WIDOW CLICQUOT – Review

Haley Bennett as Barbe-Nicole Ponsardin Clicquot, the widow Clicquot, in Thomas Napper’s WIDOW CLICQUOT. Photo Credit: Ash Stephens. Courtesy of Vertical

If you celebrate by drinking champagne, you have a French widow in the Napoleonic age to thank. And if you want the best, one of France’s top champagnes is Veuve Clicquot, a name that translates as “Widow Clicquot.” honoring the young widow who took over the family vineyard and winery she had run with her husband, and not only made it into one of the leading makers of the bubbly but also transforming the whole champagne industry.

WIDOW CLICQUOT is an English-language historical drama recounting the true story of that brilliant, innovative woman, Barbe-Nicole Ponsardin Clicquot, known as “Grande Dame of Champagne,” who lived from 1777 to 1866. Haley Bennett plays Barbe-Nicole Ponsardin Clicquot, the widow Clicquot, who not only made the Clicquot family’s champagne famous (with its distinctive yellow label) but who also invented pink champagne and created innovations that transformed the entire champagne industry itself. And all that in the time of Napoleon, when women had no rights and were forbidden to run a business – unless they were a widow continuing her husband’s business.

We first meet Barbe-Nicole as a newly widowed 28-year-old with a young daughter, as she fends off pressure from her well-meaning father-in-law Phillipe (Ben Miles) to sell the vineyard and winery to the neighboring Moet vineyard. But the widow is determined to run the vineyard and winery she and her late husband Francois (Tom Sturridge) had built together from the family business his father had turned over to him. She makes a deal with her father-in-law to let her try to run the winery and vineyard on her own for a limited amount of time, a deal he agrees to out of fondness for her but with the firm belief that no woman has the capacity to run a business, least of all this young widow.

With ground-breaking innovative ideas, the widow Clicquot tries to hold on to the dream she shared with Francois. The resourceful young widow quickly enlists the help of the talented salesman (Sam Riley) she and her husband had worked with, someone who was also a friend, to help her take the business to a new level. The gifted salesman – who traveled to sell the wine in various markets, a new idea at the time – takes the stunning new wines the widow makes straight to the top of society: the royal families of Europe.

The true story unfolds against the backdrop of the tumultuous age of Napoleon, with wars and all that followed. Director Thomas Napper’s lush period drama features all the lovely sets and costumes audiences could want, plus gorgeous visuals and a fine British cast, to complement this inspiring period biopic about one of the first women entrepreneurs in France. At a mere 90 minutes, the drama covers a lot of historical territory briskly. With the widow’s hard work, expertise with the vines and brilliant skill in experimenting with new wines, and the salesman’s tireless travel and his talent for marketing, something magical might take place – if nothing goes wrong. With weather and war as adversaries, it becomes a race between innovation and chance.

The story is full of unexpected twists and turns as the risk-taking widow determinedly improves her wine, despite setbacks and challenges of various kinds. Like most period dramas, there is a bit of romance too, in scenes that flashback to her life with Francois. Their marriage was arranged by their wine-making families but it turned into true love, and a partnership of equals, inspired by the humanist ideals of the age.

But these characters are more complex than in a standard period drama. While these flashbacks give a romantic touch, they soon turn more complex, adding a tragic dimension to this tale of one remarkable woman. Ultimately, the focus is on the accomplishments of this brilliant, determined woman more than on romance. Further both the widow and the wandering salesman are more complicated people than we might assume, while the father-in-law, fond as he is of his son’s widow, can’t escape his ideas about what women can do, something also true of the society of the time. There is plenty of risk and rule-breaking, which adds a layer of tension and suspense to the tale.

WIDOW CLIQUOT is an inspiring drama about a courageous real woman entrepreneur who faced more sexism and barriers than we could imagine yet achieved success through it all. Which deserves a toast with that bubbly wine she worked so hard to perfect.

