DECONSTRUCTING THE BEATLES: MAGICAL MYSTERY TOUR Screening at The Tivoli January 29th


DECONSTRUCTING THE BEATLES: MAGICAL MYSTERY  will be screening at Landmark’s The Tivoli Theater ( 6350 Delmar in The Loop) one-time only, Tuesday, January 29th at 7pm. Ticket information can be found HERE.  DECONSTRUCTING THE BEATLES: MAGICAL MYSTERY explores the music written for the Magical Mystery Tour TV show, as well as the additional songs that appeared on the 1967 LP.


In 1967, The Beatles embarked on an ambitious project, writing and directing a one-hour film, Magical Mystery Tour.  The music written for the film is some of The Beatles’ psychedelic best. In Deconstructing The Beatles’ Magical Mystery Tour, Mr. Freiman delves into the creative process behind “The Fool On The Hill,” “Blue Jay Way,” “I Am The Walrus,” and other selections from Magical Mystery Tour.  Scott will also “deconstruct” other songs from the Magical Mystery Tour album, including “Strawberry Fields Forever,” “Penny Lane,” and “All You Need Is Love.”


The Beatles only starred in four films together (not counting the animated YELLOW SUBMARINE which they didn’t even voice) yet two of them have been virtually impossible to see in any home viewing format for decades. A HARD DAY’S NIGHT and HELP were both acclaimed successes with long histories of VHS and DVD releases but LET IT BE, a 1970 documentary showing how the Beatles rehearsed in preparation for a new live tour, despite winning an Oscar for Original Song Score, has never been seen since its original theatrical release. LET IT BE captured the Fab Four as they were in the process of breaking up, bickering and acting chilly to each other in a most un-Beatle-like fashion. The other “lost” Beatles film is the 1967 MAGICAL MYSTERY TOUR, a 53-minute psychedelic road trip first broadcast on the BBC.


Critics at the time found MAGICAL MYSTERY TOUR neither magical or mysterious and it was roundly trashed as a bizarre, scriptless mess (that the BBC first aired it in black and white by mistake probably didn’t help). But watching MAGICAL MYSTERY TOUR today shows that it has aged well as a weird testament to the absolute charm of the Beatles, since even amidst all the sloppiness, cheesiness and sheer ineptitude, much of their anarchic spirit and sense of fun still manages to come through. Mainly, this happens in some of the musical sequences, especially “I Am the Walrus”(the only footage of Lennon performing this tune) or “Blue Jay Way”, which serve as fairly decent and imaginative precursors to the music video format which wouldn’t explode for another 15 years. Time has been good to MAGICAL MYSTERY TOUR and 45 years later the film that has aged into a fascinating relic way ahead of its time. Don’t miss the chance to see DECONSTRUCTING THE BEATLES: MAGICAL MYSTERY   on the big screen.

 

SLIFF 2014 Review – RUBBER SOUL

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RUBBER SOUL screens as part of the 23rd Annual Whitaker St. Louis International Film Festival on Saturday, November 22 at 4 PM at Stage at KDHX. For ticket information go here

Director Jon Lefkovitz has made an interesting documentary/ dramatic hybrid with his cinematic interpretation of two interviews with John Lennon and Yoko Ono conducted ten years apart. In both sequences Lennon is played by Joseph Bearor and Ono by Denice Lee. The 1970 interview, just months after the break-up of the Beatles and prior to the release of the first plastic Ono Band record albums, with Rolling Stone magazine publisher Jann S. Wenner (Dillon Porter) takes place in an austere wood-paneled meeting room. In September of 1980, mere months before his assassination and prior to the release of the album “Double Fantasy”, the duo sit down at the kitchen table in their NYC Dakota apartment with Playboy magazine interviewer David Sheff (Andrew Perez). Lefkovitz cuts back and forth between the two settings with Lennon giving contradictory answers to many similar questions as Ono generally looks on. Helping to provide chapter settings and bookmarks between subjects are brightly colored graphics and vintage photographs along with newsreel and archival footage of his early life with and without the rest of the “fab four”. For fans of those classic tunes and the artists behind them, RUBBER SOUL is an engrossing look at one of the twentieth century’s most influential icons.

 

A HARD DAY’S NIGHT Screens July 31st at Schlafly Bottleworks

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“The Beatles?…..Oh yes, I seem to recall their off-key caterwauling on the old Sullivan show”….Montgomery Burns

Head down to Schlafly Bottleworks in Maplewood Thursday July 31st where A HARD DAY’S NIGHT screens at  at 7pm.

