Discuss: What is 20th Century Fox Doing Wrong?

20th-century-fox-log

Just to start off this article, I’m going to reiterate my opening comments in my  review for ‘Max Payne’.

‘Aliens’, ‘Predator’, ‘Die Hard’, ‘Die Hard 2†², ‘Point Break’, ‘Speed’, ‘Die Hard With a Vengeance’.   What do all of these films have in common?   They are all action films released by 20th Century Fox between the mid-80s and the mid-90s.

‘Daredevil’, ‘I, Robot’, ‘Alien Vs. Predator’, ‘Transporter 2†², ‘Live Free or Die Hard’, ‘Hitman’, ‘Babylon A.D.’.   What do all of these films have in common?   They are all action films released by 20th Century Fox in the past five years.

See a drop-off there somewhere?

And that’s just in the action department.   This idea that every action film has to be a PG-13-rated, accessible motion picture is wrong, wrong, wrong.   But that has been Fox’s moniker when it comes to action for the better part of a decade. Continue reading Discuss: What is 20th Century Fox Doing Wrong?

Academy Awards Nominees’ Statements

The Oscar nominations came out this morning? Â  Who knew? Â  Here, we have some statements straight from the nominees’ mouths.

Slumdog Millionaire

Christian Colson (Best Picture, producer) -  “It is wonderful to receive this amazing news here in Mumbai where we are premiering the movie tonight. All the film-makers are deeply proud of this recognition which we also hope will bring great joy to the people of this great city. A huge thank you to the Academy… and Jai Ho!†

Danny Boyle (Best Director) – “I’m ecstatic! Thank you to the Academy from the cast and crew here in Mumbai where the film was made and where it’s being premiered tonight. It feels like you’ve given us a billion nominations!†

Simon Beaufoy (Best Adapted Screenplay) – “Secretly and sometimes not so secretly, this is the nomination that floats in every screenwriter’s dreams. I am fantastically happy and honored- not just for myself but for Vikas Swarup’s wonderful novel without which I would have never started my journey to the world’s Maximum City, Mumbai.†

A.R. Rahman (Best Original Score/Best Original Song) -  Ã¢â‚¬Å“I am overjoyed by this nomination and deeply grateful that the Academy has embraced the music of this film. ‘Slumdog Millionaire’ has paid magical dividends for so many people around the globe.   I am deeply honored to be a part of a film that has inspired so many.†

Dev Patel -  Ã¢â‚¬Å“It’s just amazing. For ‘Slumdog Millionaire’ to be included in the nominations for the Oscars is a huge honor. When we first began working on the film I don’t think any of us ever imagined that we might end up attending the Oscars ceremony as a result. I’m just so proud to be a part of this project and I have been overwhelmed by the positive reaction to the film. Thank you to everyone who has supported us. I truly feel blessed.†

The Curious Case of Benjamin Button

Brade Pitt (Best Actor) -  Ã¢â‚¬Å“This is a great honor for the movie, and I’m especially happy for David Fincher, for without him there would be no Ben Button.†

Taraji P. Henson (Best Supporting Actress) -Â  “I am very excited, deeply honored and grateful. I thank Laray Mayfield, David Fincher, Frank Marshall and Kathleen Kennedy for giving me the opportunity to bring Queenie to life.

David Fincher (Best Director) -  “‘Benjamin Button’ was truly a labor of love and I am humbled by the nomination.   On behalf of the producers, cast and crew, I’d like to thank the Academy, Paramount Pictures, Warner Bros and most of all the city of New Orleans who gave birth to Benjamin.”

  

The Visitor

Richard Jenkins (Best Actor) -  Ã¢â‚¬Å“This nomination is such an unexpected honor and I am grateful to the Academy for the recognition. I’ve been awed by the work of my fellow nominees this year and am truly humbled to be in their company. Having been an actor for many years now, I am moved by the fact that something like this can happen at this point in my career, particularly for a film that has meant so much to me.†

  

The Reader

Kate Winslet (Best Actress) -  Ã¢â‚¬Å“I’m extremely happy to have been nominated. And very fortunate. Playing Hanna Schmitz will always remain one of the biggest challenges I’ve ever been blessed with. I’m genuinely thrilled not just for myself but for the wonderful Stephen Daldry and David Hare. These nominations are a testament to their unwavering commitment to this film. And I’m also very happy for all the people in Germany whose hard work on ‘The Reader’, has been rewarded by these nominations. Surely Anthony Minghella and Sydney Pollack are smiling down on us today!†

  

Wall*E

Andrew Stanton speaking on behalf of all of ‘Wall*E’s six nominations -  “We are ecstatic and grateful for the Academy’s generous and humbling recognition of ‘WALL†¢E.’ It is  an honor and privilege to make films at Pixar, where we have grown into a great, big family. This is a tribute to all of us at Pixar and Disney who do our best to make films, not just animated films, but films for everyone that just happen  to be animated.”

