As you can tell by the rising temps when you step outside, it’s really Summertime, and so it’s also superhero cinema season with a biggie speeding into the multiplexes this weekend. Oh, but hold your horses (or horsepower) we’re not diving back into the Marvel Cinematic Universe (last month we took a possibly final space spin with those Galaxy Guardians). No, Warner Brothers is showcasing another possible franchise from their spandex stable at DC (Detective Comics, though the late, great Stan Lee referred to them as the “distinguished competition” when he wasn’t jabbing them as “Brand Echh”). We visited their “cinematic Universe’ a few months ago with SHAZAM! FURY OF THE GODS (correction: few of you did as that sequel left a massive crater in the box office stats). Ah, but they’re hoping that this won’t be a repeat as one of DC’s most enduring heroes (not part of the Supes, Bats, or WW trinity) makes his solo big-screen debut. Really, he’s been a TV staple since 1967 (via Filmation cartoon shorts on CBS Saturday mornings), so the big screen is more than ready for the premiere “scarlet speedster” himself, THE FLASH.
it all begins in Central City where Barry Allen AKA The Flash (Ezra Miller) is having a “day”. He’s going to be late again at the forensics lab where he works because his go-to server is not at his fave coffee shop to create his high-calorie breakfast sandwich. Of course, that’s when he gets an emergency call from Alfred Pennyworth (Jeremy Irons). Batman (Ben Affleck) needs some backup in Gotham City as he’s in pursuit of some virus-stealing baddies while a big sinkhole is about to swallow a hospital. Naturally, the rest of the Justice League is AWOL, so he dashes away. Near the end of the rescue, Barry realizes that his super sprinting has broken the time barrier landing him in the Speedforce and its time arena (resembling a massive zoetrope with multiple images of past events). After talking on the phone to his dad Henry (Ron Livingston), who’s incarcerated at Iron Heights Prison before his scheduled execution for the murder of his wife, Barry’s mom Nora (Maribel Verdu), which he did not do, Barry returns to the past to revisit that fateful day of Nora’s demise when he was only nine or ten-years-old. Zipping to the present he confides in Batman who warns him of tinkering with history (that pesky “butterfly effect”). But Barry believes he can get in and out without causing a dangerous “ripple”. He goes back to that awful day, then ahead a few years and bumps into his 18-year-old self, right on the day of the accident that will give him his powers. They make it to the spot in time, but it goes awry, and “old Barry” loses his speed, while “younger Barry” gets the ‘gift”. And they’re going to need it as General Zod (Michael Shannon) and his Kryptonian army demand the other Krypton survivor. But there’s no Superman in this reality, but there is a Batman (Michael Keaton). Can the “Barry twins” enlist his help to locate that missing Man (or person) of Steel and stop the forces of Zod from claiming Earth as their new Krypton?
In the lead role, which turns into dual roles, Miller conveys the giddy joy of a youngster playing with an unexpectantly fun new “toy” (his fantastic speed). But his Barry is frustrated to be thought up as a “clean-up guy” for the JL and haunted by his family tragedies. Miller also taps into his comedic skills as he fumbles over a budding romance with an old college pal and becomes a bickering comedy team with his younger self. He’s good, but the film’s real MVP is the return of Keaton to the role that cemented him as a movie star. It’s hard to believe that it’s been over 30 years since he donned the cape and cowl. His Bruce Wayne goes from reclusive gazillionaire (shades of Howard Hughes) to the snarky mentor to the Barrys. Ah, but he reverts to that guttural growl as soon as he finally suits and becomes the grim, yet sometimes grinning, dark knight (with all those “wonderful toys”), complete with a snazzy reworking of that lush Danny Elfman 89 theme. Rounding out the quartet is the soulful Sasha Calle as Kara the true name of a familiar comics hero. Years of captivity have almost drained the spark from her dark brooding eyes, but with the help of her trio of rescuers, she proves to be a powerhouse protector. We’ve got to mention the other caped crusader as Affleck gives us a hint of what a terrific action romp his solo Batman flick would have been, alas. Livingston is a kind and supportive papa while Verdu shines as the nurturing doomed Allen matriarch. Irons makes a superb “man at the desk” as the tech overseer Alfred, while Shannon returns as the regal and menacing demigod General Zod.
Director Andy Muschetti confirms his talent for mixing action, comedy, and pathos in this epic superhero tale. Of course, much of the wit comes from the screenplay by Christina Hodson and Joby Harold (reportedly with some input from the team of John Francis Daley and Jonathan Goldstein). which offsets the rapid-fire quips with fun pop culture nods and inspired slapstick (Barry’s gotta’ fuel up whenever he can). The new red suit looks swell, especially as it lights up right before Barry takes off (from a Greek statue-like pose). The action sequence in Gotham City is breathtaking, though the final act feels a bit too drawn out and somewhat chaotic (it seems like Zod’s army was tougher in MAN OF STEEL and not he pixel fodder in this). The effects used to depict the high-speed journey of The Flash are very imaginative (Star Wars lightspeed to the nth level), but some of the CGI used in the hospital rescue and the speed force zoetrope feels a tad off looking as though some dead-eyed denizens lumbered out of the Uncanny Valley. But the big “crashing of alternate worlds” finale is lots of geeky fun filled with insider winks and cozy nostalgia. In the DC cinema-verse, this flick is one of the high points, not quite up to the glories of WONDER WOMAN, but miles above her dreary sequel and last year’s BLACK ADAM. Though another Aquaman is being prepped, this action fantasy would be a good “capper” for the DCCU (or as some call it, the “Snyder-verse”). Those in need of a comic book hero fix should be pleased with the fun and very fast antics of THE FLASH.
In one week, Warner Bros. Pictures THE FLASH, directed by Andy Muschietti (the “IT” films, “Mama”) opens in theaters on June 16.
Ezra Miller reprises their role as Barry Allen in the DC Super Hero’s first-ever standalone feature film. Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?
“The Flash” is a film that puts the fan-favorite DC Super Hero front and center in a big-screen outing filled with epic action, surprising humor and heart, along with the wish-fulfilling superpower of the ability to bend time… and change the past. Reuniting iconic and beloved DC characters across timelines– Batman, The Flash, Supergirl and another Batman!–and featuring one of the canon’s towering villains in Krypton’s own General Zod, this film distinguishes itself as a cinematic spectacle that elevates the genre through the unique lens of Andy Muschietti.
