Join The Addams Family as they embark on one twisted road trip in the new trailer for THE ADDAMS FAMILY 2 See it in theaters or on demand on October 1st. Watch the new trailer:
Everyone’s favorite spooky family is back in the animated comedy sequel, The Addams Family 2. In this all new movie we find Morticia and Gomez distraught that their children are growing up, skipping family dinners, and totally consumed with “scream time.” To reclaim their bond they decide to cram Wednesday, Pugsley, Uncle Fester and the crew into their haunted camper and hit the road for one last miserable family vacation. Their adventure across America takes them out of their element and into hilarious run-ins with their iconic cousin, IT, as well as many new kooky characters. What could possibly go wrong?
CAST: Oscar Isaac, Charlize Theron, Chloë Grace Moretz, Nick Kroll, Javon ‘Wanna’ Walton, Wallace Shawn, with Snoop Dogg as ‘IT’, with Bette Midler and Bill Hader
THE ADDAMS FAMILY 2 is rated PG for macabre and rude humor, violence and language
So, getting tired of the frigid ole’ February (of course you sufferin’ folks in the southern states might have to dig out a windbreaker or sweater). Here in the Midwest, it’s still more than a bit nippy, with some occasional falling flakes. What better time for a multiplex getaway to…Pyeongchang, South Korea. And while we’re at it, how about a quick jump in the “Wayback” machine and get there (almost two years ago to the day) just in time for the 2018 Olympic Winter Games? But this is not a sports documentary, but rather a two-person romantic “dramedy” with the games as a backdrop. Now, filmmakers have done this for years, shooting a story “on the fly” using a big gathering (and saving on the cost of extras, no doubt). A few flicks from the past come to mind. Elvis Presley romanced and sang his way through 1962 Seattle for IT HAPPENED AT THE WORLD FAIR. As for sports, the Super Bowl (oops, the “Big Game”) was part of the climax of BLACK SUNDAY, and a dozen or so years ago the World Series figured into the finale of FEVER PITCH (just don’t bring that up when you travel to St. Louis). This new film is about two very different people who meet in Korea who somehow share OLYMPIC DREAMS.
One half of this mismatched couple is a competing athlete (and is played by real Olympian). Anxious, awkward Penelope (Alexi Pappas) is part of the US team, there to compete in the big cross-country skiing event. Arriving around the same time is the other “half’, Ezra (Nick Kroll), who is a volunteer dentist (hmm, guess that makes sense). He’s ecstatic to be there for the games ( a long time Olympic “geek”), despite the fact that his fiance back in the states just told him that they need to “take a break”. A day before her event, Penelope shares a cafeteria table with him. Though he tries to make small talk, she’s too full of anxiety. But when she’s knocked out of competition, she has lots of free time on her hands (that closing ceremony is almost a week away), Penelope finds Ezra’s temporary dental office in order to get an unnecessary “check-up”. The two hit it off and decide to “escape” the Olympic Village and explore the town that night. They eat, dance, and drink the night away. Friendship is quickly forming. Could this somehow blossom into a romance or will their bond fade as they head back to the states?
This project marks another step forward in showcasing the versatility of gifted comic performer (and real Broadway star) Kroll. While he continues to be a gifted vocal supporting player in recent animated features like SING and THE ADDAMS FAMILY (I’m still hoping for a spin-off showcasing his inspired work as Uncle Fester), Kroll “branched out” a couple of years ago with terrific supporting turns in the dramas OPERATION FINALE and LOVING (a truly underrated gem). Now, he’s “swinging for the fences” with what is really the romantic/dramatic lead as the genial everyman dentist. He throws himself into the role conveying his wide-eyed wonder of being part of this world-wide event, especially as he makes a new friend. Unfortunately, the storyline (doubtful if there’s a true “script”) lets him down as Ezra must do things that seem out of character to add ‘conflict’. And his mania over a brief exchange with his “on break” fiance seems forced. Fortunately, he does work well with Pappas who brings a different “take’ on the usual “larger than life” Olympians. In her first moments in Korea, she behaves like a lost little urchin at the ‘county fair’, barely able to express her feelings to anyone. Though lacking the experience of her co-star, she is able to keep pace in the loose banter. Ah but that storyline does her no favors either, as Penelope becomes far too needy and is often humiliated (do we need to see her PDAs spurned twice). Perhaps to add some gravitas she is given a couple of other athletes to “bounce off” (we don’t meet any of Ezra’s dental pals). Morgan Schild is like a sympathetic ‘sorority sister’ back at the dorm-like village. And Gus Kenworthy plays another acquaintance who becomes her “wingman”, but despite his efforts, morphs into a “rom-com” cliche’.
