This week the multiplex presents another retelling of a familiar, romantic legend. You may be wondering whether we’re going to endure another revival of ROBIN HOOD since the stench of that abomination from two months ago has finally cleared from theatres (last week it garnered several well-earned Razzie nominations). No we’re not going to that exact time frame, for this new film starts a bit before, then jumps (leaps and bounds really) to the present day. It’s somehow a reboot and retelling of the story of Arthur, complete with knights, wizards, dragons, and that magical sword Excalibur, of course. And this time it’s a lad of thirteen or fourteen years, Alex, who is THE KID WHO WOULD BE KING.
This adventure starts with some backstory, namely a spiffy animated prologue rendered in the style of old pen and ink illustrations which whittles down the Arthurian legend to the basics, ending with the banishment of sorcerous Morgan Le Fey AKA Morgana to the underworld (dragged down literally by slithering tree roots). Freeze frame of Arthur and his aides on (how about that) the cover of a children’s storybook. Speaking of kids, we then meet the hero Alex (Louis Ashbourne Serkis) as his single Mum (Dad’s long gone) sends him off to a posh private school. But before class, he’s got to rescue his BFF Bedders (Dean Chaumoo) from two taller, older bullying students, Kaye (Rhianna Dorris) and Lance (Tom Taylor). No good deed goes unpunished, so that night, the devilish duo chase Alex through a park. Ducking into a housing construction site, he finds a sword sticking out of a concrete block. Alex easily plucks it out and heads home. He doesn’t see that this action has caused a stirring far beneath London. Morgana (Rebecca Ferguson) is awake, and as she tries to free herself of the restraining tree roots, she commands her army of brimstone-infused undead warriors. At dawn, miles away, a naked young man emerges from the mist. It is Merlin (Angus Imrie) who casts a spell on a patrol car and hitches a ride into London. At the school, he finds Alex and tells him that during the days-away solar eclipse, Morgana and her army will rise from the Earth and enslave humanity. Can Alex train and prepare along with his “knights” (Bedders and their two enemies, now united) in time to destroy Morgana in her underworld lair before the sun is blotted out, maybe for good?
Alex, the title “kid”, is played with vigor, determination, and just the right touch of vulnerability by the talented Serkis (yes he’s “mo-cap master” Andy’s son). He deftly balances the leadership qualities for the “one and future” along with some apprehension and sadness, particularly when he learns the truth about his father during this “hero’s journey”. Serkis is the story’s sturdy foundation, while its manic zany energy comes from the comedic charms of Imrie who appears to have a blast as the immortal wizard (it’s explained that he’s got the Benjamin Button aging backward bug), It’s a testament to his acting chops that he’s just as entertaining as his aged “true self” played by Sir Patrick Stewart, who pops up a few times to add some gravitas and keeps the kiddos “on point”. Luckily his heroic character is as compelling as the tale’s villain (really villainess) played with silky, slithery bad girl glee by Ferguson, who’s just as menacing in her sultry human form as she is in her flying, fire-breathing “upgrade”. But there’s also terrific comedy relief from Chaumoo as the jittery beleaguered Bedders. He and Serkis are inspired counterparts to the story’s early antagonists portrayed with dead-eyed cruelty by Dorris and Taylor. While Alex and Bedders must find their inner courage, these two have the more complex arc as they must find their long-repressed empathy and humanity. There’s also great supporting work by Denise Gough as Alex’s confused, but still sympathetic and nurturing mother.
With his first feature film since 2011’s (!) ATTACK THE BLOCK, director/writer Joe Cornish ably upgrades the ancient fables and legends by injecting the rollicking energy of the classic movie “kid clubs” (going back to “Our Gang” and especially the 1980s cable TV movie staples like THE GOONIES, THE EXPLORERS, and even THE MONSTER SQUAD). This pays off well in the slapstick and special effects finale that unites a whole school against nearly unstoppable odds. Smartly Cornish hangs on to his PG rating by not making the forces of evil too horrific, though the charred demons on horseback bursting through the grass and Earth could elicit nightmares in the youngest viewers (the warriors seem to have lava flowing through their veins), while older film fans might recall the creations of effects genius Ray Harryhausen in his Sinbad series and especially in JASON AND THE ARGONAUTS (the children of the Hydra). But the scary stuff is offset with some great bits of humor and whimsy, usually from Imrie’s rubbery spell-casting hand movements (I expect kids will be imitating them in the lobby and during the ride home). And though this clocks in at two hours, Cornish keeps the pace brisk while also offering good lessons on duty, honor, and courage. Kids of all ages should engage and identify with THE KID WHO WOULD BE KING.