Golden Globe Award Winners!

Here they are, the winners of the 2009 Golden Globe awards…

Best Motion Picture – Drama:
Slumdog Millionaire

Best Performance by an Actor in a Motion Picture – Male:
Mickey Rourke, The Wrestler

Best Performance by an Actress in a Motion Picture – Drama:
Kate Winslet, Revolutionary Road

Best Motion Picture – Musical or Comedy:
Vicky Cristina Barcelona

Best Performance by an Actor in a Motion Picture – Musical or Comedy:
Colin Farrell, In Bruges

Best Performance by an Actress in a Motion Picture – Musical or Comedy:
Sally Hawkins, Happy-Go-Lucky

Best Performance by an Actor in a Supporting Role in a Motion Picture:
Heath Ledger, The Dark Knight

Best Performance by an Actress in a Supporting Role in a Motion Picture:
Kate Winslet, The Reader

Best Director – Motion Picture:
Danny Boyle, Slumdog Millionaire

Best Screenplay – Motion Picture:
Slumdog Millionaire

Best Animated Feature Film:
Wall-E

Best Original Song – Motion Picture:
”The Wrestler” by Bruce Springsteen, The Wrestler

Best Original Score:
Slumdog Millionaire

Best Foreign Language Film:
Waltz With Bashir (Israel)

[source: Entertainment Weekly]

Danny Boyle Asked About ‘Alien 4’, ‘Lady Vengeance’, ’28 Days Later…’ Sequel, and More

‘Slumdog Millionare’ director Danny Boyle recently sat down with Empire Online to do a Q&A with the readers of the site. Â  Here are just a few samples of the more interesting subjects broached:

ON DIRECTING ‘ALIEN 4’:

“Oh my God, that one. Very close actually. In fact I met Sigourney and Winona, which was a great pleasure. Had chips – French fries I should say – with Winona. But I backed out of it. I was terrified of the special effects.”

ON JUMPING FROM ‘SUNSHINE’ TO ‘SLUMDOG’:

“Bits of ‘Slumdog’ are quite dark early on. It’s not quite the feelgood movie of the decade all the way through. But the contrast between the isolation of outer space and the 21+ million inhabitants of Mumbai was welcome.”

ON CHOOSING MUSIC FOR HIS MOVIES:

“It’s critical for me. Music is more important than anything in a way. Music is the final effect you have on the film before it goes out.”

ON FILMING IN MUMBAI:

“Oh my God. A lot of people said it was going to be very difficult and frustrating. And I think if you go there thinking that, it is. But the 21+ million people give you the chance to do something different. And if you think of it like that, it’s a once in a lifetime opportunity.”

ON THE DIFFERENCES BETWEEN ‘SLUMDOG’ AND Q&A, THE BOOK IT WAS BASED ON:

“It’s very different. Simon Beaufoy (‘The Full Monty’) hijacked the central concept – a slum kid goes on the big game show – and ran with it in his own way. So the love story was invented, to become the real spine of the film, rather than the show being the spine, as it is in the novel.”

ON THE NEXT INSTALLMENT IN THE ’28…LATER…’ FRANCHISE:

“Yeah, we’ve got a good idea for the third one. Very strange. And sadly we’ve run out of time to tell you about it…”

ON DIRECTING A SUPERHERO MOVIE:

“No. Not a great fan of superhero movies. We need those extremes of storytelling, but are reluctant to use them in anything other than fantasy movies. I think that’s a bit sad.”

ON ‘PORNO’, THE SEQUEL TO ‘TRAINSPOTTING’:

“Just waiting for the original actors to age. Help them if you can. Take them out drinking – get them away from the spas and those moisturisers.”