Director Jeremy Teicher really strives the capture the grand scale of the winter games, making great use of the surprising access he was given to the event and the surrounding city. Pappas and Kroll stroll about the facilities (the cafeteria and rec areas are most impressive) and the venues (walking up the ski-jump ramp at one point), then frolic in the local nightlife, recalling Scarlett and Bill exploring Tokyo in LOST IN TRANSLATION. But that’s where the comparison to that classic ends. Like the former flick, there is an age difference between the two, though not as vast (very few”skeevy” vibes), but the “sparks” just aren’t there. Ezra’s often a bit too “nerdy’ while Penelope comes off as too “clingy” and needy. Maybe this could have been worked out in a traditional screenplay. However the flick has the feel of an extended improvisational exercise, perhaps to give it an intimate pseudo-documentary feel. Since Pappas, Kroll, and Teicher share “writing” credits it seems to be in the mode of the HBO show “Curb Your Enthusiasm”, in which the actors “riff” while basing the scenes on a sparse “outline” that includes some plot “guides” and bits of info. That may be the reason for the frequent bits of Ezra “interviewing” his patients (real athletes reacting to his character quirks). It’s thuddingly apparent for the big confrontation between the two leads as they make bizarre put-downs (“un-brave” and “selfish” are pretty harsh) in order to force some drama into this often frothy travelogue. Fans of “The Games” will be enthralled by the inner workings and minutia, but for those looking for a compelling character study OLYMPIC DREAMS may have you dozing off during its 85-minute “ice routine”.
1.5 Out of 4
OLYMPIC DREAMS opens everywhere and screens exclusively in the St. Louis area at Landmark’s Tivoli Theatre
Move over ABOMINABLE, it’s time for another big animated feature film to hit the ole’ multiplex. Unlike the past Summer’s hit TOY STORY 4 and the upcoming FROZEN 2, it’s not a sequel, but it’s not exactly an original concept or idea. Even though the characters have been kicking around the pop culture ozone since 1937, they’re now in “uncharted territory”. Yes, it was over eighty years ago when Charles Addams debuted this frightfully funny family in the New Yorker magazine. They were part of a series of “one panel” cartoons so popular that they continued to pop up in issues, eventually being collected in book form. Eventually their creator gave them first names (Gomez, Morticia) along with the same surname as the artist. It wasn’t until the 1960s that they gained their greatest fame as part of the fantasy TV sitcom fad (begun by MY FAVORITE MARTIAN and encompassing BEWITCHED, I DREAM OF JEANNIE, and some equally odd neighbors living at 1313 Mockingbird Lane). Now, there’s a bit of controversy around who arrived first. The Addams project was first announced in the “trades” and eventually “beat” THE MUNSTERS to the airwaves by six days. After its brief (only two seasons) run on ABC-TV, the family returned as a Hanna-Barbera Saturday morning cartoon in 1973 (with son Pugsley voiced by Jodie Foster), and was revived by the same studio in 1992. The previous year saw the release of an enormously popular live-action feature film, with a sequel coming out in 1994 (25 years, wow). Now, after a recent Broadway musical, they’re back on the big screen, not in live-action or in 2-D “cell” animation, but in 3D-like CGI renderings. So, as that peppy ole’ theme music from Vic Mizzy says, “…it’s time to pay a call on… THE ADDAMS FAMILY”.
The cartoonist creator and his kooky creepy clan
Let’s label this romp an “origin story”, to borrow a term from the superheroes. Thirteen (of course) years ago, the entire Addams clan is gathered in the “old country” for the midnight wedding of Gomez Addams (voice of Oscar Isaac) and Morticia Frump (Charlize Theron). Unfortunately, before their first dance, the locals arrive with the pitchforks and torches (they may have wondered over from the Universal backlot). There’s only one place the lovebirds can go. With the helping hand of Thing, they make it to America. After “acquiring” their hulking servant Lurch (Conrad Vernon), the Addams newlyweds settle into their new home. Not a museum (as the song states), but an abandoned, haunted asylum. As we forge into the present day we view pics of the family’s expansion, first with gloomy daughter Wednesday (Chloe Grace Moretz), then son Pugsley (Finn Wolfhard). They adore their secluded haven until a red balloon drifts into the yard. The fog lifts to reveal, far below them, a brightly painted planned community. Said “planner” is none other but cable TV’s design and decorating diva Margaux Needler (Alison Janney), who now has “designs” on the creepy mansion overlooking her “picture perfect’ village of Assimilation. Gomez decides to take a break from preparing Pugsley for his Mazurka sword ceremony, assisted by the newly arrived Uncle Fester (Nick Kroll). and greet their new “neighbors”. Wednesday bonds with Margaux’s teenage daughter Parker (Elsie Fisher) and decides to join her at the “middle school”. Can she possibly “fit in”? And what nefarious scheme is Margaux plotting as the Addams distant relatives begin to arrive for Pugsley’s “big day”? Will the celebration become a catastrophe? And, just what is Cousin It (Snoop Dog) babbling about?
