Ah, it’s almost that quiet (well quieter) time at the old multiplex, as Summer mayhem winds down and the end-of-the-year award bait anxiously awaits. You know… what with Labor Day here in just a couple of weeks. But what’s that rumbling in the distance? Why, it’s another car-smashin’ action flick, charging in with guns ablazin’! Is it another comics-based thriller, or the exciting newest installment of a spy franchise? No, but it’s pretty familiar, as it’s another adrenalin-fueled fable concerning two really different guys, who’ve got to team up to start a huge threat. And, in the tradition of Nick Nolte and Eddie Murphy in 48 HOURS and Jackie Chan and Chris Tucker in the RUSH HOUR trilogy (oops, maybe another’s on the way), these fellas, besides their personalities, are, well, of different ethnicities. Perhaps this film will start a dialogue and help this divided nation. Aw, come on, it’s not DETROIT. No, it’s two Marvel heroes let loose for some R-rated rampaging in THE HITMAN’S BODYGUARD.
The title character is actually Michael Bryce (Ryan Reynolds), who we first meet at the top of his game, prime of his life really, as the head of a triple A-rated personal security agency. This day that rating is flushed away when his current employer become his late employer. Cut to the present and Michael is still in the biz, though with a far less classy firm, and handling far less classy clients. Next we meet his former girlfriend Amelia (Elodie Yung) who has just been given a top assignment at Interpol. Notorious assassin for hire Darius Kincaid (Samuel L. Jackson) has been captured. But he’s not off to prison. They need to take him from London to the Hague where he will testify against a vicious former Russian official, the genocidal Vladislav Dukhovich (Gary Oldman). So, why is Darius doing this? Civic Duty? Yeah, right! He’s cut a deal, not for himself. He wants to free his incarcerated wife Sonja (Salma Hayek), who’s stuck in a cell in Amsterdam. Of course disaster strikes the Kincaid convoy (there must be a mole at work), and Amelia and Darius barely escape to a “safe house”. Her only choice is to call in a third party, so she dials up her ex, Michael. Though they’ve had violent dust-ups in the past, Michael agrees to get Darius to the big trial. But with Dukovich’s thugs and the compromised Interpol on their heels, can they get there in time, as they said on the old “Odd Couple” TV show, “without driving each other crazy”?
After scoring a huge hit as DEADPOOL, Reynolds gets into a similar groove with his motor-mouth, snarky “hired gun”. And once again, that comic timing serves him well, although it’s tempered with a touch of sadness as Bryce confronts past regrets and assumptions while dodging shrapnel. As does Jackson, who also has the gift of gab, though peppered with many, many “MF-bombs”, in almost a parody of some previous roles (a couple Tarantino ones come immediately to mind). Plus, his hitman becomes almost a “life coach” to Michael prompting him to change his current course. Oh, and his glare still speaks volumes. Another grimace is provided by Oldman, also in a take-off of some previous baddies (he’s his AIR FORCE ONE villain with higher aspirations). Of course, Vlad is pure banal evil hotwired with a swift sadistic streak. Yung, as the lone “good cop” or agent, graduates from her breakout small screen role as Elektra on Netflix’s “Daredevil”, and does a superb job with the underwritten character (after the first 20 minutes she’s regulated to the “woman on the phone” cliché’). Unfortunately Amelia has none of the flash of the sultry, and often scary, Sonja played with fiery energy by the sizzling Salma Hayek. She’s explodes off the screen, real 3D without those glasses, especially in a flashback showing how she met her hubby. No wonder he risks everything to free her, although many might think, “I wouldn’t want to meet her in a dark alley”, while others would hope for such an encounter.
Patrick Hughes, fresh off directing the destruction in THE EXPENDABLES 3, once again choreographs the chaos in this two-fisted European travelogue of mayhem. Oddly, the action becomes more than a touch tedious. The exchanges between the two leads are often engaging, but it’s as if the film makes looked at their time pieces and said ,”Oh, oh. Nearly ten minutes have gone by without another car chase…let’s go, schedule to keep!”. You can only watch a vehicle blasted to bits so many times before the novelty wears very thin. Also, the JOHN WICK-style nastiness (point-blank shots to noggins, throat slitting, etc) dilutes some the high-spirited comedy (guess they wanted to guarantee that R-rating). Oh, and could the Interpol mole be any more obvious (unless they added a facial blemish)? This culminates into an ending that doesn’t know quite when to stop trying to top itself (liked seeing that semi-truck flip in THE DARK KNIGHT, well…). Some of the locales are lovely during a few brief tranquil seconds, until the carnage pummels the viewer into a stupor. Sam and Ryan are a winning team, but they deserve a better, more original story than THE HITMAN’S BODYGUARD. And squeeze in a lot more Salma next time, will ya’?
Okay fantasy film fans, here’s a quick memory quiz for you (if you’re well past twenty). You recall what you were doing on that first weekend of May fifteen years ago (can’t be that long ago)? There’s a very good chance that you were making movie history by smashing the existing three-day box office total for a new film. Its title? Why the biggest film of 2002, Sony Pictures’ SPIDER-MAN directed by Sam Raimi and starring Tobey Maguire. For fans of superhero cinema, that year has the same importance as 1978 (SUPERMAN THE MOVIE directed by Richard Donner and starring Christopher Reeve) and 1989 (BATMAN directed by Tim Burton and starring Michael Keaton…more about him soon). Sure, Superman and Batman had been the subject of low-budget movie serials, a story shown in weekly installments, usually a staple of “kiddie” matinees until the mid 1950’s. The Dark Knight had a feature film in 1966, but it was basically and extension of the incredibly popular TV show. But in 78 and 89 they finally got the big budget treatment fans thought they had long deserved. This was great for those iconic characters from DC Comics (formally National Periodicals, now a part of the Warner family), but what about that younger upstarts at Marvel Comics? The major movie “door” had been pushed slightly ajar for the company when BLADE came out in 1998. The door swung out a bit more two years later with X-MEN. Its success started a flurry of legal action to see who had the screen rights to Marvel’s most popular solo character, its corporate mascot, it’s “Mickey Mouse”. Sony, the eventual winner, more than made back the legal fees with that 2002 film and its 2004 follow-up SPIDER-MAN 2 (with the great villain Dr. Octopus, I’m not alone in thinking it’s the better movie of the two). The three films since then seemed to lose that “magic spark”. SPIDER-MAN 3 in 2007 with its villain overload (the Sandman, Venom, and a new Green Goblin) and sci-fi subplot hastened the departure of Raimi, Maguire, and co-star Kirsten Dunst. The 2012 “reboot” from director Marc Webb(?!), THE AMAZING SPIDER-MAN made good use of the chemistry between stars Andrew Garfield and Emma Stone (as Spidey and Gwen Stacy), but the story was bogged down with corporate intrigue Oscorp’s behind everything). That same problem plagued its sequel, 2014’s, along with, once more, too many bad guys (Electro, the Rhino, and yet another Goblin). It “under-performed” at the box office, Sony decided on a somewhat radical move. By this time Marvel had become a major force in Hollywood, producing hit after hit, starting in 2008 with IRON MAN. Sony wanted to keep the franchise going, so what about a partnership? This agreement bore fruit last May when Spidey was enlisted by Tony Stark to be part of CAPTAIN AMERICA: CIVIL WAR. This new, younger ‘web-spinner” was a huge hit with audiences and one of the highlights of that smash film. Now he gets to be the main focus of the story, and since Marvel is now steering his film series, it’s like he’s really returning to his roots, his nest (for another arachnid analogy). For that reason, the title seems an near perfect fit, SPIDER-MAN: HOMECOMING. To borrow a lyric from John Sebastian’s classic TV theme song, “Welcome baaack…”.
