George Romero’s DAWN OF THE DEAD Midnight This Friday at The Moolah


“This situation must be controlled before it’s too late. They’re multiplying too rapidly!”


George Romero’s DAWN OF THE DEAD screens Midnights this Friday (April 20th) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, MO 63108) as part of  Destroy the Brain’s monthly Late Nite Grindhouse film series.


The gore effects in DAWN OF THE DEAD (1978 – courtesy of master of the macabre Tom Savini, who also plays as the leader of the bikers in the film) are incredible, and even all these years later you’ll still marvel as the zombies are offed in many weird and wonderful ways – expect to see a scalping courtesy of a helicopter’s blades, a screwdriver being stuck into a brain through the ear, and more exploding heads than… well, than some sort of horrible mass head-exploding incident that thankfully hasn’t happened yet.


Since its release 40 years ago, DAWN OF THE DEAD has been parodied, homaged, referenced and even somewhat successfully remade by Zack Snyder in 2004. However the original retains a more complex social commentary that helps keep it in the upper echelons of ‘70s horror films. Romero casts his net of comment far and wide and succinctly, subtly and in some cases brutally exposes the truth and hypocrisies in American society in the late 1970s. Consumerism, Vietnam War, and immigration are all looked at and parodied within the context of the ongoing zombie apocalypse. If NIGHT OF THE LIVING DEAD focused its energies on Civil Rights and racism, then DAWN OF THE DEAD  has a more scattergun approach, which encompasses so many issues of the era and under the acute directorial eye of director George Romero, these topics are ruthlessly torn apart and exposed for what they are.


Computer games often make reference to the shopping mall setting, and modern zombie classics like SHAUN OF THE DEAD not only parody the name, but also pinch a few bits from the iconic score, written by Italian prog-rock band Goblin. This will prove part of the problem for newcomers to DAWN OF THE DEAD, as they’ll feel that they’ve seen everything before, but with modern special effects. The important thing to remember is DAWN OF THE DEAD did it first, and in most cases better. The combination of creeping threat, slightly comedic zombies and Romero’s often cutting social commentary help make DAWN OF THE DEAD one of, if not the greatest zombie films of all time.


The Facebook invite for Friday night can be found HERE
https://www.facebook.com/events/1594735233928959/

TICKETS ARE $7 AND YOU CAN BUY THEM ONLINE VIA MOOLAH’S WEBSITE.

THE PSYCHOTRONIC PRE-SHOW STARTS AROUND 11:30P WITH THE FILM STARTING AT MIDNIGHT.

The Moolah Theatre & Lounge serves alcohol until 2:30AM! Feel free to show up early and stay late to have some drinks and get friendly with the amazing Moolah staff.

George Romero’s THE CRAZIES Midnights This Weekend at The Moolah


“Look, we’ve quarantined the area. We’re sealing off the town!”


THE CRAZIES screens Midnights this weekend (January 19th and 20th) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, MO 63108) as part of  Destroy the Brain’s monthly Late Nite Grindhouse film series.


Just in case some stubborn people are still questioning the late George A. Romero’s talent after his 1968 milestone NIGHT OF THE LIVING DEAD, do us all a favor and head over ot The Moolah this weekend for the midnight screenings of his 1973 horror follow-up  THE CRAZIES! Once again a film stuffed with subtle criticism on society and pitch black humor. THE CRAZIES immediately demands your full attention with a powerful pre-credits opening sequence and the high-excitement level is upheld throughout the entire movie. The little Pennsylvanian town of Evans City is overcome with a secret, but very lethal, government virus leaving the infected either dead or incurably insane. “Trixie” initially was developed as a chemical weapon, so not one of the scientists or army officers know how to put a stop to it when innocent people are exposed to it. The simple plot and cheap elaboration are excellently camouflaged by Romero’s sharp eye for detail. Right from the start, he builds up a tense atmosphere of truly realistic mass hysteria that confuses even you, the viewer, in not knowing which characters are infected and which aren’t. They could all simply be trigger-happy Pennsylvanian hillbillies for all we know! Although this film never really becomes “disturbing”, there are quite a few scenes that shock and that feel strangely real. You could also state “The Crazies” was quite ahead of its time because chemical warfare is much more in the picture now than it was 30 years ago, when this film got shot. Romero’s premise is simple but efficient: the malfunctioning and greed of the human race is much scarier than any fictional horror monster could ever be. Best example is the military men who become eerie and threatening in their icky white suits. Don’t miss THE CRAZIES Midnights this weekend


The Facebook invite for Friday night can be found HERE
https://www.facebook.com/events/1983796804982785/

The Facebook invite for Saturday night can be found HERE
https://www.facebook.com/events/1975756376083399/


TICKETS ARE $7 AND YOU CAN BUY THEM ONLINE VIA MOOLAH’S WEBSITE.

THE PSYCHOTRONIC PRE-SHOW STARTS AROUND 11:30P WITH THE FILM STARTING AT MIDNIGHT.

