WAMG’s 10 Best Films Of 2017

A love story between a girl and a sea creature, a satire reflecting racial issues in today’s society, and two inspiring lessons of four weeks in 1940 during which Prime Minister Winston Churchill’s courage to lead changed the course of world history and one of the greatest suspense stories of all time where British and Allied troops, trapped on the beach with their backs to the sea, faced an impossible situation as the enemy closed in. Horror, fantasy, historical epic, comedy, drama… the motion pictures tales of 2017 had something for all.

Theater marquees were filled with familiar titles such as STAR WARS, INDEPENDENCE DAY, ALIEN, BLADE RUNNER, and KONG while Guardians, Superheroes and Wonder Women saved the day once again.

Cinema-goers were offered a fresh perspective on the parent-child bond, an insightful look as two giant newspapers expose a massive cover-up of government secrets, as well as a dark comic drama where a mother makes a bold move to solve her daughter’s murder.

As with every holiday season, critics groups are revealing their top 10 films of the year. Awards season is truly upon us.

Three hundred forty-one feature films are eligible for the 2017 Academy Awards in the Best Picture category. The St. Louis Film Critics Association announced as their best film of 2017 Guillermo del Toro’s fantasy romance, THE SHAPE OF WATER.

Tune in Sunday, March 4th for the 90th Oscars.

Here’s a look back at the motion pictures of the past twelve months.

WAMG presents the top ten films of 2017, along with our honorable mention and most awesome soundtrack.

Honorable Mention:

THE DISASTER ARTIST

Ironic that the creator of what many label the ‘worst film of all time’ gets one of the best Hollywood-themed biopics ever made about him. THE DISASTER ARTIST stands out as one successful outsider’s tribute to a failed kindred spirit. It’s the funniest film of 2017 and one of the best. (REVIEW)

Best Soundtrack:

BABY DRIVER

What might be the most astonishing feat but feels effortless, is the editing accompanied with each carefully selected song. The soundtrack, which runs the gamut from 60’s R&B like Carla Thomas, 70’s punk including The Damned, and a dash of modern hip-hop with Run the Jewels, is used throughout the film to coincide with the action, making the film the equivalent of an action movie musical. It’s one thing to listen to these songs, but it’s completely different watching how each drum beat and chord change matches perfectly with the film. (REVIEW)

10. COCO

After a trio of so-so features, Pixar breaks new ground with this visually stunning masterwork set “south of the border” and the Day of the Dead celebrations. An odd choice for “all ages” film animation, but this explores themes far beyond most “kiddie” flicks. Yes, the colors, from the after-life cities to the flourescent hybrid “spirit animals”, dazzle, but the movie’s real strength is its tribute to family legacies. And like the best of Pixar’s classic it packs a real emotional punch to the heart. (REVIEW)

9. DARKEST HOUR

Director Joe Wright reports, “Daytime meals for Winston would often be accompanied by a glass of white wine and/or scotch, and because of the hours he kept it was not unusual for him to hold meetings from his bed, or even from his bath. He’d dictate memos for the day from bed and receive visitors and talk about matters of state wearing his dressing gown and nightshirt.” This is only a partial glimpse into the man that saved the British Empire from almost certain invasion by the Nazis. This is what’s so great about DARKEST HOUR – establishing the character traits of the British Bulldog! He was the architect of the Operation Dynamo boat rescue at Dunkirk, where civilian crafts and everyday people were called upon to help get their countrymen home. One of best films on the eccentric PM, gloriously portrayed by Gary Oldman, it is a fine bookend to Christopher Nolan’s DUNKIRK. The other noteworthy performance is that of Dame Kristin Scott Thomas as Churchill’s wife, Clementine. Conveying class and distinction, intelligence and sharp wit, the Oscar nominated actress was the perfect match for Oldman on-screen. (REVIEW)

8. LOGAN

Photo Credit: James Mangold.

