Robert Mitchum in CROSSFIRE Available on Blu-ray From Warner Archive

Robert Mitchum in CROSSFIRE (1947) is available on Blu-ray from Warner Archive. Order it HERE

Years of police work have taught Detective Finlay that where there’s crime, there’s motive. But he finds no usual motive when investigating a man’s death by beating. The man was killed because he was a Jew. “Hate,” Finlay says, “is like a gun.” Robert Young portrays Finlay, Robert Mitchum is a laconic army sergeant assisting in the investigation of G.I. suspects, and Robert Ryan plays a vicious bigot in a landmark film noir nominated for five Academy Awards®, including Best Picture. Edward Dmytryk (Murder, My Sweet) directs, draping the genre’s stylistic backdrops and flourishes around a topic rarely before explored in films: anti-Semitism in the U.S. Here, Hollywood takes aim at injustice…and catches bigotry in a Crossfire.

Special Features: Commentary by Film Historians Alain Silver and James Ursini, with Audio Interview Excerpts of Director Edward Dmytryk; Featurette “Crossfire: Hate Is Like A Gun”

Robert Mitchum in BLOOD ON THE MOON Available on Blu-ray From Warner Archive

Robert Mitchum in BLOOD ON THE MOON is available on Blu-ray From Warner Archive. Ordering info can be found HERE

Robert Mitchum and Barbara Bel Geddes star in this taut Western thriller about a gunslinging drifter who realizes he’s been hired to be a villain. Out on the Texas frontier, Jim Garry (Mitchum) rides into town, quickly getting caught in a simmering confrontation between homesteaders and cattle ranchers. After accepting employment from an old mercenary friend, Tate Riling (Robert Preston), Garry comes to realize that Riling has been manipulating the tensions between rancher John Lufton (Tom Tully) and the local settlers in a bid to swindle the Luftons out of their livestock. Garry becomes torn between his conscience and his greed until he finds himself falling for John Lufton’s daughter, the formidable Amy (Bel Geddes). Soon, the two old friends will face off in a bloody showdown from which only one will leave alive. Based on the novel Gunman’s Chance by Luke Short.

Director Robert Wise is at the helm as Robert Mitchum, Robert Preston, and Barbara Bel Geddes star in this taut Western thriller about a gunslinging drifter who realizes he’s been hired to be a villain. Out on the Texas frontier, Jim Garry (Mitchum) rides into town, quickly getting caught in a simmering confrontation between homesteaders and cattle ranchers. After accepting employment from an old mercenary friend, Tate Riling (Preston), Garry comes to realize that Riling has been manipulating the tensions between rancher John Lufton (Tom Tully) and the local settlers in a bid to swindle the Luftons out of their livestock. Garry becomes torn between his conscience and his greed until he finds himself falling for John Lufton’s daughter, the formidable Amy (Bel Geddes). Soon, the two old friends will face off in a bloody showdown from which only one will leave alive. Often cited as a true “Noir Western,” this lost classic aptly demonstrates both Robert Mitchum’s and Robert Wise’s rapidly rising talents, elevating a superb shoot ’em up to something that sits with the viewer long after watching. Long unavailable on Home Entertainment, Blood on the Moon rides in looking better than ever thanks to this brand new 2020 1080p master on Blu-ray Disc. Based on the novel Gunman’s Chance by Luke Short.

Loretta Young and Robert Mitchum in RACHEL AND THE STRANGER Available on Blu-ray From Warner Archive

Loretta Young and Robert Mitchum in RACHEL AND THE STRANGER is now available on Blu-ray From Warner Archive. Ordering info can be found HERE

William Holden, Loretta Young and Robert Mitchum are the powerhouse performers in this great Western classic that The New York Times hailed as “excellent moviemaking.”

Splendidly depicting the untamed frontier of the 1820s, the film tells the impassioned story of Big Davey Harvey (Holden), a stoic backwoodsman who “buys” and marries a bondswoman, Rachel (Young), to care for and educate his motherless son. Neither the father nor son find much to appreciate in Rachel until Jim Fairways (Mitchum), a guitar-strumming hunter, shows a romantic interest in her. Violent jealousy erupts between the two men, settled only after a spectacular raid on the Harveys’ homestead by unmerciful Shawnee Indians. But which man will win Rachel’s heart?