The film’s first moments quickly establish that we are right in the middle of the Marvel “movie-verse”, by taking us back five years to the aftermath of the “battle of New York” AKA the finale of MARVEL’S THE AVENGERS. After such an enormous disaster, an overwhelmed city outsourced much of the clean-up and repair. One lucky contract went to the salvage firm owned by Adrian Toomes (Michael Keaton). But as they load up various alien artifacts (the Chitauri left behind a lotta’ tech), a group of “suits” appear. Their supervisor (played by a beloved TV authority figure) announce that the contract is void and the Toomes crew should vacate after turning over all the recovered alien “gadgets and gizmos a’plenty” (oops, sorry). This doesn’t go over well with Toomes, and as he leaves he tells one of his workers to hold on to some of their findings. Jump cut to more recent times, and Toomes is running a secret weapons operation, selling and using devices (to pull heists) using those Chitauri power sources and “doodads”. Seems one of his guys, Phineas Mason AKA The Tinkerer (Michael Chernus) is an alien firearms savant. We then see a short video that gives us a Spidey’s eye view of the big battle overseas from last year, all footage shot by Peter Parker (Tom Holland). He’s dropped off at his Queen home via the limo of none other than Mr. Tony Stark AKA Iron Man (Robert Downey, Jr.), who tells Pete to keep a low profile, help with local problems, and check in with Stark security supervisor ‘Happy’ Hogan (Jon Favreau). But Pete is eager to go on another “retreat” with hopes of becoming a full-fledged Avenger. Tony deflects the questions and Peter totes the large metal case containing his new “tricked-out” spider suit up the steps to his apartment. The next day it’s back to the old routine at Mid-Town High : hangin’ with best pal Ned (Jacob Batalon), oogling gorgeous senior queen Liz (Laura Harrier), avoiding the put-downs from the obnoxious ‘Flash’ (Tony Revolori), and trading barbs with snarky Michelle (Zendaya). But the day can’t zip by fast enough for Pete. He stares down the clock, eager to be back on the streets. protecting the public as Spider-Man. And just what dangers await? Well, he foils a bicycle robbery, helps a woman with directions (she buys him churro), and bungles a car theft. Pretty tame stuff, until he spots four masked men trying to grab cash from an ATM lobby. Unfortunately they’re using some of the souped-up weapons from Toomes, and during the melee Spidey has to rescue a man whose business is destroyed from a laser blast. Pete contacts Stark who is insists that he stop pursuing such a dangerous gang and leave it for the Avengers. However, Spidey somehow keeps crossing paths with these hoods and their boss Toomes, who now dons a winged suit of armor to become the Vulture. Can Pete continue to keep his after-school activities from his protective Aunt May (Marisa Tomei). And what will ‘Happy” and Tony do when Peter ignores their warnings? Is Spidey too old for a “time out”?
Tom Holland proves that his scene stealing appearance in last year’s Marvel epic was not a fluke as he carries this story on his very capable shoulders and makes the dual roles of Peter Parker and Spider-Man his very own. Gone is the frequent dour attitude of Maguire and the sneer of Garfield, instead we have the hero, who’s really more “Spider-Teen’ than Spider-Man (but don’t tell Pete that). He’s filled with youthful exuberance and curiosity (I knew he was gifted when I reviewed THE IMPOSSIBLE five years ago), completely believable as a smart, often awkward, but always endearing high school kid. Yes, Spidey always worked best in the comics as a kid (or “tween”) who can easily “get in over his head”. Holland has expert comic timing and sharp line delivery (good yank accent, you Brit. you), and is also a terrific mime, which is a must when you’re covered eye to toe in blue and red spandex. Although we can’t see those hazel eyes through the mask, Holland conveys the character’s emotions through expert body language. As much as Gal Gadot was the perfect “find” for Wonder Woman, Holland’s the perfect “fit” for ole “web-head”. Oh, and he’s got terrific rapport with the other young actors, particularly Batalon as the sweet, nerdy goofball Ned, the kind of best pal we’d be lucky to have growing up. Incredibly supportive, Ned is always seconds away from bursting with excitement and enthusiasm. His ultimate dream, to be “the guy in the chair” is one of the film’s best running gags. Zendaya has an infectious laid-back vibe as the rebellious little “hellion” Michelle, a “tough chick” who will call you out on your BS, guys! At the other end of the spectrum is Harrier as the ethereal dream girl Liz, whose outer confidence masks her vulnerability. She’s the school “angel” who’s surprisingly down to Earth and nice (especially to timid Pete). Revolori gives a different take on ‘Flash’ than we’ve seen in other Spidey flicks. Rather than the violent towering brute, he’s a cruel, sarcastic vain rich dweeb, closer to Reggie in the Archie comics. A most pleasant surprise was seeing Abraham Attah (so heartbreaking in BEASTS OF NO NATION), now a lanky teen playing a member of the academics team. What great casting!
But what of the adults, the “slightly” past their twenties set? Well, they’re pretty fabulous, dominated by the unbelievably intimidating performance of Michael Keaton as one of the earliest (number 2!) comics foes. They say a hero’s only as good as his villain, and Toomes may be the best “Marvel-verse” baddie since we first met Loki. If you had asked me a few months ago to put together a top ten list of Spider-Man villains (and he’s got the best “rogues gallery” after the caped crusader), the Vulture would’ve been lucky to be in a top 20. But to borrow a phrase from Kevin Smith, who said he never cared about Iron Man till Downey, Keaton makes Toomes Spidey’s best movie adversary since Doc Ock. A confrontation out of costume in the story’s third act is perhaps the movie’s scariest scene (this guy will carry out that threat). This is another splendid role in Keaton’s post BIRDMAN “comeback”. His menace is matched by the charm and father-like warmth (really, no kidding) of Downey who continues to add new, interesting layers to tech-master Tony Stark. Of course he’s truly funny, but we see him here as more than just a mentor. Tony is tough with Peter, perhaps because he sees a lot of himself in the “kid”, but maybe he sees the son who he might have raised if he hadn’t been a rich jerk for so long (before the events of the 2008 film). His past co-star (ONLY YOU and CHAPLIN), Tomei, is a sprightly and, odd to say this about the comics character, sexy delight as May Parker (another great running joke is how all the mature dudes in Queens, even Stark, have a “thing” for her). Here’s hoping she’ll get many more scenes, plus a look into her “back story”, in the next installment since she and Holland are also a great team (gotta’ see what happens after the final fade-out). I was happy that we get to see a lot of Favreau (as much as the Iron Man trilogy) as the gruff, “gloomy gus” with a heart of gold that is the tough and tender Mr. Hogan. Plus the film is peppered (watch it) with several terrific comic actors. Donald Glover is smooth as silk as a low-energy criminal informant that has some good advice for Spidey (“Ya’ got ta’ get better at this”). Martin Starr (now on “Silicon Valley” but the best part of “Freaks and Geeks”) as the nervous, jittery faculty advisor to the academics team (“Where’s Parker? Again!”), and Hannibal Buress scores some big laughs as the PE teacher, Coach Wilson.