And the character of The Flash is more than deserving of such extraordinary treatment. Introduced in 1940 as “quicker than the rapidity of thought” in Flash Comics #1, he was created by writer Gardner Fox and artist Harry Lampert. Later, with Fox partnering with Carmine Infantino on 1961’s Flash of Two Worlds, The Flash became the first character in comics to play with a multiverse.
In creating THE FLASH, filmmakers were influenced by two seminal works within the comic book canon:
Flash of Two Worlds (Gardner Fox and Carmine Infantino, 1961), where a Silver Age Barry Allen finds that by vibrating his molecules at a certain frequency, he is transported to another version of Earth, where he meets a Golden Age Jay Garrick
Flashpoint (Geoff Johns and Andy Kubert, 2011, a five-issue miniseries), where Barry Allen wakes to discover that his world has changed, and only he is aware of the difference between his real world and this altered one.
To get you pumped for the opening of the film, WAMG brings you the Top 5 movies to catch before you head out to cinemas to see THE FLASH.
Superman and Batman are in a race against time to stop a world-killing asteroid from destroying the Earth. The mission is complicated by the fact that it is primarily made of kryptonite, so Superman will need Batmans resourcefulness and connections to stop it, all the while President Lex Luthor sees this as an excuse to demand all superheroes do his bidding. Naturally Superman and Batman decline and decide to solve this problem on their own, all the while evading all other superheroes that are out to get them. This is fifth on our list because is shows that Batman is way more than just a man in tights, way more. He is a leader and the brains behind the Justice League.
2013’s MAN OF STEEL stands right up there with 1978’s SUPERMAN: THE MOVIE as one of the best films on the famous Kryptonian. The music for Zack Snyder’s MOS from Hans Zimmer goes hand in hand with John Williams’ soaring score, Michael Shannon’s General Zod is as menacing as Terence Stamp’s in SUPERMAN 2 and, sigh, we never thought anyone could fill the red boots of Christopher Reeve’s Kal-El… and then along came Henry Cavill. Once again the familiar phrase of Truth, Justice and the American Way was an emotional mantra and as the SUPERMAN movie poster tagline said, “You’ll Believe A Man Can Fly.” Indeed we did.
The four hour version is a triumph and made us want an additional four.
An army of persuasive fans, and along with one very colorful, newly-shot scene, after four years in 2021, director Zack Snyder returned to the DCEU to complete his vision. Even before the 2017 version of the movie was released, there were rumblings from the fans. First it was quiet. Give us the Snyder Cut. After the movie hit theaters in November 2017, it only got louder. #ReleaseTheSnyderCut, people demanded, circulating petitions and pleading with the studio. Once fans learned an actual Snyder Cut existed, they were overjoyed and doubled down on their efforts. It worked. The extended Justice League allowed for extended world building. Never before seen, existing-footage scenes with Deathstroke (Joe Manganiello), Calvin Swanwick/Martian Manhunter (Harry Lennix), and Ryan Choi (Zheng Kai) rounded out the mythology. We got the opportunity to watch our heroes join forces to eliminate Steppenwolf, much to the chagrin of New God Darkseid, making his first appearance. With his soaring music cues, Tom Holkenborg’s score brought the film and earth’s defenders to new heights.
Producer Deborah Snyder said in our interview: “We were planning a 2nd and 3rd Justice League movie where we would be also able to complete the arcs we had fully fleshed out. The idea was to meet Cyborg, who was set to be the heart of this movie. At the time we hadn’t come up with a Cyborg standalone, but that was our plan. So, we did the deepest dive of the movie into Cyborg’s backstory and what makes him tick.”
The OG, Michael Keaton plays Batman/Bruce Wayne and Jack Nicholson, The Joker, go head-to-head in the ultimate BATMAN movie. Danny Elfman’s booming score, Bob Ringwood’s colorful costume design and Tim Burton’s direction instantly made the 1989 movie the ultimate superhero film by which all are measured. Anton Furst was the amazing English production designer who won an Academy Award for overseeing the design of Gotham City and the iconic Batmobile.
In an effort to change his mothers fate, the Flash causes a temporal ripple that creates a fractured reality where the Justice league has never formed, Superman does not exist and a war rages between Wonder Woman’s Amazons and Aquaman. Flash teams up with Batman and Cyborg to restore the timeline. Staring the voices of Justin Chambers, Michael Jordan, Kevin Mckidd, Dee Baker, Steve Blum, Kevin Conroy, Sam Daly, Dana Delany, Grey DeLisle, Cary Elwes, Nathan Fillion, Vanessa Marshall, Ron Perlman and, James Stuart.
This is number one on our list because it is the animated adaptation of the DC Comics story Flashpoint and THE FLASH Movie is an adaptation of both.
THE FLASH ensemble also includes rising star Sasha Calle, Michael Shannon (“Bullet Train,” “Batman v Superman: Dawn of Justice”), Ron Livingston (“Loudermilk,” “The Conjuring”), Maribel Verdú (“Elite,” “Y tu mamá también”), Kiersey Clemons (“Zack Snyder’s Justice League,” “Sweetheart”), Antje Traue (“King of Ravens,” “Man of Steel”) and Michael Keaton (“Spider-Man: Homecoming,” “Batman”).
THE FLASH is produced by Barbara Muschietti (the “IT” films, “Mama”) and Michael Disco (“Rampage,” “San Andreas”). The screenplay is by Christina Hodson (“Birds of Prey,” “Bumblebee”), with a screen story by John Francis Daley & Jonathan Goldstein (“Dungeons & Dragons: Honor Among Thieves,” “Spider-Man: Homecoming”) and Joby Harold (“Transformers: Rise of the Beasts,” “Army of the Dead”), based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.
Joining director Muschietti behind the camera are director of photography Henry Braham (“Guardians of the Galaxy Vol. 3,” “The Suicide Squad”), production designer Paul Denham Austerberry (“IT Chapter Two,” “The Shape of Water”), editors Jason Ballantine (the “IT” films, “The Great Gatsby”) and Paul Machliss (“The Gentlemen,” “Baby Driver”), and costume designer Alexandra Byrne (“Doctor Strange,” “Guardians of the Galaxy”); the score is by Benjamin Wallfisch (“The Invisible Man,” the “IT” films).
