Rob Reiner Directing THIS IS SPINAL TAP Sequel Starring Christopher Guest, Michael McKean And Harry Shearer

Castle Rock Entertainment announced today that the sequel to the 1984 cult classic This Is Spinal Tap, recently began production in New Orleans, Louisiana, with Rob Reiner directing and Christopher Guest, Michael McKean and Harry Shearer all reprising their iconic roles as the legendary heavy metal band, Spinal Tap. Reiner will also return as the documentarian Martin “Marty” DiBergi.

The film will feature cameos from music legends Elton John, Paul McCartney, Questlove, Garth Brooks and Trisha Yearwood.

Guest, McKean, Reiner, and Shearer conceived the sequel, which after a 15-year hiatus, has England’s loudest and most punctual band, reuniting for one final concert.

The film is being produced by Reiner, Michele Reiner and Matthew George and financed under the Castle Rock Entertainment banner.  Christopher H. Warner and Derrick Rossi serve as executive producers. 

Reiner said “I recently spoke to Marty DiBergi who said that he was more than happy to take a sabbatical from his position as a visiting Professor’s Assistant at the Ed Wood School of Cinematic Arts to once again document Spinal Tap to ensure their place in the pantheon of Rock and Roll.”

This Is Spinal Tap was released to critical acclaim in 1984 and went on to become a cult classic. In 2002, it was deemed “culturally, historically, and aesthetically significant” by the Library of Congress, and was selected for preservation by the National Film Registry.

TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOL 1 – “MIDNIGHT MADNESS” Available On Demand and On Digital April 21st

“Watch as Divine proves that not only is she the filthiest person in the world, she’s also the filthiest actress in the world! What you are about to see is THE REAL THING! “

The greatest cult horror and science fiction films of all-time are studied in vivid detail in TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME, a 3-volume series. Volume 1: “MIDNIGHT MADNESS” is available ON DEMAND AND DIGITAL: April 21. Check out Volume 1’s Trailer:

From “The Rocky Horror Picture Show” to “The Big Lebowski” and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.  Volume 1 features such cult luminaries as Jeff Bridges, Pam Grier, Rob Reiner, Barry Bostwick, Michael McKean, John Turturro, Gary Busey, Jeff Goldblum, Fran Drescher, Penelope Spheeris and Peter Bogdanovich and is hosted by Joe Dante, John Waters, Ileana Douglas and Kevin Pollak.

VOLUME 2 HORROR AND SCIFI – will be available May 19

VOLUME 3 COMEDY AND CAMP – will be available June 23

Look for continud coverage here at We Are Movie Geeks.

10 Reasons To See Lorene Scafaria’s THE MEDDLER With Your Mom This Mother’s Day

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This Sunday is Mother’s Day. A day to celebrate and remember the special, intelligent, strong and beautiful women in our lives.

In cinemas now (opening in St. Louis on May 13) is THE MEDDLER, written and directed by Lorene Scafaria. The filmmaker helmed one of our favorite movies of 2012 – SEEKING A FRIEND FOR THE END OF THE WORLD. (Review)

Director Lorene Scafaria on the set of THE MEDDLER Photo by Jaimie Trueblood, Courtesy of Sony Pictures Classics
Director Lorene Scafaria on the set of THE MEDDLER. Photo by Jaimie Trueblood, Courtesy of Sony Pictures Classics

Scafaria’s latest film stars Susan Sarandon, Rose Byrne, J.K. Simmons, Cecily Strong, Jerrod Carmichael, Lucy Punch, Casey Wilson, Michael McKean and Jason Ritter.

With a new iPhone, an apartment near the Grove, and a comfortable bank account left to her by her beloved late husband, Marnie Minervini has happily relocated from New Jersey to Los Angeles to be near her daughter Lori, a successful (but still single) screenwriter, and smother her with motherly love. But when the dozens of texts, unexpected visits, and conversations dominated by unsolicited advice force Lori to draw strict personal boundaries, Marnie finds ways to channel her eternal optimism and forceful generosity to change the lives of others – as well as her own – and find a new purpose in life.