With only one feature film to his credit, the indie thriller COP CAR with Kevin Bacon, director Jon Watts smashes through, into the big, big leagues with this non-stop entertainment machine. They epic action sequences are masterful, but he makes the small intimate scenes just as powerful. Although six different writers (including Watts) are credited for the screenplay, the film never feels disjointed. Wisely the film makers opted against rehashing the big origin story. We all should recall it, so there’s no need to witness the demise of a third ‘Uncle’ Ben Parker (though it’s hinted at in a brief bit of dialogue). And it has heart to spare, since the best Spidey stories don’t merely focus on his battles and powers, but integrate the fantastic with honest human relationships. While many “super guys and gals” tower above us (billionaire vigilantes, Greek and Norse gods, strange visitors from another planet), Peter Parker and his alter ego are “reg’lar fellas”. To borrow a lyric from the late, great Howard Ashman,”Who’s that hero next door?”. It’s that nice masked man helping the lady find her way around the city. There are great references to the other Marvel movies (why does the school principal have so many military medals on display, the Sokovia Accords are covered in history class), and tributes to classic comics that will warm the hearts of “four-color” fans (“Amazing Spider-Man”, volume one, issue number 33, “The Final Chapter”..nuff’ said!). And another rollicking, pulse-pounding score from Michael Giacchino (even working in a version of one of our favorite TV themes). But even casual movie-goers will be delighted that the “web-spinner” returns to the forefront of exciting movie franchises. It’s a most welcome, very happy homecoming indeed!
Check out the brand new trailer for SPIDER-MAN: HOMECOMING, in cinemas on July 7.
A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in SPIDER-MAN: HOMECOMING.
A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in SPIDER-MAN: HOMECOMING.
Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.).
Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.
Directed by Jon Watts, the film also features Zendaya, Jon Favreau, Donald Glover and Tyne Daly.
SPIDER-MAN: HOMECOMING is coming to cinemas July 7, 2017 and we have your first look at the brand new trailer for the upcoming film.
A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in SPIDER-MAN: HOMECOMING.
Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.
One of the most celebrated film makers of the last four decades has died. Here’s how the New York Times reported it…. Curtis Hanson, the film director whose adaptation of the James Ellroy noir novel “L.A. Confidential” won him an Academy Award, died on Tuesday at his home in Los Angeles. He was 71.
The death was confirmed by Officer Jenny Houser, a spokeswoman for the Los Angeles Police Department. She said that officers had been called to the house shortly before 5 p.m., and that Mr. Hanson had died of natural causes.
Julie Mann, his business manager, said Mr. Hanson had been struggling for some time with a form of dementia.
Let’s take a look at his long career. His first screen credit is for helping to adapt H.P. Lovecraft’s short story in the 1970 American International Pictures’ THE DUNWICH HORROR starring Sandra Dee and Dean Stockwell. Three years later Hanson was a triple threat as writer, producer, and director of the low-budget Tab Hunter thriller, SWEET KILL. In 1978 he scripted the crime caper flick SILENT PARTNER starring Christopher Plummer, Elliot Gould, Susannah York, and John Candy. Two years later Hanson was back behind the camera as director/producer of the action kids’ comedy DIRTY DRAGONS. He next collaborated with iconic director Sam Fuller on the script for the controversial WHITE DOG in 1982 The next year was a busy one as the screenwriter of the Disney wilderness adventure NEVER CRY WOLF and as director of the 60’s set teen sex farce LOSIN’ IT starring a post RISKY BUSINESS Tom Cruise, Jackie Earl Haley, and Shelley Long.
In 1987 Hanson wrote and directed the Hitchcock influenced mystery THE BEDROOM WINDOW starring Steve Guttenberg and Isabelle Huppert, and also directed (under the alias Edward Collins) the zombie horror flick EVIL TOWN. 1990 saw him back in thriller territory directing the Rob Lowe/ James Spader BAD INFLUENCE. Two years later Hanson had his biggest commercial hit, directing the psychological nail-biter THE HAND THAT ROCKS THE CRADLE featuring a showdown between mother Annabella Sciorra and Rebecca De Mornay that would inspire countless made-for-basic-cable-TV flicks.
In another two years Hanson helped turn Oscar darling Meryl Streep into an action heroine in the outdoor survival action epic THE RIVER WILD.
1997 saw the release of Hanson’s most acclaimed film. He pulled triple duty (directing, co-producing, and co-screenwriter) on the movie adaptation of James Ellroy’s noir ode to the “city of angels”, L.A. CONFIDENTIAL. It was gritty 1953-set whodunit involving high-priced star look-a-like call girls, mobsters, gossip rags, and corrupt cops (except for noble Bud White, a role that firmly established Russell Crowe as a major star). And it earned Hanson his only Oscar, for adapting the book with Brain Helgeland (Kim Basinger grabbed one for supporting actress). It might’ve nabbed Best Picture if not for that flick about the boat and the iceberg.
Hanson’s follow-up was quite a change of pace. He directed and co-produced WONDER BOYS based on Michael Chabon’s quirky college-set comic romance and featuring a most impressive cast: Michael Douglas, Robert Downey, Jr., Toby Maguire, Frances McDormand and Katie Holmes. It garnered tons of favorable reviews and tanked at the box office.
But Hanson bounced back in 2002 as the director/producer of the semi-autobiographical rap drama 8 MILE telling the slightly fictionalized story of its star, hip-hop superstar Eminem and co-starring Basinger as his boozy mother. It snagged an Oscar for Best Original Song and was a smash box office hit.
That same year Hanson was in front of the camera playing Streep’s husband in ADAPTATION. He returned to directing and producing with the sister sibling “dramedy” IN HER SHOES with Cameron Diaz, Toni Collette, and Shirley MacLaine. Two years later Hanson handled the same chores in addition to co-wrtiting the screenplay on the drama set in the world of professional poker players, LUCKY YOU which starred Eric Bana and Drew Barrymore. His last feature film was the 2014 family friendly true surfing sports saga CHASING MAVERICKS starring Gerard Butler. Unfortunately, due to illness, Hanson was unable to finish directing the film and Michael Apted was brought into to finish it.
Curtis Hanson was also a well-respected film historian and scholar. For a short time he was editor of Cinema magazine. In 1999 Hanson became the first chairman of the UCLA Film and television Archive, and in he was a member of the Directors’ Branch of the Board of Governors of the Academy of Motion Picture Arts and Sciences.
We hope you’ll take the time to sample some of his films. Mr. Hanson has left an outstanding body of work, a legacy that movie lovers will study and enjoy forever.
Review by Brandon Krzysztof
Films are being released in clusters lately each Tuesday and September 13th continues that trend with CAPTAIN AMERICA: CIVIL WAR, one of many sequels released that day. It’s safe to say this was the most anticipated new release of the week. It was released on Steelbook at Best Buy, which was an exclusive. It also had a 3D version with a beautiful slip cover and a standard version without a slip cover which I believe was very weak for the price; it had no digital HD to go with no slip cover for $19.99.
