TEXAS CHAINSAW MASSACRE Director Tobe Hooper Dead at 74

Tobe Hooper’s THE TEXAS CHAINSAW MASSACRE may or may not be the scariest horror movie ever made (I think it is) but it’s certainly one of the most referenced, imitated, ripped off, and influential. Hooper claims the film was his reaction to Vietnam and Watergate and he shot it in grainy 16mm which gives the film its gritty in-your-face realism. For a first-timer, Hooper directed with a solid sense of composition and attention to detail and forced some amazing performances from his cast. Audiences and critics at the time responded to it’s high level of gore, but they were wrong.   It’s actually a masterpiece of restraint that Hooper made and much of its magic lies in the fact that the audience thinks they saw a no-holds-barred gorefest when they didn’t (the scene of the Hitchhiker (Ed Neal) slicing his own hand with a knife is the only actual bloodletting in the entire film).

What happened to Tobe Hooper? His follow-up, EATEN ALIVE, was a decent horror films but one no one would talk about if another director had made it. POLTERGEIST   was a hit but legend has it that it was mostly directed by Steven Spielberg and it certainly plays that way.   The less about SPONTANEOUS COMBUSTION,  INVADERS FROM MARS and MORTUARY the better. Though FUNHOUSE, LIFEFORCE and TEXAS CHAINSAW MASSACRE PART 2 have their followings, it’s safe to say that Hooper never again captured the magic that was THE TEXAS CHAINSAW MASSACRE and many rightfully view him as a one-hit wonder. The iconic concluding shot of THE TEXAS CHAINSAW MASSACRE lingers on the wounded and frustrated Leatherface, spinning in the sunlight as his chainsaw roars and his terrified prey eludes him.   It’s one of the most famous final images in cinema and could be seen as a metaphor for Tobe Hooper’s career.


From Variety:

Tobe Hooper, the horror director best known for helming “The Texas Chain Saw Massacre” and “Poltergeist,” died Saturday in Sherman Oaks, Calif., according to the Los Angeles County Coroner. He was 74. The circumstances of his death were not known. The 1974 “Texas Chain Saw Massacre” became one of the most influential horror films of all time for its realistic approach and deranged vision. Shot for less than $300,000, it tells the story of a group of unfortunate friends who encounter a group of cannibals on their way to visit an old homestead. Though it was banned in several countries for violence, it was one of the most profitable independent films of the 1970s in the U.S. The character of Leatherface was loosely based on serial killer Ed Gein……(read the rest of the article HERE)

ELECTRIC BOOGALOO – Doc About Cannon Films Screening at The Tivoli September 17th

cannon-header

Bronson!….Norris!…..Dudikoff!

deathish33

ELECTRIC BOOGALOO was the name of the wacky 1985 sequel to the break dance epic BREAKIN’ – which I don’t know was worthy of a follow-up but if there was one studio up to the effort in the mid-‘80s, it was Cannon Films. ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS is the title of a new documentary that plays for one night only in St. Louis at Landmark’s The Tivoli Theater Thursday, September 17th at 7pm.

cannon-Film2s

Israeli cousins Menahem Golan and Yoram Globus, prolific salesmen with little regard for quality, bought Cannon Films for half million dollars in 1979 (it was founded in ’67) and turned it into an efficient assembly line of high-concept, action, and exploitation. Lovers of low-brow cinema could always count on a good time when that Cannon Films logo appeared on-screen. THE TEXAS CHAINSAW MASSACRE PT 2, the Sly Stallone arm wrestling opus OVER THE TOP, Chuck Norris actioners such as MISSING IN ACTION, INVASION USA, and DELTA FORCE, Bronson in DEATH WISH 2 (and 3 and 4), Tobe Hooper’s LIFEFORCE, THE EXTERMINATOR 2, and THE LAST AMERICAN VIRGIN were all part of Cannon’s dependably entertaining output. Cannon gave the likes of Jean Claude Van Damme (CYBORG) and Dolph Lundgren (MASTERS OF THE UNIVERSE and I COME IN PEACE) their start and even created their own action hero with Michael Dudikoff (AMERICAN NINJA and AVENGING FORCE). Cannon flirted with arthouse fare with LADY CHATTERLY’S LOVER, THE COMPANY OF WOLVES, BARFLY, John Cassavette’s LOVE STREAMS, and Franco Zefferelli’s OTTELO, and even received some Oscar love when the two stars of its 1984 hit RUNAWAY TRAIN (Jon Voight and Eric Roberts) were nominated for acting awards. But its films like COBRA and NINJA III DOMINATION, with their low-brow scripts rushed into production, that has made the Cannon studio (which folded in ’94), the stuff of legend. With ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS , filmmaker Mark Hartley, the man behind the wildly entertaining documentaries about B-grade films and filmmakers, NOT QUITE HOLLYWOOD (about the Australian exploitation scene from 2008) and MACHETE MAIDENS UNLEASHED (about the Philippine film industry from 2010) has set his sights on Cannon. Full of clips from the films and interviews with such Cannon luminaries as Dolph Lundgren, Luigi Cozzi, Sybil Danning, Tobe Hooper, Diane Franklin, Franco Nero, Bo Derek, and Lucinda Dickey, the doc is said to be (I have not seen it) a colorful look at the video dustbins of exploitation movie history.