Two of the Golden Age’s most iconic – and laconic! – leading men vie for the attentions of one of its loveliest – and strongest – leading ladies in this Western romance directed by Norman Foster. Straight arrow Christian frontiersman widower “Big Davey” Harvey (Holden) purchases bondservant Rachel (Loretta Young) for 18 dollars to act as his wife and a mother to his young son Davey (Gary Gray). It’s a marriage in name only until family friend, the mountain man Jim Fairways (Robert Mitchum) comes calling. Equal parts drama and Western, Rachel and The Stranger gives it’s leads time to inhabit their roles and layer on nuance before exploding in a riveting Western climax. And it’s never looked better than it does on this brand-new presentation sourced from original nitrate! Also, did we mention Mitchum sings? This new presentation restores nearly 15 minutes of footage cut from the film over 65 years ago. Also restored is the screen credit for its blacklisted writer Waldo Salt, which was removed from the film by RKO for its 1954 theatrical re-release.

Janet Leigh & Robert Mitchum Have a HOLIDAY AFFAIR Saturday Morning December 6th at The Hi-Pointe

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HOLIDAY AFFAIR screens Saturday morning December 6th at St. Louis’ fabulous Hi-Pointe Theater (1005 McCausland Ave., St. Louis, MO). The movie starts at 10:30am and admission is only $5.

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HOLIDAY AFFAIR isn’t one of the better-known Christmas films of the ‘40s, and it’s not the fanciest either, as it was made on a fairly small-scale, but it’s extremely pleasant, and doesn’t shove the good cheer down your throat, as so many larger films do. It lets its modest story, concerning a young widow, her son, and the two men who court her during the holiday season, happen naturally, and its unforced quality is one of the most winning things about it.

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Janet Leigh sparkles in the lead, and plays her peppy role in a slightly affected yet knowing manner that’s very accomplished for so young an actress (she was just 21). Robert Mitchum, as the beatnick guy who romances her, was never at home in comedy. There’s a physical heaviness to his presence that makes it impossible to feel lighthearted when he’s around, as he always seems like a guy who has just strolled out of the corner bar. Wendell Corey is far better cast as the lawyer boyfriend Leigh doesn’t really care for that much, which she doesn’t even realize till Mitchum shows up. The sets are nicely designed, and overall the movie is exceedingly well cast in even the smallest roles. Director Don Hartman had a Frank Capra-ish eye for the right actor for a certain part. The dialogue, while never brilliant in itself, is on the money most of the time. HOLIDAY AFFAIR is a feelgood movie that hits the right notes well and often.

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Saturday morning December 6th, you and your family will have the opportunity to see HOLIDAY AFFAIR on the big screen when it plays at 10:30am at St. Louis’ fabulous Hi-Pointe Theater as part of their 3-part Christmas Classics Movie Series. IT’S A WONDERFUL LIFE screens December 13th and WHITE CHRISTMAS with Bing Crosby and Danny Kaye plays December 20th. Stay tuned here at We Are Movie Geeks for more coverage of those films.

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Admission is just $5.

Hi-Pointe Theatre is located at 1005 McCausland Ave., St. Louis, MO 63117

The Hi-Pointe site can be found HERE

http://hi-pointetheatre.com/

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Showtime Line: (314) 995-6273

 

THE LONGEST DAY – The Memorial Day Blu Review

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Review by Sam Moffitt

With Memorial Day, Fourth of July and most importantly, another June 6th, (the 70th anniversary of the landing in Normandy called Operation Overlord but always referred to as D-Day) approaching, I thought it appropriate to shine a light on one of the greatest war movies ever made, if not the greatest, which details the invasion of Europe, step by step; Darryl F Zanuck’s super production The Longest Day.

Firstly I have to say, as I’ve said before, I am against war, being a practicing Nicheren Buddhist , a member of the Soka Gakkai International, I do not believe war is necessary. But even before taking up the practice of Buddhism I have questioned every war the United States has become involved in since Vietnam. Yet I also served four years in the US Navy, in peacetime, true, but I did serve my time and was honorably discharged. But if ever there was a war that needed to be fought and won, decisively, with unconditional surrender by the nations who started that war, World War Two is it.