THE SYNOPSIS
After an incident that kills innocent civilians, political interference in the Avengers’ activities causes a rift between former allies Captain America and Iron Man.
THE REVIEW
I saw CAPTAIN AMERICA: CIVIL WAR twice in theaters; once in IMAX 3D on opening night and a second time which was a standard showing later that weekend. On both occasions I gave the film a 4.5/5. Even watching it for a third time in four months, I stand by that rating. Superhero films have been getting a little old for me but in this one I really enjoyed the tension and continuous conflict throughout the run time. The airport scene was gold. It was what everyone wanted to see and it delivered. My favorite parts of the film were definitely Black Panther, Bucky, and Spider-Man. And in case you were wondering… Team Cap all the way.
4.5/5 THE QUALITY
Once again Disney did not release this film with a 4K transfer but it really doesn’t matter because it sounds and looks immaculate on blu-ray. The dialogue is clear enough to hear and the bass on my subwoofer was booming. I felt like I was back in the theater. It is definitely a must own and makes any home theater better.
THE FEATURES
Just like The Jungle Book, the blu-ray is loaded with features, actually longer ones that The Jungle Book. I was very content.
The first featurette, United We Stand, Divided We Fall: The Making of Captain America: Civil War, is a two part behind-the-scenes look at the film at all stages through pre-production to post-production and everything in between. I love seeing how a film comes together and these two parts, which total 45 minutes, delivers. Cast interviews, transferring the comic to screen, shooting certain scenes, etc. Very informative feature.
The second and third featurette, Captain America: The Road to Civil War and Iron Man: The Road to Civil War, are both just over 4 minutes each and they both dive in to the character’s role in the split and performances by the actors.
The fourth featurette, Open Your Mind: Marvel’s Doctor Strange, is just over four minutes and is a quick sneak peak into Marvel’s next big film, Doctor Strange.
The audio commentary is with directors, Joe and Anthony Russo, along with writers, Christopher Markus & Stephen McFeely. They cover all sorts of information about the film, set design, characters, and the whole nine yards. It’s such a long movie so right after watching the film, I’d let it resonate before watching this; perhaps on a rainy day.
There also is funny gag reel and a few deleted/extended scenes that didn’t quite make it the film.
THE VERDICT
Captain America: Civil War is fun film that you can watch either by yourself or with a group of friends. You can put it on at any point and be invested it. The blu-ray looks and sounds great and is loaded with features. I’m sure Marvel fans rushed out this Tuesday to add this to their collection. I’m not a die-hard Marvel fan but I sure did.
QUICK BONUS REVIEW
Now You See Me 2 was released the week before and my girlfriend saw a screening of it and theaters and we decided to do a marathon of the two films and it was by far one of the most marathons I’ve endured. The first film was okay, I gave it a 2.5/5. But this second one was awful. It is a certified 1/5 for me. The 4K picture really wasn’t mind blowing and the plot and tricks and stuff were so far-fetched. If I offended you, I apologize but this film wasn’t for me.
Marvel’s Captain America: Civil War has conquered both audiences and critics, debuting to $179.1 million—the fifth-biggest domestic opening of all time. When it arrives early on Digital HD, Digital 3D and Disney Movies Anywhere on Sept. 2 and on Blu-ray™ 3D, Blu-ray, DVD and On-Demand on Sept. 13, viewers can join the nonstop action and pick their side—Team Cap, commanded by Steve Rogers (Chris Evans), or Team Iron Man, led by Tony Stark (Robert Downey Jr.). And don’t miss the 60+ minutes of in-depth bonus features that take viewers behind the battle lines with their favorite Super Heroes!
Marvel’s “Captain America: Civil War” has earned a 90% critics rating on Rotten Tomatoes. “Captain America: Civil War” is the highest-grossing film of 2016 domestically, internationally and globally, earning more than $1.14 billion at the worldwide box office. It also continues Marvel Studios’ winning streak as the 13th consecutive film from the Marvel Cinematic Universe (MCU) to debut at #1 at the domestic box office.
When Marvel’s “Captain America: Civil War” arrives early on Digital HD, Digital 3D and Disney Movies Anywhere on Sept. 2 and on Blu-ray™ 3D, Blu-ray, DVD and On-Demand on Sept. 13, viewers can join the nonstop action and pick their side—Team Cap, commanded by Steve Rogers (Chris Evans), or Team Iron Man, led by Tony Stark (Robert Downey Jr.).
Rogers and Stark are joined by a star-studded lineup of beloved Marvel Super Heroes, including Natasha Romanoff aka Black Widow (Scarlett Johansson), Bucky Barnes aka Winter Soldier (Sebastian Stan), Sam Wilson aka Falcon (Anthony Mackie) Colonel James “Rhodey” Rhodes aka War Machine (Don Cheadle), Clint Barton aka Hawkeye (Jeremy Renner), Vision (Paul Bettany) and Wanda Maximoff aka Scarlet Witch (Elizabeth Olsen), along with new recruit Scott Lang aka Ant-Man (Paul Rudd) and joined by two new additions to the MCU: T’Challa aka Black Panther (Chadwick Boseman) and Peter Parker aka Spider-Man (Tom Holland).
More than 60-minutes of thrilling, exclusive bonus material includes: an inside look at the evolution of lead characters Steve Rogers and Tony Stark, a behind-the-scenes exclusive on the making of Marvel’s “Captain America: Civil War,” never-before-seen deleted scenes and hilarious outtakes. Plus, home audiences can learn more about the latest additions to the MCU and get an exclusive, first look at Marvel’s “Doctor Strange,” starring Benedict Cumberbatch, coming to theaters Nov. 4, 2016.
Bonus features include*:
DIGITAL HD/3D & BLU-RAY:
United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.
Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.
Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.
Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.
Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of “Captain America: Civil War.”
Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.
Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.
*Bonus features may vary by retailer. The DVD does not include any bonus materials.
The most explosive clash to ever rock the Marvel Cinematic Universe ignites a firestorm of conflict in the game-changing epic, Captain America: Civil War. In the wake of collateral damage, government pressure to rein in the Avengers drives a deep wedge between Captain America (Chris Evans) and Iron Man (Robert Downey Jr.), causing a catastrophic rift that escalates into an all-out feud. Against a backdrop of divided loyalties, their fellow Avengers must deal with the fallout. Pick a side in this spectacular adventure, packed with mind-blowing action, suspense and exclusive bonus content!
Marvel’s “Captain America: Civil War” is directed by Emmy® Award-winning directors Anthony and Joe Russo from a screenplay by Christopher Markus & Stephen McFeely. Kevin Feige, p.g.a. is the producer of the film, with Louis D’Esposito, Victoria Alonso, Patricia Whitcher, Nate Moore and Stan Lee serving as executive producers.