James Mangold has delivered an X-Men film unlike any that has come before it. After the initial shock of hearing the character use the f-word followed by the limb-severing visceral violence, what will hit the hardest for fans is witnessing Mangold slice open and get to the emotional core of this beloved character we have watched evolve for now eight films (nine if you count a brief cameo). LOGAN is a poetic journey that is about unexpectedly finding new life after giving up on cheating death. (REVIEW)

7. THE BIG SICK

A comedy that does not sound funny when you describe it, THE BIG SICK is a hilarious comedy that takes a potential tragedy, mixes it with cross-cultural romance and an American son coping with his Pakistani immigrant parents, to find a vein of unexpected comedy gold. Bitingly funny yet insightful, the story is partly based on the real life of comedian Kamail Nanjiani. THE BIG SICK has more twists than you can imagine, and a hilarious, jaw-dropping performance by a fierce Holly Hunter, in a tale that provokes hilarious laughs and deep thought on the meaning of love, family and the classic second-generation American tale. (REVIEW)

6. DUNKIRK

Sometimes when you have been through hell and back, there isn’t anything you can say to properly convey the emotions and the experience. Without saying much, Christopher Nolan tries to express the raw emotions of war by dropping the viewer into the scenario as opposed to explaining the how and the why of the situation. While some might be hoping for more from the story, perhaps Nolan is actually saying much more amid the cacophony of racing hearts, plane engines, bullet-riddled metal, and silent soldiers looking for hope as the waves and bombs crash against the beach. (REVIEW)

5. THE POST

Steven Spielberg delivers a fabulous film about the Nixon-era Pentagon Papers and the Washington Post’s 1973 decision to publish them, told as a gripping, intrigue-packed, period thriller, about freedom of the press and with a feminist undercurrent. Meryl Streep and Tom Hanks are outstanding as Washington Post owner Katherine Graham and editor Ben Bradlee, who defy the restraining order the Nixon administration placed on the New York Times to publish the secret papers about the Vietnam War that led to Watergate and Richard Nixon’s resignation. It is Spielberg’s best film in years.

4. GET OUT

This past February, Jordan Peele, half of a wildly successful cable TV comedy team, made his feature film solo writing and directing debut by taking movie audiences on a memorable journey to the “Sunken Place”. Originally promoted as a horror thriller, it turned out to be so much more, at times a rowdy comedy, but also a scathing satire on society that still has us talking today. And if you were fortunate enough to see it in a packed theatre, you know that Peele is an exciting new cinema voice. And I’ll bet he just breezes through the airport now thanks to this flick. (REVIEW)

3. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

With top-notch work from an imaginatively-assembled cast headed by Frances McDormand, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI combines sweet-natured cheer with twisted malice, and unspeakable grief with offbeat humor, all set against a familiar mid-Missouri backdrop. The result is a modern masterpiece. (REVIEW)

2. LADY BIRD

Just as with Jordan Peele’s GET OUT, this year we were stunned by the superb solo writing and directing debut of another actor, Greta Gerwig. She took the “coming of age”, “young person at a crossroad” comedy/drama and elevated it to a new level by giving us a throughly real, very complex main character. It helps that she’s brought to life by the exquisite Saoirse Ronan, who truly shines in the honest complicated relationship with her mother, played by the great Laurie Metcalf in a most memorable performance. It’s in those scenes that LADY BIRD takes flight and soars. (REVIEW)

1. THE SHAPE OF WATER

© 2017 Twentieth Century Fox Film Corporation All Rights Reserved

Magical, evocative THE SHAPE OF WATER blends Cold War thriller, romance, and monster movie genres in director Guillermo Del Toro’s best film since PAN’S LABYRINTH. Cinematically and as entertainment, THE SHAPE OF WATER exceeds on all levels. There is fine acting by an excellent cast, a story that offers a thought-provoking twist on the monster genre, beautiful moody photography, magical visual effects, and brilliant direction. Sally Hawkins is amazing in the lead role, creating an appealing and mysterious character we fall in love with, all without speaking a word. (REVIEW)