Warner Bros. Pictures presents a Double Dream/a Disco Factory production of an Andy Muschietti film, THE FLASH. It will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on June 16, 2023 and internationally beginning 14 June 2023.
Plus Max is showcasing the incredible DC Universe in June.
Viewers who are looking for DC’s legendary characters and enduring stories can check out the hundreds of hours of films and series available on Max’s DC hub. Max is the home of fans’ favorite DC Super Heroes and Super-Villains, timeless DC series and movies that resonate with the entire family, and epic blockbusters that feature larger-than-life characters from across worlds and generations.
Max features a collection of classic and current animated series and films spanning across different eras of the DC Multiverse including Batman: The Animated Series, Static Shock, DC League of Super-Pets,Batman: Gotham Knight, Justice League: The New Frontier and more. Even the house’s youngest members can enjoy animated titles such as Super Friends,Batwheels, The LEGO Batman Movie, and the Teen Titans Go! series.
DC favorites like Batman, Wonder Woman, and Superman are brought to life through a lineup of iconic films and series spanning decades, all available to stream on Max. Oscar® nominees Joker and The Batman, and other notable titles such as Wonder Woman, Shazam! Fury of the Gods, Superman the Movie and the HBO Original Watchmen are just a handful of the series and films that bring DC’s characters to life on screen.
Fans can embrace titles aimed towards older members of the household with films like The Suicide Squad,Injustice, Batman: A Death in the Family and Deathstroke: Knights & Dragons. Max Originals like Peacemaker, Titans, Harley Quinn, and Doom Patrol offer fans an alternative view into the DC library, with dark twists and laughs along the way.
Below is a look at some of the DC library available to stream now on Max:
Animation Masterclass:
Batman: Year One, 2011
Batman and Harley Quinn, 2017
Batman and Superman: Battle of the Super Sons, 2022
Batman & Mr. Freeze: SubZero, 1998
Batman vs. Two-Face, 2017
Batman vs. Robin, 2015
Batwheels, Season 1
Batwheels Holiday Special: Holidays on Ice, Season 1D
Batwheels Origin Special, Season 1A
Catwoman: Hunted, 2022
DC Super Hero Girls: Legends of Atlantis, 2018
DC Super Hero Girls: Hero of the Year, 2016
DC Super Hero Girls: Intergalactic Games, 2017
DC League Of Super Pets, 2022
Green Lantern: First Flight, 2009
Harley Quinn, Max Original, Seasons 1-3
Justice League x RWBY: Super Heroes & Huntsmen Part One, 2023
Justice League Unlimited, Seasons 1-3
Legion of Super-Heroes, 2023
The LEGO Batman Movie, 2017
LEGO Batman: DC Super Heroes Unite, 2013
LEGO DC Comics Super Heroes: The Flash, 2018
LEGO DC Super Hero Girls: Brain Drain, 2017
LEGO DC Batman: Family Matters, 2019
LEGO DC Comics Super Heroes: Aquaman: Rage of Atlantis, 2018
LEGO DC Shazam: Magic and Monsters!, 2020
LEGO Justice League: Cosmic Clash, 2016
Meet the Batwheels, Season 1
My Adventures with Superman, Season 1
Scooby-Doo! & Batman: The Brave & the Bold, 2018
Static Shock, Seasons 1-4
Superman/Batman: Public Enemies, 2009
Superman: Man of Tomorrow, 2020
Superman vs. the Elite, 2012
Teen Titans Go!, Seasons 1-8
Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse, 2022
Teen Titans Go! See Space Jam, 2021
Teen Titans: Trouble in Tokyo, 2006
Teen Titans Go! vs. Teen Titans, 2019
Teen Titans Go! To The Movies, 2018
Wonder Woman (Animated), 2009
Wonder Woman: Bloodlines, 2019
Vixen, 2017
Iconic Characters:
Aquaman, 2018
Batman, 1966
Batman, 1989
The Batman, 2022
Batman Begins, 2005
Batman Returns, 1992
Batman v Superman: Ultimate Edition, 2016
Batwoman, Seasons 1-3
Black Adam, 2022
The Dark Knight, 2008
The Dark Knight Rises, 2012
DC’s Stargirl, Max Original, Seasons 1-3
Doom Patrol, Max Original, Seasons 1-4
Green Lantern, 2011
Peacemaker, Max Original, Season 1
Pennyworth: The Origin of Batman’s Butler, Max Original Seasons 1-3
Shazam! Fury Of The Gods, 2023
Supergirl, 1984
Superman: The Movie, 1978
Superman II, 1980
Superman Returns, 2006
Superman & Lois, Seasons 1-2
Titans, Max Original
Wonder Woman, 1975
Wonder Woman, 2017
Embracing the Magical, Mystical and Villainous Side of Comics
The Batman vs. Dracula, 2005
Batman: Mask of the Phantasm, 1993
Catwoman, 2004
Constantine, 2005
DMZ, Max Original
Gotham, 1988
Gotham Knights, 2008
Joker, 2019
The Suicide Squad, 2021
Superman/Batman: Apocalypse, 2010
V for Vendetta, 2005
Watchmen, 2009
Watchmen: The Complete Motion Comic
DC Super Heroes and Super-Villains:
Batman & Robin, 1997
Birds of Prey (And The Fantabulous Emancipation Of One Harley Quinn), 2020
When Barry Allen, A.K.A. The Flash finds he can use his superpowers to travel back in time, he races back to save his family. But he soon learns that changing something in one timeline affects the multiverse—he’s now in a world with his younger self, a very different Batman and a Kryptonian he’s never met. With General Zod poised to destroy Earth, can Barry and this new team save the world and reset the universe? Warner Bros. Pictures presents “The Flash,” the DC Superhero’s first ever standalone movie. Only in theaters June 16.
The Advance Screening is on Monday, June 12th, 7pm at The Alamo Drafthouse (6PM Suggested Arrival Time)
The screening will be filled on a first come first served basis, so we encourage you to arrive early. Seats will not be guaranteed. Rated PG-13
“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon (“Bullet Train,” “Batman v Superman: Dawn of Justice”), Ron Livingston (“Loudermilk,” “The Conjuring”), Maribel Verdú (“Elite,” “Y tu mamá también”), Kiersey Clemons (“Zack Snyder’s Justice League,” “Sweetheart”), Antje Traue (“King of Ravens,” “Man of Steel”) and Michael Keaton (“Spider-Man: Homecoming,” “Batman”).
