’s behalf) – Reif launched online learning initiative MITx, which makes more than 2,500 MIT courses available online, free to anyone in the world.

Jacqueline Novogratz, CEO, Acumen Fund – Novogratz created a new philanthropic business model for patient, disciplined investment in disruptive innovations in emerging markets. Acumen Fund’s mission is to create a world beyond poverty by investing in social enterprises, emerging leaders, and breakthrough ideas. It invests patient capital to identify, strengthen and scale business models that effectively serve the poor. And it champions the spread of this approach as a complement to traditional aid, which can create dependence, or pure market approaches, which can bypass the actual needs of the poor.

Mark Johnson, Co-Director & Producer and Whitney Kroenke, Executive Director, Playing for Change, – Johnson and Kroenke created a multimedia phenomenon  uniting musicians, stars and unknowns from around the world demolishing the notion of time and space in bone-tingling renditions of our most cherished music, captured  on film on a shoestring budget. Upon completion of a second Playing For Change film, Playing For Change: Peace Through Music, the team decided to create the Playing For Change Foundation, which aims to create positive change through music and arts education.

Alec Ross, Senior Advisor for Innovation, U.S. Department of State – Ross serves as Senior Advisor for Innovation to Secretary of State Hillary Clinton, where he is tasked with maximizing the potential of technology and innovation in service of America’s diplomatic goals and stewarding Secretary of State Clinton’s 21st Century Statecraft agenda. In this role, Alec helps ensure America’s leadership and advances the State Department’s interests on a range of issues from Internet Freedom to disaster response to responding to regional conflicts.

Rick Rubin, Def Jam – One of the world’s most influential record producers, Rubin has worked with artists as diverse as the Beastie Boys, Adele, Jay-Z, and Johnny Cash. Rubin co-founded Def Jam Records in his NYU dorm room in 1982, and, by fusing rock with hip hop, he broke the rules and a niche market became mainstream – proving that disruptive, innovative ideas and taste can create empires.

Donald S. Siegel, Dean and Professor, School of Business, University at Albany, SUNY, for the Small Enterprise Economic Development (SEED) Program – SEED links faculty, staff and graduate students from the UAlbany School of Social Welfare, the UAlbany School of Business and its Small Business Development Center (SBDC) to local entrepreneurs. It has $2.5 million in financial support from SEFCU and $96,700 from the Empire State Development Corporation. It is designed to stimulate the creation and growth of small businesses in New York’s Capital Region.

Tiffany Shlain, director of acclaimed documentary, Connected: An Autoblogography about Love, Death & Technology Shlain is an award-winning filmmaker and founder of The Webby Awards. She created disruptive innovation both in the way she made Connected and the way she is using the social media itself to further the conversation about its subject: “connectedness” in the 21st century.

Stanford University Office of Technology Licensing (accepted on Stanford’s behalf by Katharine Ku, Director, Technology Licensing & Luis Mejia, Senior Licensing Associate) – For more than 40 years, OTL’s goal has been to successfully transfer Stanford cutting edge technology to industry via both start-ups and existing companies. Notable Stanford licenses include the exclusive license to Google and the 440 nonexclusive licenses to the basic gene-splicing patents. To date, OTL has received over 8,900 inventions that resulted in 3000 licenses and $1.4B in royalty revenue.

James P. Steyer, Founder and CEO, Common Sense Media – Steyer created and runs Common Sense Media, the nation’s leading advocacy organization for kids and media. He is also a founding board member of the Center for the Next Generation, a nonpartisan organization supporting programs and policies that benefit the next generation of young Americans, and author of Talking Back to Facebook Published this year by Scribner, the book is a timely look at how digital media is affecting our children’s social, emotional and cognitive development.

Thomas Suarez, Founder and Chief Engineer of CarrotCorp, Inc., App Creator, TEDx speaker – Suarez is hardly an average sixth-grader. The 12-year-old app developer has started a movement for app clubs for schools. Thomas’ inspirational TEDx talk has attracted nearly 2 million online views.

Peter Thum, CEO & Co-Founder, Fonderie 47 
– Fonderie 47 transforms AK47s from war zones in Africa into branded jewelry, watches and accessories with prices ranging from the thousands into hundreds of thousands. The sale of each piece of their jewelry funds the destruction of more weapons in Africa.

