Documentary Short Subject Hopefuls For 87th Oscars Narrowed To Eight

x86th Oscars, Arrivals

The Academy of Motion Picture Arts and Sciences today announced that the field of Documentary Short Subject contenders for the 87th Academy Awards has been narrowed to eight films, of which three to five will earn Oscar nominations.

Voters from the Academy’s Documentary Branch viewed this year’s 58 eligible entries and submitted their ballots to PricewaterhouseCoopers for tabulation.

The eight films are listed below in alphabetical order by title, with their production companies:

“Crisis Hotline: Veterans Press 1,” Perry Films
“Joanna,” Wajda Studio
“Kehinde Wiley: An Economy of Grace,” Show of Force
“The Lion’s Mouth Opens,” Tree Tree Tree
“One Child,” New York University
“Our Curse,” Warsaw Film School
“The Reaper (La Parka),” Centro de Capacitación Cinematográfica
“White Earth,” Weary Traveler

The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

The Oscars will be held on Sunday, February 22, 2015, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

83 Countries In Competition For 2014 Foreign Language Film For 87th Oscars

x80th Academy Awards NYC Meet the Oscars Opening

A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards. Kosovo, Malta, Mauritania and Panama are first-time entrants.

The 2014 submissions are:

Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić, director;
Cuba, “Conducta,” Ernesto Daranas Serrano, director;
Czech Republic, “Fair Play,” Andrea Sedláčková, director;
Denmark, “Sorrow and Joy,” Nils Malmros, director;
Dominican Republic, “Cristo Rey,” Leticia Tonos, director;
Ecuador, “Silence in Dreamland,” Tito Molina, director;
Egypt, “Factory Girl,” Mohamed Khan, director;
Estonia, “Tangerines,” Zaza Urushadze, director;
Ethiopia, “Difret,” Zeresenay Berhane Mehari, director;
Finland, “Concrete Night,” Pirjo Honkasalo, director;
France, “Saint Laurent,” Bertrand Bonello, director;
Georgia, “Corn Island,” George Ovashvili, director;
Germany, “Beloved Sisters,” Dominik Graf, director;
Greece, “Little England,” Pantelis Voulgaris, director;
Hong Kong, “The Golden Era,” Ann Hui, director;
Hungary, “White God,” Kornél Mundruczó, director;
Iceland, “Life in a Fishbowl,” Baldvin Zophoníasson, director;
India, “Liar’s Dice,” Geetu Mohandas, director;
Indonesia, “Soekarno,” Hanung Bramantyo, director;
Iran, “Today,” Reza Mirkarimi, director;
Iraq, “Mardan,” Batin Ghobadi, director;
Ireland, “The Gift,” Tom Collins, director;
Israel, “Gett, the Trial of Viviane Amsalem,” Ronit Elkabetz and Shlomi Elkabetz, directors;
Italy, “Human Capital,” Paolo Virzì, director;
Japan, “The Light Shines Only There,” Mipo O, director;
Kosovo, “Three Windows and a Hanging,” Isa Qosja, director;
Kyrgyzstan, “Kurmanjan Datka Queen of the Mountains,” Sadyk Sher-Niyaz, director;
Latvia, “Rocks in My Pockets,” Signe Baumane, director;
Lebanon, “Ghadi,” Amin Dora, director;
Lithuania, “The Gambler,” Ignas Jonynas, director;
Luxembourg, “Never Die Young,” Pol Cruchten, director;
Macedonia, “To the Hilt,” Stole Popov, director;
Malta, “Simshar,” Rebecca Cremona, director;
Mauritania, “Timbuktu,” Abderrahmane Sissako, director;
Mexico, “Cantinflas,” Sebastián del Amo, director;
Moldova, “The Unsaved,” Igor Cobileanski, director;
Montenegro, “The Kids from the Marx and Engels Street,” Nikola Vukčević, director;
Morocco, “The Red Moon,” Hassan Benjelloun, director;
Nepal, “Jhola,” Yadav Kumar Bhattarai, director;
Netherlands, “Accused,” Paula van der Oest, director;
New Zealand, “The Dead Lands,” Toa Fraser, director;
Norway, “1001 Grams,” Bent Hamer, director;
Pakistan, “Dukhtar,” Afia Nathaniel, director;
Palestine, “Eyes of a Thief,” Najwa Najjar, director;
Panama, “Invasion,” Abner Benaim, director;
Peru, “The Gospel of the Flesh,” Eduardo Mendoza, director;
Philippines, “Norte, the End of History,” Lav Diaz, director;
Poland, “Ida,” Paweł Pawlikowski, director;
Portugal, “What Now? Remind Me,” Joaquim Pinto, director;
Romania, “The Japanese Dog,” Tudor Cristian Jurgiu, director;
Russia, “Leviathan,” Andrey Zvyagintsev, director;
Serbia, “See You in Montevideo,” Dragan Bjelogrlić, director;
Singapore, “Sayang Disayang,” Sanif Olek, director;
Slovakia, “A Step into the Dark,” Miloslav Luther, director;
Slovenia, “Seduce Me,” Marko Šantić, director;
South Africa, “Elelwani,” Ntshavheni Wa Luruli, director;
South Korea, “Haemoo,” Shim Sung-bo, director;
Spain, “Living Is Easy with Eyes Closed,” David Trueba, director;
Sweden, “Force Majeure,” Ruben Östlund, director;
Switzerland, “The Circle,” Stefan Haupt, director;
Taiwan, “Ice Poison,” Midi Z, director;
Thailand, “The Teacher’s Diary,” Nithiwat Tharathorn, director;
Turkey, “Winter Sleep,” Nuri Bilge Ceylan, director;
Ukraine, “The Guide,” Oles Sanin, director;
United Kingdom, “Little Happiness,” Nihat Seven, director;
Uruguay, “Mr. Kaplan,” Álvaro Brechner, director;
Venezuela, “The Liberator,” Alberto Arvelo, director.