SWALLOW – Review

SWALLOW is currently available on these Digital Platforms: iTunes, Amazon, GooglePlay/YouTube, Vudu, PlayStation and these Cable Platforms: Comcast Xfinity, Spectrum, Verizon Fios, Altice, Cox, DirecTV, AT&T, Bend Broadband, Buckeye, Guadalupe Valley, Hotwire Communications, Metrocast, Suddenlink, WOW Internet Cable, RCN, Midcontinent Communications

Review by Stephen Tronicek

Swallow is the type of rare film that actually offers the viewer a surprise. When the film starts, you maybe 100% sure you know where it is going. But you’d be wrong. If we’re talking traditional storytelling, the first act ends in about five minutes, the second in about thirty and the third…well at that point the movie is just beyond any conception that you might have had for it. That’s the beauty of Swallow. The capacity to keep you on your toes, even if the whole film doesn’t really work. 

Swallow follows Hunter (Haley Bennet), a housewife who develops a need to eat the household items that surround her. Here, we have the bones of a film ready to go…but good luck guessing where this actually goes. 

That mystery isn’t part of the first act of the movie. For about thirty minutes, Swallow treads in familiar territory, introducing elements of the story, creating an arc and then ending it. This part of the story is, unfortunately, the most languid because a lot of it doesn’t feel new. The austere production design feels done before, the exploration of housewife angst feels done before and the dialogue most certainly feels done before. This act does have some wonderful touches though. It’s handsome and well shot. In wordless scenes, Bennet has the chance to really shine bringing a satisfaction to the compulsive behavior that feels quite real. It’s not enough to make it feel like active storytelling though. 

That’s where the next part of the movie comes in. Where most films would end their second act, Swallow is just beginning it. It’s a nice reversal, as the plot reveals itself to be more about dealing with harmful behavior than about the behavior itself, and what’s more? The characters actually start to actively engage with the plot. Structurally, there’s an imperfect edge to the rest of the film that nonetheless feels engaging because of its unpredictable energy. 

Not all is well and good though. While unpredictable may be more engaging, it isn’t always the route of least resistance. A certain plot point is introduced halfway into the film that suddenly sours the whole ordeal. While the thesis of the plot point doesn’t have much wrong with it (though it does wear somewhat problematic skin), the execution leaves much to be desired. The audience never gets a sense of Hunter’s goal moving into the film’s actual third act, crippling the power that the film’s climactic confrontation would hold. It’s close enough to working but doesn’t quite get there. 

Swallow delivers on all the gross thrills that are expected from its premise and even manages to transcend them, moving its plot beyond its premise in a way most films like this aren’t willing to. Unfortunately, in straying out into that unfamiliar territory, it doesn’t hold together as well as it should. 

3 out of 5 Stars

Sharlto Copley Stars In HARDCORE HENRY Trailer

SHARLTO COPLEY stars in HARDCORE HENRY

Here’s a first look at the brand new trailer for HARDCORE HENRY.

STX Entertainment will release the film in theaters April 8th.

Strap in.

HARDCORE HENRY is one of the most unflinchingly original wild-rides to hit the big screen in a long time: You remember nothing.

Mainly because you’ve just been brought back from the dead by your wife (Haley Bennett). She tells you that your name is Henry. Five minutes later, you are being shot at, your wife has been kidnapped, and you should probably go get her back. Who’s got her? His name’s Akan (Danila Kozlovsky); he’s a powerful warlord with an army of mercenaries, and a plan for world domination. You’re also in an unfamiliar city of Moscow, and everyone wants you dead.

Everyone except for a mysterious British fellow called Jimmy (Sharlto Copley). He may be on your side, but you aren’t sure. If you can survive the insanity, and solve the mystery, you might just discover your purpose and the truth behind your identity. Good luck, Henry. You’re likely going to need it…

From director Ilya Naishuller, HARDCORE HENRY will debut as one of the headline premieres at SXSW 2016.

twitter.com/hardcorehenry

facebook.com/HardcoreHenry

HARDCORE HENRY

HALEY BENNETT stars in HARDCORE HENRY
HALEY BENNETT stars in HARDCORE HENRY

HARDCORE HENRY

hardcore-henry-323996id1c_HardcoreHenry_1Sht_Ver1_rgb