Jourdan Urbach, Executive Director, Children Helping Children/Concerts for a Cure
Executive Director, International Coalition of College Philanthropists Goodwill Ambassador and Artist-in-Residence, UN Arts for Peace –
 Urbach is a 20-year-old, award-winning, Juilliard-trained violin virtuoso, a composer/film scorer, a Yale University senior and Founder/Executive Director of Concerts for a Cure. He stands alone as the only young, classical music star who has ever devoted himself to touring the country for the express purpose of performing Concerts for a Cure, raising $5 million to date to fight pediatric and neurological disease.

Yvette J. Alberdingk Thijm, Executive Director, WITNESS – Co-founded in 1992 by advocate and musician Peter Gabriel, WITNESS was created in the aftermath of the Rodney King incident, in which a bystander recorded police brutality. Its founding vision sought to amplify grassroots voices through stories and transform them into powerful agents of change. Today—20 years later—WITNESS has partnered with more than 300 human rights groups in over 80 countries, trained over 3,000 human rights defenders and citizen activists, and supported the inclusion of video in over 100 campaigns, increasing their visibility and impact globally. With grassroots partners, it changes laws, reverses policies, holds perpetrators accountable, and improves the lives of the vulnerable and oppressed among us. WITNESS engages millions of ordinary citizens in the struggles for human rights taking place every day all over the world.

Book of the Year – Thinking, Fast and Slow by Daniel Kahnehman. Princeton University’s Kahneman is a renowned psychologist who won the Nobel Prize for Economics. Our understanding of the world is formed by two modalities of thought: System 1 is the fast, intuitive, emotional, unconscious processing of data and information for decision making; System 2 is rational, deep thought, reflective and studied. Making good decisions consistently—micro or macro—cannot rely on solely on System 1 or System 2. Most people are prone to either System 1 or System 2 with different biases, strengths and weaknesses; understanding this insight will help shape the conversation how to merge these two styles into one brain and get the best of both worlds.

Join the conversation about the Disruptive Innovation Awards on Twitter at #TFFDISRUPT.

About the Disruptor Foundation

The Disruptor Foundation is an independent 501(C)3 non-profit private foundation co-founded by Craig Hatkoff and Professor Clayton Christensen, who also serves as Senior Advisor. The Foundation’s mission is to raise public, social, academic, educational and philanthropic awareness of existing, as well as future developments in, Disruptive Innovation Theory, originated by Professor Christensen. It will seek to broaden the theory and applications of disruptive as well as other forms of innovations into non-traditional domains and areas. The Foundation will organize, plan and sponsor conferences, events, seminars, awards, prizes, publications, digital and electronic resources for analysis, study, research and application using Disruptive Innovation to effect societal change. The Foundation will encourage cross-disciplinary interaction and serve as a convener of traditional and non-traditional thinkers, entrepreneurs, educators, funders and innovation activists.

About the Tribeca Film Festival:

The Tribeca Film Festival helps filmmakers reach the broadest possible audience, enabling the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center. It is well known for being a diverse international film festival that supports emerging and established directors.

Founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 following the attacks on the World Trade Center, to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture, the Festival brings the industry and community together around storytelling.

The Tribeca Film Festival has screened more than 1,300 films from more than 80 countries since its first edition in 2002. Since inception, it has attracted an international audience of more than 3.7 million attendees and has generated an estimated $725 million in economic activity for New York City.

About the 2012 Festival Sponsors:

As Founding Sponsor of the Tribeca Film Festival, American Express is committed to supporting the Festival and the art of filmmaking, bringing business and energy to New York City and offering Cardmembers and Festivalgoers the opportunity to enjoy the best of storytelling through film.