Check out the 10 reasons why you should see THE MEDDLER with your Mom this Mother’s Day.

Because she is hip to the tip and always knows the latest tracks

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and gives the best advice…

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Maybe you can help her finally learn to take a selfie?

Maybe because you’ve been a bit ‘unappreciative’ at times…



but she still loves you unconditionally


Or just because she totally KICK ASS

See THE MEDDLER in theaters and don’t forget to call your Mom!

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Smell the Glove Midnights This Weekend at the Tivoli – THIS IS SPINAL TAP!

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“Dozens of people spontaneously combust each year. It’s just not really widely reported.”

THIS IS SPINAL TAP runs only 82 minutes, which is hard to believe, given how many jokes, both subtle and not so subtle, are thrown at us. One of my favorite moments of the film is when we see Nigel Tufnel’s shrieking guitar solo. He is aimlessly dragging a violin across his guitar, and then stops to tune the violin. Kills me every time I see – which is a lot of times and I always find something new to laugh at I hadn’t noticed before.

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THIS IS SPINAL TAP is such a perfect send up of the lost days of arena rock that you will often feel that you are watching a documentary. Every line is perfectly believable. This movie is commonly labelled a “cult classic”, which is a shame, because it is one of the great comedies of all time. The dialogue is absolutely brilliant. It is lively and funny, but at the same time tells the tale of aging rockers refusing to believe that they are past their prime.

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“There’s such a fine line between clever and stupid,” says David St. Hubbins, Spinal Tap’s lead singer, and this movie finds it each and every time. “The sights, the sounds, the smells of one of England’s loudest bands.” They also happen to be one of England’s (or anywhere’s) worst bands, and they are on a fast decent to nowhere while promoting their album “Smell the Glove.”

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One of the many, many delights of THIS IS SPINAL TAP is in showing just how low the band goes (the lowest is being billed behind a puppet show at a local amusement park), but this film gives so much more than that descent. It truly has its pulse on the vast humor that stupidity can provide, and as it gives us a clueless and derivative rock band, the cleverness in how it brings us its stupidity is never less than breathtaking.
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Now lucky St. Louisans can experience the stupid on the big screen when THIS IS SPINAL TAP screens this weekend (August 1st and 2nd) at the Tivoli as part of their Reel Late at the Tivoli Midnight series.

The Tivoli’s located at 6350 Delmar Blvd., University City, MO. Admission is a mere $8!

The Tivoli’s website can be found HERE

http://www.landmarktheatres.com/market/st.louis/tivolitheatre.htm

Here’s the Reel Late at the Tivoli Line-up for the next few weeks:

Aug. 8-9               AKIRA           

Aug. 15-16           TEENAGE MUTANT NINJA TURTLESThe Original!

Aug. 22-23           ARMY OF DARKNESS

Aug. 29-30           BLAZING SADDLES

Sept. 5-6              PURPLE RAIN – 30th anniversary

Sept. 12-13         GHOST IN THE SHELL

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THE WORDS – The Review

When film makers are looking at a profession for serious subject matter ( super spies, reckless cops, and costumed crusaders are for the lightweight Summer action blockbusters ), they often turn to the literary. Namely, the lonely, unglamorous writer can make for a somber hero ( of course this might be a bit of navel-gazing since somebody’s got to whip up a script ). Movies from THE LOST WEEKEND through last year’s THE HELP have shown the authors pounding away at the typewriter keys well into the wee hours of the morning ( of course modern-time movies have substituted a laptop computer for the noisy old Underwoods and Coronas ). Instead of battling monsters and beasties these knights of the pen fight with another formidable foe : the blank page AKA writers’ block. This can often have the hero facing a moral quandary of fabrication ( THE HOAX ) or outright thievery ( YOU WILL MEET A TALL DARK STRANGER ). The later is the main theme of the new drama THE WORDS, which takes a cue from THE HOURS and interweaves one book about another book about, etc. Is this cinematic nesting doll worth the time and effort of keeping track of who’s writing what?