An interesting mix of actors (a couple of Oscar winners) and comedians have been assembled to give voice to the famous family and fiends…er, friends. Isaac is a smooth as silk classic Latin lover type as patriarch Gomez. Theron’s Morticia is the epitome of the oh so cool vamp as the matriarch. There’s a terrific energetic raspy cackle to Kroll’s Fester. Margaux has a patronizing “sing-song” delivery, all saccharine with a hint of strychnine thanks to Janney. Unfortunately, the kids feel a tad bland, with Moretz trying to come across as an aloof sounding menace, but seems more bored than demented, while Wolfhard only gives Pugsley an anxious, breathy quality. Luckily comic vets Bette Middler as Grandmama along Catherine O’Hara and Martin Short as the Frump ghosts (SCTV reunion…yes) provide lots of chuckles in their limited screen time. And Vernon gives Lurch a most impressive guttural growl.
In addition, he’s co-director with Greg Tiernan on this, their first big project since 2016’s racy and raunchy SAUSAGE PARTY (quite a turnabout from those R-rated hi-jinks to this family-friendly PG project). For the most part, they recreate the look of those classic characters from the pen and ink panels of Mr. A, though many of the supporting players get into a bit of a design rut, resembling potatoes with “pipe cleaner” thin arms and legs. And the faces are small features surrounded by a fleshy circular ‘noggin. Luckily the fam’ is more interesting. Gomez’s rotund, “striped beach ball” torso works well with his round Peter Lorre caricatured head (great dark sunken eyes). I missed the ever-present cigar that John Astin twirled ala’ Groucho, but I guess that was nixed to get the PG rating. Those same eyes and torso (they’re brothers after all) work well with Fester, paired with his droopy banana nose. Morticia, on the other hand, is comprised of “hard angles” with cheekbones and a chin so sharp they could “thin slice” deli meats. And rather than shoes we see the spider-like hem of her skirt as she glides across the floor (not teeny tiny steps, but hovering). Not sure if the high forward of Wednesday works, but the twin egg-like eyes of Pugsley that look as though they may fall out of his head are quite expressive. The brow and heavy-lidded eyes are a nice nod to the classic Frankenstein monster for Lurch, whose bulk appears to be a black mountain looming and blending into the house’s shadowy corners. And his mouth “quiver” as he delivers the classic “Yoooou rang?” is superb. Ditto to the massive blond bouffant of Margaux, balanced by her plump hips that almost burst out of her blue jumpsuits. Her daughter Parker has a much different look with a button nose and huge expressive eyes making me think of the talented young actress Joey (WISH UPON) King.
If only the same amount of thought and planning of the look of the cast had gone into the uneven script. Yes, there’s much of the same subversive spirit that Paul Rudnick gave to those 90’s features, but the screenplay (credited to three writers) seems to run out of “juice” after the one hour mark, falling prey to the usual funny flick third act “lull”. It abounds with so many great visual gags (Thing’s internet interests) and one-liners (Kroll’s timing kills), but the story has the feel of three sitcom episodes “stitched” together, bouncing haphazardly from plot “A” to “B” to “C” and back again. And these stories mainly focus on the Addams kids, making Morticia and Gomez into secondary support players. And with that PG rating, much of their smoldering sexy banter has been neutered (in the tame 60s sitcom-world, these two generated real “heat”). Only one bit of Gomez driven wild over Morticia tossing out a phrase in French…C’mon?! Still, a few sequences are full of inspired satire, particularly the “Up with People”-style anthem sung by the cheerful Assimilation quintet and Wednesday’s take on biology class (a 70’s sci-fi movie classic reference). But these are shuffled aside to make way for the convoluted plottings of Margaux, who often seems to be at cross purposes. It’s a muddled mess, but the wee ones should be amused by the creepy but not too scary elements (the pet lion Kitty Kat looks like a massive stuffed doll). Even though they’ve seemingly been with us forever, this kooky clan’s non-conformist ways still feel fresh and needed today. Thankfully, despite the script bumps, these folks (cue the big guy on the harpsichord) are still “altogether ‘ooky’, THE ADDAMS FAMILY”. “Snap, snap!”