The Moolah Theatre & Lounge serves alcohol until 2:30AM! Feel free to show up early and stay late to have some drinks and get friendly with the amazing Moolah staff.

CREEPSHOW Screening at Schlafly Bottleworks November 1st – ‘Strange Brew’


“Just tell it to call you Billie, you bitch!”

CREEPSHOW screens Wednesday,November 1st at 8pm at Schlafly Bottleworks Restaurant and Bar (7260 Southwest Ave.- at Manchester – Maplewood, MO 63143) as part of Webster University’s Award-Winning Strange Brew Film Series. Admission is $5


In 1982 three masters of horror, director George A. Romero, make-up guru Tom Savini, and author Stephen King, joined together for a horror fans dream: CREEPSHOW, five tales of terror inspired by, and designed to evoke the stylized look and feel of the EC pulp comic books of the 1950’s. The first story deals with a demented old man returning from the grave to get the Father’s Day cake his murdering daughter never gave him. The second is about a not-too-bright farmer discovering a meteor that turns everything into plant-life. The third is about a vengeful husband burying his wife and her lover up to their necks on the beach. The fourth is about a creature that resides in a crate under the steps of a college. The final story is about an ultra-rich businessman who gets his comeuppance from cockroaches. CREEPSHOW was a smorgasbord of ghastly images and solid, old-fashioned storytelling. Romero and King approached CREEPSHOW with humor and affection, as well as with an appreciation of the macabre. They created visual links to comic books by beginning each segment with several panels of a comic artist’s version of the story, and then dissolving from the final drawn panel to a reality that exactly mirrors it.

CREEPSHOW will tickle and scare the heart of any moviegoer who yearns to see a film that includes killer cockroaches and Ted Danson buried up to his neck in sand and St. Louis horror fans will get the chance to see it again on the big screen Wednesday,November 1st at 8pm at Schlafly Bottleworks Restaurant and Bar (7260 Southwest Ave.- at Manchester – Maplewood, MO 63143) as part of Webster University’s Award-Winning Strange Brew Film Series


A Facebook invite for the screening can be found HERE
https://www.facebook.com/events/1694101653974790/

 

NIGHT OF THE LIVING DEAD Screens Thursday January 7th at Schlafly Bottleworks

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“If you have a gun, shoot ’em in the head. That’s a sure way to kill ’em. If you don’t, get yourself a club or a torch. Beat ’em or burn ’em. They go up pretty easy.”

George Romero’s NIGHT OF THE LIVING DEAD screens Thursday January 7th at 7:00pm at Schlafly Bottleworks

With 8-years olds watching The Walking Dead today with Mom and Dad today, it’s hard to convey just how grossed out and appalled people were when NIGHT OF THE LIVING DEAD started popping up on movie screens back in 1968. Variety wrote back then: “No brutalizing stone is left unturned: crowbars gash holes in the heads of the living dead, monsters are shown eating entrails, and – in a climax of unparalleled nausea – a little girl kills her mother by stabbing her a dozen times in the chest with a trowel.” Yep,  NIGHT OF THE LIVING DEAD had it all: cannibalism, slow-moving zombies who always seem to be catching up, and women-in-danger tripping and falling for no reason. But it was one of the first horror films that refused to turn away from its own gruesomenesss and has become the barometer by which all Zombies Attack films are measured..

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The minimalist plot of NIGHT OF THE LIVING DEAD makes it all the more horrifying. Simply put, a group of strangers end up trapped in a farmhouse as slow-moving zombies, who were created by radiation from a Venus space probe (don’t ask), try to break in and eat them. Among the house’s occupants is a woman (Judith O’Dea) who saw her brother attacked by one of the “living dead” while they visited their father’s graveside, a black man (Duane Jones) who attempts to take charge of the situation, a middle class husband and wife (Karl Hardman and Marilyn Eastman) who are nursing a young daughter who was bitten by one of the ghouls, and the requisite terrified teenage couple (Keith Wayne and Judith Ridley).

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The first time I saw NIGHT OF THE LIVING DEAD was in 1974 at the Crown Theater in Florissant. The EXORCIST knock-off BEYOND THE DOOR was the main feature and NIGHT OF THE LIVING DEAD played second. My friends and I were terrified and amazed (especially after that dull first feature) though most of director George Romero’s political and social commentary no doubt went way over our little 12-year old heads. This being years before DAWN OF THE DEAD or ZOMBIE, we had no idea how influential the film would be or the impact Romero’s little low budget black and white movie would have on the evolution of horror films. Thirty years later I interviewed eight cast members from NIGHT OF THE LIVING DEAD on stage at the Kitbuilders Monstrous Weekend Convention here in St. Louis including Judith O’Dea and the late Bill Hinzman, who played the first graveyard zombie. Several of these were older folk who had never acted before or since, yet were being flown to horror cons and treated to long lines of fans willing to pay for their signatures. Behold the power of the first ‘Living Dead’ movie!