In the opening scene we’re introduced to celebrated author Clay Hammond ( Dennis Quaid ) as he reads a passage from his latest best-seller to an enthusiastic audience that includes graduate student Daniella ( Olivia Wilde ). The novel begins with The Old Man  ( Jeremy Irons ) watching celebrated author Rory Jansen ( Bradley Cooper ) and his wife Dora ( Zoe Saldana ) climb into a limo that will whisk them to a fancy literary event. Cut to several years ago as Rory and Dora, fresh out of college, move into their Brooklyn loft. Rory struggles to establish himself as a writer, and has to ask his blue-collar father ( JK Simmons ) for a loan. When Rory and Dora travel to Paris on their honeymoon he buys a beat-up old leather briefcase at a shop. Once they return to the states, Rory takes a job in the mailroom of a publishing house. Filing away his old stories and rejection letters, Rory discovers a weathered, hand-typed manuscript hidden in one of the old briefcase’s compartments. He’s so moved by the story that he begins to re-type it, word for word, on his laptop. Dora stumbles across the file and insists that Rory submit it for publication. Rory slaps together a title page ( with himself as author) and gives it to one of the agents ( Zelijko Ivanek ). Before you know it he’s on the best seller lists. All’s going well for this rising literary star until The Old Man plops down on the park bench next to him. The Old Man tells him of the years spent in Paris at the end of World War II as a Young Man ( Ben Barnes ) and his love affair with a beautiful Frenchwoman, Celia ( Nora Arnezeder ) that inspired his lost novel. Rory’s been found out. What will he do to put things right? And what will happen with Clay and Daniella after the public reading and the after party?

There’s a compelling story of plaugerism buried somewhere in this overly complicated, much-too-heavy drama. The sudden scenes shifts don’t help quicken the pace one bit ( this is a very long 95 minutes ). Most of the confrontations seem to fizzle out, particularly a murky confessional between Quaid and Wilde near the conclusion. The actors strain mightily to make this material work. Cooper seems to be repeating his LIMITLESS role here minus that super pill. His take on the flawed golden boy was essayed much better by Robert Redford decades ago. Saldana has little to do in the loyal, supportive wife part even as she is torn by his deceptions. Quaid makes for a believable veteran writer, but he remains an enigma by the film’s end. Wilde’s always a welcome addition, but her book groupie turned inquisitor never really gels. The short supporting work from Simmons, Ivanek, and John Hannah ( as a writing rival ) do create a few brief sparks. Luckily there’s Mr. Irons, who commands the screen as the true literary master. Every emotion is etched on that ravaged face ( nice makeup work). At first he’s sad and pathetic, but soon becomes a rage-filled lion as he exposes the young fraud. If they rest of the film were up to his level, THE WORDS would be a strong awards season contender. Unfortunately the movie sputters and stumbles when Irons is off stage. A muddled, over-wrought, morality melodrama, THE WORDS never really leaps off the page…or screen.

2 Out of 5 Stars

Throwback Thursday: ‘Clue’

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The 1985 murder comedy ‘Clue’ is a rare breed.  It is one of the few films that whenever I stumble upon it as I flip through channels, regardless of how far into the film it is, I have to stop and watch.  Sometimes five minutes.  Sometimes until the next commercial break.  Sometimes all the way to the end.  It’s a kind of fix that only a film as funny and as timeless as ‘Clue’ can provide.

It wasn’t the first comedy to broach the subject of murder.  It wasn’t even the first murder mystery comedy.  Screenwriter and director Jonathan Lynn (‘My Cousin Vinny’ and ‘The Whole Nine Yards’) was definitely influenced by classic films like ‘Arsenic & Old Lace’ and even more recent murder mystery comedies like ‘Murder by Death.’  However, there is an intensity to ‘Clue’ that is unmatched.  The comedy thrown out at its audience comes a mile a minute and just as consistent.  Not only do the jokes come fast, they come nonstop and just about every one it hit out of the park.  Some are campy.  Some are witty.  Some incorporate the best sight gags since the silent era.  ‘Clue’ is a comedy that has something for everyone, and each brand of humor is executed just as flawlessly as the next.