The Tribeca Film Festival is pleased to announce the return of its Signature Sponsors: Accenture, Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan Community College (BMCC), Brookfield, Cadillac, Caesars Atlantic City, ESPN, Heineken USA, JetBlue, Lower Manhattan Development Corporation and the U.S. Department of Housing and Urban Development, Magnum® Ice Cream, NBC 4 New York, NCM Media Networks, New York Nonstop, Stolichnaya Vodka, The New York Times, Time Warner Cable, as well as its Cultural Partner the Doha Film Institute. The Festival is also honored to welcome the following new Signature Sponsors: BOMBAY SAPPHIRE® Gin, Conrad Hotels & Resorts and Hilton Hotels & Resorts, FOCUS FOWARD – a partnership between GE and CINELAN, and OppenheimerFunds.

March 20, 2012

Tribeca Film Acquires North American Rights To BOOKER’S PLACE: A MISSISSIPPI STORY; 4 Films To See Video-On-Demand Release

Filed under: Film Festivals,General News,Tribeca — Tags: — Michelle McCue @ 7:22 am

Tribeca Film will release THE GIANT MECHANICAL MAN, DEATH OF A SUPERHERO, and SLEEPLESS NIGHT nationwide via video-on-demand during the Tribeca Film Festival, which runs April 18–29. The films are each an official selection of the Festival and feature notable actors such as Jenna Fischer, Topher Grace, Malin Akerman, Tomer Sisley, Andy Serkis and Thomas Brodie-Sangster.

Tribeca Film also announced it has acquired North American rights to BOOKER’S PLACE: A MISSISSIPPI STORY, rounding out its selection of titles to be released during the Festival. BOOKER’S PLACE is a riveting documentary offering a wholly original perspective on the Civil Rights struggle through its subject, Booker Wright. The film is directed by Raymond De Felitta and produced by eyepatch productions, the independent in-house production company of Ogilvy & Mather, New York. The deal was negotiated by Nick Savva, Director of Acquisitions for Tribeca Film, and Steven Beer of Greenberg Traurig, LLP, on behalf of filmmakers De Felitta and producing partner David Zellerford, who teamed up with co-Producer Yvette Johnson, Booker Wright’s granddaughter.

From April 17 through June 19, THE GIANT MECHANICAL MAN, DEATH OF A SUPERHERO and SLEEPLESS NIGHT will be available in more than 40 million homes via cable, telco and satellite systems. BOOKER’S PLACE will begin its VOD run on April 26. Additionally, these films will be available online via digital VOD services such as iTunes, Amazon Watch Instantly, Vudu and Samsung Media Hub, a new distribution partner of Tribeca Film. Tribeca Film will also begin to roll out these films theatrically, starting with BOOKER’S PLACE on April 25 and THE GIANT MECHANICAL MAN on April 27.

“Tribeca Film was founded as a distribution platform to help filmmakers find audiences and, equally important, audiences find films utilizing new connections and strategies,” said Geoff Gilmore. “To that end, we are pleased to support these four features. They embody the exceptional artistry and personal resonance that filmmaking at its finest can provide, and we are proud to be able to share these films with audiences across the country.”

“There is an undeniable intensity and intelligence propelling Collaborator, which is a trademark of Martin Donovan’s work,” said Geoff Gilmore, Chief Creative Officer of Tribeca Enterprises. “The energy builds scene by scene on the strength of terrific acting by the great ensemble cast led by Martin and David Morse. We are delighted to be introducing this accomplished work to wider audiences through Tribeca Film.”

“The film is a tragi-comedy about America’s obsession with celebrity, violence and the class/cultural divide tossed into the pressure cooker of a hostage drama. David Morse and Olivia Williams embraced the humor and intensity of the piece and filled out the roles of Gus and Emma better than I could have ever dreamed,” said Donovan. “I’m thrilled to have Tribeca Film bringing Collaborator to American audiences. They’re on the cutting edge of 21st century film distribution and have both the resources and sensibility to make sure it is seen by as wide an audience as possible.”

Details on the films premiering on VOD:

BOOKER‘S PLACE: A MISSISSIPPI STORY, directed by Raymond De Felitta. (USA) – World Premiere in TFF’s Spotlight section. In 1965, filmmaker Frank De Felitta made a documentary for NBC News about the changing times in Mississippi that featured Booker Wright – an African-American waiter who worked in a “whites only” restaurant. Booker went on national television and exploded the myth of who he was and his position serving the white community. 46 years later, Frank’s son, director Raymond De Felitta (CITY ISLAND, TWO FAMILY HOUSE), documents a journey into the past and current-day Mississippi with Booker’s granddaughter, in search of who Booker Wright was, the intricacies surrounding his courageous life and untimely murder, and the role Frank De Felitta’s documentary may have played in it. BOOKER’S PLACE will begin a theatrical release on April 25 in L.A. and April 27 in New York.