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NIGHT OF THE LIVING DEAD is a masterpiece, still holding strong today, and you’ll have the opportunity to see it again in all of its big-screen glory when it plays this Thursdau night at Schlafly Bottleworks in Maplewood (7260 Southwest Avenue Maplewood, MO 63143). The show begins at 7:00pm.

A Facebook invite for the event can be found HERE

https://www.facebook.com/events/164879570542540/

Brought to you by A Film Series, Schlafly Bottleworks, AUDP and Real Living Gateway Real Estate.

Doors open at 6:30pm.

$6 for the screening. A yummy variety of food from Schlafly’s kitchen is available as are plenty of pints of their famous home-brewed suds.

“Culture Shock” is the name of a film series here in St. Louis that is the cornerstone project of a social enterprise that is an ongoing source of support for Helping Kids Together(http://www.helpingkidstogether.com/) a St. Louis based social enterprise dedicated to building cultural diversity and social awareness among young people through the arts and active living.

The films featured for “Culture Shock” demonstrate an artistic representation of culture shock materialized through mixed genre and budgets spanning music, film and theater. Through ‘A Film Series’ working relationship with Schlafly Bottleworks, they seek to provide film lovers with an offbeat mix of dinner and a movie opportunities.

Wizard World COMIC CON St. Louis May 22-24 – Great Line-Up of Movie Guests

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Pop culture comes to life in St. Louis next month! It’s the Wizard World COMIC CON May 22nd through the 24th at America’s Center downtown (701 Convention Plaza – St. Louis, MO 63101), and boy oh boy, do they have an amazing line-up of guests!

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Sure, you got the comic artists and cosplayers, wrestlers, a St. Louis Ram, a Power Ranger,  and of course the ubiquitous Walking Dead stars, but what We Are Movie Geeks is most excited about are the celebrities from movies that will be on hand: Horror legend George Romero, SHARKNADO legend Tara Reid, horror hostess with the mostest (if you know what I mean) Elvira, GUARDIANS OF THE GALAXY tough guy Dave Bautista, Henry the serial killer himself Michael Rooker, DO THE RIGHT THING’s ‘Buggin Out’ Giancarlo Esposito. Lord of the Rings Trilogy’s Pippin Billy Boyd, Captain America squeeze Hayley Atwell, and Silent Bob’s buddy Jay aka Jason Mewes. Wow! What a line-up!

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Other well-known Wizard World Comic Con St. Louis guests to attend the pop culture extravaganza will include Arthur Darvill (“Dr. Who”), , Christian Kane (“The Librarians,” “Leverage”), Naomi Grossman (“American Horror Story”), Joey Lawrence (“Melissa & Joey,” “Blossom”), B.J. Britt (“Marvel’s Agents of S.H.I.E.L.D.,” “Being Mary Jane”), Rick Cosnett (“The Flash”), Phil LaMarr (“Futurama,” “Family Guy”), Mark Dodson (Voice Actor – Star Wars: Episode VI), and Jason David Frank (“Mighty Morphin Power Rangers”), Robin Lord Taylor (“Gotham,” “The Walking Dead”), Liam McIntyre (“Spartacus: War of the Damned,” The Legend of Hercules), , WWE Diva Paige™, St. Louis Rams linebacker Alec Ogletree and Alanna Masterson (“The Walking Dead”) headline the roster of celebrity guests scheduled .

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Wizard World is also the home of the most creative comics artists and writers on the planet. Artist Alley at Wizard World Comic Con St. Louis will feature Michael Golden (“Spider-Man,” “Daredevil”), Gerhard (“Cerebus”), Ethan Van Sciver (“Green Lantern,” “Batman: The Dark Knight”), Ken Lashley (“Superman,” “JLA”), C.S. Marks (“Elfhunter,” “Fire-heart”), Tom Cook (“He-man,” “Scooby Doo”), Jim Mahfood (“Miami Vice: Remix,” “Everybody Loves Tank Girl”), Renee Witterstaetter (“She Hulk,” “Avengers”) and many others.

In addition, all full-price Wizard World Comic Con St. Louis attendees will receive a limited edition exclusive variant cover “The Walking Dead” comic, drawn by one of Wizard World’s talented artist guests (to be announced shortly). Comics will be issued at registration while supplies last and VIP attendees will receive an additional black & white sketch version.

Wizard World Comic Con events bring together thousands of fans of all ages to celebrate the best in pop-fi, pop culture, movies, graphic novels, cosplay, comics, television, sci-fi, toys, video gaming, gaming, original art, collectibles, contests and more. The eleventh of 26 events currently scheduled on the 2015 Wizard World calendar, St. Louis show hours are Friday, May 22, 3-8 p.m.; Saturday, May 23, 10 a.m.-7 p.m., Sunday, May 24, 11 a.m.-5 p.m.

