Michael Haneke’s AMOUR Wins Best Picture From The National Society of Film Critics

The National Society of Film Critics today voted Michael Haneke’s AMOUR the best film of 2012. From Sony Pictures Classics, AMOUR revolves around a husband and wife living out their final years and when one is paralyzed after suffering a stroke, the couple’s bond of love is severely tested.

Called “A Masterpiece” by Manohla Dargis in her NY Times review, the film previously won the Palm D’Or – 2012 Festival de Cannes, named best feature at The European Film Awards and has been embraced by the Broadcast Film Critics, Los Angeles Film Critics, Washington DC Area Film Critics Assocation, New York Online Film Critics and Boston Society of Film Critics. AMOUR (Love), Austria’s official selection for the 85th Academy Awards, is considered by most to be the front-runner for the best foreign-language Oscar.

A full list of the other awards follows, with the winner designated by an asterisk and the first and second runners up listed with the number of votes each received.

BEST ACTOR
*1. Daniel Day-Lewis – Lincoln – 59 (Dreamworks/Touchstone)
2. Denis Lavant – 49
2. Joaquin Phoenix – 49

BEST ACTRESS
*1. Emmanuelle Riva – Amour – 50 (Sony Classics)
2. Jennifer Lawrence – 42
3. Jessica Chastain– 32

BEST SUPPORTING ACTOR
*1. Matthew McConaughey – Magic Mike (Warner Bros.), Bernie (Millennium Entertainment) – 27
2. Tommy Lee Jones – 22
3. Philip Seymour Hoffman – 19

BEST SUPPORTING ACTRESS
*1. Amy Adams – The Master (The Weinstein Co.) – 34
2. Sally Field – 23
3. Anne Hathaway – 13

BEST PICTURE
*1. Amour (Sony Classics) – 28
2. The Master – 25
3. Zero Dark Thirty – 18

BEST DIRECTOR
*1. Michael Haneke (Amour) – 27
2. Kathryn Bigelow – 24
2. Paul Thomas Anderson – 24

BEST NONFICTION
*1. The Gatekeepers – Sony Pictures Classics – 53
2. This Is Not a Film – 45
3. Searching for Sugar Man – 23

BEST SCREENPLAY
*1. Lincoln (Dreamworks/Touchstone) – Tony Kushner – 59
2. The Master (P.T. Anderson)– 27
3. Silver Linings Playbook (David O. Russell) – 19

BEST CINEMATOGRAPHY
*1. Master (Mihai Malaimare, Jr. ) – 60
2. Skyfall (Roger Deakins) – 30
3. Zero Dark Thirty (Greig Fraser) – 21

The award for best experimental film was given to Jafar Panahi’s “This Is Not a Film,” from Iran. Film Heritage Awards were given to Laurence Kardish, Senior Film Curator at MoMA, for his extraordinary 44 years of service, including this year’s Weimar Cinema retrospective, and to Milestone Film and Video for their ongoing Shirley Clarke project. This year’s award were dedicated to the late Andrew Sarris, one of the most original and influential American film critics as well as a founding member of the Society as well as a founding member of the National Society.

The NSFC is made up of 60 of the country’s most prominent writers on film. Last year the group chose “Melancholia” as Best Picture, Kristin Dunst as best actress for her performance in Lars von Trier’s film, and Brad Pitt as best actor for his work in “Moneyball” and “The Tree of Life.”

National Society of Film Critics Announce

 

The 44th National Society of Film Critics Awards were handed out today honoring the best in film for 2009 and, yawn,  it went as expected and how many predicted.

Best Picture: THE HURT LOCKER

Best Director: Kathryn Bigelow, THE HURT LOCKER

Best Actor: Jeremy Renner, THE HURT LOCKER

Best Actress: Yolande Moreau, SERAPHINE

Best Supporting Actor: Christoph Waltz, INGLOURIOUS BASTERDS and Paul Schneider, BRIGHT STAR

Best Supporting Actress: Mo’Nique, PRECIOUS

Best Screenplay: Joel & Ethan Coen, A SERIOUS MAN

Foreign-Language Film: SUMMER HOURS

Non-fiction Film: THE BEACHES OF AGNES

Cinematography: Christian Berger, THE WHITE RIBBON

Production Design: Nelson Lowry, FANTASTIC MR. FOX

 

Good for them on bestowing honors on Moreau for Best Actress,  Schneider for Best Supporting Actor  and Lowry for his work on my favorite animated film of the year, FANTASTIC MR. FOX. THE HURT LOCKER already has won Best Picture from the New York and Los Angeles film critics and  as Kris Tapley of InContention has pointed out, “this is the first time since 1997 that a single film made the hat trick of NYFCC, LAFCA and NSFC.” Just like 1997, Cameron and  another of his  blockbuster films were in play as well, swooped in to steal the whole scene  and TITANIC went on to win the Academy Award for Best Picture.  In the last 15 years, only one movie picked by the National Society of Film Critics has won Best Picture…MILLION DOLLAR BABY.

The National Society of Film Critics meeting, which was attended by 46 of the group’s 64 members, was held at Sardi’s, as usual,  in New York.