“The Flash” is produced by Barbara Muschietti (the “IT” films, “Mama”) and Michael Disco (“Rampage,” “San Andreas”). The screenplay is by Christina Hodson (“Birds of Prey,” “Bumblebee”), with a screen story by John Francis Daley & Jonathan Goldstein (“Dungeons & Dragons: Honor Among Thieves,” “Spider-Man: Homecoming”) and Joby Harold (“Transformers: Rise of the Beasts,” “Army of the Dead”), based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.
Joining director Muschietti behind the camera are director of photography Henry Braham (“Guardians of the Galaxy Vol. 3,” “The Suicide Squad”), production designer Paul Denham Austerberry (“IT Chapter Two,” “The Shape of Water”), editors Jason Ballantine (the “IT” films, “The Great Gatsby”) and Paul Machliss (“The Gentlemen,” “Baby Driver”), and costume designer Alexandra Byrne (“Doctor Strange,” “Guardians of the Galaxy”); the score is by Benjamin Wallfisch (“The Invisible Man,” the “IT” films).
Directed by Andy Muschietti (the “IT” films, “Mama”), Ezra Miller reprises their role as Barry Allen in the DC Super Hero’s first-ever standalone feature film.
Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?
The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon (“Bullet Train,” “Batman v Superman: Dawn of Justice”), Ron Livingston (“Loudermilk,” “The Conjuring”), Maribel Verdú (“Elite,” “Y tu mamá también”), Kiersey Clemons (“Zack Snyder’s Justice League,” “Sweetheart”), Antje Traue (“King of Ravens,” “Man of Steel”) and Michael Keaton (“Spider-Man: Homecoming,” “Batman”).
“The Flash” is produced by Barbara Muschietti (the “IT” films, “Mama”) and Michael Disco (“Rampage,” “San Andreas”). The screenplay is by Christina Hodson (“Birds of Prey,” “Bumblebee”), with a screen story by John Francis Daley & Jonathan Goldstein (“Dungeons & Dragons: Honor Among Thieves,” “Spider-Man: Homecoming”) and Joby Harold (“Transformers: Rise of the Beasts,” “Army of the Dead”), based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.
Joining director Muschietti behind the camera are director of photography Henry Braham (“Guardians of the Galaxy Vol. 3,” “The Suicide Squad”), production designer Paul Denham Austerberry (“IT Chapter Two,” “The Shape of Water”), editors Jason Ballantine (the “IT” films, “The Great Gatsby”) and Paul Machliss (“The Gentlemen,” “Baby Driver”), and costume designer Alexandra Byrne (“Doctor Strange,” “Guardians of the Galaxy”); the score is by Benjamin Wallfisch (“The Invisible Man,” the “IT” films).
Warner Bros. Pictures presents a Double Dream/a Disco Factory production of an Andy Muschietti film, “The Flash.”
It will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on June 16, 2023 and internationally beginning 14 June 2023.
EZRA MILLER as Barry Allen / The Flash, EZRA MILLER as Barry Allen / The Flash and SASHA CALLE as Kara Zor-El / Supergirl in Warner Bros. Pictures’ action adventure “THE FLASH,” a Warner Bros. Pictures release.
Warner Bros. Pictures’ “Fantastic Beasts: The Secrets of Dumbledore” is the newest adventure in the Wizarding World™ created by J.K. Rowling. The third installment opens in theaters internationally beginning 7, April 2022 and in North America on April 15, 2022. Here’s a look at the brand new trailer.
Professor Albus Dumbledore (Jude Law) knows the powerful Dark wizard Gellert Grindelwald (Mads Mikkelsen) is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander (Eddie Redmayne) to lead an intrepid team of wizards, witches and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?
The film features an ensemble cast led by Oscar winner Eddie Redmayne (“The Theory of Everything”), two-time Oscar nominee Jude Law (“Cold Mountain,” “The Talented Mr. Ripley”), Ezra Miller, Dan Fogler, Alison Sudol, Callum Turner, Jessica Williams, Katherine Waterston, and Mads Mikkelsen.
“Fantastic Beasts: The Secrets of Dumbledore” was directed by David Yates, from a screenplay by J.K. Rowling & Steve Kloves, based upon a screenplay by J.K. Rowling. The film was produced by David Heyman, J.K. Rowling, Steve Kloves, Lionel Wigram and Tim Lewis. Neil Blair, Danny Cohen, Josh Berger, Courtenay Valenti and Michael Sharp served as executive producers.
The film’s behind-the-scenes creative team included director of photography George Richmond (“Rocketman,” “Kingsman: The Golden Circle”), three-time Oscar-winning production designer Stuart Craig (“The English Patient,” “Dangerous Liaisons,” “Gandhi,” the “Harry Potter” and “Fantastic Beasts” films) and production designer Neil Lamont (“Solo: A Star Wars Story,” “Rogue One: A Star Wars Story”), four-time Oscar-winning costume designer Colleen Atwood (“Chicago,” “Memoirs of a Geisha,” “Alice in Wonderland,” “Fantastic Beasts and Where to Find Them”), and Yates’ longtime editor Mark Day (“Fantastic Beasts: The Crimes of Grindelwald,” the last four “Harry Potter” films). The music is by nine-time Oscar nominee James Newton Howard (“News of the World,” “Fantastic Beasts: The Crimes of Grindelwald,” “Defiance,” “Michael Clayton,” “The Hunger Games” films).
Warner Bros. Pictures presents a Heyday Films Production, a David Yates film, “Fantastic Beasts: The Secrets of Dumbledore,” in theaters internationally beginning 7 April 2022 and in North America on April 15, 2022. The film will be distributed worldwide in select theatres and IMAX by Warner Bros. Pictures.
ZACK SNYDER’S JUSTICE LEAGUE is finally being released and is one of the rare projects that can be said to live up to the hype. This is more than just a “few added scenes.” With a run time of just over four hours, it presents the most complete saga than could have been done in a 2 hour theatrical release, and it is the true vision of Zack Snyder’s, not the watered-down joke fest that we were fed after the Snyders left the project. To be perfectly clear, Joss Whedon’s version of the JUSTICE LEAGUE was not terrible, but it was very obvious that the original movie release was tonally bipolar, at times light hearted, at times darker and far more serious. Thanks to the fans (nay, MEGA fans) that put in the time, promotion, and had the tenacity to keep pushing for Snyder’s version, we got a more refined, purer film, tonally consistent, with questions answered, and no silly asides.