Wizard World Comic Con St. Louis is also the place for cosplay, with fans young and old showing off their best costumes throughout the event. Fans dressed as every imaginable character – and some never before dreamed – will roam the convention floor and participate in the famed Wizard World Costume Contest on Saturday night.

Wizard World (OTCBB: WIZD) produces Comic Cons and pop culture conventions across North America that celebrate the best in pop-fi, pop culture, movies, television, cosplay, comics, graphic novels, toys, video gaming, sci-fi, gaming, original art, collectibles, contests and more. A first-class lineup of topical programming takes place at each event, with celebrity Q&A’s, comics-themed sessions, costume contests, movie screenings, evening parties and more. Wizard World also produces socialcon featuring social media stars and have launched ConTV, a digital media channel in partnership with leading independent content distributor Cinedigm™

For more on the 2015 Wizard World Comic Con St. Louis, visit http://www.wizardworld.com/home-stlouis.html

But of course We Are Movie Geeks is most excited about the movie guests and will be on hand there to report on all of the fun.

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George Romero

George A. Romero was a pivotal figure in the development of the contemporary horror film and the progenitor of the zombie apocalypse subgenre. Beginning with his first feature, “Night of the Living Dead” (1968), Romero not only upped the ante on explicit screen violence and gore, but also offered a satirical critique of American society that reflected the cultural upheavals of the late 1960s and early 1970s. Most importantly, Romero ushered in a fascination with zombies and spawned numerous imitators over the ensuing decades. It’s very safe to say that AMC’s “The Walking Dead” would never have existed without the Romero influence. “Night of the Living Dead” is still considered to be one of the most influential independent films ever made. Romero’s awards and honors in recent years have stacked up to an impressive amount. And his standing ovation at Cannes Film Festival in 2005 would make any A-list celebrity jealous! Filmmakers to consider Romero as one of their main influences include, Frank Darabont, Guillermo Del Toro, Georg Lucas, Robert Rodriguez, Steven Spielberg and Quentin Tarantino to name just few!!

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Elvira

When you hear the name Elvira only one person comes to mind… Halloween icon and quintessential symbol of all things spooky, the one and only Mistress of the Dark. Back in 1981, who could have imagined the hostess of a local Hollywood Horror movie show would grow to become a household name? Elvira was the first horror host ever to be syndicated nationally and has emerged as one of today’s most original and outrageous pop culture characters. Elvira’s reign as ‘Queen of Halloween’ has spanned more than three decades and includes two feature films, an IMAX film, motion control rides, music CD’s and books. She has appeared in National ad campaigns for Pepsi and Coors and licensed over 500 products including pinball machines, guitars, 3 comic book series, beer, wine, perfume, slot machines and the best-selling female costume of all time. She has given countless interviews and made hundreds of film, television and live appearances – including The Grammy Awards, Saturday Night Live, two MTV Specials, Monday Night Football, NBC’s Today Show, The Tournament of Roses Parade and recent reality shows, Search for the Next Elvira, RuPaul’s Drag Race, Celebrity Ghost Stories, Oddities, Counting Cars and Face Off.She most recently co-wrote and starred in twenty-six new episodes of Elvira’s Movie Macabre and became part owner of the LA pop culture convention.

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Tara Reid

Born in Wyckoff, New Jersey, USA on November 8, 1975. Tara Reid got her career start at six, when she appeared on a children’s game show called Child’s Play (1982). Later, she appeared in commercials for Jell-O, McDonald’s, and Crayola. She attended the Professional Children’s School in New York City. Her classmates included Sarah Michelle Gellar, Jerry O’Connell, Macaulay Culkin, and Ben Taylor. After several career moves, she became known after her role as Bunny, in The Big Lebowski (1998).

Michael Rooker

Michael Rooker is an American actor best known for his turn as the blue-skinned alien Yondu Udonta in 2014’s top grossing film Guardians of the Galaxy, and as the character fans loved to hate on AMC’s worldwide hit television show The Walking Dead, as Merle Dixon. Rooker has thrilled fans for decades with complex portrayals of characters audiences can’t help but cheer on despite their dark personas. He made his film debut in 1986 playing the title role in Henry: Portrait of a Serial Killer, a film based on the confessions of serial killer Henry Lee Lucas. He has since appeared in numerous films including Mississippi Burning, Sea of Love, Days of Thunder, JFK, Cliffhanger, Tombstone, Mallrats, Rosewood, The 6th Day, and Jumper. Rooker also has a prolific relationship with writer/director James Gunn, appearing in Gunn helmed productions Slither, Super and Marvel’s Guardians of the Galaxy. He has guest starred on several TV shows including Stargate SG-1, CSI: Miami, Las Vegas, JAG, Numb3rs, Law & Order, Chuck, Criminal Minds, Psych, Burn Notice, and Archer. He added his voice talents to Activision’s video game The Walking Dead: Survival Instinct. Rooker’s voiceover work in video games has also included Mike Harper, the lead character in Call of Duty: Black Ops 2, and the villain Vikke in Lollipop Chainsaw. Rooker, who has eight brothers and sisters, was born in Jasper, Alabama and studied at the Goodman School of Drama in Chicago, where he moved with his mother and siblings at the age of thirteen, after his parents divorced.

