Watch Jason Patric, Sylvester Stallone, Dash Mihok, Josh Wiggins In ARMOR Trailer

Sylvester Stallone and Jason Patric star in an action-packed, thriller about the lengths one man will go to save what’s left of his family and reclaim his own life. James and his son Casey are armored truck drivers tasked with delivering a suspicious package. After a violent ambush on the road, James and Casey are trapped until they discover the value of what they have been carrying and join forces to outgun and outwit their attackers.

Watch the new trailer for ARMOR.

ARMOR also features Dash Mihok, Josh Wiggins, Blake Shields, Erin Ownbey and is helmed by Justin Routt. Wiggins previously starred in MAX. Read our interview with him HERE.

See the film In Theaters, On Digital and On Demand November 22, 2024.

Photos courtesy of Lionsgate.

BIG KILL Screening in St. Louis This Friday with Director Scott Martin and Actress Stephanie Beran in Attendance

Actress Stephanie Beran returns home for the St. Louis premiere of her new film, BIG KILL, this Friday, December 7th, alongside director Scott Martin. Beran (who plays Felicia Stiletto in the film) and Martin (who also appears in the film) will be at the Marcus Chesterfield Cine for the premiere as well as a special Q&A session following the 7pm showing.

Tickets are on sale now and available to the general public at the theater box office and wherever Marcus tickets are sold online.

Where: Marcus Chesterfield Cine

When: Friday, December 7 @ 7pm

Q&A following immediately after

A tenderfoot from Philadelphia, two misfit gamblers on the run, and a deadly preacher have a date with destiny in a boom town gone bust called Big Kill. After the death of his wife, Jim, the accountant, has come from the East to join his brother in business. Jake and Travis, two misfit rogues with one foot on each side of the law, have come from the south after being run out of Mexico under a hail of gunfire.  What they find in the West is a wild ride, a fight for survival, and a moment of decision that will change them all forever.

CAVEMEN – The Blu Review

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Review by Sam Moffitt

Charlie Kaufman has a lot to answer for. His multi level style of screen writing now has multiple imitators.  Witness if you will a little film called Cavemen. In the style of Charlie Kaufman’s screen play for Adaptation and other films, we see a young, urban professional named Dean struggle to write a screen play, bounce ideas off some unnamed friends, present his screen play to a way too convincing Hollywood producer (very well played by Jason Patric) and struggle to live through the incidents that will come to make up the screen play we see him write, and that we also see being performed in front of our eyes.

Not quite as engaging as Kaufman’s style Cavemen does have its fun moments, but, well…

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Dean and three of his friends have figured out how to keep the frat boy life style going well after college (if in fact any of these guys went to college.)  They live in a converted warehouse (named The Cave, thus they are the “Cavemen”, and, of course, they also have the required Neanderthal attitudes towards women) and run a combination bar, party house, concert venue and thus do not have to pay rent on their own places.  They live where they work in other words, but that also means they do a lot of drinking and fornicating, and talking about drinking and fornicating, which gets real old, real fast.

Dean’s best female friend who also tends bar at the Cave is Tess, very well played by Camilla Bell, who was excellent in a little thriller called The Quiet in 2005.

And, as you would expect, the main point of the movie is not only Dean’s struggle to get his screen play written and produced but to find True Love amid all the easy sex in the city of LA.  To their credit this crew managed to film LA in a totally different fashion than we are used to, I don’t know where they found these locations but I have never seen LA look this good.

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And again, as you would expect, we know that Tess is the right woman for Dean, long before he does.  We see him do all the fun things that speed dating can bring about when you have nothing but time on your hands and no moral compass to speak of.  Dean and his friends go through the roundelays you might see in a French art house movie, just not as well presented.

It takes Dean so long to figure out that he really does love Tess, and so very, very long for him to say it we get tired of this movie way before it’s over.  I lost count of the number of times we see Dean run on foot after a cab that Tess is in so he can pull her out of the cab, and then not say the right thing!

She gets tired of it and so do we.  I hate to slam any movie, especially an independent effort like this, but we have seen this material too many times before and done better.  There’s really not much new here.

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Well Go USA’s bluray looks terrific.  The only extras are some trailers for other releases in their catalog, all of which look more interesting than Cavemen.

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THE OUTSIDER – The Review

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Action movies typically fall within a finite number of formulas. For this reason, the success of an action movie generally relies a great deal on how well the filmmaker adapts to creating an original story within that formula. Acting is rarely a significant factor in an action film because, well, most viewers are not expecting an action film to win any major awards of a thespian nature.