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A HARD DAY’S NIGHT was the Beatles’ first, and best, feature film of their career. Unlike the confused and confusing HELP! or the simplistic and message-oriented YELLOW SUBMARINE – in which the Beatles only appeared briefly — this film has sharp editing, good supporting characterization, and the good sense not to rely too much on the Beatles themselves for more than some good quips and great music.

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Richard Lester’s compelling and innovative cinematography and editing underscores the fact that these four young Liverpool lads are going to change the world, well before they actually had begun to do so. Rather than making a throwaway flick for the fans, Lester crafted a minor masterpiece for rock and roll movies that has never been equaled or even attempted. The Beatles exploit their public persona to the max here — loverboy Paul, sardonic John, quiet and naive George, and cuddly Ringo. Wilfrid Brambell steals the show to the extent possible as Paul’s grandfather, “a real mixer” as Paul says, who seems to delight in starting fights and causing trouble.

Next Thursday, July 31st, lucky St. Louisans will get the chance to take in A HARD DAY’S NIGHT when it plays at Schlafly Bottlework’s big screen.

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A Film Series is presenting the Rockumentary film series – A HARD DAY’S NIGHT will be part of it next Thursday, July 31st at Schlafly Bottleworks in Maplewood (7260 Southwest Avenue, Maplewood, Missouri 63143). The movie begins at 7pm.

Doors open at 6:30. Come on in for dinner and a movie.

Six bucks suggested for screening.

Food and drink available for purchase from Schlafly.
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This series provides a crowd funded source of support for our pet projects Helping Kids Together and A Universal Design Project. HKT is the cornerstone project of our social enterprise and focused on promoting cultural diversity and social awareness. Funds left over after screening costs from A Film Series contribute to keeping both HKT and AUDP moving forward with producing universally designed events, programs and other business related activity that relates to improving the world at large.

A Facebook invite for the event can be found HERE

https://www.facebook.com/events/1507072556191931/

Schlafly Bottleworks site can be found HERE

Ron Howard To Direct THE BEATLES Documentary

The Beatles credit ©Apple Corps Ltd.
©Apple Corps Ltd

Apple Corps Ltd., White Horse Pictures and Imagine Entertainment have announced they will produce a new authorized documentary for Apple, based on the first part of The Beatles’ career — the touring years.

The film will be directed by Academy Award-winning director Ron Howard and will be produced with the full cooperation of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison. White Horse’s Grammy Award-winning Nigel Sinclair, Scott Pascucci and Academy Award winner and multiple nominee Brian Grazer of Imagine Entertainment will produce with Howard. Imagine’s Michael Rosenberg and White Horse’s Guy East will serve as executive producers.

Howard said, “I am excited and honored to be working with Apple and the White Horse team on this astounding story of these four young men who stormed the world in 1964. Their impact on popular culture and the human experience cannot be exaggerated.”

This film will focus on The Beatles’ journey from the early days of the Cavern Club in Liverpool and engagements in Hamburg to their last public concert in Candlestick Park, San Francisco, in 1966.


Video – “Washington DC: ©Apple Corps Ltd / Shea Stadium: ©Subafilms Ltd”

The Beatles began touring Europe in late 1963, after an extraordinary arrival on the British scene in 1961 and ‘62.  However, it was their much-heralded Ed Sullivan appearance on February 9, 1964 that caused The Beatles’ popularity to explode. By June, the band had commenced their first world tour, and continued on a relentless schedule for two subsequent years.  By the time the band stopped touring in August of 1966, they had performed 166 concerts in 15 countries and 90 cities around the world. The cultural phenomenon their touring helped create, known as “Beatlemania,” was something the world had never seen before and laid the foundation for the globalization of culture.

Beatlemania was not just a phenomenon. It was the catalyst for a cultural shift that would alter the way people around the world viewed and consumed popular culture.  This film will seek to explain what it was about that particular moment in time that allowed this cultural pivot point to occur.  It will examine the social and political context of the time, and reveal the unique conditions that caused technology and mass communication to collide. The film will also explore the incomparable electricity between performer and audience that turned the music into a movement – a common experience into something sublime.

Founded in London in 1968, Apple Corps Ltd. represents The Beatles.  Under the direction of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison, the company administers The Beatles’ business interests, and it also develops new creative projects, making a significant contribution to the staging and safekeeping of The Beatles’ musical and cultural legacies.  Jeff Jones and Jonathan Clyde will act as executive producers for Apple Corps.