The previous winner was “The Great Beauty,” Italy, by director Paolo Sorrentino.

The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

The Oscars will be held on Sunday, February 22, 2015, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

86th Oscars¨, Tuesday Set Ups

The Academy Gives Website A Facelift With Red Carpet Ticket Giveaway

86Oscars_Logo

Our fellow Geeks over at The Academy today introduced the newly redesigned Oscars.org, featuring unprecedented access to its members, collections and exclusive content, including the definitive Oscars timeline.

“This site is an extension of our ongoing efforts to inspire, educate and entertain fans worldwide,” said Chief Marketing Officer Christina Kounelias. “Built on decades of history, expertise and passion for film, it’s a site that only the Academy could create.”

The site features a sleek, mobile-friendly design with social media integrated prominently throughout, encouraging fans to be a part of the conversation, share their passion and connect with other movie fans around the world. Other features include a dynamic visual showcase of the Academy’s vast collections from its library and archive, 50,000 photos and videos including 86 years of Oscars highlights, and a vibrant events section that allows fans the chance to experience Academy events and programming first-hand. The previous site was built in 2008.

“Our new website expands on the relationship we’ve developed with millions of fans on our social channels over the past few years,” said Josh Spector, Managing Director of Digital Media and Marketing. “It’s a platform that allows fans to access more of what they love most about the Academy – our amazing collection assets, the expertise of our members, and the original content we create.”

Highlights include:

  • Collection Highlights:  With the help of some remarkable items from our Academy Collection, fans can take an in-depth look at some of the most legendary filmmakers and movies of all time.  11 collections are now available to view and new ones will be released in the coming weeks.  Visitors are also able to suggest other items from around the web they think are worthy of being included in these one-of-a-kind pages.
  • Oscars CeremoniesThe definitive Oscars timeline. Users can explore 86 years of photos and videos and share favorite moments in Oscar history.
  • EventsFeatures upcoming Academy events and programs, and allows fans to go back through Academy history and relive past events.
  • NewsGet the latest news about the Academy and the Oscars, and hear Academy members in their own words.
  • Social Drawer: This feature connects website visitors to the Academy’s social media content in real time, creating a unique way for fans to join the conversation.
  • Mobile Friendly Design: The site has been custom-designed for an optimal user experience on all devices.