DEATH OF A SUPERHERO, directed by Ian Fitzgibbon, written by Anthony McCarten. (Ireland, Germany) – U.S. premiere in TFF’s Viewpoints section. Donald is a teenager with extraordinary talents, wild daydreams, and a bright future as an artist of fantastical graphic novels. But when Donald discovers that a very real enemy is trying to kill him, an unorthodox psychologist tries to help him find the light in an otherwise dark world. Thomas Brodie-Sangster, Andy Serkis and Aisling Loftus star in this exceptionally honest drama about discovering life, love, and death. DEATH OF A SUPERHERO will have a limited theatrical release beginning May 4.

THE GIANT MECHANICAL MAN, directed and written by Lee Kirk. (USA) – World Premiere in TFF’s Spotlight section. Thirty-somethings Janice (Jenna Fischer) and Tim (Chris Messina) haven’t quite learned how to navigate adulthood. Tim is a street performer whose unique talents as a “living statue” don’t exactly pay the bills. Janice is out of work and under pressure by her sister (Malin Akerman) to date an egotistical self–help guru (Topher Grace). In this charming comedic romance, these two strangers help each other to realize that it only takes one person to make you feel important. THE GIANT MECHANICAL MAN will have a limited theatrical release starting April 27 in New York.

SLEEPLESS NIGHT (Nuit Blanche), directed by Frederic Jardin, written by Frederic Jardin and Nicolas Saada. (France, Belgium, Luxembourg) – New York Premiere in TFF’s Cinemania section. Vincent is a dedicated police officer, or so it seems. After he steals a massive bag of cocaine, his young son winds up being held for ransom by the mob boss it belongs to. When Vincent travels to the outskirts of Paris to trade the drugs for his son, he gets caught in an intense cat–and–mouse game that quickly spirals out of control. This night might not only be the longest of his life – it could be the last. SLEEPLESS NIGHT will have a limited theatrical release beginning May 11 in New York.

The Tribeca Film website, www.tribecafilm.com/tribecafilm, has an easy-to-use guide to all of its titles

March 13, 2012

2012 Tribeca Film Festival Announces Short Film Selections

Filed under: General News — Tags: , — Melissa Howland @ 12:05 pm

2012 TRIBECA FILM FESTIVAL ANNOUNCES SHORT FILM SELECTIONS

The 2012 Tribeca Film Festival (TFF), presented by founding sponsor American Express, today announced its lineup of 60 short films, 26 of which are world premieres.

For the second year running, the recipient of the Tribeca Film Festival’s Best Narrative Short award will qualify for consideration in the Short Films category of the annual Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules. The 2011 TFF Narrative Short Pentecost was nominated for Best Live Action Short at this year’s annual Academy Awards®, while last year’s award-winning TFF documentary short Incident in New Baghdad was nominated for Best Documentary Short.

TFF’s shorts programs chart a wide range of cultural perspectives and geographic coordinates. Drawn from more than 2,800 submissions, the 2012 roster represents 25 countries and territories, including Australia, Canada, Colombia, Croatia, Egypt, France, Germany, Haiti, India, Ireland, Israel, Japan, Mexico, New Zealand, Palestine, Puerto Rico, Qatar, Scotland, Singapore, South Korea, Spain, Thailand, Turkey, the United States, the United Kingdom, and Ukraine.

The 2012 slate will be presented in 9 thematic programs (5 narrative, 3 documentary and 1 experimental). Performers and interviewees include Jamie Lee Curtis, Rachel Dratch, Julia Louis-Dreyfus, Michael Fassbender, Jesse Tyler Ferguson, Rachael Harris, Hugh Masekela, Sting, and Lily Tomlin.