As most of the schools finally free the tots and teens for Summer break, it’s time to hop aboard the rickety rollercoaster that is the 2019 slate of animated feature films. To paraphrase ALL ABOUT EVE’s Margo Lane, “It’s a bumpy ride”. We started with the “better than expected’ modest thrills of the last of the HOW TO TRAIN YOUR DRAGON trilogy. But sequels were not a sure bet as the Lego follow-up took a dive, quickly joined by the forgettable WONDER PARK and UGLY DOLLS. Laika’s MISSING LINK was an inventive ray of sunshine, but like most of their releases tepid box office kept the critical darling from soaring. Now comes another sequel as the folks at Universal’s animation off-shoot Illumination hope to have another franchise aside from Gru and the Minions (and the Seuss flicks like THE LORAX and last year’s Grinch). They had a modest success three years ago with the adventures of domesticated animals when the owners are out (kind of like when Andy’s away from his toys). Can box office lightning strike again as we rejoin those cute critters in the rather uninspired (talking about the title…why not a “wrath of…” or a “revenge of…, sheesh maybe a “…go number two”) named follow-up THE SECRET LIFE OF PETS 2.
We’re back in the Big Apple which looks as shiny and ripe as 2016, as the new flick begins. Lil’ terrier mix mutt Max (voice of Patton Oswalt) is mellow as part of human owner Katie’s (Elle Kemper) home along with the much longer, shaggier Duke (Eric Stonestreet). Then life throws him a curve when she meets Chuck (Pete Holmes) and soon the old cycle begins: first comes love, then comes marriage, then comes sweet lil’ Liam in a baby carriage. Max, who used to scoff at fellow pooches with kids, now is smitten with the tyke. After Max develops an itching tic (caused mainly by Liam going to preschool), the vet fits him with a big plastic “collar-cone”. The mood is lightened when Chuck decides they should drive out to the country for a visit to his uncle’s farm. But before they depart Max entrusts his beloved “squeaky toy” bumblebee to the jittery, still infatuated with him Gidget (Jenny Slate). Of course, she loses it as soon as he leaves, as it bounces through the open window of a cat-loving elderly lady. But she’s gotta’ get it back…somehow? Meanwhile, on another floor, the now domesticated pet rabbit Snowball (Kevin Hart) enjoys the superhero suit his owner fits over his fur. So much so that he adopts an “alter ego’, Captain Snowball. Still, he’s stunned when a fiesty flirty pup named Daisy (Tiffany Haddish) arrives with a mission for the masked, caped crusader. While in the cargo hold of an airplane, she became friends with a lonely Chinese white tiger cub named Hu. When she sees him being mistreated by his circus owner, “Happy” Sergei (Nick Kroll), Daisy is determined to rescue him but needs the help of CS. But how’s Max and Duke doing in the country? Despite all the odd noises and wildlife, they get used to sleeping outdoors. But then they have to deal with the farm’s tough “work” dog, Rooster (Harrison Ford) who has little use for Max’s fears and phobias. Will they ever become friends? And more importantly, will these three plots ever converge for a big finale’?
The voice cast slips back into their old characters pretty effortlessly, though there are a couple of new additions and one major change. The original voice of Max was another stand-up comic who has fallen from grace (not “family friendly” any longer, to say the least), so Mr. Oswalt lends his unique vocal styling to the lead role. Unfortunately, he just kept reminding me of his performance in the vastly superior RATATOUILLE a dozen years ago (wow!). Slate brings lots of energy to the often one-note, too manic Gidget. As with the last film I find Mr. Hart much more endearing as a fluffy powderpuff-like bunny, than his work in any live-action flick (perhaps there’s less mugging as a ‘toon). Plus, he’s got a great partner in newcomer Haddish as Daisy the dog. Though the two worked together in last year’s so-so comedy NIGHT SCHOOL, their chemistry is more potent here. Back to the vets, Dana Carvey scores lots of laughs once again as the cantankerous ole’ hound dog Pops (think of a furrier, cuddlier Walter Brennan). Would love to see him in a short, perhaps mentoring the same puppies (and one kitty). Speaking of cantankerous, the new flick’s most inspired and endearing addition might be Ford as a canine take-off on most of his more recent roles. Somehow it sounds like he’s having a great time of it (well, the often surly TV guest is making the press rounds for the flick). That gruff, no BS charm shines through his cartoon persona, making us hope for a spin-off, or a more prominent role in the next one (perhaps he and his owner uncle could vacation in the city, or relocate).