To celebrate the launch of the new Oscars.org, the Academy is offering fans the first chance to win tickets to the Oscar Fan Experience, in partnership with PEOPLE, by entering online for a random drawing for bleacher seats along the 87th Oscars red carpet.  Those selected will watch and cheer on Oscar nominees, presenters and other guests as they arrive on Oscar Sunday, February 22, 2015. For more details on how to enter, click here.

Oscars.org was designed and built in collaboration with entertainment marketing agency Trailer Park.

Check out The Academy on FACEBOOK, TWITTER, YOUTUBE, and INSTAGRAM.

86th Oscars®, Tuesday Set Ups

The Academy Approves Rules For The 87th Oscars

86th Oscars®, Governors Ball Preview

The Board of Governors of the Academy of Motion Picture Arts and Sciences approved rules for the 87th Academy Awards at their most recent Board meeting.

For the complete rules, visit oscars.org/rules.

In the Acting categories, studios and production companies must now limit eligibility to a maximum of 10 actors and 10 actresses for each film, and must submit those names on the Official Screen Credits (OSC) form.  The Academy’s annual Reminder List of Eligible Releases will now list actors and actresses separately for each film.  Actors Branch voters would still make their own determinations about whether a performance should be considered under the Leading Role or Supporting Role category on their nominations ballots.

In the Animated Feature Film category, DVD screeners are now required as part of a film’s submission.

In the Documentary Feature category, films must now screen a minimum of four times daily during their qualifying theatrical releases in both New York and Los Angeles.  The screenings must begin between noon and 10 p.m., and at least one screening daily must begin between 6 p.m. and 10 p.m.

In the Music (Original Song) category, songwriters from established musical groups may now have the option to request that their song submission be considered under their group name.  If the request is approved and the song wins the Original Song award, the group would receive a single statuette.

In the Best Picture category, in determining the number of producers on a motion picture who are eligible for nomination, a two-person producing team shall be considered a single “producer” if the individuals have had an established producing partnership for at least the previous five years and have produced as a team at least two previous theatrically released feature films, instead of a minimum five theatrically released feature films.

A rule change in the Production Design category will allow the branch greater flexibility in recognizing the achievements of the principal artists responsible in creating the environment for the story.  When the environment of a film is substantially composed of animation and digital artistry, a digital artist who is primarily responsible for the achievement may now be considered for the Production Design award.  Previously, only “production designers,” “art directors” and “set decorators” were named as eligible for Awards recognition.

In the Animated Short Film and Live Action Short Film categories, films that have received prior nontheatrical public exhibition or distribution may now qualify for Academy Awards consideration by winning a festival award on the Short Films Qualifying Festival List. Without a festival win, the nontheatrical distribution prior to a theatrical release would still disqualify a short film’s eligibility.

For the first time, the Gold, Silver and Bronze Medal award-winning films in the Alternative, Animation, Narrative and Foreign Film categories at the 2014 Student Academy Awards will all be eligible for Oscar® consideration in the Short Film categories.  Similarly, the Gold, Silver and Bronze winners in the Documentary category at the 2014 Student Academy Awards will be eligible for consideration in the Documentary Short Subject category.

Other adjustments to the rules include standard date changes and other “housekeeping” adjustments.

Rules are reviewed annually by individual branch and category committees.  The Awards Rules Committee then reviews all proposed changes before presenting its recommendations to the Academy’s Board of Governors for approval.

The Academy also has launched its new Awards Submissions platform for entering information required for Academy Awards consideration.  This replaces the Academy’s previous submissions site for feature films, and now includes the ability to submit online for the Animated Feature Film category.  Submitting individuals are encouraged to register now at submissions.oscars.org.

The deadline for submitting OSC forms for the 87th Academy Awards is 5 p.m. PT on Wednesday, December 3, 2014.

The 87th Oscars will be held on Sunday, February 22, 2015, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

To keep up to date with the Academy:

www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

20140302_104002

The Academy Sets 87th Oscars For February 22, 2015

86th Academy Awards, Nominations Announcements

Mark you awards season calendars.