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Billy Boyd

Born in Glasgow, Scotland in 1968, this talented young boy, inspired by Star Wars to try acting, got his first taste of it in his school’s production of Oliver Twist when he was 10. Boyd’s parents were extremely supportive, driving over two hours to get him to the performances, but sadly they passed away when he was 12. He was thereafter raised by his grandmother. He realized that he enjoyed acting very much and told his school counselor that was what he wanted to be, but the counselor discouraged this choice and told him to “keep it secret.” When he was 17 he left school and went to work in a book-binding workshop. He worked there 4 years as an apprentice and 2 years as a workman. Ironically, during the years he worked at the book-binders, the Lord of the Rings trilogy was printed and bound there, many copies bound by his hands. After the 6 years as a book-binder, he was thoroughly sick of it. Billy planned on going to America for a year, but before he went he called the Royal Scottish Academy of Music and Drama and asked about applying for when he got back. But it so happened that they still had space for this year and they asked him if he wanted to apply and he did. He was at the drama school in a 3-year course for his bachelor of arts degree, meanwhile studying everything from Shakespeare to puppet-making. During this time Billy had a few small roles in TV series such as “Down Amongst The Boys” and “Taggart.” After graduating he performed in many plays like ‘The Slab Boys,’ ‘The Diary of Adrian Mole’ etc. at The St. Andrews theatre which were his first paying roles. He then received a call from his agent about the Lord of the Rings movies and if he would like to audition for them. He went along not expecting much, but within a few months Peter Jackson came out to Scotland to meet him and to audition him personally. While rehearsing for a show he received a call from his agent who said that the part of Pippin had been offered to him – if he wanted it.
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Hayley Atwell

Hayley’s impressive body of work has established her as one of the finest actresses of her generation. She can currently be seen in Marvel’s ‘Agent Carter’, in which she reprises her role yet again as the feisty ‘Agent Peggy Carter’. The show picks up a year after the events of ‘Captain America: The First Avenger’, and follows Peggy Carter’s blossoming career as a secret agent. She will next be seen in the Kenneth Branagh directed ‘Cinderella’, in which she stars alongside Richard Madden, Cate Blanchett and Lily James. The film is set for release in March 2015 and is a live-action retelling of the classic fairy tale. Following this Hayley will be seen reprising her role as Peggy Carter yet again, in ‘Avengers: Age of Ultron’. The film is set for US release in May and will see her Star alongside Scarlett Johansson, Chris Hemsworth and Robert Downey Jr. Hayley has most recently been seen as the lead female role in the John Ridley directed, Jimi Hendrix biopic ‘Jimi: All Is By My Side’, alongside Imogen Poots and Andre 3000. Hayley’s work in film is extensive. Hayley’s ‘Bess Foster’ was the object of Ralph Fiennes’ Duke of Devonshire’s affections in 2008’s ‘The Duchess’, directed by Saul Dibb and also starring Keira Knightley as the Duchess of Devonshire. The same year audiences saw Hayley in ‘Brideshead Revisited’ alongside Emma Thompson, Matthew Goode and Ben Whishaw. She also collaborated with Whishaw in ‘Love/Hate’, a short film which was awarded runner up in the 2009 Palm Springs International Festival of Short Films. In 2011 Hayley became a box office sensation for her role as ‘Agent Peggy Carter’ in the Marvel superhero film ‘Captain America: The First Avenger’ and reprised the much loved role for the 2014 sequel, ‘Captain America: The Winter Soldier’, in which she starred alongside a stellar cast including Chris Evans, Samuel L Jackson and Scarlett Johansson. Her other film credits include the noir thriller feature ‘I, Anna’ alongside Charlotte Rampling, Eddie Marsan and Gabriel Byrne and Nick Love’s film adaptation of the popular 70s TV series ‘The Sweeney’, in which Hayley played the female lead alongside Ray Winstone and Damian Lewis. On television, Hayley won critical acclaim for her performance in the BBC’s ‘The Line of Beauty’, an adaptation of Alan Hollinghurst’s Booker Prize-winning novel. She appeared in the ITV remake of the 1960s cult classic ‘The Prisoner’ where she played ‘Lucy’ alongside Ian McKellen and Ruth Wilson. Hayley received a Golden Globe nomination in the ‘best performance by an actress’ category for her outstanding performance in the Channel 4 drama ‘Pillars of the Earth’ based on Ken Follett’s novel. She also starred on Channel 4 in ‘Any Human Heart’ a highly acclaimed adaptation of William Boyd’s. Her other television credits include ‘Mansfield Park’ in which she played the role of ‘Mary’, ‘Ruby in the Smoke’ directed by Brian Percival and ‘Fear of Fanny’ directed by Coky Giedroyc. Late 2012 saw Hayley star as the female lead in William Boyd’s TV adaptaion of ‘Restless’ for the BBC alongside Rufus Sewell. Hayley was also seen in Sky Arts’ ‘Play House presents: The Man’ in which she appeared as ‘The Banker’, starring opposite Stellan Skarsgard, Zoe Wanamaker and Stephen Fry. Hayley was also seen on our television screens in the series ‘Life of Crime’ commissioned by ITV and produced by Ecosse Films. Hayley played risk-taking and impulsive rookie policewoman, ‘Denise Woods’, who becomes obsessed with tracking down the killer of a 15 year old girl. Hayley is also well-known as an accomplished stage actress. In September 2011, Hayley completed a run of ‘The Faith Machine’ at the Royal Court Theatre. For the National Theatre she played Barbara Undershaft in ‘Major Barbara’ and in ‘Man of Mode’, (National Theatre) directed by Nicholas Hynter and written by George Etherege. Hayley’s outstanding performance in the role of Catherine in ‘A View from the Bridge’ alongside Ken Stott and Mary Elizabeth Mastrantonio earned her rave reviews and a nomination in the ‘best supporting actress’ category at the 2009 Olivier Awards. Hayley has most recently been seen starring in Alexi Kaye Campbell’s Olivier Award winning play ‘The Pride’, directed by Jamie Lloyd. Hayley starred alongside Matthew Horne, Harry Hadden-Paton and Al Weaver – the story time-hops between 1958 and the present and examines society’s shifting attitudes to homosexuality. Hayley played the twin roles of Sylvia: one, a former actress in the 1950s, whose husband conceals his homosexuality; the other, the friend of a promiscuous gay man alive today.