As enjoyable as Ford and the actors are, the film, like its predecessor is largely forgettable. Its main problem is the odd story structure, jumping from the three plots at random (A story to C, then B, then C, then A…) often derailing any momentum started on each tale (Max is facing a fox and…we’re back with the “cat lady”). The main villain seems to have wandered in from a Gru gathering (Sergei’s a stretched-out Boris Badenov), and after this year’s DUMBO remake debacle, can the whole “sinister circus” trope be retired? Though this clocks in at under 90 minutes, the erratic pacing makes us ponder the weird “rules” for this world. Why do some animals talk while others growl and squeak (sure Daisy says she can’t understand Hu’s “wild” patter, but Lil’ Sergei the “hench-monkey” wears a derby for gosh sakes)? The bigger question involves timespan. Max is around long enough to see his owner fall in love, marry, have a baby, then send the child to Pre-K, so how long do these pets live, since Max shows no sounds of slowing down? How the mind wonders. Anywho, the smallest of moviegoers may enjoy the bright colors (NYC is practically candy-coated) and the wild slapstick. I favored Snowball’s 2-D cell-style animated daydream as a buff, ripped “hare of steel” (some of the iconic John Williams 1978 Superman fanfare is thrown into the mostly random pop tune-filled soundtrack). But if you can’t hold out until the return of Pixar’s dream team (speaking of pop tunes, “The Toys are Back in Town”…soon), THE SECRET LIFE OF PETS 2 is a sweet, simple, somewhat formulaic frantic fantasy.
Illumination’s tenth feature, THE SECRET LIFE OF PETS 2, is the highly anticipated sequel to the 2016 comedic blockbuster that had the biggest opening weekend ever for an original film, animated or otherwise.
The film opens in theaters on June 7.
Packed with Illumination’s signature irreverence and subversive humor, this new chapter explores the emotional lives of our pets, the deep bond between them and the families that love them, and answers the question that has long intrigued every pet owner: What are your pets really doing when you’re not at home?
Terrier Max (Patton Oswalt) is coping with some major life changes. His owner (Ellie Kemper) is now married and has a toddler, Liam. Max is so worried about protecting the boy that he develops a nervous tic. On a family trip to a farm, Max and mutt Duke (Eric Stonestreet) encounter canine-intolerant cows, hostile foxes and a terrifying turkey, all of which only elevates Max’s anxiety. Luckily, Max gets some guidance from veteran farm dog Rooster (Harrison Ford, making his animated-film debut), who pushes Max to ditch his neuroses, find his inner alpha, and give Liam a little more freedom.
(from left) Liam, Max (Patton Oswalt) and Duke (Eric Stonestreet) in Illumination’s “The Secret Life of Pets 2,” directed by Chris Renaud.
Meanwhile, while her owner is away, plucky Pomeranian Gidget (Jenny Slate) tries to rescue Max’s favorite toy from a cat-packed apartment with a little help from her feline friend, Chloe (Lake Bell), who has discovered the joys of catnip.
And crazy-but-cute bunny Snowball (Kevin Hart) gets delusions of grandeur that he’s an actual superhero after his owner Molly starts dressing him in superhero pajamas. But when Daisy (Tiffany Haddish), a fearless Shih Tzu, shows up to ask for Snowball’s help on a dangerous mission, he’ll have to summon the courage to become the hero he’s only been pretending to be.
Can Max, Snowball, Gidget and the rest of the gang find the inner courage to face their biggest fears?
THE SECRET LIFE OF PETS 2 is produced by Illumination founder and CEO Chris Meledandri and his longtime collaborator Janet Healy, the visionary team behind Dr. Seuss’ The Grinch and the Despicable Me and Minions franchise, and is written by returning Pets screenwriter Brian Lynch. The film is directed by returning filmmaker Chris Renaud, who also directed Illumination’s Despicable Me series and Dr. Seuss’ The Lorax. www.thesecretlifeofpets.com
Enter for your chance to win FOUR free passes to the St. Louis advance screening of THE SECRET LIFE OF PETS 2. The theatrical sneak preview will be on June 4 at 7pm.