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I also have to state The Longest Day is not entirely accurate as to the events that transpired that long ago June 6th 1944. Steven Spielberg’s film Saving Private Ryan is much more accurate about what happened on Omaha and Utah beach. Spielberg decided, and rightfully so, to show what mechanized, armed combat really looks like. The Longest Day belongs to an earlier generation of War movies, many produced while the war was going on, wherein death on the battlefield was shown “tastefully.”

You won’t see the kind of grisly carnage on display in Spielberg’s film or the war movies produced after that game changer was released, films like Windtalkers or Thin Red Line or Tae Guk Gi or Band of Brothers. But the events are still horrifying for many reasons, not least of which is that we get to know these guys, some of them very well, only to see them die on that expensive piece of real estate on the Normandy coast.

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First, I have to say, Darryl F Zanuck is a problematic figure in film history. If you have ever researched Hollywood history you may find that Zanuck often could be a son of a bitch, hated by many people who worked in the production of motion pictures he never the less has his name on many classic films, not least of which is The Longest Day.

Twentieth Century Fox released a bare bones edition of The Longest Day back in the 90s, then this deluxe two disc set, packed with extras, and the film has now been released on Blu Ray. Hopefully the excellent set of extras on this edition are included on the Blu ray.

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The Longest Day is correctly letterboxed and the black and white images are astonishingly beautiful for a movie that deals with the ugliness of war. All of the actors are essentially doing extended cameos, there is no lead actor. As pointed out in an informative commentary by Professor of History Mary Corey, the real star of The Longest Day is the event itself. D-Day is the main actor and all the stars and soon to be stars, are in service to that event.

For instance John Wayne, Robert Mitchum, Henry Fonda and Richard Burton all play key roles, but The Longest Day is never thought of as a “John Wayne movie” or a “Richard Burton vehicle.”   And all through the movie you can play spot the star. A soldier scrambles up a sand dune and takes out a German machine gun emplacement; we realize with a shock that it is Roddy McDowall! And we never see him again. Robert Wagner leads the group of Army Rangers who climbed up Pont Du Hoc using rope and grappling hooks. One of the soldiers, fighting for his life turns to the camera, and it is George Segal! And once the Rangers get to the supposed gun emplacements, and find no weapons, we never see him again either! In one particularly British moment one of their soldiers is a painfully young Sean Connery, marveling at the oh so British eccentricity of Kenneth More, and his bull dog!

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In fact there are so many name actors in The Longest Day I literally cannot list them all, look it up on the internet, you’ll be glad you did. In fact many of the actors were in the middle of other projects and went to Zanuck’s production on a day or two off and did a quick scene and then went back to work elsewhere.

Zanuck made the incredible decision to film The Longest Day almost as an experimental art film. All the American scenes were directed by Andrew Marton (King Solomon’s Mines), the British scenes were directed by Ken Annakin (Battle of the Bulge) and the German scenes by Bernhard Wicki (The Bridge). And as fine as all the actors are I have to mention how wonderful the Germans are! By turns arrogant, idiotic or just plain stupid all the German actors shine! Gert Frobe,( Goldfinger himself), is wonderful as a Sergeant Schultz type of complete idiot. Peter Van Eyck is also terrific as one of the Germans who was in deep denial about what was happening that day but it is Kurt (or Kurd) Jurgens who really stands out. Jurgens made a career out of playing the German officer who is fed up with Nazism, sick and tired of Hitler and more than ready to see the war end. He does his usual thing here but it is his character who gets to ruminate on how the history books will tell of the German Panzer divisions that were held back because Hitler took a dose of heroin in order to sleep and no one dared wake him to get his permission to send those armored divisions to the front! Wonderful! One of the high points in a wonderful film.