To put it simply, action films rely greatly on the filmmaker accomplishing two very specific criteria. The first are riveting, exciting action sequences that are masterfully choreographed and meet the bare minimal qualifications for us to willingly suspend our disbelief. The second would be a storyline that is engaging and as unpredictable as possible. This second criteria is so very often the most difficult to achieve and this film just sort of glides along, content to earn that low-to-mid C grade, not ambitious enough to secure the solid B, but with just enough self-respect to avoid slipping into a D grade.

THE OUTSIDER is as original and engaging an action film as its title. Simple, unassuming and vague. Director Brian A. Miller serves up his fourth action offering as director, starring Craig Fairbrass as Lex Walker, an aging but formidable British military contractor currently on mission in the Middle East. When Lex finds out his daughter Samantha (Melissa Ordway) is dead, he throws away his lucrative career as a private soldier and heads to Los Angeles to retrieve his daughter’s body.

Jason Patric plays Detective Klein, the cop working the case, but when Lex arrives stateside, he discovers the body is not his daughter’s and immediately embarks on a mission to unravel the mystery and find his daughter. Lex’s first stop is Most Industries to visit Samantha’s former employer, Schuuster, played by veteran James Caan. It doesn’t take long before Lex is ruffling feathers and finds himself up against nameless security guards and henchmen, busting heads and cracking bones… all in the name of finding his daughter at any cost.

Miller manages to capture an essence of the 90s era action genre. THE OUTSIDER looks and feels like so many of the action films I remember from the late 80s and early 90s, but is missing something. Those films had a certain level of machismo, an element of masculine flamboyance to their central character that says “Hey, I may be a cocky badass, but I’m getting the job done, saving the day and/or the girl.” Fairbrass certainly portrays a confidence in technique. No one is questioning his ability to perform these simulated fight sequences, but there’s no flair. As an action hero, Fairbrass has far less visual appeal than Lorenzo Lamas and slightly more emotional investment than Steven Seagal. In comparison, Jason Patric fairs better in both camps as the detective, but with far, far less screen time.

Eventually, Shannon Elizabeth enters the story and offers up some B-level eye candy as Margo, an added asset to Lex’s mission to help Samantha take down the ruthless criminal businessman Schuuster. Coincidentally, its James Caan and his experience in portraying textured, three-dimensional villains and anti-heroes that outshines the rest of the film. While having a very limited amount of screen time, Caan manages to lift us out of an otherwise lackluster, uncommitted movie-watching experience for a much needed adrenaline boost. Hell. At one point, the now 73-year old James Caan actually gets his fists bloody and beats down one of his own goons! Tell me that doesn’t get your testosterone pumping!

When it’s all said and done, THE OUTSIDER is not a bad film, but its also not a good film. The movie coasts along, riding that mediocre money train that doesn’t turn heads but accumulates enough interest that it most likely will do well enough by investors’ standards. I’m not opposed to this philosophy and methodology of filmmaking. After all, today more than ever, filmmakers of all persuasions have the ability to make the films they want to make and even make a living out of it, but when it comes to what I prefer to see, what I go out of my way to find… THE OUTSIDE resides well outside of my standards for creativity and entertainment. If you enjoy generic, formulaic popcorn movies with minimal personality, you may just enjoy this film.

THE OUTSIDER opens in theaters on Friday, February 7th, 2014

Overall Rating:  2.5 out of 5 stars

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THE OUTSIDER Trailer Stars Jason Patric And James Caan – In Theaters February 7

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Coming to theaters on February 7, here’s the trailer for the upcoming movie THE OUTSIDER. The action-adventure film stars Jason Patric, James Caan, Craig Fairbrass, and Shannon Elizabeth.

Recalled from the battlefields of Afghanistan to identify the remains of his daughter, British mercenary Lex Walker (Craig Fairbrass) arrives in Los Angeles to find that the body in the morgue belongs to a stranger.  With his daughter now missing, Walker convinces a street-wise detective (Jason Patric) that his daughter is still alive and in danger.

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The two follow a trail of high-tech intrigue that leads them to his daughter’s former boss (James Caan), a crooked cyber-millionaire who will do whatever it takes to protect his empire – including taking down anyone who gets in his way.  Driven by desperation and rage, Walker must fight his way through an army of thugs and hired killers to save the one person that means more to him than life itself.

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Review: THE LOSERS

A group of highly trained CIA special ops go into a jungle mission that seems too easy and find that the mission isn’t what they expected. Double-crossed, the team sets out on a mission of their own to exact revenge on the man responsible for ruining their lives. The story of THE LOSERS is nothing terribly original, but it’s the over-the-top outrageous nature of the film’s action and intrigue as well as the performances that separate this movie from it’s many genre counterparts.