Answer the following:
Name these breed of dogs
1.2.3.
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NO PURCHASE REQUIRED. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.
Rated PG for some action and rude humor.
(from left) Rooster (Harrison Ford) and a turkey in Illumination’s “The Secret Life of Pets 2,” directed by Chris Renaud.(from left) Max (Patton Oswalt), Duke (Eric Stonestreet) and Liam in Illumination’s “The Secret Life of Pets 2,” directed by Chris Renaud.(from left) Snowball (Kevin Hart), Daisy (Tiffany Haddish) and Pops (Dana Carvey) in Illumination’s The Secret Life of Pets 2, directed by Chris Renaud.
So, this Summer a popular kids’ game has made it to the big screen: TAG, though the R-rated comedy isn’t for the smaller set. Well, why not release a flick about a real sport, one that the kiddos love, say basketball? Yes, it’s the subject of comedies and dramas, from HOOSIERS to WHITE MEN CAN”T JUMP to SEMI-PRO. But here’s something that sets this new flick apart. It’s a big screen adaptation, but not from a comic strip, comic book, novel, or TV show. Hmmm, it does have its roots on the tube, though it’s an expansion of a popular commercial campaign. Kind of like that 90’s cult classic, SPACE JAM. We’re not talking shoes this time, the ads (that date back six years) hawked a soft drink, Pepsi Max. Sure those spots are fun, but will movie audiences want to spend more than 60 seconds (103 minutes to be precise) watching the “slam-dunk” wizardry of UNCLE DREW?
The film’s first few minutes open with the history of the title character in a faux “30 by 30” ESPN mini-doc with lots of famous talking heads recalling his exploits, which led to the controversial first Rucker Classic street ball tournament fifty years ago. Jump (shot) to today as the big 2018 Ruckers celebration edition nears. we meet Dax (Lil Rrl Howery), who has loved the game all his life (though he says the game hasn’t loved him back). He’s sunk his meager life savings, amassed working at the local mall’s Foot Locker, into coaching a team to win the big 100 grand prize money. There’s lots of pressure, particularly form Dax’s “material” girlfriend Jess (Tiffany Haddish), who has big plans for the cash. As does Dax’s rival, Mookie (Nick Kroll), who plots to coach his own winning team. His true colors are revealed when he poaches Dax’s team. Desperate to recruit new players, Dax learns of the legend of Uncle Drew. Dax soon finds out the legend is no tall tale when he witnesses the geriatric hustler (Kyrie Irving) take down a boastful, much younger player. After the pick-up game Dax pleads with Drew to be part of his team. Drew agrees, with the stipulation that he fills the roster with his old crew. Thus begins the quest, as Drew and Dax travel the country in an old beaten-up van. First up, there’s “Preacher” (Chris Webber), now a real pastor who’s under the thumb of wife Betty Lou (Lisa Leslie). In an assisted living facility they pick up visually-impaired “Lights” (Reggie Miller) and wheelchair-bound “Boots” (Nate Robinson), along with his lovely granddaughter Maya (Erica Ash). The real challenge is convincing “Big Fella” ( Shaquille O’Neal) to leave his martial arts school and set aside old grudges. Even with his old squad, can Uncle Drew bring victory to the underdog Dax, and maybe reignite his old passion for the game?
Mr. Howery is a talented, funny fellow, we know that from his scene-stealing supporting turn in GET OUT. Unfortunately his lead (though not in the title) role is not nearly as interesting as the TSA BFF. Dax is far too needy and “whiny”, a doormat for everyone, and later a straight man for Drew and crew. You deserve much better material Mr. H, though you commit with lots of manic energy. In the same vein, this is a bit of a letdown after Ms. Haddish’s break-out work in last Summer’s GIRLS TRIP. Jess is a one-note “gold-digger” who exists only to give Dax more “agita” and anxiety. She works hard, but the script fails her, making her repeat “Remember ‘dat?” almost like a mantra in the final end credit farewell. Things don’t go much better for the film’s “good girl” Maya, a constricting “straight” sister that never allows Ms. Ash a chance to cut loose (a shame since she’s a “MadTV” vet). Kroll is able to wring some laughs as the obnoxious villain, but the playground taunts and teases seem a waste of his considerable comic skills, now on great display in the Netflix version of his hit Broadway show “Oh, Hello” (not to mention his terrific recent dramatic turn in LOVING). Mookie’s really a flashy baboon (and buffoon). As for the “hoops stars” none of them really seem destined for future screen stardom (that includes movie vet Shaq), though Webber has some high-spirited fun as the bouncing “baby-baptizing” holy man.