Told in six parts, with an extended epilogue, the movie is just, well…great. Darkseid is the big bad in this movie, and Steppenwolf is shown to be more of a simpering neophyte than a star faring conqueror, and it is explained why there was never another return after that humiliating defeat that was suffered in the original assault on Earth.
Bruce Wayne/Batman (played by Ben Affleck, bringing every bit of his talent to this version, making you really believe he would spend all of his time and no small amount of his resources to put this team together) questing to find others that have abilities is still the quest in the film, but in each character we get a lot more backstory. We get their lives showcased, and their motivations explained, making their reasons for resisting this effort more clear, and their reasons for joining more logical. Jeremy Irons as Alfred has about the same amount of screen time, but he seems even more like an advisor and partner than he did previously. We see Cyborg as not just some angry, brooding robot-man who didn’t seem to bring anything else to the team originally, but as the key to stopping Steppenwolf from opening the door for an alien invasion that would have been unstoppable, even by the League. Flash can be seen more as a man who does what needs to be done, not as a cowardly lion. His abilities are shown as being more than just a “guy who runs fast”. Much, much more. Wonder Woman’s opening and introduction in this movie also makes more sense, giving context to the event, and showing that she has at least one ability that had not previously been seen.
We get a host of other characters that will feed fans hunger for more, but also leave you wishing that this movie wasn’t a one and done, but just the beginning that it was originally planned to be. The Martian Manhunter, who by now everyone who has had an even passing interest in the film has known about, is truly the Manhunter any fanboy/fangirl would have wanted… there just wasn’t enough of him, and you understand why in the end.
The epilogue is not your standard post-credits teaser, since you know that there will be no further offering in this world. Deathstroke’s original appearance has more mileage, and Jared Leto’s Joker is more Jokery than before. You get the feeling that whatever reason Batman has for including him, it must be pretty important, because just watching this, you find yourself wondering why nobody has killed him yet, while wishing you could get a Deathstroke movie. Some of the points shown in the dream/nightmare sequence raise questions, but you’re left with the feeling that this was the point; Not just to feed your hunger, but to tease your appetite.
The time taken to flesh each of these characters out is well spent, and the side characters are seen as what they truly are, which is the motivation and saving grace of some otherwise truly broken or incomplete individuals. Except Superman, of course, because he has a completely different set of issues to deal with, not the least of which is shaking off his resurrection.
All of this is done with respect to the original material. Darkseid is the original dark god, with no purer motivations than complete domination of the multiverse, breaking the free will of all living things so that their only need in existence is to serve him and live and die at his whim. No redeeming qualities at all, and an army built larger with each of his previous conquests in to possibly billions of Parademons, and his lieutenants (DeSaad, Granny Goodness, and the aforementioned Steppenwolf) who live only to serve and put Darkseid’s plans into motion.
Snyder gives us the film we always wanted from him in the DCEU. This is said out of respect, not as a fan. There are to be no follow up, no sequels, so what you get here is all that you’re going to get. Even Snyder has said that this is it.
Aquaman will get another film, as will the Flash, but there will be no more of Cavill’s Superman, or Affleck’s Batman, Gadot may or may not get a third movie after the poor offering of WONDER WOMAN 1984, and Fisher’s Cyborg solo movie was cancelled a while back, which is a shame, since he took a character that should have remained in a supporting role, and made it in to one that you really wind up caring about, and who delivers despite the tragedy that he faced in the film. DC/Warner Brothers should probably reconsider, but probably won’t.
The film is long, but never feels long. After two viewings already, it still feels like more could be enjoyed by possibly a third or fourth watch. Yes, it’s that good.
The score from Tom Holkenborg, aka Junkie XL, brings the film and earth’s defenders to new heights and the cues are soaring.
Get your popcorn, soda, and comfy chair, and if you love DC Superheroes and the Justice League, ZACK SNYDER’S JUSTICE LEAGUE is your film.
4 out of 4 Stars
The feature film debuts this Thursday, March 18 on HBO Max.
In ZACK SNYDER’S JUSTICE LEAGUE, determined to ensure Superman’s (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben Affleck) aligns forces with Diana Prince (Gal Gadot) with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions. The task proves more difficult than Bruce imagined, as each of the recruits must face the demons of their own pasts to transcend that which has held them back, allowing them to come together, finally forming an unprecedented league of heroes. Now united, Batman (Affleck), Wonder Woman (Gadot), Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller) may be too late to save the planet from Steppenwolf, DeSaad and Darkseid and their dreadful intentions.
Watch the brand new trailer now.
With the release of the trailer today, viewers were shocked to hear an original conversation with Batman, when Joker says, ‘We live in a society where honor is a distant memory.’ It had social media and the internet buzzing on Sunday.
Stream ZACK SNYDER’S JUSTICE LEAGUE on HBO Max in 4K UHD, HDR10, Dolby Vision, Dolby Atmos on supported devices.
Enter the world of ZACK SNYDER’S JUSTICE LEAGUE and stay up to date with the latest news, trailers, activities and more on the dedicated microsite here! As our heroes, now united, prepare to protect the world from Steppenwolf, DeSaad and Darkseid’s dreadful intentions, we’ll have everything you need to get ready for the March 18th premiere on HBO Max.
The ZACK SNYDER’S JUSTICE LEAGUE screenplay is by Chris Terrio, story by Chris Terrio & Zack Snyder and Will Beall, based on characters from DC, Superman created by Jerry Siegel and Joe Shuster. The film’s producers are Charles Roven, Deborah Snyder, with executive producers Christopher Nolan, Emma Thomas, Wesley Coller, Jim Rowe, Curtis Kanemoto, Chris Terrio and Ben Affleck.
FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD opens in theaters November 16 and Warner Bros. Pictures has released the first preview for the film.
FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD is the second of five all new adventures in J.K. Rowling’s Wizarding World™.
At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.
In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.
The film features an ensemble cast led by Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, with Jude Law and Johnny Depp. The cast also includes, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Carmen Ejogo, and Poppy Corby-Tuech.
FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD is directed by David Yates, from a screenplay by J.K. Rowling. The film is produced by David Heyman, J.K. Rowling, Steve Kloves and Lionel Wigram.
Slated for release on November 16, 2018, the film will be distributed worldwide in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
JUSTICE LEAGUE will be available on Blu-ray next Tuesday, March 13th
Ok, I get it, the jury is in, the Justice League bombed at the box office and most critics were less than kind. I don’t care, I saw it three times (not as often as Wonder Woman) in theaters. I love it anyway. Even though I had my own problems with this latest DC Universe movie.
My problems, in brief: First, the missing and deleted scenes. Youtube was loaded with many and various previews for Justice League leading up to its release, all of which had scenes and lines of dialog that didn’t make it into the final cut. I sincerely hope the blu ray will present an extended or director’s cut of Justice League. And of course the blu ray release has been delayed.
Second the threat is too generic, Steppenwolf never does seem like much of a villain and the “ParaDemons” are too much like the Alien Army in the first Avengers movie, cannon fodder for the heroes with no personality. And the Macguffin the villain is after is way too much like the power box, again, in the first Avengers movie. Making three magic boxes instead of one, that makes it different? Right……
And to me the most egregious mark against the Justice League, J. K Simmons. Not the actor, he is one of the best actors working now and has an Oscar to prove it. My problem is, why hire J. K Simmons and give him nothing to do? Commissioner Gordon is used to working with The Batman, would he not have something to say to, I don’t know, Wonder Woman or Cyborg other than “How many of you are there? “ How about “Are you people crazy?” or “Why in the hell are you doing this?”
Oh well, to my simple mind these are minor problems. There is much I love in Justice League starting with:
10. Ezra Miller as Barry Allen “The Flash” Miller is a little guy but has a huge talent. Don’t believe me? Check out a movie called We Need To Talk About Kevin, a movie more relevant than ever in the wake of yet another school shooting. With a face that looks like it was designed by an artist Miller’s take on the Flash is wonderful. His comment that Barry Allen “needs friends” is heartbreaking. In fact Justice League more than hints at the notion that all these characters “need friends” most of all Batman and Cyborg. Miller brings humor to a movie that needs it, he makes an impossible character believable and likeable, all the actors do quite frankly. Which brings me to:
9. Jason Momoa as Arthur Curry “The Aquaman” I saw Conan the Barbarian in a theater and have it on dvd. Momoa really didn’t make much of an impression in that project. He must have been working on his craft because he is flat out wonderful in Justice League. Steals every scene he’s in and, for a man who can live and breathe under water is the voice of reason and sanity and common sense in a comic book universe. How many comic book super heroes are there that not only drink whisky straight out of the bottle but litter the landscape with their empties? Aquaman does. And I love his “truth to tell” rant due to his sitting on Wonder Woman’s lasso. Aquaman was never one of my favorite DC heroes, I now look forward to his stand alone movie. Justice League is worth seeing for Momoa alone.
8. The first battle scene. I love the idea of all the Justice League members being dependant on Batman’s various vehicles and gizmos. The fight in the tunnels under Gotham Harbor is complex and involves a lot of movement; it could have easily degenerated into confusion and chaos, much like the (rightfully) disliked Batman vs Superman Dawn of Justice final battle. We never lose track of anyone’s location and who is doing what to whom. This battle can stand alongside any of the action set pieces in the Marvel Universe.
7. Henry Cavill as Kal El, Clark Kent, “Superman.” I will be the first to admit Cavill is not the most versatile actor in the business. Want real proof? Try The Man from Uncle Movie with Cavill as Napoleon Solo and Armie Hammer as Ilya Kuryakin, if you can make it all the way through. However, if there was ever an actor who looked exactly like a comic book character Cavill is it. I will be honest, I grew up with the George Reeves Superman television series and to me he will always be Clark Kent/Superman. I also very much enjoyed Christopher Reeves take on a classic character (except for that fourth movie!) Cavill looks exactly like the Superman of the 1960s DC Comics. And he brings his A game to the project and, as I told my sweetheart Radah Sheah, when we watched Superman Vs Batman Dawn of Justice (which she hated) “you can’t kill Supes, can’t be done!” And yet another issue I have with Justice League, when Superman finally (finally!) joins the fight against Steppenwolf and his cartoon minions we fully expect him to pound the living shit out of the Bad Guy and slam him back and forth on the concrete (much like what The Hulk did to Loki in the first Avengers movie) No, we see Supes get in a few licks and then run off to save “civilians!” Whatever!
6. Another visit to Paradise Island/ Themyscira/The Amazon Kingdom. I love the Amazons, LOVE the Amazons, adore them! I saw Wonder Woman 7 times last year, in theaters (that’s Seven times!) And not just for Gal Gadot. When I was 10 years old I became obsessed with the legend of the Amazons (yes obsessed is a good word, although it may not be strong enough!) I read of them in a children’s encyclopedia and checked out books, written at an adult level, from the library on Greek and Roman history and mythology for any information about the Amazons.
I even wrote my own stories about Amazons in my grade school classrooms, when I should have been paying attention to Geography and Arithmetic lessons. Other boys drew pictures of tanks and fighter planes; I scribbled out stories of women warriors defeating entire armies of men. The first time I saw Wonder Woman, during the entire opening on Paradise Island I wept, cried tears of absolute joy! I had forgotten all of my youthful enthusiasm for the Amazons.