Films we can’t wait to see in 2018: DEADPOOL 2, MARY QUEEN OF SCOTS, BLACK PANTHER, AVENGERS: INFINITY WAR, JURASSIC WORLD: FALLEN KINGDOM, WINCHESTER, ANNIHILATION, DEATH WISH, A WRINKLE IN TIME, PACIFIC RIM UPRISING, READY PLAYER ONE, THE NEW MUTANTS, SOLO: A STAR WARS STORY, INCREDIBLES 2, ANT-MAN AND THE WASP, THE PREDATOR, VENOM, HALLOWEEN, CREED 2, FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, RALPH BREAKS THE INTERNET: WRECK-IT RALPH 2, MARY POPPINS RETURNS, and Damien Chazelle’s FIRST MAN (the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong. Stars Ryan Gosling and Claire Foy. October 2018).

Check out our contributors individual picks for the year that was 2017.

Jim Batts

  1. THE SHAPE OF WATER
  2. COCO
  3. LADY BIRD
  4. THE POST
  5. THE BIG SICK
  6. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
  7. SPIDER-MAN: HOMECOMING
  8. PHANTOM THREAD
  9. BRAD’S STATUS
  10. GET OUT

Other Favorites: THE DISASTER ARTIST

Tom Stockman

  1. DUNKIRK
  2. THE DISASTER ARTIST
  3. THE SHAPE OF WATER
  4. COCO
  5. BRAWL IN CELL BLOCK 99
  6. KONG SKULL ISLAND
  7. BRAD’S STATUS
  8. THREE BILLBOARDS OUTSIDE EBBING, MO
  9. LOGAN LUCKY
  10. A DOG’S PURPOSE

Other Favorites: BLADE RUNNER 2049, MOTHER!, WIND RIVER, AMERICAN MADE

Cate Marquis

  1. THE POST
  2. THE SHAPE OF WATER
  3. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
  4. BLADE RUNNER 2049
  5. THE BIG SICK
  6. DARKEST HOUR
  7. GET OUT
  8. LADY BIRD
  9. A GHOST STORY
  10. PHANTOM THREAD

Other Favorites: THE BEGUILED, LADY MACBETH, FACES PLACES, DUNKIRK, FLORIDA PROJECT

Michael Haffner

  1. THE SHAPE OF WATER
  2. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
  3. LADY BIRD
  4. THE POST
  5. THE BIG SICK
  6. LOGAN
  7. CASTING JONBENET
  8. BABY DRIVER
  9. GET OUT
  10. DUNKIRK

Other Favorites: STEP, STAR WARS: THE LAST JEDI

Michelle Hannett

  1. DUNKIRK
  2. THE SHAPE OF WATER
  3. WAR FOR THE PLANET OF THE APES
  4. DARKEST HOUR
  5. WONDER WOMAN
  6. LADY BIRD
  7. BLADE RUNNER 2049
  8. GET OUT
  9. LOGAN
  10. ATOMIC BLONDE

Other Favorites: IT, A GHOST STORY, SPLIT

St. Louis Film Critics Association Chooses THE SHAPE OF WATER as Best Film of 2017

Guillermo del Toro’s fantasy romance, THE SHAPE OF WATER has won five awards from the St. Louis Film Critics Association, including best film, director, supporting actor (Richard Jenkins), original screenplay and production design. Two other films won two each: BLADE RUNNER 2049 for Roger Deakins’ cinematography and best visual effects, and THE DISASTER ARTIST for adapted screenplay and the scene in which 67 takes are taken for Tommy’s “I did not hit her — oh hi Mark” dialogue. Their annual awards include a Best Scene category.