The tepid script from Jay Longino is barely given any energy from director Charles Stone III, though they may have been too obligated to replicate the format of the commercials (and yes, Pepsi is one of the producers making certain there are lots of “product placement”). Gags that worked so well in the classic COCOON are hammered and milked to exhaustion. We’re well aware that these young guys are capable of amazing court prowess. In part, that’s due to the ludicrous “old age” makeup. I can imagine how the late great makeup genius Dick Smith (LITTLE BIG MAN) would’ve reacted to the clumsy grey wigs and crude drawn wrinkle lines. And we get the “senior citizen” cliches repeated over and over. No matter the outside temps, Drew must crank up the heater. And they have to “go” all the time. Hysterical! Perhaps that’s a way to stretch the road trip (including a useless dance club challenge) before the “big final game”. Even that’s hampered by a cloying attempt at pathos (talking to a headstone at a cemetery…really). Hard core hoops fans may enjoy the “trash talk” and sweet “no net” scores. For the rest of us, well, here’s hoping that UNCLE DREW hangs up that smelly old track suit for good. Hit the showers!
DreamWorks Animation and 20th Century Fox have released the first trailer for CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE! Based on the worldwide sensation and bestselling book series and starring Kevin Hart and Ed Helms CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE tells the story of George and Harold, who hypnotize their principal into thinking he’s a ridiculously enthusiastic, incredibly dimwitted superhero named Captain Underpants.
CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE! stars the voice talents of Kevin Hart, Ed Helms, Nick Kroll, Thomas Middleditch, Jordan Peele, and Kristen Schaal
This looks so funny!:
Based on the worldwide sensation and bestselling book series, and boasting an A-list cast of comedy superstars headed by Kevin Hart and Ed Helms, DreamWorks Animation brings audiences the long-awaited global movie event, Captain Underpants: The First Epic Movie. This raucously subversive comedy for the entire family tells the story of two overly imaginative pranksters named George and Harold, who hypnotize their principal into thinking he’s a ridiculously enthusiastic, incredibly dimwitted superhero named Captain Underpants.
“LOVING is a warm, moving, deeply romantic film.” – Cate Marquis (review)
Follow the incredible real-life tale of courage and commitment as an interracial couple fights for marriage equality in the case that went all the way to the United States Supreme Court in Loving, arriving on Digital HD on January 24, 2017 and on Blu-ray™, DVD and On Demand on February 7, 2017, from Universal Pictures Home Entertainment. Just in time for Valentine’s Day, Loving on Blu-ray™, DVD and Digital HD features a revealing behind-the-scenes look at the making of the film and insightful commentary from writer/director Jeff Nichols. The Focus Features movie is nominated for two Golden Globe Awards: Best Actor [Drama] (Joel Edgerton) and Best Actress [Drama] (Ruth Negga).
Loving is the new film from acclaimed writer/director Jeff Nichols (Take Shelter, Mud, Midnight Special). Richard and Mildred Loving (portrayed in the film by Golden Globe nominees Joel Edgerton and Ruth Negga), fell in love and were married in 1958. The couple had grown up in Central Point, a small town in Virginia that was more integrated than surrounding areas in the American South. Yet it was the state of Virginia, where they were making their home and starting a family, that first jailed and then banished them. Richard and Mildred relocated with their children to the inner city of Washington, D.C. While relatives made them feel welcome there, the more urban environment did not feel like home to them. Ultimately, the pull of their roots in Virginia would spur Mildred to try to find a way back. Their civil rights case, Loving v. Virginia, went all the way to the U.S. Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry. Richard and Mildred returned home and their love story has become an inspiration to couples ever since.
Also starring Marton Csokas (The Bourne Supremacy), Nick Kroll (Sing), and Academy Award® nominee Michael Shannon (Nocturnal Animals), Loving is a moving film that Ben Dickinson of Elle calls “a deeply romantic and irresistibly human story.”
BLU-RAY and DVD BONUS FEATURES:
Making Loving- Filmmakers and cast discuss the importance of staying true to the story of Richard and Mildred Loving.
A Loving Ensemble- The filmmakers describe how they assembled the perfect cast.
Loving v. Virginia- A look back at this historic court case and its impact on American history.
Virginia: A Loving Backdrop– Filmmakers and cast describe how shooting on location in Virginia added to the film’s authentic feel.