The year’s lineup reflects a particularly wide range of stylistic signatures and storytelling techniques, from “Triptych,” a documentary program focusing on art, music and physical beauty, to a decidedly testosterone-heavy edition of our ever-popular New York shorts program (titled “Men-Hattan” this year in honor of its unusually masculine bent), which will include the world premiere of writer-director (and TFF alum) Neil LaBute’s BFF.

Returning TFF directors joining Neil LaBute include Julia Bacha, Matthew Bonifacio, Shawn Christensen, David Darg, Sasha-Waters Freyer, Martin Laporte, David B. Levy, Charles Lim, Bryn Mooser, Jay Rosenblatt, and Joel Schlemowitz.

“With a terrific balance of comedy and drama in the programs, this year’s shorts lineup is sure to take TFF audiences on an amazing ride, twisting between narrative invention, documentary insights, and experimental landscapes,” said Sharon Badal, TFF Head of Shorts Programming. “We’re thrilled to have so many international short films in this year’s selections, particularly from countries whose work may be new to our filmgoers.”

Works selected for the 2012 TFF shorts slate are eligible to compete for combined cash and value-in-kind prizes totaling more than $10,000 for Best Narrative Short, Best Documentary Short and Student Visionary Award.

Following is a listing of the selected short films in the nine programs in which they will be presented:

2012 TRIBECA FILM FESTIVAL SHORT FILM PROGRAM

 

Men-Hattan – Narrative

Our New York shorts program takes a decidedly masculine turn in these testosterone-infused tales. In 1964 a young pediatrician begins his residency at Willowbrook, only to discover that the institution’s medical personnel are conducting U.S. Army-funded experiments on the children (based on true events). A poor kid from Brooklyn with college dreams fights the fates for a chance to change his life in Turning a CornerEach morning Vincent, a down-on-his-luck New Yorker, waits at the B61 bus stop, but when mysterious Sal joins him, an unlikely friendship develops. A conservative Seattle shoe designer travels to New York City for the first time and experiences an unforgettable night in Migraine. Jack and Jill have been “best friends forever,” and when Jill suspects that her boyfriend is cheating on her, Jack offers to help her in BFF. At the lowest point of his life, Richie gets a call from his estranged sister, asking him to look after his nine-year-old niece Sophia for a few hours in Curfew. A young man suspects the girl he is dating to be hiding a secret after she routinely orders massive amounts of food to go in Doggy Bags.

  • ·         Willowbrook · Directed by Ross Cohen, written by Andrew Rothschild · USA · World Premiere
  • ·         Turning a Corner · Directed and written by David B. Levy · USA · New York Premiere
  • ·         B61 · Directed and written by Michael Buscemi · USA · World Premiere
  • ·         Migraine · Directed and written by Matthew Bonifacio · USA · World Premiere
  • ·         BFF · Directed and written by Neil LaBute · USA · World Premiere
  • ·         Curfew · Directed and written by Shawn Christensen · USA · New York Premiere
  • ·         Doggy Bags · Directed and written by Edward Burns · USA · World Premiere

 

Character Flaws –Narrative

These shorts provide a glimpse into self-identity and self-discovery. Yasemin lives in her own world of fantasy with the notes she feels and the sounds she sees, as she spends a day with her mother and grandfather in Time of the Plums. In Donkey, David, a London banker who was the most popular child in class, bumps into Stanley, whom he bullied in high school, resulting in a powerful encounter. The Fourth of July in Los Angeles is always about Fireworksas two adolescent brothers set out on a quest to impress a group of girls. Once the show begins at this drive-in theater, the concession stand closes for the clerk’s private performance, but tonight his victims seek revenge duringIntermission Time. After participating in an execution by lethal injection, a doctor is so overcome by Angst that he decides to find a way out. A 12-year-old boy in a war-torn fishing village in Somalia must decide between falling into the pirate life or rising above to choose the path of an honest fisherman in Asad. Overweight Maori woman Kiri awakens powerful memories when she takes a trip with family and friends to the Whakatiki River, where she spent many summers as a girl. Teacher of the Year is a day in the life of Ethan Collins, a severely depressed, foul-mouthed elementary school teacher whose wife’s recent infidelity and departure have left him questioning everything in his life.