There are other movies about the Amazons. Tarzan and The Amazons with Johnny Weissmueller, 1945, depicted a very cool Amazon kingdom in Tarzan’s territory. Ironically those Amazons defeated men armed with guns using bows and arrows, spears and swords, much like the Amazons of Wonder Woman. And during my time in the Navy when I ran the ship’s tv station on the USS AMERICA I broadcast a later day Italian peplum movie, War Goddess aka Amazons from 1973. Depicting the Amazons dealings with the Greeks and a disputed power struggle, it has its moments. Those Amazons apparently spent all their money on eye makeup. Those movies were ok, but Wonder Woman’s movie depicted the Amazon Empire exactly as I had pictured it at 10, 11 and 12 years of age. Except my Amazons had a bowling alley, equipped with pin ball machines, bumper pool tables and a soda fountain. My Amazons also got to use automatic weapons, grenade launchers, tanks and what have you. Hey, they were MY stories and I enjoyed that I could give them anything I thought they should have! So Wonder Woman is a very special movie to me and I was ecstatic that Justice League took us back to Themyscira and populated the Amazons with many of the same actors and athletes who portrayed the Amazons in Wonder Woman. I would love to see them have their own stand alone movie. A sweeping historical epic about their wars with the Greeks and Romans, and especially how they got mixed up with Hercules! It would be a perfectly logical reason to bring back Robin Wright as Antiope, one of the most awesome woman characters ever captured on film! I should add too, my Amazons always won, every engagement they kicked ass and took names. And they never even had any casualties (again, they were my stories, and no, none of the stories survived. Whenever recess was called I would throw my stories in the trash. I wrote them only for my own amusement and I was convinced that if any one, especially adults, found out about my obsession I would be put in an institution! I am NOT kidding!)
5. The second battle scene. In the DC and Marvel Universe there seems to be a great concern about collateral damage. And rightfully so, if super heroes and super villains really did exist and had epic battles in urban areas, the damage would be catastrophic. In Justice League the final showdown happens in what appears to be Chernobyl. Very few civilians present and the League members take great pains to get them out of harm’s way. And again, we never lose track of who is doing what, when, where and why. And the action, once it gets rolling, is truly awesome.
4. Ray Fisher Victor Stone “Cyborg” This is the one character I was not familiar with. I have not bought a comic book since about 1985. It finally dawned on me that I could no longer afford to buy and store huge amounts of paper collectibles. So Cyborg was a new character to me and Ray Fisher brings a lot to the project. I read at least one comment on the web that Cyborg is based on Robocop. Not really, Cyborg made his debut in 1980, Robocop the original movie, was released in 1987. If anything Robocop owes a debt to DC Comics and the character of Cyborg. What’s left of a man housed in a robotic body and finding himself stronger, faster and with many other powers not possessed by mundane people, like you and me. We get all that with Fisher, the pain of being different, an outcast, alone. And even better we have the incredible Joe Morton, star of John Sayles classic cult movie Brother From Another Planet as his suffering Father. Cyborg and all the other Justice League members are to have their own stand alone movies. I am looking forward to all of them.
3. Ben Affleck Bruce Wayne “The Batman” I have a co worker who refused to see Batman Vs Superman: Dawn of Justice or Justice League because she cannot stand the idea of Ben Affleck playing Bruce Wayne/Batman. I could not possibly disagree more. Affleck makes a good Batman and an even better Bruce Wayne. I will readily admit I am a sentimental old fool when it comes to these characters. I saw all the faults of Batman Vs Superman and loved it anyway, mainly for the thrill of finally seeing Batman, Superman AND Wonder Woman in the same movie. Don’t get me wrong, I love the Marvel Universe and have seen most of their movies. But Superman, Batman and Wonder Woman were there first. There was no Marvel Comics publisher during that time frame of the late 1930s and 1940s. Captain America was published by an outfit called Timely. I treasure what is probably the best moment in Dawn of Justice “Is she with you?” “I thought she was with you!” And I love the moment when Diana literally pulls Batman’s ass out of the fire. Affleck is a fine Batman, there is an epic sadness to this Caped Crusader. Bruce Wayne in Justice League is about, literally, at the end of his rope. A reluctant leader.
I love the idea that he would much rather have Superman back or somehow goad Wonder Woman into taking the lead. It’s heartbreaking when he openly admits that Superman is a better man than him. In fact this Batman seems to think that Wonder Woman is a better man than him! Of course Supes is a better man than anybody, and everybody! I would put Affleck’s Bruce Wayne/Batman about midway between Michael Keaton and Val Kilmer (my personal favorite of all the contemporary actors who have played Batman.) Affleck has proved himself as an actor and he’s an even better director, The Town and Argo prove that beyond any doubt. I’m going way out on a limb here and say it for the whole world, Justice League is the best Batman movie since Dark Knight. You want to see a bad DC movie? Try sitting through Dark Knight Rises more than once.
2. Gal Gadot Diana Princess of Theymyscira “Wonder Woman” If you’ve read this gibbering nonsense this far here is a no brainer. Of course I adore Gal Gadot and Wonder Woman. Here is the best example I can think of for an actor to be inseparable from a comic book super hero character.
Don’t get me wrong, I loved Lynda Carter but her television show was to Wonder Woman what the 1960s Batman show (which I loved too, Adam West will always be the “real Batman”) was to the Caped Crusader. A goofy, pop art, more comic than book, take on this iconic character. Patty Jenkins and her crew gave us what is probably the greatest superhero movie that will ever be made.
I’ll say it again, I saw Wonder Woman seven times last year, bought the blu ray the day it went on sale, and could watch it every day the rest of my life. My co workers during the summer of last year, told me to shut up about Wonder Woman (and most of my co workers are women!) I also treasure the movie Professor Marston and the Wonder Women, which I also saw in a theater.
I love that Wonder Woman was created by a man, who truly believed women were superior to men. Marston’s my man, I have believed that for years, decades. Jenkins is on the record, Wonder Woman is only about 20% of what she had in mind! I would love to see how she originally envisioned this masterpiece.
I love that Gadot is, apparently, the real deal. She is an Israeli Army veteran and was a combat trainer, hand to hand and firearms., She downplays that and says it was no big deal. I doubt that, during my time in the US Navy we had class room training, one class involved “know your allies and your enemies” a rundown on various countries different military outfits. I distinctly recall being told the Israeli army is one of the toughest and most well trained in the world. I rest my case.
I had a co worker tell me that I kept going to see Wonder Woman because of Gal Gadot’s astonishing looks. No, if she were just another pretty face I would have seen it once, maybe twice. Part of what kept me going back is her incredible acting talent. The male super heroes, both Marvel and DC, when they go into combat mode, look very grim, determined, no nonsense. When Diana cuts loose and runs amok on the German Army she has this lovely smile, of utmost confidence and, could it be…..joy? Her smile, after she knocks aside her first bullet with those bracelets (one of my few problems with Wonder Woman, I would like to have an explanation of what those are and why they work the way they do. I also don’t think the Germans of WWI would be so quick to open up on one lone woman crossing No Man’s Land, some hesitation would be in order, but these are minor quibbles.)