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Jason Mewes

Jason Mewes is most widely known as the never-silent half of the cult heroes Jay and Silent Bob, first appearing in 1994’s Clerks and moving on with the ever-growing popularity of Kevin Smith’s subsequent films Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back, and Clerks II. In addition to his ongoing role as the hilariously inappropriate ying to Silent Bob’s yang , the Jersey native has also appeared in a variety of indie films, television roles and video game voiceovers. To name only a few, Jason has appeared in the films Pauly Shore is Dead, National Lampoon’s TV: The Movie, Gone Baby Gone, Bitten, Breath of Hate, Silent But Deadly and Noobz. He has also worked on several television series, most notably Vigilante Diaries and Todd and the Book of Pure Evil. Jason has also performed in several voiceover roles such as Jay and Silent Bob’s Super Groovy Cartoon Movie, the animated series Clerks, and a brief voiceover role in the videogame Scarface. The ongoing podcast with Kevin Smith, Jay and Silent Bob Get Old was established in February of 2007 and has continued to rise in popularity as it fast approaches its 150th episode. We’ve also been promised that a Clerks III is in the near future, much to the delight of eternally loyal Jay and Silent Bob fans worldwide.

Giancarlo Esposito

Giancarlo Esposito is a celebrated television, film and stage actor whose acting career spans over several decades. He most recently earned rave reviews and awards buzz starring in AMC’s critically acclaimed award-winning series “Breaking Bad” opposite Bryan Cranston and Aaron Paul. Esposito starred as Gustavo “Gus” Fring, a respected business owner whose legitimate operations allow him the perfect front to distribute Walt’s (Cranston) blue meth throughout the Southwest. He recently won the 2012 Critics Choice Award for his portrayal.He next co-stars in JJ Abrams upcoming drama series for NBC, “Revolution.” This October, he appears as a crime boss opposite Tyler Perry in Lionsgate’s “Alex Cross.” Esposito has appeared in notable films such as “Rabbit Hole,” “The Usual Suspects,” “Smoke” and “The Last Holiday.” His performances in Spike Lee’s films “Do the Right Thing,” “Mo’ Better Blues,” “School Daze” and “Malcolm X” are among his most memorable. Esposito’s other film credits include outstanding performances in “SherryBaby,” “Ali,” “Nothing to Lose,” “Waiting to Exhale,” “Bob Roberts,” “King of New York” and “Cotton Club.” In 1995, Esposito was recognized for his incredible work in “Fresh” with a nomination for an Independent Spirit Award.In 2007 through his production company, Quiet Hand Productions, Esposito made his feature directorial debut with the film “Gospel Hill.” He also co-starred with Danny Glover, Angela Bassett, Julia Stiles, Taylor Kitsch and Samuel L. Jackson. Quiet Hand Productions aspires to make “conscious content” films that focus on the inspirational. The company currently has four other projects in development, in which Esposito plans to direct, produce and co-star. One of these projects “This is Your Death,” is an unflinching look at reality TV.