Ron Howard

Over the course of a near 30-year partnership, Howard and Grazer have produced a long list of successful and critically acclaimed films, including Apollo 13Frost/NixonA Beautiful Mind – for which Howard won an Academy Award for Best Director and Grazer and Howard won Best Picture – and, most recently, Rush, and music-driven films like 8 Mile. This will be the second documentary for Howard — the first being 2013’s Made in America.

Sinclair’s long association with documentaries has resulted in a string of award-winning films, including Martin Scorsese’s George Harrison: Living in the Material World, which won two Emmy Awards and was nominated for a BAFTA, and No Direction Home: Bob Dylan, for which Sinclair won a Grammy Award, Amazing Journey: The Story of The WhoThe Last Play At Shea1, and both the Academy Award-winning Undefeated and the Grammy Award-winning Foo Fighters: Back and Forth.

Nigel Sinclair Headshot 2013 Low res

Pascucci, Managing Director of Concord Music Group and former head of Warner’s Rhino Entertainment, was an executive producer on George Harrison, and has recently been associated with Eric Clapton’s Crossroads Guitar Festival: 2013 and Jimi Hendrix: Hear My Train A Comin’.

This project was originally brought to Apple Corps by One Voice One World, which has conducted extensive research around the globe, including inviting Beatles fans to send in clips of home movies and photos that they acquired during this extraordinary period. OVOW’s Matthew White, Stuart Samuels, and Bruce Higham will form part of the production team as co-producers.

Acclaimed and award winning editor Paul Crowder will serve as editor. Crowder directed and edited the Grammy-nominated Amazing Journey: The Story of The WhoThe Last Play at Shea and the Formula One documentary, 1. Crowder’s long-time collaborator, Mark Monroe, will serve as writer. In addition to the aforementioned films, Monroe’s credits include Sound CityChasing Ice, and the Academy Award-winning, The Cove.  Marc Ambrose (Bhutto) will serve as supervising producer.

Nicholas Ferrall will be the executive in charge of production for White Horse Pictures, assisted by executives Jeanne Elfant Festa and Cassidy Hartmann. The Beatles documentary is one of the first projects under Nigel Sinclair’s new White Horse Pictures banner, which he founded in 2014 with long-time business partner Guy East.

Sinclair said, “The way The Beatles burst onto the scene in Britain was an overwhelming social, cultural and musical phenomenon, but was even then eclipsed by that extraordinary explosion on the American scene and then the world.  I was lucky enough to see The Beatles perform in Glasgow in 1964, shortly after their Ed Sullivan appearance. It is an honor to work on this project for The Beatles, and to be collaborating again with the extraordinary Ron Howard and Brian Grazer, and my good friend Scott Pascucci.”

Additional information about the film is available at www.thebeatlesliveproject.com

The Beatles’ YELLOW SUBMARINE Feature Film Restored For May 29 Release On DVD And Blu-ray; Film’s Songtrack Album Reissued

The Beatles’ classic 1968 animated feature film, Yellow Submarine, has been digitally restored for DVD and Blu-ray release on May 28 (May 29 in North America). The film’s songtrack album will be reissued on CD on the same date.

Currently out of print, the film has been restored in 4K digital resolution for the first time by Paul Rutan Jr.and his team of specialists at Triage Motion Picture Services and Eque Inc.  Due to the delicate nature of the hand-drawn original artwork, no automated software was used in the digital clean-up of the film’s restored photochemical elements.  This was all done by hand, frame by frame.

Bonus features for the Yellow Submarine DVD and Blu-ray include a short making-of documentary titled “Mod Odyssey” (TRT: 7:30), the film’s original theatrical trailer, audio commentary by producer John Coates and art director Heinz Edelmann, several brief interview clips with others involved with the film, storyboard sequences, 29 original pencil drawings and 30 behind-the-scenes photos. Both Digipak packages will include reproductions of animation cels from the film, collectible stickers, and a 16-page booklet with a new essay by Yellow Submarine aficionado John Lasseter (Chief Creative Officer, Walt Disney and Pixar Animation Studios).

Lasseter writes in his essay, “As a fan of animation and as a filmmaker, I tip my hat to the artists of Yellow Submarine, whose revolutionary work helped pave the way for the fantastically diverse world of animation that we all enjoy today.”

Directed by George Dunning, and written by Lee Minoff, Al Brodax, Jack Mendelsohn and Erich Segal,Yellow Submarine began its voyage to the screen when Brodax, who had previously produced nearly 40 episodes of ABC’s animated Beatles TV series, approached The Beatles’ manager Brian Epstein with a unique vision for a full-length animated feature.