It’s finally time to pack away the bulky Winter coats and jackets, or at least regulate them to the far corners of the closet, because Summer has truly arrived. A new tradition heralding the seasonal start began eight years ago with the first major Marvel Studios release IRON MAN, and almost every first weekend of May since has seen another “box office buster” storm the nation’s, now the world’s, theatre screens. Like the “star-spangled man”, these exec do have a plan, mapping out groups of films as a “phase”. That 2008 classic marked the beginning of “phase one” that concluded with the first titanic team-up of heroes, MARVEL’S THE AVENGERS. “Phase two” finished up last Summer with ANT-MAN and the second Avengers epic. Who better to usher in the beginning of “phase three” than the first Avenger himself, Steve Rogers? But the good Captain now faces a challenge perhaps greater than the Hydra hordes that infested SHIELD in his second solo film. The sentinel of liberty is pitted against his friends and fellow Avengers in the globe spanning adventure CAPTAIN AMERICA: CIVIL WAR.
The story actually begins 25 years ago in Siberia, as James “Bucky” Barnes (Sebastian Stan) is awakened from his cryogenic slumber to complete another murder mission as the Winter Soldier. Jump forward to modern-day Lagos in Africa, as Captain America (Chris Evans) and Natasha Romanoff AKA the Black Widow (Scarlet Johansson) team with Avengers “newbies” Wanda Maximoff AKA the Scarlet Witch (Elizabeth Olsen) and Sam Wilson AKA the Falcon (Anthony Mackie) to stop a gang led by an old enemy. Suddenly the battle takes an unplanned turn, leading to a unforeseeable tragedy. Meanwhile Tony Stark (Robert Downey Jr) has finished the presentation of a new simulator at MIT, when he is confronted by the relative of an innocent lost during an Avengers operation. Later the Avengers are summoned to a meeting with new Secretary of State, Thaddeus “Thunderbolt” Ross (William Hurt), the former General who tried to take down the Hulk. He reminds them of the destruction left in the wake of the Avengers, then presents a thick book, the “Sokovian Accords”. He wants each Avenger to review the tome then sign an agreement to only assemble after approval by members of the United Nations. Steve has reservations about such restrictions, while Tony believes that they should be “put in check”. But as the debate rages, Steve and Sam continue their search for Bucky. Days later an attack occurs in Vienna during a special address to the UN by the king of the secretive African nation of Wakanda. The country’s Prince T’Challa (Chadwick Boseman) swears revenge. Police security footage reveals the Winter Soldier at the scene. Can Steve find his old friend before the authorities and T’Challa, who is also the fierce warrior the Black Panther, do? And what will happen if Steve and his supporters refuse to sign those Accords? Will the Avengers “dis-assemble”?
With such a large cast it comes as a great surprise, joyous really, that each actor really gets a chance to shine (this is something that the Star Trek and X-Men films struggle with). The story anchor is, of course, the title hero. Evans slips into Steve Rogers just as you may slip into a warm, comfy sweater. After five features, Evans has made Cap a truly human hero, a man who always rises to the occasion, despite the odds or his own doubts. Yes, he’s an iconic symbol, but he’s still a guy from Brooklyn. You might say that the film has an equal co-anchor in the always entertaining Mr. Downey. He’s still a master of the devastating quip or insult (and there’s plenty here), but we see Tony’s darker self, a man dealing with past regrets while having great trepidation about the road he’s taken. Mackie’s a superb soldier who still has time for a wisecrack or three. Of all the heroes, Johansson as the Widow is perhaps the most conflicted. She has great loyalty to both Tony and Steve, but she wants no more innocent blood on her hands. Stan as Bucky still seems to be a fog, struggling to find his own humanity, but unable to quell the beast that has been placed inside him. Olsen’s Wanda also struggles as she tries to control her powers and not be consumed by guilt when those powers are not enough to avert catastrophe. She shares great screen chemistry with Paul Bettany as the aloof, otherworldly android, the Vision. He begins a hesitant friendship with Wanda, one that seems in conflict with his programming (wow, he’s got a cooking app). Emily VanCamp finally opens up to Cap, sharing the truth about her connection to him. Jeremy Renner as Hawkeye and Don Cheadle as James “War Machine” Rhodes are solid as the world-weary soldiers on opposite sides (the archer is most worried about leaving his family). Hurt, reprising his role from 2008’s THE INCREDIBLE HULK, adds an air of stern gravitas as he tries to reign in the group. And Paul Rudd’s starstruck Scott Lang brings some much-needed levity to the high stakes showdown while his Ant-Man more than proves his value.
Hey, they even added a few new folks into the mix. Martin Freeman is quite engaging in his brief role as VanCamp’s arrogant new boss, Everett Ross. Daniel Bruhl adds an air of menace as the mysterious Zemo, a shadowy figure with an unexplained (until the final act) agenda. Boseman has a dignified regal bearing as T’Challa until loss unlocks the Black Panther’s rage, making us look forward to his upcoming solo feature film. But the breakout new addition to the Marvel movie universe may be Tom Holland as Peter Parker, the amazing Spider-Man. “But, we’ve seen the wall-crawler on screen before!”, you say. Well, not in the hands of Marvel Studios. After five features, Sony Pictures has finally joined forces with them to relaunch the franchise. Spidey will be able to guest in the other films and vice versa. Holland (so great in the 2012 disaster drama THE IMPOSSIBLE), brings a vulnerable charm to Pete while exuding boyish enthusiasm (and lots of “smack talk” chatter) to ole'”webhead”, stealing every scene, and leaving us anxiously awaiting his screen return in SPIDER-MAN: HOMECOMING. Now this is our Spidey!
The brothers Russo (Anthony and Joe) prove that their tag-team triumph on CAPTAIN AMERICA: THE WINTER SOLDIER was truly no fluke. They masterfully juggle the myriad of “super folk”, while never making the film feel bloated. There’s a lean vitality to their action set pieces, from the flawed opener, to the traffic chase, and the apartment assault. But the most remarkable action sequence, setting a high water mark for future super hero flicks, is the big airport showdown, the “tumult on the tarmac” you might say (hey, I just did). It’s a visual stunner with over a dozen heroes giving a new meaning to the old Astaire standard as they suddenly “change partners and dance”, making for many astounding match-ups. There’s an infectious sense of fun (so lacking in another recent comics-inspired face off). While this would be the big finale for most flicks, the Russos opt for a more intimate last confrontation that packs an emotional wallop thanks to the great script by Marvel movie vets Christopher Markus and Stephan McFeely. Besides the physical battles, this is a story that deals with important issues, very relevant to our times with the enhanced heroes echoing real-life concerns over security and international boundaries. elaborating on the excellent recent comics mini-series written by Mark Millar. Neither Tony or Steve is 100% right or wrong. Plus the city-wide mass destruction is kept to a minimum, never becoming another tiresome bit of “disaster porn”. Many fans felt that the Marvel films may have lost their way with the last Avengers film. Now the Russos has gotten the train back on the track, making the Marvel Universe a welcome vacation spot at the multiplex (in the words of Liz Lemmon on TV’s “30 Rock”, “I want to go to there”). When we look back on these “phase” sets of films, CAPTAIN AMERICA: CIVIL WAR will shine as one of the best. At ease, Cap!