The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 87th Oscars.  The Academy Awards presentation will air live on ABC on Oscar Sunday, February 22, 2015.

Key dates for the Awards season are:

Saturday, November 8, 2014 The Governors Awards
Wednesday, December 3, 2014 Official Screen Credits and music submissions due
Monday, December 29, 2014 Nominations voting begins 8 a.m. PT
Thursday, January 8, 2015 Nominations voting ends 5 p.m. PT
Thursday, January 15, 2015 Oscar nominations announced
Monday, February 2, 2015 Oscar Nominees Luncheon
Friday, February 6, 2015 Final voting begins 8 a.m. PT
Saturday, February 7, 2015 Scientific and Technical Awards
Tuesday, February 17, 2015 Final voting ends 5 p.m. PT
Oscar Sunday, February 22, 2015 87th Academy Awards begins 7 p.m. ET/ 4 p.m. PT

The Oscars will be held at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

86th Oscars¨, Tuesday Set Ups

ERNEST & CELESTINE – The Review

ernestcelestine

Though it’s been six weeks since the Oscars were handed out, we’re now finally getting a chance to see one of the nominees for Best Animated Feature. It’s good news for fans of the “hand-drawn” style of animation that’s seems to have fallen a bit out of favor here in the states. Yes, like the other nominee THE WIND RISES, this comes to us from overseas. WIND was produced in Japan, while this film, ERNEST & CELESTINE comes to our shores from France, with a bit of help from Belgium. Although both films eschew the rounded almost 3D figures rendered by CGI, they couldn’t be more different in tone and subject matter. Miyazaki’s masterwork is based on the life of a real person who played an important role in World War II. E&S explores the friendship of a bear and a mouse. But although this film has all the whimsy of classic fairy tales (it is based on a popular series of children’s books) it addresses subjects that are a very real part of modern society. But don’t be put off by “the message”. This is a charming fable which (to use an often tired phrase) will enchant children, and adults, of all ages.

We first meet the mouse Celestine as she paints a friendly picture of her with a bear for the mice children in the group dormitory of a dental academy. But the aged lady mouse that watches over them will have none of this “friendly bear” nonsense. She scares the kids with the tales of the vicious bears that live above them in the town (the mice live in tunnels below the bear village). In the countryside outside that village we meet the bear Ernest as he awakes in his run-down cottage. The hungry fellow goes into town and attempts to get some money for food by performing as a one man (er, bear) band. The bear police put a stop to this and they take away his musical instruments. That night Celestine and some of her mice pals emerge from the sewers to grab discarded bear teeth (which can be filed down and used as replacement mouse incisors). She is almost caught and gets trapped overnight in a trash can. The next morning, Ernest discovers her. Before he devours the scared mouse, she helps him break into the storage basement of the candy shop. Later Ernest helps Celestine grab a bag full of teeth from a local dental shop. This puts the two on the run from both the bear police and the mouse police. While Winter sets in, the two hide away in his cottage. Against all common beliefs the two are able to live together and soon form a warm friendship. But will they be able to stay together once the snow thaws and the authorities start searching for them once more?

To the roster of great animated animal duos like Tom & Jerry and Sylvester & Tweety, we must add this artistic mouse and musical bear. Celestine is determined and brave, clever and energetic, a free spirit who follows her heart in the same vein as BRAVE’s Merida or MULAN. Ernest is the more comedic of the two, soft-hearted and clumsy like Barney Bear or Baloo of THE JUNGLE BEAR who often gets frustrated and has a temper similar to those great ducks, Donald and Daffy. The animators also have a great time with the aggravated Georges, the owner of the bear candy store. On the mouse side, there’s great work done on the haughty, refined head dentist as he explains the glory of incisors and on the elderly mouse mistress as she uses fearsome hand shadow shapes to convey the “big, bad bears”. And there’s a wonderful frantic feel of the hordes of animal lawman that’s a tribute to the Keystone Cops of our silent film era. This is topped off by the bombastic and blustery judges above and below street level. All are rendered with a rich, flowing brush and pen line that makes the film seem like a true living storybook.