The group announced awards in 19 categories for 2017 Sunday. Frances McDormand, as the vengeful grief-stricken mother in THREE BILLBOARDS OUTSIDE EBBING MISSOURI won Best Actress, and Gary Oldman, as Winston Churchill in his defining moment in history, in DARKEST HOUR won Best Actor. Laurie Metcalf won Best Supporting Actress as the exasperating, tough Mom in LADY BIRD Richard Jenkins, as mute Eliza’s neighbor and best friend in THE SHAPE OF WATER won Best Supporting Actor.

Best Film: “The Shape of Water”
Best Director: Guillermo del Toro, “The Shape of Water
Best Actor: Gary Oldman, “Darkest Hour”
Best Actress: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Best Supporting Actor: Richard Jenkins, “The Shape of Water”
Best Supporting Actress: Laurie Metcalf, “Lady Bird”
Best Original Screenplay: Guillermo del Toro and Vanessa Taylor, “The Shape of Water”
Best Adapted Screenplay: Scott Neustadter and Michael H. Weber, “The Disaster Artist”
Best Cinematography: Roger Deakins, “Blade Runner 2049”
Best Editing: Jonathan Amos and Paul Machliss, “Baby Driver”
Best Production Design: Paul D. Austerberry, “The Shape of Water”
Best Visual Effects: “Blade Runner 2049”
Best Music Score: Jonny Greenwood, “Phantom Thread”
Best Soundtrack: “Baby Driver”
Best Animated Feature: “Coco”
Best Documentary Feature: “Jane”
Best Foreign Language Film: “Land of Mine” (Denmark)
Best Scene: The 67 takes of Tommy’s dialogue: “I did not hit her – Oh, hi Mark” in “The Disaster Artist.”
Worst: “The Mummy”

THE SHAPE OF WATER – Review

Sally Hawkins and Richard Jenkins in the film THE SHAPE OF WATER. Photo Courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

Magical, evocative THE SHAPE OF WATER blends Cold War thriller, romance and monster movie genres in director Guillermo Del Toro’s best film since PAN’S LABYRINTH. In fact, THE SHAPE OF WATER is one of the year’s best.

Elisa (Sally Hawkins) lives a lonely life of unchanging routine as cleaning woman at a hidden military research facility during the Cold War. Mute but not deaf, Elisa’s best friend is her co-worker Zelda (Octavia Spencer), and she rents space in an apartment above an old movie theater from platonic friend Giles (Richard Jenkins), who is a marginalized person like them. Elisa’s quiet routine is changed forever by the arrival of ambitious, harsh military operative Richard Strickland and a mysterious creature in a water tank.

Rounding out the cast are Michael Stuhlbarg as a scientist and Doug Jones in a motion-capture performance as the creature. Fans of old monster movie will instantly note that this watery creature has a striking resemblance to another movie monster, which is no accident.

Cinematically and as entertainment, THE SHAPE OF WATER exceeds on all levels. There is fine acting by an excellent cast, a story that offers a thought-provoking twist on the monster genre, beautiful moody photography, magical visual effects, and brilliant direction. Then film draws on a number of Cold War era monster movies, such as THE BLOB and CREATURE FROM THE BLACK LAGOON but also evokes the stifling conformity and judgmental tone of the era, an anti-gay, racist, pre-feminist time when those with disabilities or differences were also disdained.

 

Del Toro reportedly wanted to direct a comic book movie re-make of CREATURE FROM THE BLACK LAGOON but was thwarted in that effort. That explains the appearance of the watery creature, but this film is a far better story than a remake, a better as well as more original film.

THE SHAPE OF WATER is a visual delight, often shot in a slightly greenish, slanting-light style that suggests a watery world even above the surface. The soft light of rosy dawn lights the face of Sally Hawkins as her character rides the bus to work in the morning. The second floor apartment she shares with the friend played by Richard Jenkins is above an old movie theater, and partly lit by the theater’s marquee. The military installation where she and her best friend played by Octavia Spencer work is lit by dim fluorescent lights, filled with the gray and green fixtures of the 1950s.