Marvel’s Captain America: Civil War L to R: Falcon/Sam Wilson (Anthony Mackie), Ant-Man/Scott Lang (Paul Rudd), Hawkeye/Clint Barton (Jeremy Renner), Captain America/Steve Rogers (Chris Evans), Scarlet Witch/Wanda Maximoff (Elizabeth Olsen), and Winter S
Are you all ready to head to the multiplex this weekend for the latest action epics from the ever-expanding Marvel Studios movie universe? Well, you will be after running through this top ten, nay fifteen, list of all those involved! So, face front true believers! Here goes… 15. Crossbones AKA Brock Rumlow (Frank Grillo)
THE COMICS: Brock was introduced as a childhood fan of the Red Skull who became an assassin working for his hero in Captain America #360 (1989)
THE FILMS: We first saw him as a SHIELD agent (and undercover HYDRA operative) in CAPTAIN AMERICA: THE WINTER SOLDIER (2014). During the battle over Washington DC, Rumlow appeared to perish in the collapsing SHIELD HQ building after taking on the Falcon. But a team of surgeons saved the scarred killer. Is he seeking revenge against Cap and his allies Now? 14. Thaddeus “Thunderbolt” Ross (William Hurt)
THE COMICS: Army General “Thunderbolt” Ross was chasing down the “green goliath’ in his premiere appearance in The Incredible Hulk #1 (1962). Locating and destroying the Hulk became his “Ahab-like” obsession, even when he learned that the creature was really the learned Dr. Bruce Banner, the boyfriend of the general’s daughter Betty. Much later Ross became the brutal Red Hulk.
THE FILMS: Sam Elliott first played Ross on screen in Ang Lee’s HULK (2003). When Marvel Studios produced THE INCREDIBLE HULK (2008), Hurt took over. When last we saw him, Ross was enjoying a cocktail when Tony Stark waltzed into the bar to inquire about the Hulk’s whereabouts. In the trailers for the new film, Ross is out of uniform. Perhaps he has embarked on a new career. From the looks of things, Ross seems none too pleased with our heroes. 13. Zemo (Daniel Bruhl)
THE COMICS: Baron Zemo was one of Hitler’s top scientists when Captain America destroyed his ultimate invention “Adhesive X”. The glue splashed over his protective mask, welding it to his face permanently. Later Zemo’s crew captured Cap and Bucky and strapped them to a drone plane. Young Bucky was supposedly killed in an explosion that sent Cap plunging into the icy waters of the Atlantic. All this was shown in The Avengers #4 (1964). When the Captain was rescued and thawed, Zemo came out of hiding in South America and later formed the Masters of Evil.
THE FILMS: CIVIL WAR marks the first screen appearance of Zemo (no word whether he has been stripped of the royal title). Reports indicate that he may be the catalyst for the clash of heroes. 12. Agent 13 AKA Sharon Carter (Emily VanCamp)
THE COMICS: Carter was first seen as a SHIELD courier targeted by Batroc the Leaper in Tales of Suspense #75 (1966). Captain America came to her aid and they were later paired up on many SHIELD missions. Cap soon learned that Sharon was the niece of his great World War II love Peggy Carter. Over the years he became romantically involved with Sharon.
THE FILMS: In CAPTAIN AMERICA: THE WINTER SOLDIER, Sharon was deep undercover posing as Steve’s neighbor until an attack by the Winter Soldier forced her to reveal her mission. Later Sharon proved to be a skilled ally when HYDRA took over SHIELD’s control center. Will she reveal her family origins to Steve in the new film? Now a CIA agent, who will she side with, him or Tony? 11. Prince T’Challa AKA Black Panther (Chadwick Boseman)
THE COMICS: T’Challa, the prince of the hidden, scientifically advanced African kingdom of Wakanda, left his homeland to challenge and later aid the FF in Fantastic Four #52 (1966). He possesses many of the traits of a deadly jungle cat and is a formidable warrior, devoted to the protection of his country. Later he would prove to be a valued member of the Avengers.
THE FILMS: This is the hero’s first screen appearance, although Wakanda was mentioned by vibranium smuggler Ulysses Klaue in AVENGERS: AGE OF ULTRON (2015). In the trailer it seems that the Panther is on Team Tony, especially in his pursuit of the Winter Soldier.
10. Peter Parker AKA Spider-Man (Tom Holland)
THE COMICS: The wall-crawling wonder exploded on the comics scene in Amazing Fantasy #15 (1962). High school student Peter Parker was bitten by a radioactive spider, which gave him enhanced arachnid abilities (super strength, adherence to all surfaces, etc.). After an attempt to profit from his powers led to tragedy, Peter donned his costume to fight crime, even though he is wanted by the authorities (and despised by a newspaper publisher). Though a loner, Spidey has at times been a charter Avenger.
THE FILMS: After a lengthy exhaustive legal battle, Sony Pictures finally got the screen rights to Marvel’s biggest star and released his first feature, SPIDER-MAN, starring Tobey Maguire, in 2002. It’s huge success quickly lead to SPIDER-MAN 2 (2004) and SPIDER-MAN 3 (2007), all directed by Sam Raimi. The franchise was “rebooted” by director Marc Webb with THE AMAZING SPIDER-MAN (2012) and THE AMAZING SPIDER-MAN (2014), starring Andrew Garfield. Now after many negotiations, Sony has teamed with Marvel Studios on a relaunch that will integrate Spidey into the Marvel movie universe, hence his role here. And after seeing him snatch away cap’s shield with his webbing, it looks like Petey’s is on Tony’s team!
9. Scott Lang AKA Ant-Man (Paul Rudd)
THE COMICS: Scientist Hank Pym perfected the formula for shrinking via the “Pym Particles” in Tales to Astonish #27 (1962). Donning a helmet that enabled him to control and communicate with ants, Pym fought crime alongside fiancée Janet Van Dyne as Ant-Man and the Wasp. The two were founding members of the Avengers. After some adjustments to his formula, Pym became the towering Giant-Man. He retired from heroics to focus on his science work until desperate dad Scott Lang stole his Ant-Man suit and formula in The Avengers #181 (1979). After Lang was pardoned (he did it to save his daughter), he became the new Ant-Man and joined the Avengers.
THE FILMS: Lang’s story was told in last year’s ANT-MAN . He and the Falcon fought over a piece of Pym tech stored at Avengers HQ, but by the movie’s end, Sam Wilson was trying to track down the hero. From the trailer it seems that Sam has successfully recruited Scott for Team Cap. 8. Wanda Maximoff AKA Scarlet Witch (Elizabeth Olsen)
THE COMICS: Wanda began her comic career as villain. Really a reluctant one alongside twin brother Pietro (Quicksilver) as part of Magneto’s Brotherhood of Evil Mutants in X-Men #4 (1964). Later the twins fled the group to reform their ways and become Avengers. While Quicksilver left, the Scarlet Witch was a powerful member of the team, often paired with future hubby the Vision.