  • ·         Time of the Plums (Erik Zamani) · Directed by Sezen Kayhan, written by Sezen Kayhan and Cemil Kavukçu · Turkey · New York Premiere
  • ·         Donkey · Directed and written by Keir Burrows · UK · New York Premiere
  • ·         Fireworks · Directed by Victor Hugo Duran, written by Kevin James McMullin · USA · World Premiere
  • ·         Intermission Time · Directed by Michael Degg · USA · New York Premiere
  • ·         Angst (Angustia) · Directed by León Rechy · Mexico · International Premiere
  • ·         Asad · Directed and written by Bryan Buckley · USA · World Premiere
  • ·         Whakatiki · Directed by Louise Leitch, written by Bernadette Murphy · New Zealand · World Premiere
  • ·         Teacher of the Year · Directed by Chris Modoono, written by Chris Modoono and Gil Zabarsky · USA · World Premiere

 

Status Update – Narrative

Life’s surprising twists and turns change the direction of these short films. In Rung, after a cathedral bell ringer passes away, his spot on the bell-ringing choir is up for grabs and two women find themselves in an unlikely competition for the coveted position. A couple’s relationship goes through its first big test in a crowded spot in Café Regular CairoGABI is a sassy, sexy, and strong Puerto Rican woman, but an unexpected family death forces her to return to her native homeland, confronting a place she thought she had left behind. When a man brings his eight-year-old son to a soccer game and the ticket price is higher than he expected, he is desperate not to disappoint the boy in Bad Gones. In Screenshot Kate meets an old friend through Facebook and discovers just how unfriendly a place the internet can be. On his way to a statistics conference, John Wilkins is the victim of a freak accident, sucked out of a plane when an emergency door fails mid-flight at 43,000 Feet. Clark and Becca leave a bar after a night out with friends, and when they pass a homeless man on the street Clark gets an idea in Double or Nothing. Liam and Michael are professional safecrackers who meet on a simple job to relieve an office safe of its contents, but there’s a catch—a light-activated alarm system impels the men to embark on a Pitch Black Heist.

  • ·         Rung · Directed by Chris Hanratty, written by Mike McPhaden · Canada · International Premiere
  • ·         Café Regular Cairo · Directed and written by Ritesh Batra · Egypt, India · North American Premiere
  • ·         GABI · Directed and written by Zoeì Salicrup Junco · Puerto Rico · U.S. Premiere
  • ·         Bad Gones · Directed and written by Steìphane Demoustier · France · International Premiere
  • ·         Screenshot · Directed and written by Cathal Burke · Ireland · New York Premiere
  • ·         43,000 Feet · Directed by Campbell Hooper, written by Matthew Harris · New Zealand · World Premiere
  • ·         Double or Nothing · Directed by Nathaniel Krause, written by Neil LaBute · USA · World Premiere
  • ·         Pitch Black Heist · Directed and written by John Maclean · UK · New York Premiere

 

Escape Clause –Narrative

These shorts ponder personal predicaments and the pursuit of happiness. An Air Force drone pilot operates air strikes in Afghanistan from a base in America, returning each day to his wife and son in suburbia, but when his team makes a lethal mistake, he is forced to face reality beyond the cubicle in Unmanned. Alone in a brightly lit studio, a ballerina recalls her old choreography, leaping and spinning in front of an invisible audience in Prima. Amit and her female life partner Noa have decided to take a crucial step and have a baby, but despite their strong self-confidence, after the baby’s birth neither one of them knows what to do next in Stitches. A French narrator jumps from one dramatic scene to another, confused about the story that he is trying to tell in Voice Over. When Jason and his mother attend a funeral service of someone they have never met, they accidentally wind up leading The Procession. An ordinary suburban mom carefully plans a life-changing trip to Paris, but when her plans go terribly awry, she finds herself alone on the banks of the Seine wondering why the city of dreams cannot magically fill her life with meaning in Picture Paris.