When she comes busting through that window and lands in a roomful of heavily armed Germans her smile says it all “I’ve got this! You people are about to enter a world of pure, agonizing pain!” What she does after that is the best example of what I would call “running amok!” And she wears that smile of determination in Batman Vs Superman Dawn of Justice, repeatedly. Every time she gets knocked down by Doomsday she has that smile, gets back up and goes right back to knocking the shit of “a creature from another world.”
I could write page after page of how much I loved Wonder Woman’s movie, the humor, the valor, the team work, the pure joy of knocking the piss out of somebody who has it coming. And Gal Gadot brings all that to Justice League, and a whole lot more. The lady has talent and charisma and style to burn. I could watch her take a nap on the couch. Of course if she woke up and saw me she’d scream bloody murder and beat the shit out of me (I should be so lucky!)A good friend made a very rude comment when I showed him my Wonder Woman poster, which I shall not repeat on the internet. I told him the truth, such comments are sacrilegious, blasphemous, “I do not see this woman as a sex object, I worship her as a Goddess (I am only half joking!)
1. And finally; this is the Justice League movie. This IS the Justice League movie! Good Bad or Indifferent this is a movie aging comic book fan boys, and girls, like me have looked forward to for years. In the 1960s when I was reading comic book and monster magazines and science fiction books and magazines I never dreamed there would be a whole series of Marvel Comic movies,, or DC, that brought these wonderful characters to life. If someone had told me that in the future there would be movies as good as Spider Man Two or Dark Knight or The Avengers or Captain America: Winter Soldier or Wonder Woman, or a complete filming of The Lord of the Rings, I would have called them out for bull shit artists. And yet , here we are. As I said I am a sentimental old fool, at the end of Justice League I wept, again, at seeing Superman, Batman, Wonder Woman, Cyborg, Flash and Aquaman in the same shot, dust still in the air, with the American flag behind them.
And there are other moments I love, Jeremy Irons joins a long list of great actors who have played Alfred, Bruce Wayne’s right hand man. His Alfred has several great moments. And Diane Lane is probably the best Ma Kent we will ever see. There is a video on Youtube of Chris Hemsworth, Thor in the Marvel Universe, at Comic Con. He was asked about the DC Universe series; he laughed and said something to the effect that “those guys are just trailing in our dust!” Don’t get me wrong, I like Hemsworth, and Thor. I thought Thor Ragnarok was a very fine piece of work, loved it. But that was a rude thing to say. There is room in the market place for Marvel and DC. Although if somebody ever makes a Thunder Agents movie I’ll know for sure we are really living in the end times (or Blue Beetle or Plastic Man for that matter!) So yes, I love the Marvel Universe and DC, I thought Justice League was fine. Could it have been better? Of course, any movie could, unless you’re talking about directors at the level of Kubrick or Hitchcock. Having said all that, at some point in the future, if it’s possible, I would love to see a Justice League meets the Avengers movie. Of course the threat would have to be colossal, the fate of the entire solar system? Galaxy? The Universe itself? All of life hangs in the balance? I would just imagine that Superman and Thor would have something to talk about. And I would love to hear a conversation between Tony Stark and Bruce Wayne, technical innovations and high finance? But what I would really treasure, the moment I dream of, I would love to see Diana, Princess of Theymyscira, Wonder Woman, sit down with Agent Romanov; The Black Widow and The Scarlet Witch and have a nice cup of espresso and a croissant and talk about how messed up it is to try and deal with male super heroes. I can hear it now “you think Tony Stark is a jerk! Let me tell you what Bruce Wayne did! What he said!” “Sister you have no idea!”
And how would this be for a slow motion team walk:
Superman, Batman, Iron Man, Captain America, Wonder Woman, Black Widow, Spiderman, Antman, Wasp, Black Panther, Flash, Aquaman, Hulk, Thor, Cyborg, Scarlet Witch, Hawkeye, The Vision, War Machine, Green Lantern, and what the hell, Suicide Squad, Guardians of the Galaxy, The X Men, Fantastic Four and everybody else in the Marvel and DC Universe, striding towards the camera with a “terrible resolve” to face down an implacable and unstoppable enemy. If I’m going to dream I may as well dream big!
I have friends, good friends, who don’t care for the super hero movies. To paraphrase a line of dialog from My Favorite Year “ I need my heroes, I need them bigger than life! As big as I can get them!” And I thank everyone who works on these movies, in the DC and Marvel Universe. And I am so happy for Stan Lee, the Marvel movies are something he dreamed of for years.
And so, yes I love the Justice League, for all this and so much more.
Warner Bros. Pictures announces “FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD” as the title of the second of five all new adventures in J.K. Rowling’s Wizarding World™.
Opening November 16, 2018, the film features an ensemble cast led by Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, with Jude Law and Johnny Depp.
At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.
In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.
FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD is being directed by David Yates, from a screenplay by J.K. Rowling, and produced by David Heyman, J.K. Rowling, Steve Kloves and Lionel Wigram.
(Left to right) JUDE LAW plays a young ALBUS DUMBLEDORE, taking on the mantle of one of J.K. Rowling’s most beloved characters; EZRA MILLER makes a return as the enigmatic CREDENCE, whose fate was unknown at the end of the first film; CLAUDIA KIM appears as a Maledictus, the carrier of a blood curse that destines her ultimately to transform into a beast; ZOË KRAVITZ plays LETA LESTRANGE, who had once been close to Newt Scamander but is now engaged to his brother; CALLUM TURNER joins the cast as Newt’s older brother, THESEUS SCAMANDER, a celebrated war hero and the Head of the Auror Office at the British Ministry of Magic; KATHERINE WATERSTON returns as TINA GOLDSTEIN, who has been reinstated as an Auror for MACUSA; EDDIE REDMAYNE stars again as wizarding world Magizoologist NEWT SCAMANDER, who has now gained fame in the wizarding world as the author of Fantastic Beasts and Where to Find Them; DAN FOGLERreprises the role of the only No-Maj in the group, JACOB KOWALSKI; ALISON SUDOL reprises the part of Tina’s free-spirited sister, QUEENIE GOLDSTEIN, a Legilimens who can read minds; and JOHNNY DEPP returns as the powerful Dark wizard GELLERT GRINDELWALD in Warner Bros. Pictures’ “FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD.”