ON ‘LADY VENGEANCE’:

“Seriously, I was just asked to do a remake of Lady Vengeance, the one after Oldboy. My favourite is Audition.”

ON EDITING HIS FILMS:

“If you hire a good editor, you’ve got to let them edit the film, and you come in and assess what they’ve done. Give pointers, you know. It’s a clichà © that no-one is proud of, but filmmaking is a collaborative process. As director, you steal other people’s skills and get the credit for it.”

ON WHETHER HE’D RATHER WIN AN OSCAR OR SEE BURY WITH THE F.A. CUP:

“Bury and the FA Cup. Come on, no contest!”

Check out the full interview over at Empire Online.

Source: Empire Online

AFI chimes in on 2008’s “Moments of Significance”

In all of it’s list-making glory, the American Film Institute (AFI) released it’s picks for the Top Moments of 2008 on Sunday. Now, when it comes to movies, despite any reservations I may have, I accept the AFI having it’s face in the crowd and making it’s opinions heard. On the other hand, I wonder what kind of authority the AFI really expects to garnish by releasing a Top List that includes sports and politics… yeah, huh?

AFI’s “Moments of Significance” were chosen by a 13-person jury comprising scholars, film artists, critics and AFI trustees. Two juries, one for film and another for TV, deliberated for two days in Los Angeles.

The list includes the following moments deemed “Top of 2008 Moments of Significance” by the AFI. Some of these are so obvious that is begs the question of why they’d even bother…

  • Tina Fey’s portrayal of VP candidate Sarah Palin on Saturday Night Live. [Funny, but whatever…]
  • The 2008 Summer Olympics in Beijing, China. [Personally, I felt the “scandals” were the story here.]
  • The Presidential race between John McCain and Barack Obama. [duh…]
  • This one I simply have to quote, as it’s to difficult to explain:

The rapid changes in the TV distribution landscape were noted by AFI as being part of the “Age of Anxiety” for showbiz as traditional business models evolve. The org cited such examples as the growth of Internet website Hulu, DirecTV’s funding of a third season of NBC’s “Friday Night Lights” and the Peacock’s decision to move Jay Leno into a Monday-Friday primetime berth.

  • The success of Joss Whedon’s Internet project Dr. Horrible’s Sing-Along Blog. [OK, cool!]
  • The downturn for indie filmmakers, as a result of a rise in studio specialty divisions such as Paramount Vantage, Warner Independent, New Line and Picturehouse. [Um, I’m not sure how an alleged stroke of bad luck for indie filmmakers is considered a good thing. Then again, we all know how the AFI is such a HUGE supporter of indie filmmakers, right? Besides, didn’t Paramount Vantage go under?]
  • Finally, and what I would call both the best pick and only relevant pick for the AFI, Danny Boyle is honored for his triumphant film Slumdog Millionaire.

The pic “stands as a monument to the possibilities of cross-cultural storytelling,” the American Film Institute said Sunday.

So, what do you think? Good list? Bad list? Irrelevant? What are your thoughts, both of the list itself and of the contents of the list? What would your list of the 2008 Top “Moments of Significance” include?

[source: Variety.com]

Review: ‘Slumdog Millionaire’

Travis:

Holy crap! This movie surprised the Hell out of me! I knew this movie was likely going to be good, based simply on the other reviews I’d read and the fact that it’s directed by Danny Boyle. What I didn’t expect was the type of movie I would experience once I planted myself down into the seat. It’s kind of a tough break, as I am still a staunch supporter of ‘The Curious Case of Benjamin Button’ for Best Picture, but no other film came close to being a serious competitor than this, and I may even go against the grain and separate my picks for Best Picture/Director based on my seeing ‘Slumdog Millionaire’.

Danny Boyle (‘Trainspotting’, ‘Sunshine’) is right up there with Darren Aronofsky as one of my top favorite directors working right now that I think are just starting to tap into what they’re potentially capable of. ‘Slumdog Millionaire’ is Boyle’s newest film, having made huge waves with festival audiences worldwide, the marketing thus far for the film I’ve found doesn’t really give a clear picture of what this story is all about. This is a smart move though, because as an audience we enter the theatre with a very vague, even slightly misleading, notion of what we’re about to see and then it hits us like a ton of bricks. The story follows two Indian brothers as they grow up from young boys into young men. These two brothers are from the slums of India, an area sullied with filth, crime, corruption, violence and pollution. The massive community of ramshackle shacks are deeply rooted in poverty and the children must endure attacks between rival religious sects, unsanitary living conditions, abusive law enforcement officers and the constant risk of being abducted for use as beggars or even prostitutes by organized crime syndicates.