  • ·         Unmanned · Directed and written by Casey Cooper Johnson · USA · New York Premiere
  • ·         Prima · Directed and written by Miguel Calayan · Philippines · World Premiere
  • ·         Stitches (Tfarim) · Directed and written by Adiya Imri Orr · Israel · World Premiere
  • ·         Voice Over · Directed by Martin Rosete, written by Luiso Berdejo · Spain · North American Premiere
  • ·         The Procession · Directed and written by Robert Festinger · USA · World Premiere
  • ·         Picture Paris · Directed and written by Brad Hall · USA · New York Premiere

 

Fallout – Narrative

Decisions and repercussions confront the characters in these short films. Following the tsunami that claimed the lives of his parents,Adirake searches for the white elephant his mother spoke of in this coming-of-age story. After passing the civil service examination Sung-joo returns to her hometown to spend the day with her friend, Shin-hee, who stayed behind, in Chupachups. Taking place in the ex-Yugoslavia of the 1970s, a mother secretly celebrates Easter at home with her children when their father, an army officer and ingrained communist, discovers his family’s clandestine festivities in Easter EggsTrotteur is a tale of man versus machine in a duel between a young man and a locomotive. A young couple trapped in a remote estate of empty houses and shrieking Foxes is beckoned from their isolation into a twilight world. Following a deadly pandemic that has decimated the world’s population, a father drives his nine-year-old daughter from the west coast of Australia to the safe zone in Transmission. A young Irishman traveling All That Way For Love across the African continent to get to his doctor girlfriend hitches a ride with a nomadic older couple and becomes embroiled in their complicated history.

  • ·         Adirake · Directed and written by Tati Barrantes and Andinh Ha · Thailand · International Premiere
  • ·         Chupachups · Directed by Ji-suk Kyung · South Korea · North American Premiere
  • ·         Easter Eggs · Directed by Slobodan Karajlovic, written by Slobodan Karajlovic and Jelena Svilar · Croatia · New York Premiere
  • ·         Trotteur · Directed by Arnaud Brisebois and Francis Leclerc, written by Arnaud Brisebois · Canada · New York Premiere
  • ·         Foxes · Directed by Lorcan Finnegan, written by Garret Shanley · Ireland · New York Premiere
  • ·         Transmission · Directed and written by Zak Hilditch · Australia · International Premiere
  • ·         All That Way For Love · Directed by Henry Mason, written by Thomas Martin · UK · New York Premiere

 

Long Story Short – Documentary

Past, present and future coexist in this program of short docs from here and abroad. A Soviet family searching for a modest paradise is swept into the immense Chernobyl nuclear disaster in 1986, recalled through small episodes as Leonid’s Story. Experience the Egyptian revolution through the eyes of a Bedouin falcon trainer who sees the regime fall from afar and speaks of how falconry and government are similar in A Falcon, A RevolutionOver the course of The New Yorker magazine cartoonists’ weekly lunch, four prominent artists share their styles, inspirations, and creative processes in Every Tuesday: A Portrait of the New Yorker CartoonistsBallet shoes are worn by delicate girls, but they’re crafted by burly men whose hands tell another story in The Perfect Fit. For the last 53 years, The Last Ice MerchantBaltazar Ushca has harvested glacial ice from the tallest mountain in Ecuador, prompting this tale of cultural change and indigenous people. A tour of the Oregon State Hospital conducted to uncover the deplorable conditions there uncovers thousands of corroded copper urns containing the cremated remains of unclaimed psychiatric patients in Library of Dust.

  • ·         Leonid’s Story (Istoriya Leonida) · Directed and written by Rainer Ludwigs · Germany, Ukraine · New York Premiere
  • ·         A Falcon, A Revolution · Directed and written by Md Rezwan Al Islam and Jassim Al Rumaihi · Qatar · North American Premiere
  • ·         Every Tuesday: A Portrait of the New Yorker Cartoonists · Directed by Rachel Gordon Loube · USA · World Premiere
  • ·         The Perfect Fit · Directed by Tali Yankelevich · Scotland · New York Premiere
  • ·         The Last Ice Merchant (El Uìltimo Hielero) · Directed by Sandy Patch · USA · World Premiere
  • ·         Library of Dust · Directed by Ondi Timoner and Robert James · USA · New York Premiere

 