More than 20 years later, the idea of taking a board game and turning it into a feature film is becoming a trend.  With feature film adaptations of ‘Battleship,’ ‘Ouija,’ and ‘Monopoly’ just on the horizon, you have to give credit to ‘Clue’ for being the frontrunner on the trend more than two decades prior.  Lynn takes the best elements of the board game (the creepy house, the eccentric characters, the various weapons, etc.) and puts each one to good use.

The casting in ‘Clue’ is flawless.  Michael McKean plays the dorky Mr. Green who keeps insisting he “didn’t do it”.  The late and great Madeline Kahn plays the melancholy Mrs. White, who may or may not have murdered her husband. Eileen Brennan plays the somewhat senile and overly naive Mrs. Peacock.  Christopher Lloyd plays the sex-crazed Professor Plum.  Martin Mull plays Colonel Mustard, who seems tough until he is faced with death and who misses his mommy and daddy.  Lesley Ann Warren plays the seductive Miss Scarlet.  Each actor is phenomenal in their own way, bringing the equally phenomenal characters to life.  Every actor brings out the best in the character, and none of them fall behind in the laughs department.  I dare you to not, at least, crack a smile during the scene where Madeline Kahn’s Mrs. White goes off on how much she hates Yvette, the maid.

However, the real standout performance in ‘Clue’ is for a character that is completely made up for the movie.  Tim Curry stars as Wadsworth, the butler, who has brought the other six to the mansion.  Curry is a force within this film, hardly taking a breathe for seemingly minutes at times.  The film’s final act, where Wadsworth essentially runs through every event leading up to that point, is a juggernaut of comedy and Curry keeps the pace of the film without effort.

Of course, what ‘Clue’ is most notable for to the general public is the idea that three, different endings were shot.  Random endings were shown depending on what theater you attended.  It was a bold attempt at marketing, sadly one that didn’t work all that well in ‘Clue’s favor.  The film was anything but a box office success, pulling in just over $13 million in its entire run.  It didn’t help the film’s chances that it came out on the same day as ‘The Jewel of the Nile,’ the sequel to ‘Romancing the Stone.’  Audiences had a choice between comedies, and most headed for adventure instead of mystery.

Despite its box office receipts, the various endings for ‘Clue’ is probably what the film is most remembered for.  When it was released on VHS, all three endings were included.  It wasn’t until the film was released on DVD in 2000 that I had the opportunity to watch it with a completely random ending.  In more recent years, the film has gained a cult following, particularly among fans of Tim Curry’s other, famous film, ‘Rocky Horror Picture Show.’  Theaters will sometimes acquire a print of ‘Clue’ and show the film, once again, as it was intended to be seen with a completely random ending.

No matter how you watch it, on VHS or DVD, in theaters with a crowd of hundreds or late at night starting an hour in, ‘Clue’ is a hilarious film that is just as funny today as it was nearly a quarter of a century ago.  It is an intensely fun movie that, despite its central theme of murder and blackmail, is anything but a “dark” comedy.  If you’ve never seen ‘Clue,’ do yourself a favor and check it out.  If you have seen it, go back and watch it again.  I guarantee it to be just as funny now as it was when you first watched it.

Trailer for Woody Allen’s ‘Whatever Works’

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I love Woody Allen. I know, his films are somewhat up and down, but they’re all good on some level and many are great. Woody Allen is a filmmaker that fascinates me because of several reasons. He’s damn consistent, works like a dog making at least one movie a year. On top of that, Woody Allen is such a fascinating character in and of himself. On that note… in many ways, Larry David is a lot like Woody Allen. So, when I found out that Larry David was going to star in Woody’s next film I was curious and excited. The movie is called ‘Whatever Works’ and stars Ed Begley, Jr., Patricia Clarkson, Michael McKean, Evan Rachel Wood and several others along side Larry David and is set for a limited US theatrical release on June 19, 2009. Check out the first trailer below…