THE FILMS: Scarlet Witch and Quicksilver were seen briefly in a mid-credits scene at the conclusion of CAPTAIN AMERICA: THE WINTER SOLDIER. The two were held captive in the lab of Baron Strucker’s castle fortress. In AVENGERS: THE AGE OF ULTRON, the duo escaped after using their powers against the heroes. Vowing revenge for the destruction of their Sokovian home, they later teamed with Ultron. However, they soon learned of the android’s true plot and defected to the Avengers. When Pietro perished during the battle, Wanda decides to stay on with the team. In the trailers she’s a strong ally to Cap. 7. The Vision (Paul Bettany)
THE COMICS: The first hero sporting the name was a Timely Comics creation from Joe Simon and Jack Kirby. He was a crime fighting alien from an alternate dimension. The best known version of that character first appeared in The Avengers #57 (1968). This Vision was the creation of Ultron, who programmed him to destroy Henry Pym. This android, or “synthezoid” used the brain patterns of deceased hero Wonder Man and shares a lineage with the original Human Torch. After some tinkering, the Vision became a powerful member of the Avengers, even marrying the Scarlet Witch.
THE FILMS: The Vision actually began as the voice of Tony’s Stark’s personal computer system J.A.R.V.I.S., a high-tech “butler” really. He was first heard in IRON MAN (2008), IRON MAN 2 (2010), MARVEL’S THE AVENGERS (2012), and IRON MAN 3 (2013). In order to thwart the plans of Ultron, Tony downloaded the program into the synthetic body created by Ultron. The Vision joins the Avengers for the final battle in AVENGERS AGE OF ULTRON (2015), even destroying the last remnant of the villain. In the new film, the Vision is squarely with his creator.
6. James “Bucky” Barnes AKA the Winter Soldier (Sebastian Stan)
THE COMICS: In Captain America Comics #1 (1941), camp mascot “Bucky” Barnes discovers Private Steve Rogers donning his costume. To assure the lad’s silence, Steve takes him on as a partner. The two fought side by side until Bucky was killed trying to defuse Baron Zemo’s drone. Cap related this to the Avengers after he was thawed out from suspended animation in Avengers # 4 (1964). It wasn’t until Captain America #1 Volume 5 (2005), that Steve learned that Bucky was not killed at the end of WWII. A Russian sub picked up his near lifeless body (his left arm was lost). Moscow scientists grafted on a powerful bionic arm and used Bucky’s amnesia to program him as an unstoppable assassin. In between missions, he was placed in cryogenic sleep, so he has only aged a few years over the past decades. Eventually Steve was able to rescue his old partner, until Bucky finally took up the shield as the new Captain.
THE FILMS: In CAPTAIN AMERICA: THE FIRST AVENGER, Bucky Barnes is an old childhood friend of Steve Rogers who joins the military while his pal is rejected by the draft board. After Steve is given the super soldier formula, he entertains the soldiers overseas. There he learns that Bucky’s platoon as been captured by the Red Skull. After rescuing his old pal, Bucky, along with the Howling Commandos, becomes part of Cap’s elite squadron. But during a mission to capture Dr, Emile Zola, Bucky plunges from a speeding train, as it careens through a mountain range. In CAPTAIN AMERICA: THE WINTER SOLDIER (2014), Cap learns that Bucky is the feared assassin, the Winter Soldier. Seems that Zola had experimented on him during his capture. Zola’s men later found Bucky’s body in an icy river. They replaced his arm and scrambled his brains with electricity, programming him to obey orders without question. During the battle over Washington DC, Cap finally gets through to Bucky. He pulls Cap from the water and disappears. With the help of Sam Wilson, Cap vows to find him. In the trailers it seems that they do re-unite, while other heroes try to capture or destroy him. 5. Sam Wilson AKA the Falcon (Anthony Mackie)
THE COMICS: Sam Wilson meets Cap on Exile Island in Captain America #117 (1969). While helping Cap stop the Red Skull and his war cronies, Sam receives enhanced abilities from the mysterious cosmic cube that enable him to bond with his pet falcon, Redwing. Later he constructs a uniform which enables him to fly. The three stop the Skull and return to the states as a crime-fighting team. Soon the book is re-titled Captain America and the Falcon. When not flying, Sam is a social worker in his old Harlem neighborhood. After a stint with the Avengers, Sam, like Bucky, takes up the shield to become the new Captain America.
THE FILMS: Sam meets Steve Rogers during his morning jog around DC at the start of CAPTAIN AMERICA: THE WINTER SOLDIER (2014). He’s a recent war vet who works with a support group at a local veteran’s facility. When Cap and the Black Widow are on the run from Hydra, Sam offers them shelter. He reveals that he was part of an elite special forces unit and pledges his help if they can grab his old equipment out of a storage facility. His old “kit” is a jet-fueled backpack that sprouts metallic wings that enable him to glide through the air, hence his old code name “Falcon”. Armed with a pair of submachine guns, Sam proves to be quite an asset. He becomes an Avenger at the conclusion of AVENGERS: AGE OF ULTRON (2015) and battles Scott Lang outside the Avengers HQ in ANT-MAN (2015). Sam will always be on Team Cap. 4. Clint Barton AKA Hawkeye (Jeremy Renner)
THE COMICS: This expert archery marksman began his career on the wrong side of the law. Trying to impress his lady-love, soviet spy the Black Widow, Hawkeye battled Iron Man in Tales of Suspense #57 (1964). Clint soon realized he was being played for a fool and reformed. He begged to be an Avenger. Iron Man sponsored him and he joined the ranks in Avengers #16 (1965). For a time he put away his bow and used Pym’s growth formula to become the gigantic Goliath. Soon he went back to archery and eventually married former SHIELD agent Bobbi Morse AKA Mockingbird.
THE FILMS: We first saw SHIELD agent Barton in a cameo during THOR (2011). In MARVEL’S THE AVENGERS (2012) his mind was controlled by Loki when he grabbed the powerful Tesseract. Later his old SHIELD partner the Black Widow breaks Loki’s spell enabling him to join the Avengers for the battle of New York. In AVENGERS: AGE OF ULTRON he invites his fellow Avengers to the rural home he shares with his wife and children. After barely surviving the fight with Ultron in Sokovia, Clint declares that he is retiring. But when his pals are in trouble, you can bet he’ll be picking up his bow once more. In the ads, it looks as though he’ll be facing his old partner Natasha.
3. Natasha Romanoff AKA the Black Widow (Scarlett Johansson)
THE COMICS: Iron Man faced the “Mata-Hari” of Russia in Tales Of Suspense #52 (1964). Later she recruits the smitten Clint Barton as her partner in crime. Eventually she used her own fighting skills, and Natasha becomes the costumed Black Widow. When she learned the truth about her late husband (he became Russia’s own super soldier the Red Guardian), the reformed enemy spy joined SHIELD. After several solo stories in Amazing Adventures, she began a long love affair with Matt Murdoch, which led to the re-titling of his comic to Daredevil and the Black Widow. Later she would lead the Avengers after a stint with another super-team The Champions.
THE FILMS: Tony Stark hired Natasha as his new personal assistant in IRON MAN 2 (2010). He was stunned when Nick Fury told him that she was an undercover SHIELD agent assigned to monitor and protect him. In MARVEL’S THE AVENGERS (2012) she concluded a mission in order to recruit the elusive Dr. Bruce Banner. Later she used her spy skills to get some much-needed info from Loki, and helped stop the invasion of New York. She was part of another covert Nick Fury mission in CAPTAIN AMERICA: THE WINTER SOLDIER, but soon became a valuable partner to Cap during the fight against HYDRA. At the end of the film, she leaves SHIELD and releases many classified documents to the public. We learn more of her troubled past in AVENGERS: AGE OF ULTRON (2015) as she begins a romance with Banner (she helps calm the Hulk after battle). By the story’s end the two separate as Banner disappears. She’s conflicted, but stands with Stark.