That design captures the original works of author/artist Gabrille Vincent. Especially remarkable are the loosely rendered backgrounds that have the look of glorious watercolors (which Celestine favors in her own work) with tones that vibrantly pop after the Spring thaw. This also works well with the underground mouse town that uses the sewer mechanics with a wild “Rube Goldberg” creativity and the above ground bear village which evokes quaint post-war Parisian streets with its storefronts and big sedans. Kudos to the directing trio of Stephane Aubier, Vincent Patar, and Benjamin Renner not only for the gorgeous look of the characters and the settings of the film, but for its charming low-key tone. While most animated features use a full blasting orchestra and several big musical numbers recalling Busby Berkley’s heyday, the music used here is a simple two or three instrument accompaniment and the songs are funny, clever ditties worked seemlessly into the flow of the story (especially funny is Ernest’s begging for coins tune as he evades the police). Most importantly, the directors never lose track of the story’s heart: that it’s good to question the status quo, and that love and friendship will triumph over intolerance and ignorance. I have only viewed the subtitled version, so I can’t attest to the US dubbed edition that features an Oscar winner (Forest Whitaker) and an  honest-to-goodness icon from Hollywood’s Golden Age (Lauren Bacall), but I’m sure this will help the pre-schoolers enjoy the wonderful tale. Either way, audiences will be enchanted by the best buddy comedy/adventure so far this year. Bravo big bear and little mouse. Au revoir Ernest and Celestine, let’s hope we’ll see you again very soon!

4.5 Out of 5

ERNEST & CELESTINE opens everywhere and screens exclusively in both subtitled and dubbed format in the St. Louis area at Landmark’s Plaza Frontenac Cinemas

ernestcelestineposter

 

OSCAR PREDICTIONS SHOWDOWN: I GOT PEEP’ed In The PEEPS CHALLENGE

photo-10

I know.

I lost.

For those of you that are just tuning in…WAMG’s Melissa Howland (that’s me!) teamed up with CRAVEONLINE‘s William “Bibbs” Bibbiani (Also of THE B-MOVIE PODCAST) to bring you the OSCAR PREDICTION SHOWDOWN. In the two part showdown William and I talked a bit about the 86th Annual Academy Awards. Not only that, but we gave our picks for who/what we thought should win in each category, and what would win. Being the rebel that I am, I put a little too much faith in THE WOLF OF WALL STREET… and was forced to do the Peeps Challenge.

To add to my misery, I did this on my birthday, and had a bit too much tequila the night before. The result… rainbow barfville. Check it out below.

Side Note: I know this seems funny, but I was miserable for the rest of the day. Despite throwing up glorious rows of marshmallow (that came up in the color order they were eaten in), my stomach still swelled afterwards. I was in a ton of pain. It was no fun. Please do not try this challenge at home!

There you have it. I don’t ever want to see another peep again… except for the one that will be tattooed on me as a badge of honor! Be sure to follow your hosts Melissa @WrathOfHearts and Bibbs @WilliamBibbiani on twitter. Stay fancy kids!

Come See the Oscars On The Big Screen At The Tivoli Theatre

tivoli-oscar-560

Hey out there fellow movie geeks! Looking to watch the big awards show with your fellow film fans this Sunday night? Well, the St. Louis Film Critics Association along with Cinema St. Louis are hosting a big screen viewing of the Oscars in the main auditorium of the Tivoli Theatre at 6350 Delmar in the heart of University City. During the commercial breaks  you’ll have the chance to win some great movie gifts when the hosts test your movie trivia knowledge. And the concession stand will be open so you can purchase drinks and snacks (they pop the best corn!). Best of all, there’s no charge to get in! All we ask is that you bring a canned or non-perishable food item to contribute to Operation Food Search! So dust off the tux and tiara (but formal attire is not optional), bone up on this year’s nominated flicks, and join as at the Tivoli this Sunday. The actual Oscar broadcast starts at 6 PM, so get there early! we’ll see you for the big show on the big screen!