Directed by Sylvain White (STOMP THE YARD) and co-written by Peter Berg (FRIDAY NIGHT LIGHTS) and James Vanderbilt (ZODIAC), THE LOSERS is adapted from DC Vertigo’s graphic novel of the same name. The film flaunts a snarky sense of humor matched only by the ridiculousness of the action. THE LOSERS often feels like it’s poking fun at itself, rarely portraying any significant seriousness to the extreme level of danger at hand.

While the lack of seriousness may seem like a terrible detriment to the film, THE LOSERS is actually an extremely enjoyable popcorn flick. Tons of guns, explosions and hand-to-hand combat plaster the big screen, commanding the audience’s attention. Sylvain White combines this action with an energetic visual style and an equally energetic soundtrack, but it’s the cast that delivers the goods in this otherwise standard stock.

Jeffrey Dean Morgan (WATCHMEN) plays Clay, operation control and team leader of The Losers. Clay’s team is comprised of four skilled specialists, including Roque the fighter (Idris Elba), Pooch the driver (Colombus Short), Cougar the sharpshooter (Oscar Jaenada) and Jensen the techie (Chris Evans). Together, they’re an unstoppable force, until they butt heads with the mysterious Max (Jason Patric).

All five of the actors that portray the losers give solid performances, working well together to create a fun and often slightly tense chemistry. Morgan has a certain on screen charisma that’s difficult to deny, which is why his character is the ladies’ man whose tendencies tend to land the team in trouble. On the opposite end of the spectrum, Chris Evans’s performance as Jensen is perhaps the second most enjoyable of the film, a wannabe ladies’ man who’s brains and smart mouth consistently results in him (figuratively) shooting himself in the foot.

Zoe Saldana (AVATAR, STAR TREK) is well on her way to proving she’s got real, lasting talent as an actress, once again delivering a solid performance with range, even in a film somewhat lacking these qualities on the whole. Saldana plays Aisha, a mysterious rogue agent of unknown origins that shows up to offer The Losers a job they can’t refuse.

The real gem of THE LOSERS turns out to be the bad guy, Max, played by Jason Patric (YOUR FRIENDS & NEIGHBORS). Max is a sort of hybrid concoction of several villainous cinematic clichés that have been gene-spliced together to create the ultimate in evil, immoral, crazy and cocky. Primarily apparent are the qualities of his ego and ambition, reminiscent of Lex Luthor, with the added flair criminal mastermind quirks, such as one gloved hand, nostalgic of Doctor No. Long story short, Patric will surprise audiences with his uncharacteristically off beat, comical and slightly insane portrayal of a criminal boss without limits.

THE LOSERS may not succeed at presenting an entirely original story, groundbreaking visual prowess or some deeper level of meaning or purpose, but what it does do is entertain an audience hoping for an action-packed, often humorous thrill ride, just for the fun of having a good time.

Overall Rating: 3 out of 5 stars

THE LOSERS Trailer and Cast Photo Hits

The idea of putting Jeffrey Dean Morgan squarely into every, badass, group-centric, comic book movie is slowly coming to fruition.   With the latest trailer and cast photo from THE LOSERS, it’s looking like a battle between Clay, who Morgan plays in the new Warner Brothers film, and the Comedian could very well put an end to the world.

Here’s that cast photo, by the way, courtesy of The LA Times:

It looks like it could easily be converted into the film’s, first poster, as well, and bears a striking resemblance to the film’s Comic-Con poster from last year:

The trailer for the film can be viewed over at MSN right now.   The awesome thing about this is that it doesn’t feel like a comic book film but rather a kickass, new version of a classic TV show.   Some are saying it’s going to be a better version of THE A-TEAM than the upcoming Joe Carnahan A-TEAM movie. Can’t say I disagree with that.

THE LOSERS hits theaters on April 9th, 2010.

How About a Genetically Engineered ‘My Sister’s Keeper’ Poster?

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Does anyone even remember who Nick Cassavetes is?  Besides being the son of John Cassavetes, he’s also the bald badass from ‘Face Off.’

Yeah, this guy:

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Besides doing that finger pointing you see there, he’s also a bit of a director, having helmed such heartstring-tuggers as ‘John Q’ and, most notably, ‘The Notebook.’  His latest seems to have been genetically engineered to make all the women in the audience cry and all the men say, “God, I wish I were watching ‘Face Off’ right now.”

Hey, at least we’ve got John Cusack.  He’s alway…what?  It’s not the cool brother Cusack?  It’s the annoying sister Cusack?  Screw this movie.

Source: Warner Brothers