cannon1

Landmark Theaters will be presenting a special one-night only screening of ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS September 17th at 7pm. (The Tivoli is located at 6350 Delmar Boulevard, in The Loop, St. Louis, MO, 63130)

cannon-films2

For ticket information go HERE

http://www.landmarktheatres.com/st-louis/tivoli-theatre/film-info/electric-boogaloo

A Facebook invite for the event can be found HERE

https://www.facebook.com/events/1690661997889804/

cannon4

and I dare you to skip this screening after watching this amazing trailer:

 

Space Vampires Invade the Hi-Pointe Midnights This Weekend – LIFEFORCE

lifeforce-header

“Don’t worry. A naked girl is not going to get out of this complex!”

lifeforce 04

LIFEFORCE screens midnights this Friday and Saturday (September 5th and 6th) at The Hi-Pointe Theater (1005 McCausland Ave., St. Louis, MO 63117)

Lifeforce_cropped_9854

The guys at Destroy the Brain are following up last month’s TEXAS CHAINSAW MASSACRE with another film from director Tobe Hooper. His 1985 opus LIFEFORCE was exciting, trashy sci-fi from the nuts at Cannon Films, with a better than average cast, some decent special effects, an interesting premise, and yes, the hottest space vampire ever seen on screen! The plot of this gonzo sci-fi horror/hybrid is incomprehensible yet strangely compelling: A space crew brings back three bodies from an alien ship. All naked. Two guys and one girl. The guys don’t count for much. They’re not that important. What is important is the naked alien woman, (Mathilda May). She is to be lusted after, feared and despised for being so feminine. Instead of doing the usual vampire move of biting people on the neck, she kisses her victims and steals their LIFEFORCE. This movie is in fear of the female body. Ms May spends most of the movie completely naked. The men can’t get over how alluring she is. When the lead astronaut (Steve Railsback) has a dream about her he says, “You’re taking too much life out of me!”

lifeforce-2

I can’t help but wonder about the curious subtext of LIFEFORCE. A beautiful, nude space vampiress wanders the Earth seducing every man in sight and drains them of their life force. Sheesh! Were screenwriters Dan O’Bannon or Don Jakoby victims of a bad break up when they concocted this outer space oddity? Did Matilda May catch pneumonia from running around naked in London for days? Still, LIFEFORCE is pretty damn entertaining and definitely worth a look just to catch Patrick Stewart vomiting up great gobs of gore.

lifeforce8

LIFEFORCE screens at midnight this weekend (September 5th and 6th) at St. Louis’ fabulous Hi-Pointe Theater (1005 McCausland Ave, St. Louis) as part of their Late Night Grindhouse Midnight series, so don’t miss it!

lifeforce

Admission is $7 and the pre-show begins at 11:30

The Facebook event page for the Friday night screening can be found HERE

https://www.facebook.com/events/342456762576590

The Facebook event page for the Saturday night screening can be found HERE

https://www.facebook.com/events/560282687428279

The Destroy The Brain.com site can be found HERE

http://www.destroythebrain.com/

The Hi-Pointe Theater’s site can be found HERE