Stay tuned here at We Are Movie Geeks for more coverage of Wizard World Comic Con St. Louis

 

Cameron Romero Announces ORIGINS – Prequel to NIGHT OF THE LIVING DEAD

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The Romero families directorial legacy continues with son following in his father’s footsteps. G. Cameron Romero (“Staunton Hill”), son of George A. Romero (“Night of the Living Dead”) announced today that he has launched his campaign on Indiegogo, for ORIGINS, the genesis story of the first Romero zombie in his father’s iconic masterpiece NIGHT OF THE LIVING DEAD, with a goal of $150,000 for pre-production costs.

Set in the turbulent late sixties, the film tells the story of a brilliant scientist – Dr. Alan Cartwright – who strikes a deal with the military that will give him all the resources he needs to finalize his work in exchange for what he later learns is a price all mankind will have to pay.

“I feel carrying on my dad’s legacy is something that I not only want to do, but it’s something I HAVE to do,” says Cameron Romero. “because I, like all my dad’s fans, was raised on his creation.”  Producer Darrin Reed (“Lila and Eve”) said “The origin story deserves to be told by someone who passionately loves and has a unique insight into the original movie and nobody has that more than George’s own son.”

Fans can contribute to the ORIGINS campaign by visiting helptelltheorigin.com

Through rewards for contributing to the campaign, legions of fans will have the unique opportunity to participate in the making of the film by being part of a ‘brain trust’ that will be polled to help answer questions during the pre-production of the film. Other perks include items such as signed ‘legs’ and ‘arms’, the ability to visit the set, and perhaps most enticing of all – being in the film as a zombie and killed on camera.

Bloody Disgusting is featuring ORIGINS through its partnership with Indiegogo. This historical relationship marks the first time that a horror site has partnered with a crowdfunding platform.

The beginning of the ORIGIN campaign was launched with event in Los Angeles on Oct. 15 and will run for thirty days.

The campaign is already gaining support from companies such as Cold Steel, the Zombie Apocalypse Store, Dogfish Head Brewery and others that have yet to be announced.

Released in 1968 and directed by George A. Romero, the original feature is credited as being the first zombie film, which went on to spawn five Romero sequels over 40 years of cinematic history. Ripe with political commentary both on race and the Vietnam War, NIGHT OF THE LVIING DEAD has endured generation after generation and has inspired such acclaimed filmmakers as Quentin Tarantino and Robert Rodriguez. In 1999, the film was added to the Library of Congress’ National Film Registry and has been on multiple AFI Top 100 lists. It was distributed by the The Walter Reed Organization, and though the film’s copyright fell into public domain along with its zombies, the Romero name and legacy has endured.

And now with ORIGINS, the legend will continue.

BIRTH OF THE LIVING DEAD – The DVD Review

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Review by Michael Haffner

There’s no question that George A. Romero’s 1968 film NIGHT OF THE LIVING DEAD gave birth to the modern zombie. No, we’re not talking about voodoo mysticism or Caribbean folklore which is where the idea of dead men rising from their graves at night stems from. What I’m referring to are the shambling, gut-munching, zombies who come back to life as rotting corpses. There’s no shortage of the “z-word” in pop culture these days as films, books, and television shows have all explored the subject. This is in large part due to one gory black and white indie film. With a budget of $114,000 and a script by Romero and John A. Russo, a horror film that tapped into the social conscience of the late 1960’s and still remains relevant to this day was born.

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Director Rob Kuhns guides BIRTH OF THE LIVING DEAD along in a smooth and sensible manner. He begins the film with a look at George A. Romero’s life in Pittsburgh as a struggling filmmaker. There are some humorous anecdotes from Romero’s early career including his work on Mr. Rogers, beer commercials, and a FANTASTIC VOYAGE knock-off commercial called THE CALGON STORY that truly is fantastic. What helps give the film a creative edge is the inclusion of beautifully rendered black and white drawings depicting the behind the scenes of these early cinematic years as well as the making of Romero’s classic dead film. While the artwork by Gary Pullin is stunning, I get the feeling that they stand in place of any real interviews with the cast and crew describing the filmmaking process. George is the only one who speaks at great length about the production. Several names are discussed and what there responsibilities entailed, however we never hear from these extras, assistants, and actors. Most obvious among those missing is of course fellow writer John A Russo. This is especially disconcerting since there has been a few different accounts over the years of the different forms the original script took on, who re-wrote what, and if the political subtext was always “meant” or “intended” to be there. As someone who has listened firsthand to both men speak at screenings and festivals – never together of course – I can promise you a debate for the ages could be had. BIRTH’S saving grace of course is Romero’s openness in front of the camera. His easy smile and jovial personality is a joy to watch, and his love for the subject of zombies can be felt through the screen. Of course he has told these same stories over the years for other documentaries and featurettes that have popped up on the endless array of home video releases; after all these years not a whole lot has changed.