Operation Food Search
Operation Food Search will be on hand collecting food items. Please consider making a donation in lieu of an admission fee to watch the show. The mission of Operation Food Search is to nourish and educate our neighbors in need to heal the hurt of hunger.
The Operation Food Search Site can be found HERE

OSCAR PREDICTION SHOWDOWN With Melissa (WAMG) And William Bibbiani (Crave Online)

photo 3-5

It’s awards season, and this year we decided to make things a little more interesting. WAMG’s Melissa Howland (that’s me!) teamed up with CRAVEONLINE‘s William “Bibbs” Bibbiani (Also of THE B-MOVIE PODCAST) to bring you the OSCAR PREDICTION SHOWDOWN. In this little two part challenge William and I talk a bit about the 86th Annual Academy Awards. Not only that, but we give our picks for who/what we think should win in each category, and what will win. Being the rebel that I am, I might have switched up some answers so that we didn’t have the exact same list. Why do this? Why should you care? That is an excellent question. Well kids, there is a bit of a wager on the line. The person that guesses the least amount of winners will have to do the dreaded PEEPS challenge. For those of you unfamiliar with the challenge, it’s where someone (cough… cough…Bibbs) has to take down 24 Peeps Marshmallow treats in 5 minutes. If you’ve ever wondered what unicorn vomit looks like, you will soon find out because we are taping the challenge and will be posting the rainbow, sugary, possibly vomity goodness next week.

I would also like to point out that not only did Bibbs get me in a dress, but he wore the best penguin suit I’ve ever seen. He wins some cool points for that.

Now… on to the predicting!

And now for part 2…

There you have it. Be sure to tune in this Sunday for the 86th Annual Academy Awards, and tune in next week to see one of us shame ourselves by eating an absurd amount of sugary marshmallows and be sure to follow your hosts Melissa @WrathOfHearts and Bibbs @WilliamBibbiani on twitter. Stay fancy kids!

 

Fandango Awards Watch Giveaway

Fandango-Awards

Hollywood. Red Carpet. Movie Stars! Oscar Night is just around the corner and WAMG has your golden ticket to an A-list prize.

Catch up on all of this year’s nominees with a night at the movies!

Two (2) winners will receive:

$30 Fandango gift card

Prizing courtesy of Fandango
Giveaway open to US mailing addresses only

Stay up to date with Fandango’s “Awards Watch” – your all-access pass to celebrities, red carpets, and award season buzz and don’t forget to like Fandango on Facebook and follow on Twitter – #Fandango.

Fandango, the ultimate movie ticketing destination, is your source for movie tickets and movie times. Know before you go to the theater, watch HD movie trailers, and find movie reviews, theater listings, and detailed information about new and upcoming films.

20140223_135502

Check out our Top 10 favorite Oscar nominees here: https://www.wearemoviegeeks.com/2014/02/top-10-tuesday-oscars/

Hosted by Ellen DeGeneres, the 86th Academy Awards airs LIVE Oscar Sunday March 2 7e|4p on ABC.

Okay Oscar fans, put on your trivia hats and answer the following for your chance to win the Fandango Awards Watch Giveaway!

  • Tell us the YEAR the first Oscar ceremony was televised.
  • Name the SEQUELS that have won Best Picture.
  • Name the FIVE performers to win consecutive Academy Awards.
  • Only twice have TWO Oscars been given for Best Director for the same movie. Name each film and all FOUR directors.

OFFICIAL RULES:

1. YOU MUST BE A US RESIDENT.  PRIZE WILL ONLY BE SHIPPED TO US ADDRESSES.  NO P.O. BOXES.

2.  ENTER YOUR NAME AND ANSWER IN OUR COMMENTS SECTION BELOW. WE WILL CONTACT YOU IF YOU ARE A WINNER.

3. WINNERS WILL BE CHOSEN FROM ALL QUALIFYING ENTRIES. NO PURCHASE NECESSARY. PRIZES WILL NOT BE SUBSTITUTED OR EXCHANGED.

The giveaway ends 11:59 p.m. est on March 6th.

http://oscar.go.com/

86OscarPoster_Spotlight