RAISING ARIZONA at Urban Chestnut September 5th – ‘Strange Brew’


“Give me that baby, you warthog from hell!”


Webster University’s Award-Winning Strange Brew Film Series has moved! The new location is Urban Chestnut in the Grove (4465 Manchester Avenue, St. Louis 63110). This month’s film is RAISING ARIZONA. It’s this Wednesday, September 5th. The movie starts at 8pm and admission is $5.


Joel and Ethan Coen followed up their noir breakthrough, BLOOD SIMPLE with an entirely different but no less satisfying, RAISING ARIZONA , which plays out like a somewhat broad and inherently silly farce, but with a drop of sweetness and caring for its nincompoop characters underneath that elevates it to another level.


Nicolas Cage stars as H.I. (aka, “Hi”) McDonnough, a longtime two-bit criminal who gets nabbed heisting so often, he eventually gets to know and romance the booking police officer, Edwina (aka, “Ed” – Holly Hunter), who has snapped his many mug shots over the years.  The couple on both sides of the law end up marrying, and the two move together out to a trailer in the desert brush, as Hi tries to make a legitimate buck and prepare for raising a family.  That is, until it is discovered that Ed is unable to have children (“Her insides were a rocky place where my seed could find no purchase”), and with Hi’s criminal record, adoption is far out of the question.  Ed is despondent, to the point where, when it is highly publicized that a man named Nathan Arizona (Trey Wilson), the wealthy owner of a chain of unfinished-furniture stores, has just fathered quintuplets, she and Hi decide that a man who has more children than he can handle could surely do without one.  They hatch a scheme to steal an Arizona baby, but find that caring for a child is more than they bargained for, especially when there are so many bad influences around.


The sweetness at the core of RAISING ARIZONA stems mostly from how folks on the fringes of society can still desire desperately for normalcy, and a way to be a good person, good husband, good father or mother, for the sake and sacrifice of another.  The affection for the characters is somewhat counterintuitive, as an exaggeratedly scruffy Nicolas Cage intentionally exhibits little emotion throughout, with face perpetually fixed in a hangdog expression of a life that has completely worn him down.  Contrasting him well is Holly Hunter, who is all spitfire and nerves that make her look like she’s bursting with emotions trying to get out, and the catalyst that spurs Hi to try to be a good person, even if what they end up doing is very, very wrong.  The banjo-tinged, yodel-infused score by Carter Burwell, his second of many for the Coens, perfectly punctuates not only the rustic feel of this back-country tale, but it is especially effective at embodying the underlying warmth of what runs most of the time as an outlandish and action-oriented farce.


A Facebook invite for the screening can be found HERE
https://www.facebook.com/events/2152547018300192/

The movie starts at 8pm and admission is $5. There will be food to order and plenty of pints of Urban Chestnut’s famous home-brewed beer.

MARRIED TO THE MOB June 24th at Webster University ‘A Tribute to Jonathan Demme’


“I feel like a virgin at a eunuch convention.”


MARRIED TO THE MOB screens Friday, June 24th at Webster University’s Moore Auditorium (470 East Lockwood). This is the sixth film in their ‘Tribute to Jonathan Demme’ The movie starts at 8:00pm.


In director Jonathan Demme’s 1988 comedy MARRIED TO THE MOB, Michelle Pfeiffer stars as Angela Demarco, the widow of a recently “iced” Mob hit-man who moves from her garishly tacky Long Island home to start a new life for herself and her son, while being pursued by Mob boss Dean Stockwell and FBI man Matthew Modine. MARRIED TO THE MOB has lots going for it including a very amusing script; offbeat characters; sudden sharp turns to unexpected violence, and a hilarious yet menacing, Oscar-nominated performance by Stockwell and and also by Mercedes Ruehl, as his jealous wife from hell, But Ms Pfeiffer steals the show easily. She perfectly nails Angela’s under-educated, Long Island Italian accent, and the many fine mannerisms that she brings to the role to really flesh out this spunky and surprisingly bright character. Also look for Trey Wilson as FBI Field/Regional Director Franklin, Joan Cusack as Rose Boyle, Ellen Foley as Theresa, Eraser’s Oliver Platt as Ed Benitez, Anthony J. Nici as Joey De Marco, and Charles Napier as Ray – Angela’s gay hairdresser. Catch this one if you can.

Admission is:

$6 for the general public
$5 for seniors, Webster alumni and students from other schools
$4 for Webster University staff and faculty

Free for Webster students with proper I.D.


Here’s the rest of the line-up for the other films that will be part of the ‘Tribute to Jonathan Demme’:
6/30 – The Silence of the Lambs (1991)
7/1 –  Philadelphia (1993)