Feature Commentary with Writer/Director Jeff Nichols
SING opens in theaters on December 21 and WAMG has your passes to the advance screening in St. Louis!
Illumination has captivated audiences all over the world with the beloved hits Despicable Me, Dr. Seuss’ The Lorax, Despicable Me 2 and Minions, now the second-highest-grossing animated movie in history. Following the release of this summer’s comedy blockbuster The Secret Life of Pets, Illumination presents SING this holiday season.
With its highly relatable characters, heart and humor, the first collaboration between writer/director Garth Jennings (Son of Rambow, The Hitchhiker’s Guide to the Galaxy) and Illumination founder and CEO Chris Meledandri marks the sixth fully animated feature from the studio.
The event film stars Academy Award® winners Matthew McConaughey and Reese Witherspoon, alongside Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton and Grammy Award-nominated Tori Kelly.
Set in a world like ours but entirely inhabited by animals, Sing stars Buster Moon (McConaughey), a dapper koala who presides over a once-grand theater that has fallen on hard times. Buster is an eternal—some might even say delusional—optimist who loves his theater above all and will do anything to preserve it. Now faced with the crumbling of his life’s ambition, he has one final chance to restore his fading jewel to its former glory by producing the world’s greatest singing competition.
Five lead contestants emerge: Mike (MacFarlane), a mouse who croons as smoothly as he cons; Meena (Kelly), a timid teenage elephant with an enormous case of stage fright; Rosita (Witherspoon), an overtaxed mother run ragged tending a litter of 25 piglets; Johnny (Egerton), a young gangster gorilla looking to break free of his family’s felonies; and Ash (Johansson), a punk-rock porcupine struggling to shed her arrogant boyfriend and go solo.
Each arrives under Buster’s marquee believing that this is their shot to change the course of their life. And as Buster coaches each of his contestants closer and closer to the grand finale, he starts to learn that maybe the theater isn’t the only thing that is in need of saving.
Featuring more than 65 hit songs, SING is produced by Meledandri and his longtime collaborator Janet Healy. Together, they have produced all of Illumination’s films since the studio’s inception.
WAMG invites you to enter for the chance to win FOUR (4) seats to the advance 3D screening of SING on DECEMBER 19 at 7pm in the St. Louis area.
Answer the following:
Which animated film won the Oscar at the 88th Academy Awards earlier this year?
TO ENTER, ADD YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.
OFFICIAL RULES:
1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.
2. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.
Your morning is about to be hit with some major piggy power!
Check out the hilarious new trailer for Illumination’s SING .
Illumination has captivated audiences all over the world with the beloved hits Despicable Me, Dr. Seuss’ The Lorax, Despicable Me 2 and Minions, now the second-highest-grossing animated movie in history. Following the release of this summer’s comedy blockbuster The Secret Life of Pets, Illumination presents SING this holiday season.
With its highly relatable characters, heart and humor, the first collaboration between writer/director Garth Jennings (Son of Rambow, The Hitchhiker’s Guide to the Galaxy) and Illumination founder and CEO Chris Meledandri marks the sixth fully animated feature from the studio.
The event film stars Academy Award winners Matthew McConaughey and Reese Witherspoon, alongside Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton and Grammy Award-nominated Tori Kelly.
Set in a world like ours but entirely inhabited by animals, SING stars Buster Moon (McConaughey), a dapper koala who presides over a once-grand theater that has fallen on hard times. Buster is an eternal-some might even say delusional-optimist who loves his theater above all and will do anything to preserve it. Now faced with the crumbling of his life’s ambition, he has one final chance to restore his fading jewel to its former glory by producing the world’s greatest singing competition.
Five lead contestants emerge: Mike (MacFarlane), a mouse who croons as smoothly as he cons; Meena (Kelly), a timid teenage elephant with an enormous case of stage fright; Rosita (Witherspoon), an overtaxed mother run ragged tending a litter of 25 piglets; Johnny (Egerton), a young gangster gorilla looking to break free of his family’s felonies; and Ash (Johansson), a punk-rock porcupine struggling to shed her arrogant boyfriend and go solo.
Each arrives under Buster’s marquee believing that this is their shot to change the course of their life. And as Buster coaches each of his contestants closer and closer to the grand finale, he starts to learn that maybe the theater isn’t the only thing that is in need of saving.
Featuring more than 65 hit songs, SING is produced by Meledandri and his longtime collaborator Janet Healy. Together, they have produced all of Illumination’s films since the studio’s inception.
Released by Universal Pictures, SING arrives in theaters on December 21, 2016.