Help Wanted – Documentary

Political or personal, these short documentaries address some life-challenging situations. German engineer Jürgen Perthold was intrigued about where his newly adopted stray, Mr. Lee, disappeared to for days on end, so he developed the CatCam to help solve the mystery. Three Mexican immigrants who risk their lives every day rappelling down some of the tallest skyscrapers in Chicago reveal their thoughts about work, mortality, and the people they observe inside the high-rises they clean in Paradise. As the cholera epidemic rages in Haiti and the UN denies responsibility for introducing the disease despite mounting evidence, witness the stories of a young baseball player named Joseph and a Haitian lawyer fighting for victim compensation in Baseball in the Time of Cholera. By vacating the apartment of an elderly building manager we discover the soul of Jean Lewis, a former female Hollywood reporter connected to some of the most renowned stars of her time. Benjaman Kyle was found unconscious outside a Burger King in 2004 without any clothes, identification, or memories, and seven years later no one knows who he is, even the FBI, in Finding Benjaman. Mohammed El Kurd is a Palestinian teenager growing up in the heart of East Jerusalem, but when his family is forced to give up a part of their home to Israeli settlers, local residents begin peaceful protests and in a surprising turn, are quickly joined by scores of Israeli supporters in My Neighbourhood.

  • ·         CatCam · Directed by Seth Keal · USA · New York Premiere
  • ·         Paradise (Paraíso) · Directed by Nadav Kurtz · USA · New York Premiere
  • ·         Baseball in the Time of Cholera · Directed by David Darg and Bryn Mooser · Haiti · World Premiere
  • ·         Jean Lewis · Directed by Pascui Rivas · USA · New York Premiere
  • ·         Finding Benjaman · Directed and written by John Wikstrom · USA · New York Premiere
  • ·         My Neighbourhood · Directed by Julia Bacha, Rebekah Wingert-Jabi, written by Rebekah Wingert-Jabi · USA, Israel, Palestine · World Premiere

 

Triptych – Documentary

This trio of short documentaries delves into art, music, and physical beauty. Dreamscapes looks behind and beyond the canvas of artist Stephen Hannock, following him from his Newcastle opening to the canals of Venice and the streets of New York. Alekesam is the story of Hugh Masekela, an international jazz icon and apartheid activist who was exiled from his homeland South Africa for 30 years, and his son Selema, who attempts to embrace the roots of his identity through music and reconnect with his father. Beauty Culture investigates our obsession with beauty and the influence of photographic representations on female body image and the persistent “beauty contest” of daily life.

  • ·         Dreamscapes · Directed by Wolfram Hissen · USA, France · World Premiere
  • ·         Alekesam · Directed by Jason Bergh, written by Jason Bergh and Kevin Barth · USA · World Premiere
  • ·         Beauty Culture · Directed by Lauren Greenfield · USA · World Premiere

 

Journeys Across Cultural Landscapes – Experimental

Spanning creative journeys across four continents. The assembled filmmakers invoke diverse cultural landscapes, suggesting a collective struggle of humanity between apocalyptic visions of the past, present, and future, and the redemptive power of the human spirit. Cinematic techniques comprising found footage imagery, historic audio recordings, still photography, animation, collage, Super 8mm (celluloid) filmmaking, and digital cinematography comprise the rich visual and audio landscapes of these films, all made by talented artists, ranging from emerging student voices to experienced filmmakers returning to TFF.

  • ·         An Incomplete History of the Travelogue, 1925 · Directed and written by Sasha Waters Freyer · USA · New York Premiere
  • ·         Scenes From a Visit to Japan · Directed by Joel Schlemowitz · USA, Japan · World Premiere
  • ·         The Valley · Directed and written by Leif Huron · USA · World Premiere
  • ·         Sinews of Peace · Directed and written by Timo Franc · UK · World Premiere
  • ·         Barcelona · Directed by Martin Laporte · Canada · World Premiere
  • ·         Democratic Locations · Directed and written by Thomas Kutschker · Germany · World Premiere
  • ·         Abyss of Man’s Conscience (ReconoceR) · Directed by Juan Camilo Gonzaìlez · Colombia, USA · New York Premiere
  • ·         Inquire Within · Directed by Jay Rosenblatt · USA · North American Premiere
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