Yellow Submarine, based upon a song by John Lennon and Paul McCartney, is a fantastic tale brimming with peace, love, and hope, propelled by Beatles songs, including “Eleanor Rigby,” “When I’m Sixty-Four,” “Lucy in the Sky With Diamonds,” “All You Need Is Love,” and “It’s All Too Much.”  When the film debuted in 1968, it was instantly recognized as a landmark achievement, revolutionizing a genre by integrating the freestyle approach of the era with innovative animation techniques.

Inspired by the generation’s new trends in art, the film resides with the dazzling Pop Art styles of Andy Warhol, Martin Sharp, Alan Aldridge and Peter Blake. With art direction and production design by Heinz Edelmann, Yellow Submarine is a classic of animated cinema, featuring the creative work of animation directors Robert Balser and Jack Stokes with a team of animators and technical artists.

“I thought from the very beginning that the film should be a series of interconnected shorts,” remembers Edelmann. “The style should vary every five minutes or so to keep the interest going until the end.”  These styles included melding live-action photography with animation, 3-dimensional sequences and kaleidoscopic “rotoscoping” where film is traced frame by frame into drawings.  The entire process took nearly two years, 14 different scripts, 40 animators and 140 technical artists, ultimately producing a groundbreaking triumph of animation.

On April 24, Candlewick Press will release a new, compact hardcover edition of the Yellow Submarine picture book, a read-aloud journey for the whole family.  Featuring the lighthearted wit of the film’s script alongside original artwork from the movie that has charmed children and adults through several generations, the beautiful, 40-page book will be sold by retailers everywhere and on the Beatles Store (www.thebeatles.com). An interactive digital version of the book is also available as a free download on Apple’s iBookstore for iPad, iPhone and iPod touch at www.iTunes.com/TheBeatles.

www.thebeatles.com

Yellow Submarine synopsis:
Once upon a time … or maybe twice, there was an unearthly paradise called Pepperland, a place where happiness and music reigned supreme. But all that was threatened when the terrible Blue Meanies declared war and sent in their army led by a menacing Flying Glove to destroy all that was good.  Enter John, Paul, George and Ringo to save the day!  Armed with little more than their humor, songs, and of course, their yellow submarine, The Beatles tackle the rough seas ahead in an effort to bring down the evil forces of bluedom.

Production credits
Running Time: 89 minutes
Director – George Dunning
Producer – Al Brodax
Screen story – Lee Minoff
Screenplay – Lee Minoff, Al Brodax, Jack Mendelsohn, and Erich Segal
Art Director – Heinz Edelmann
Animation directors – Robert Balser and Jack Stokes
Production Executive – John Coates
Music Producer and Supervisor – George Martin

Featuring music by The Beatles

Yellow Submarine [DVD, Blu-ray]
Feature film [TRT: 89:00]
Fully restored in 4K and presented in the original aspect ratio of 1:66-1

Audio options:
English 5.1 DTS
German 5.1 DTS
Italian 5.1 DTS
English Dolby Stereo
Original Mono

Audio Commentary – Heinz Edelmann (Art Director) and John Coates (Producer)

Subtitle languages (feature only):
English, French, German, Spanish, Italian, Portuguese, Dutch, Swedish, Norwegian, Danish, Polish, Finnish, Japanese

Extra features:
Mod Odyssey documentary [TRT: 7:30]
Original theatrical trailer [TRT: 3:30]

Storyboard sequences:
– Sea of Monsters (split screen footage) [TRT: 4:20]
– Battle of the Monsters [118 images]
– Pepperland [64 images]

Interviews:
– Paul Angelis (voice of Ringo and Chief Blue Meanie) [TRT: 1:39]
– John Clive (voice of John) [TRT: 2:03]
– David Livesey (key animator) [TRT: 1:11]
– Millicent McMillan (Heinz Edelmann’s assistant) [TRT: 1:12]
– Jack Stokes (animation director) [TRT: 3:42]
– Erich Segal (co-writer) [TRT: 1:38]

Original pencil drawings [29 images]
Behind-the-scenes photos [30 images]

Yellow Submarine Songtrack [CD]
1. Yellow Submarine
2. Hey Bulldog
3. Eleanor Rigby
4. Love You To
5. All Together Now
6. Lucy In The Sky With Diamonds
7. Think For Yourself
8. Sgt. Pepper’s Lonely Hearts Club Band
9. With A Little Help From My Friends
10. Baby, You’re A Rich Man
11. Only A Northern Song
12. All You Need Is Love
13. When I’m Sixty-Four
14. Nowhere Man
15. It’s All Too Much