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Gale Anne Hurd (ALIENS producer), Larry Fessenden (director of HABIT), Jason Zinoman (writer of SHOCK VALUE), and Elvis Mitchell (renowned film critic) are just some of the talking heads who dissect the importance of NOTLD. Each one shares their personal connection with the film. There’s no debating the cultural impact the film has had on these individuals and on the film community as a whole, but the link between NOTLD and the Vietnam War as well as the Civil Rights movement has been addressed ad nauseam over the years that the statements made here are far from groundbreaking. To those new to the horror genre, BIRTH OF THE LIVING DEAD does provide some insight into a film that is considered by many as one of the best horror films ever made. For some seasoned scare veterans, the novelty of seeing respected names like Hurd and Fessenden discuss the film may or may not be enough to make this a watch if you have already seen other docs like ONE FOR THE FIRE.

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George Romero can go on with the rest of his life and never make another seminal film to add to his career. Some would say he has done exactly that for over 25 years now. BIRTH OF THE LIVING DEAD is not without its merits, but taking yet another look at Romero’s first dead film isn’t as eye-popping as it would be to see a new horror film from the iconic director. At the very least, this documentary serves as a nice reminder to revisit an often imitated but never duplicated classic.

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Prize Pack Giveaway: SURVIVAL OF THE DEAD Poster Signed by Romero

George Romero is back, and he’s bringing his swarms of the undead with him in the latest, thrilling installment of his …OF THE DEAD series. SURVIVAL OF THE DEAD made its Video On Demand debut on April 30th, and you can check it out right now on Amazon, Playstation Marketplace, and Xbox Live. You can also check the film out this Friday, May 28th, as it breaks its way into movie theaters.

In honor of the film’s release, we have a few, special prizes to give away, not the least of which is the poster you see right here:

Pretty creepy, right? That would look nice hanging on your wall, wouldn’t it? Well, how about this? Picture that same poster, but with the Grandfather of the Zombie’s autograph displayed ever so nicely on it. How’s that sit with you?

For this contest, we’re making things relatively simple. All you have to do is let us know in the comments section below which of the Romero …OF THE DEAD films is your favorite and why. Now, this item is going to be hot, so we’re looking for more than just, “I like DAWN OF THE DEAD, because I like the mall.” We want a full-fledged review from you, letting us know precisely why the Romero, zombie film you have chosen is your favorite. We’ll be picking from our favorite and letting the winner know via email.

But, this signed poster isn’t all we’re giving away. We are also handing out to a second prize winner a special issue of “The Walking Dead” comic book signed by Romero and “The Walking Dead” illustrator Charlie Adler. A third prize winner will get an unsigned SURVIVAL OF THE DEAD poster.

So, what are you waiting for. Get to writing. And, as soon as you’re done with your little, mini-review, be sure to check out SURVIVAL OF THE DEAD when it hits theaters this Friday, May 28th.

A special thank you to Magnet Releasing for the prizes. Be sure to check out the Facebook page for their upcoming [REC]2 by clicking on this link.

Good luck!

A Little Bit of Red From SURVIVAL OF THE DEAD

Say what you will about George Romero and the way the veteran director’s recent works have gone, it always excites us when we hear a new Romero/…OF THE DEAD film is on the horizon.  SURVIVAL OF THE DEAD is absolutely no exception, and, today, thanks to the fine folks over at IGN, we have the latest trailer.  Not only is it a trailer, it’s a red-band, ladies and gentlemen, so you know the red stuff is going to be well on display.

Without further ado, check it out right here and now:

Okay. Okay.  It might not feature the best special effects around, and the acting on display in this trailer doesn’t leave much to be desired.  That said, who can, honestly, say they aren’t a little bit excited to see this film.  If for nothing else, it can’t be as bad as DIARY OF THE DEAD, right?  Right?

SURVIVAL OF THE DEAD hits theaters on May 28th.  It premieres on VOD, Amazon, Xbox Zune and Playstation on April 30th.

Survive This SURVIVAL OF THE DEAD Red-Band Trailer

I know that SURVIVAL OF THE DEAD played Fantastic Fest last September, and I remember hearing fairly good things.  However, I am not feeling the level of energy behind the people championing this film like I was the people denigrating George Romero’s last zombie flick, DIARY OF THE DEAD.  Nonetheless, whether people are excited for this film or not, and despite my own, personal distaste for DIARY, I am always excited to see a new, Romero …OF THE DEAD film.  This one is no exception.

That is why I am not going to watch this red-band trailer for SURVIVAL OF THE DEAD.  I’ll have no problem watching a green-band trailer, but, when it comes to films like this, it seems the red-band is there, because the trailer shows some gore.  I want to go into SURVIVAL OF THE DEAD without any preconceived knowledge of any of the deaths in the film.

That’s not to say you can’t check it out.  Right here, even.  It comes to us courtesy of Bloody-Disgusting:

Was it good enough?  Does it entice you back to Romero’s world of zombies?  Were you even a fan of DIARY OF THE DEAD?  Let us know by shooting us a comment in the section below.

SURVIVAL OF THE DEAD hits Video On Demand, XBOX Live, Playstation and Amazon on April 30th.  It gets a theatrical release on May 28th.  Survive that!