The two brothers, Jamal and Salim, have a very different outlook on life and their potential futures from a very early age. Salim, the older of the two brothers, is ambitious and opportunistic. He looks at the world as his for the taking so long as he’s willing to do whatever is necessary. Jamal, on the other hand, is a simpler boy in the sense that he only wishes for happiness. After the boys’ mother is killed during a violent raid from a rival religious attack, the boys must venture out into the world on their own and learn how to survive by whatever means necessary. Early in this journey, Jamal meets Latika, a girl his age whom he quickly becomes attached to. Through the many hardships and dangerous encounters the three children face, the bond between Jamal and Latika grows stronger and into something more than just friends, whereas the bond between Jamal and his brother grows further apart as Salim slips further down the slippery slope towards a life of crime. In the end, this amazing story is one of enduring love and undying hope despite the most cruel and brutal of circumstances.

Every aspect of ‘Slumdog Millionaire’ is breathtaking. The film is utterly beautiful, but not necessarily in an “Ivory Merchant” kind of way. Boyle has managed to take some of the most disturbing images of poverty and desolation and turn them into bittersweet poetic landscapes, detailing the supporting character that is Jamal’s world. The cinematography in ‘Slumdog’ is absolutely brilliant, utilizing dramatic lighting that allures but doesn’t distract and the various action-packed chase sequences are masterfully crafted. Perhaps one of the most effective tools in Boyle’s arsenal (and he employed many to great effect) was his incredible use of traditional Indian music with a modern, often hip-hop appeal, that works to set the mood for a clashing of the “old” India with the “new” India. This is a crucial element to Jamal’s story.

So, you’re probably asking yourself where the heck the game show comes into play? I waited this long to bring it up because the game show, while important to the story, is the part that is being marketed to potential audiences. We don’t get to see the “real” grit of the story in the trailers. Jamal manages to land a spot on the Indian version of Who Wants to Be a Millionaire? whereas he hopes to win the ultimate prize. No, it’s not the money, but rather a chance to reunite with his long, lost love Latika, who through an unfortunate series of heart-breaking events was separated from Jamal years before his appearance on the game show, which is watched by virtually everyone. He hopes that Latika will see him and make an effort to contact him… the chance at winning money is just a bonus of which he shows little interest in. The amazing thing about this plot, which is creatively woven throughout the film with Jamal’s recollections of his turbulent childhood, is that he manages to get so far in the game because he’s experienced so much in his life and can recall various things that allow for him to answer the questions.

Danny Boyle has created a compelling modern fairy tale with international appeal. His film succeeds on so many levels and truly does deserve so massive award recognition. Don’t be mistaken, this is a foreign film and certainly deserves being nominated for Best Foreign Film, although it probably will not. Finally, for those of you more familiar with Indian film, Boyle treats us at the end during the credits with a full-length Bollywood style song and dance set to enjoy.

[Overall: 5 stars out of 5]

Review: ‘Slumdog Millionaire’

One of our faithful readers Stephen Vasquez sent us an email about how great this movie was, so I put him to the test and asked him to write a review for it… and he did, a damn good review! Check it out below and leave him some comment love, maybe he will start writing more reviews for us?

Stephen:

Boyle is back, and in top form. His trademark shots are all there, his excellent transitions, masterful score, and compelling character’s that connect to the very end. I’m a fan of Darjeeling Limited and the India aesthetic in general, but this film is relentless in its depiction of the gritty slums that surround it. The unknown cast only adds to the realism, no parallels can be drawn to previous works.