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The Longest Day takes us from the middle of June 5th through to the late afternoon of the 6th. I have always been fascinated with Operation Overlord, the biggest military operation in human history. Three major countries were allied in their efforts to defeat Germany: Great Britain, the United States and Canada. But mixed in with the troops that went ashore on D-Day were troops from every country in Central and South America. There were Mexican rifle companies, entire divisions of Brazilian infantry, and volunteers from every other Latin American country. They are not mentioned in The Longest Day but they were there, and they were needed, Brazil’s Army in particular distinguished themselves. Consider that for a moment, Brazil and Mexico had our back at Utah and Omaha beach. The coordination of all these different countries and different operations all going off at once has always amazed me.

In the The Longest Day we see the paratroops and glider troops who went in first to secure certain towns, bridges and rail heads that were crucial and could not be lost to German sabotage once the invasion got rolling. Gliders in particular were an insane concept, many Brits, Americans and Canadians died because those gliders were a bitch to land. Yet enough of them survived to do the task they were assigned. Richard Todd in particular is excellent as an officer of British Commandos, and well he should be, Todd really was a commando during the war. In fact a great many of the actors actually served during the war, which brings even more credibility to the project.

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There were other problems, many paratroops landed miles from where they were supposed to be, a lot of troops got lost, an entire division landed on the wrong beach. General Teddy Roosevelt Jr. their commander made the famous statement, “We’ll start the war from here!” Considering the number of men and material involved it is amazing there weren’t more foul ups.

And as you would expect the extras on this deluxe version are excellent. Besides the commentary by historian Mary Corey, Ken Annakin does a separate commentary on his contributions to the project. Even though Annakin is in his 90s he recalls minute details of the production. Both commentaries are well worth listening to

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On the second disc, among other special features are a History Channel documentary on the real event and the movie. Several featurettes on the making of The Longest Day, which repeat many clips and comments among them. Surprisingly few actors have any comments about the production, although Red Buttons is a stand out. He played a real guy who got stuck on the roof of a church in St. Mari Eglaise and had to listen to the church bells all night until he went temporarily deaf. He actually got to the meet the paratroop he was portraying, a great example of how a professional actor does his homework.

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We learn for instance, that Zanuck had to fight to shoot the film in black and white, and not so the production could use newsreel footage, there is very little actual footage from WWII. Incredibly a lot of the shots of the channel crossing were done with real ships and real soldiers from several different European countries who got to pick up an extra paycheck playing Americans, Germans and British soldiers. We also learn about the logistical problems of an incredible helicopter shot near the end of the movie. French commandos are taking a town back from the Germans, the camera follows dozens of soldiers, through gun fire, explosions and falling buildings, in a single shot. Literally jaw dropping stuff, the production had only one chance at getting it right.

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So come Memorial Day and June 6th visit a Memorial Service and if you see any Veteran’s, and you will, thank them, please. Especially if you see any of the few remaining Veteran’s of WWII, soon those guys will be gone. We still enjoy a great deal of freedom in this country, despite the best efforts of both our political parties and the corporate welfare state to change that. We have that freedom due to the sacrifice the Greatest Generation made, especially on June 6th 1944. I don’t even like to think about what the world would be like if Germany and Japan had won WWII. And then take a look at The Longest Day, or Saving Private Ryan, or 30 Seconds Over Tokyo or Wake Island or The Thin Red Line and just try to imagine what it was like, just for a moment, it’s the least you can do.

Classic Revival … ‘The Night of the Hunter’ (1955)

If you were to define “creepy” … how would you do it? Its likely that, depending on who’s being asked that question, the answer would vary immensely. For myself, “creepy” is rarely defined as something “scary” or grotesque. Having grown up watching monster movies and various forms of horror flicks, very little of that material affects me on any significant level. On the other hand, there are occasionally films that I come across that, perhaps even surprisingly, give me the heebie-jeebies.

The Night of the Hunter is one of those films. Directed by Charles Laughton, this film-noir/psychological horror film must have tested the limits of “creepiness” in the 50’s because even today its a chilling story of a man so screwed up in the head that he believes God is telling him to pursue his killing spree. Night of the Hunter was an early prelude to the popular serial killer films of today. For those who have seen these movie, you’d probably agree that its actually pretty cheesy by today’s standards. The dialogue spoken as its written and uber-melodramatic acting were par for the course back then, but its the story that makes this film so creepy … combined with Robert Mitchum’s performance.

Continue reading Classic Revival … ‘The Night of the Hunter’ (1955)