2. Tony Stark AKA Iron man (Robert Downey Jr)
THE COMICS: Billionaire industrialist Tony Stark’s life forever changed in Tales of Suspense #39 (1963). While checking on battlefield mini-transistors Tony is injured in an explosion and is captured by a North Vietnamese warlord. Another prisoner helped him build an iron suit that would protect his heart from shrapnel. Escaping the warlord’s camp, Tony vows to use his tech to battle evil. Over the years his armor will evolve, from bulky gray to gleaming gold to sleek red and gold. Telling the world that Iron Man is his special bodyguard. Tony will be a founding member of the Avengers.
THE FILMS: IRON MAN (2008) was the first official Marvel Studios film. It told the origin , substituting the Middle East for Vietnam. The flippant playboy inventor gets the ultimate wake-up call thanks to a plot by trusted partner Obadiah Stane. He also realizes his love for assistant Pepper Potts. After besting the Iron Monger, Tony revealed to the world that he was Iron Man. This lead to a late night visit from Nick Fury who told him of the Avengers Initiative which prompted Tony to call on General Ross in THE INCREDIBLE HULK (2008). Stark signed over his company to Potts in IRON MAN 2 (2010) after defeating Justin Hammer and Ivan Vanko AKA Whiplash. He pushed a nuclear missile into space in MARVEL’S THE AVENGERS (2012), ending the battle of New York. He accidentally helped create the title menace in AVENGERS: AGE OF ULTRON (2015), but helped set things right with the Vision. He was haunted by images of death and destruction which led to a clash with Cap.The seeds of that conflict bloom in the new film.
1. Steve Rogers AKA Captain America (Chris Evans)
THE COMICS: Steve was giving ole’ Adolph a sock in the jaw (several months before the US entered the war) on the cover of Captain America Comics #1 (1941). Inside was the story of how scrawny Steve Rogers was chosen as the “test subject” for Dr. Erskine’s “Super Soldier” formula. When Steve becomes a mass of muscles, a Nazi spy shoots the good doc. There will be no other “super soldiers”. After decking the spy, Steve is given the red, white, and blue uniform, along with a shield. To the world he’ll be lowly Private Rogers, but when needed he’ll change into the mighty Captain America (soon aided by teen sidekick Bucky). During the war Cap will be part of The All-Winners Squad and The Invaders. Cap is brought back into the Marvel Comics of the 1960’s when his frozen body is found in The Avengers #4 (1964). He’s been in suspended animation since 1945 (negating the post war Timely comics and the 1950’s Atlas comics failed revival). Cap soon becomes the leader of the Avengers and joins Nick Fury at the spy agency SHIELD. Later he will partner with Sam Wilson AKA the Falcon.
THE FILMS: Cap was the very first Marvel star to hit the silver screen way, way back in 1944 in Republic pictures’ fifteen chapter serial CAPTAIN AMERICA. But he wasn’t Steve Rogers, rather crusading District Attorney Grant Gardner. And there was no shield or Bucky either. They got it closer in 1990 with CAPTAIN AMERICA starring Matt Salinger (author JD’s son). The Red Skull was there, but he was Italian (?!). And the film never got a theatrical release in the US, going straight to video. There were also two made for TV flicks in the late 1970’s starring Reb Brown. Finally Marvel Studios released CAPTAIN AMERICA: THE FIRST AVENGER in 2011. They tweaked the origin just a bit from the comics. After the assassination of Dr.Erskine, Steve dons the star-spangled suit to go on a tour of local theatres, inspiring folks to buy war bonds. He’s a marketing tool! In this story he fights the Red Skull, romances Peggy Carter, and gets his round vibranium shield from Tony Stark’s dad Howard. And he ends up in the ice, waking up in modern-day NYC with Nick Fury. In MARVEL’s THE AVENGERS (2012), Steve fights Asgardian Loki while dealing with super fan Phil Coulson. Later Cap helps to protect the civilians on the streets of NYC. Loki assumes Cap’s form in order to taunt his stepbrother in THOR: THE DARK WORLD (2013). In CAPTAIN AMERICA: THE WINTER SOLDIER, Steve explores a museum exhibit dedicated to him, meets Sam Wilson, visits with Peggy one last time, and joins the Black Widow to take down the HYDRA agents in SHIELD. Cap’s on the battle lines in AVENGERS: AGE OF ULTRON after the Scarlet Witch gives him a glimpse at a homecoming that never happened.
Wait a minute! What the hey, let’s make it sixteen!
16. Lt. James ‘Rhodey’ Rhodes AKA War Machine (Don Cheadle)
THE COMICS: Another element of Tony Stark’s escape from a North Vietnamese warlord was revealed in Iron Man#118 (1979). While fleeing through the jungle in his newly constructed set of armor, Tony encountered James Rhodes, a combat pilot who had been shot down. Thanks to his help, they make it back to an American defense perimeter via a stolen enemy chopper. Back in the states Tony hires ‘Rhodey’ as his personal pilot. When Tony was battling alcoholism, Rhodey wore the Iron Man suit. Eventually he designed his own heavy weaponized version of the armor and dubbed himself the War Machine. He later joined the Avengers and become one of the founders of their affiliate, the West Coast Avengers.
THE FILMS: In the first IRON MAN (2008) feature, Terrence Howard played Tony Stark’s pal and military liaison, Lt. James Rhodes. He is one of the first people to be aware of Tony’s armored activities and strongly advises him to quit while covering for him. Don Cheadle took over the role in IRON MAN 2 (2010), wearing the modified armored suit as War Machine. When Tony took a break in IRON MAN 3 (2013), Rhodey filled the hero void, slapping on a coat of red, white and blue paint and renaming himself the Iron Patriot. He was back as WM in AVENGERS: AGE OF ULTRON (2015), aiding in the fight against the metal menace and becomes a full-fledged Avenger by the story’s end. Rhodey will always be Tony’s armored ally. And that brings us to…
…that big superhero epic that’s at your multiplex. So get in line now, heroes! Movie-goers assemble!
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Marvel’s “Captain America: Civil War” finds Steve Rogers leading the newly formed team of Avengers in their continued efforts to safeguard humanity. But after another incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability, headed by a governing body to oversee and direct the team. The new status quo fractures the Avengers, resulting in two camps—one led by Steve Rogers and his desire for the Avengers to remain free to defend humanity without government interference, and the other following Tony Stark’s surprising decision to support government oversight and accountability.
Marvel’s “Captain America: Civil War” stars Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Marisa Tomei, Tom Holland, Frank Grillo and Martin Freeman, with William Hurt and Daniel Brühl. Anthony & Joe Russo are directing with Kevin Feige, p.g.a. producing. Louis D’Esposito, Victoria Alonso, Patricia Whitcher, Nate Moore and Stan Lee are the executive producers. The screenplay is by Christopher Markus & Stephen McFeely. The score is by composer Henry Jackman.
Get ready to pick a side and join the nonstop action playing out on two fronts when Marvel’s “Captain America: Civil War” opens in U.S. theaters on May 6, 2016.