Sally Hawkins is amazing in the lead role, creating an appealing and mysterious character we fall in love with, all without speaking a word. Hawkins is a delight but the supporting performances are wonderful as well. Richard Jenkins plays Eliza’s friend, a painter and gay man, who is an outsider in the conformist culture of the 1950s. Michael Shannon represents that rigid culture but goes way beyond that in his cold character who is the true villain. Michael Stuhlbarg delivers a touching performance as a scientist with a conscience and Octavia Spencer is fine as sharp-tongued, sharp-witted Zelda, Eliza’s loyal friend. Doug Jones, dressed in a bulky, elaborate costume enhanced by motion-capture, in the role as the watery creature is the perfect movie monster in the mold of James Whale’s Frankenstein monster.

The combination of Cold War thriller, monster movie and romance plays to all of Del Toro’s strengths as a director. The sense of the magical in PAN’S LABYRINTH returns here, along with some other the powerful and the powerless, but this is a more hopeful film. The characters are grouped into the marginalized and the powerful, but the creature is the question mark in that equation.

Anyone who has loved either old monster movies or the Beast in the fairy tale Beauty and the Beast will be charmed by this wonderful sci-fi fantasy of outsiders, insiders, and monsters in THE SHAPE OF WATER.

RATING: 5 out of 5 stars

St. Louis Film Critics Association Announces This Year’s Nominations

The St. Louis Film Critics Association has given The Shape of Water 12 nominations. Other notable nominations include Greta Gerwig for Best Director, Sally Hawkins for Best Actress, and The Disaster Artist for Adapted Screenplay! Here’s the full list:

Best Picture
Get Out
Lady Bird
The Shape of Water
The Post
Three Billboards Outside Ebbing, MO

Best Director
Greta Gerwig – Lady Bird
Jordan Peele – Get Out
Denis Villeneuve – Blade Runner 2049
Guillermo del Toro – The Shape of Water
Steven Spielberg – The Post

Best Actor
Daniel Day-Lewis – Phantom Thread
Daniel Kaluuya – Get Out
James Franco – The Disaster Artist
Tom Hanks – The Post
Gary Oldman – Darkest Hour

Best Actress
Kristen Stewart – Personal Shopper
Saoirse Ronan – Lady Bird
Sally Hawkins – The Shape of Water
Meryl Streep – The Post
Frances McDormand – Three Billboards Outside Ebbing, MO

Best Supporting Actor
Michael Shannon – The Shape of Water
Sam Rockwell – Three Billboards Outside Ebbing, MO
Richard Jenkins, The Shape of Water
Willem Dafoe – The Florida Project
Woody Harrelson – Three Billboards Outside Ebbing, MO

Best Supporting Actress
Kristin Scott Thomas – Darkest Hour
Holly Hunter – The Big Sick
Laurie Metcalf – Lady Bird
Hong Chau – Downsizing
Octavia Spencer – The Shape of Water

Best Original Screenplay
The Big Sick
Lady Bird
Get Out
Three Billboards Outside Ebbing, MO
The Shape of Water

Best Adapted Screenplay
Mudbound
It
The Disaster Artist
Molly’s Game
Call Me by Your Name

Best Cinematography
Dunkirk
The Shape of Water
Blade Runner 2049
Wonder Wheel
Darkest Hour

Best Soundtrack
Atomic Blonde
Coco
Three Billboards Outside Ebbing, MO
Baby Driver
Guardians of the Galaxy, Vol. 2

Best Editing
Darkest Hour
The Post
Baby Driver
The Shape of Water
Dunkirk

Best Production Design
Phantom Thread
Dunkirk
The Shape of Water
Blade Runner 2049
Beauty and the Beast

Best Visual Effects
War for the Planet of the Apes
Dunkirk
Beauty and the Beast
The Shape of Water
Blade Runner 2049