I’m not of a fan of spoiling anything in reviews, it peeves me when more often than not I read a review and nearly most of the film is compressed into three paragraphs. I’m not going to do that. I will say that the film is promising and should court some Oscar buzz this year. However, not in the common “little Indie that could” fashion (pun definitely intended), this film goes beyond that. In keeping it basic, I’ll give you all the basic premise and synopsis.   The film opens with the leading man being goaded by torture methods into confessing how he was able to win 12 million rupees on the Hindi version of “Who Wants to Be a Millionaire. The ill fated journey that he and his brother embark on is seamlessly told through textbook usage of flashbacks, deriving from each question that is being asked in the game show.   Confused, much? Let me clarify, as the questions are being asked in real time, a flashback sequence reveals how the protagonist came to know the answer. Seems like a simple device, no? It’s actually the glue holding the narrative together, a tact that worked well with The Usual Suspects, never comes off formulaic in this film.   In some film-related circles, this could be considered a mystery even. Our hero’s humble incentive for being on the show is to live out his riches with the love of his life, Latika.   The orphan girl he and his brother befriend since childhood.   That never say never attitude leads our hero into a string of entertaining adventures, filled with marvelous backdrops and comedic scenarios. What should come off as clichà © love story, doesn’t.   The romance works seemingly well with the soft nature of the film, Boyle deserves full credit for this.

The film never compromises aesthetic beauty and yet it is never fully saturated with   scenery shots either, Boyle gives us enough to understand the poignancy of the different locations.   The gritty underbelly of the Mumbai slums really breathes its own air, becoming, what I thought, and the antagonist force that glues the story together. It’s one of those films that doesn’t really designate one said villain.

In going against the grain, the filmmakers decided to tell a heart-warming tale without fluffing the content, thus prompting the inconsistent MPAA to give the film an R rating. Why? Because the MPAA is almost as useless as the Electoral College, but I digress. Aside from one scene in the film (which isn’t even that bad), the film could have easily gotten slipped some PG-13 love. Its charming depiction (especially in the 1st half) of child poverty in India never teeters on the depressing, instead gives you enough to stay engaged.

The film could not have been released at a better time.   The story of a humble underdog who has to rise to the occasion is exactly what American’s are currently the mood for, especially after our election results. Even still, Slumdog Millionaire has so many things going against it here in the States, the usage of South Asian characters, and†¦well I’ll stop there. If the Academy can look past their ignorance, this coming of age tale will surely captivate, enrage, and most importantly, entertain. If American’s can look past the obvious determinants, that is.

Overall: 4 out 5 stars

‘Slumdog Millionaire’ Poster

The poster for Danny Boyle’s lates film, ‘Slumdog Millionaire’, has been released, and it looks pretty sweet. Â  It is a little busy up top what with the photoshopped actors and the acclamations. Â  However, the whole Who Wants to be a Millionaire feel to it is a great choice.

The film follows a poor, Indian teen who appears on the Hindi version of the famed gameshow. Â  The films gets a limited release on November 12.

Source: Variety

‘Slumdog Millionaire’ Wins People’s Choice at TIFF

‘Slumdog Millionaire’, the latest film by Danny Boyle, picked up the Cadillac People’s Choice Award at the Toronto International Film Festival Saturday night.   The award is voted on by festival audiences.

Previous winners of the TIFF People’s Choice Award include ‘Chariots of Fire’, ‘American Beauty’, and ‘Crouching Tiger, Hidden Dragon’, all of which went on to earn Best Picture Academy Award nominations.   Last year’s People’s Choice Award winner was ‘Eastern Promises’.

‘Slumdog Millionaire’ has a limited release date of November 28.

source: Toronto International Film Festival

WAMG First Look at ‘Slumdog Millionaire’

  

This looks like  an interesting little human drama piece from Danny Boyle, a director known jumping around between styles and genre… and a director that I typically enjoy. ‘Trainspotting’ was both fascinating and ground-breaking at the time, ’28 Days Later’ is one of the all-time best zombie flicks and ‘Sunshine’ was a brilliant sci-fi work in an era severely lacking such films. And let us not forget that little known gem early in Boyle’s career called ‘Shallow Grave’, a great dark comedy with some good Hitchcockian suspense influence.  ‘Slumdog’ on the other hand appears to be more in the tradition of ‘Millions’, a great little story about regular people. The only Boyle movie that I didn’t fully enjoy was ‘The Beach’, but I won’t get into that right now.

[SLUMDOG MILLIONAIRE is the story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India’s “Who Wants To Be A Millionaire?”

But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show’s questions.

Intrigued by Jamal’s story, the jaded Police Inspector begins to wonder what a young man with no apparent desire for riches is really doing on this game show?

When the new day dawns and Jamal returns to answer the final question, the Inspector and sixty million viewers are about to find out…] — Official Synopsis