Best Score
Dunkirk
Phantom Thread
The Shape of Water
Blade Runner 2049
The Post

Best Documentary
Jane
Last Man in Aleppo
Never Say Goodbye: The KSHE Documentary
Whose Streets?
City of Ghosts

Best Animated Movie
Despicable Me 3
Loving Vincent
The Lego Batman Movie
Coco
Captain Underpants: The First Epic Movie

Best Foreign Film
Frantz
The Square
Graduation
Land of Mine
First They Killed My Father

Best Scene
Baby Driver – Harlem Shuffle opening
Call Me By Your Name – Elio’s Dad’s monologue
Atomic Blonde – Stairway Fight
Lady Bird – Coach directing The Tempest
The Disaster Artist – Oh Hi, Mark

Worst Film
King Arthur: Legend of the Sword
The Snowman
Life
The Mummy
Transformers: The Last Knight

Win Passes To The Advance Screening Of THE SHAPE OF WATER In St. Louis

THE SHAPE OF WATER opens in St. Louis on December 15th and WAMG has your free passes to see it first in St. Louis.

The movie recently won the most awards from the Los Angeles Film Critics, with three first-place awards (actress – Sally Hawkins, director – Guillermo del Toro  and cinematography -Dan Laustsen).

From master story teller, Guillermo del Toro, comes THE SHAPE OF WATER – an other-worldly fable, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg and Doug Jones.

WAMG invites you to enter for the chance to win TWO (2) seats to the advance screening of THE SHAPE OF WATER on December 11 at 7:00 pm in the St. Louis area.

Answer the Following:

Mixing many genres from lush musicals to suspenseful noir, THE SHAPE OF WATER particularly revisits and reinvigorates the enduring allure of the classic monster films such as THE CREATURE FROM THE BLACK LAGOON.

What is the title of del Toro’s giant-robot/monster blockbuster movie?

TO ENTER, ADD YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.

R for sexual content, graphic nudity, violence and language

foxsearchlight.com/theshapeofwater

Sally Hawkins and Doug Jones in the film THE SHAPE OF WATER. Photo by Kerry Hayes. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

Watch The Red Band Trailer For Guillermo del Toro’s THE SHAPE OF WATER

THE SHAPE OF WATER premiered the Venice Film Festival. In their review, Indiewire said the film movie is “one of del Toro’s most stunningly successful works and it’s also a powerful vision of a creative master feeling totally, joyously free.”

Check out the brand new red band trailer for the movie, out in theaters December 8.

From master story teller, Guillermo del Toro, comes THE SHAPE OF WATER – an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962.

In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.

Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg and Doug Jones.

Visit the official site foxsearchlight.com/theshapeofwater

Sally Hawkins in the film THE SHAPE OF WATER. Photo by Kerry Hayes. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

The Wondrous Trailer For Guillermo del Toro’s THE SHAPE OF WATER Arrives

Audiences at this weekend’s showings of WAR FOR THE PLANET OF THE APES saw the magical trailer for master story teller Guillermo del Toro’s THE SHAPE OF WATER – an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1963.

Today, FoxSearchlight released online the trailer.

In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of silence and isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg and Doug Jones.

In his filmmaking career, del Toro has alternated between Spanish-language dark fantasy pieces, such as the gothic horror film The Devil’s Backbone (2001), and Pan’s Labyrinth (2006), and more mainstream American action movies, such as the vampire superhero action film Blade II (2002), the supernatural superhero film Hellboy (2004), its sequel Hellboy II: The Golden Army (2008), and the science fiction monster film Pacific Rim (2013).

Pan’s Labyrinth was nominated for Best Foreign Language and Best Original Screenplay at the Academy Awards in 2006.

THE SHAPE OF WATER opens in theaters on December 8th.

http://www.foxsearchlight.com/theshapeofwater/