Next in line to inherit the throne of Royal films is DIANA. The film takes audiences into the private realm of one of the world’s most iconic and inescapably public women – the Princess of Wales, Diana (two-time Oscar nominee NAOMI WATTS) — in the last two years of her meteoric life.
On the occasion of the 16th anniversary of her sudden death, acclaimed director Oliver Hirschbiegel (the Oscar-nominated Downfall) explores Diana’s final rite of passage: a secret love affair with Pakistani heart surgeon Hasnat Khan (NAVEEN ANDREWS, “Lost,” The English Patient), the human complications of which reveal the Princess’s climactic days in a compelling new light. DIANA is in select theaters now.
As long as filmmakers have been bringing the lives of England’s Kings and Queens to the silver screen have moviegoers been going to the cinemas to be schooled in British Monarchy.
So Arise, Sirs and Ladies, for here is a look at the 10 best royal films. Lest ye be sent to the Tower of London – “He who draws the sword from the stone, he shall be king” – we’ll begin with the “first” King of England.
Honorable Mention: EXCALIBUR
Complete with relatively unknown actors at the time – Liam Neeson, Helen Mirren, Patrick Stewart, Nigel Terry and Gabriel Byrne – Nicol Williamson as Merlin was the highlight of John Boorman’s tale of England’s King Arthur and the knights of the Round Table. The gorgeous cinematography, which made this movie such a standout, was from Alex Thomson who received an Oscar nomination for Best Cinematography and also went on to win a number of awards.
It’s been reported that the documentary ‘Behind the Sword in the Stone’ had recently wrapped photography and is looking for funding to complete post production. It features interviews with the original cast more than 30 years on and retraces the steps it took to make the fantasy epic.
10. BRAVEHEART
“Every man dies, not every man really lives.”
Mel Gibson came into his own as a director with BRAVEHEART, an account of the life and times of medieval Scottish patriot William Wallace’s struggle to unify his nation against King Edward I of England (Patrick McGoohan).
Gibson is William Wallace, a bold Scotsman who uses the steel of his sword and the fire of his intellect to rally his countrymen to liberation from the English occupation of Scotland. James Horner’s emotional, bagpiped filled score solidified BRAVEHEART on our list as one of the best royal films.
The film was the winner of five Oscars at the 68th Academy Awards including Best Picture of 1995, Best Director (Gibson), Best Cinematography, Best Makeup and Best Sound Effects Editing.
9. THE YOUNG VICTORIA and HER MAJESTY, MRS. BROWN
In what’s become our favorite bookend films on the famous monarch, THE YOUNG VICTORIA and HER MAJESTY, MRS. BROWN are absolute delights for devout royalists.
Victoria is crowned Queen of England. In THE YOUNG VICTORIA , Emily Blunt (The Devil Wears Prada) delivered an incredibly compelling performance as Queen Victoria in the turbulent first years of her reign. Rupert Friend (Pride & Prejudice) portrayed Prince Albert, the suitor who wins her heart and becomes her partner in one of historys greatest romances. This love story, set amongst all the intrigue of the court, also featured Paul Bettany (Iron Man, The Da Vinci Code), Miranda Richardson (Harry Potter and the Goblet of Fire), Jim Broadbent (The Damned United, The Chronicles of Narnia), Thomas Kretschmann (Valkyrie), and Mark Strong (Sherlock Holmes, Tristan & Isolde).
In MRS. BROWN, rugged Scotsman John Brown (Billy Connolly) is a lowly servant who looks after Queen Victoria’s horses. Yet when circumstances bring them together, the result is a passionate friendship that scandalizes a nation. Grieving widow Queen Victoria (Judi Dench) withdraws into sadness for years, until plainspoken manservant John Brown disrupts her mourning. But as their friendship grows, it results in personal and political ramifications for both of them.
Dench saw a Best Actress Oscar nomination and John Madden’s charming picture was one of the best films of 1997.
The longest reigning monarch up to date is Queen Victoria who sat on the throne for 63 years. However…
8. THE QUEEN
…should Queen Elizabeth II still be reigning in September 2015, she will surpass Queen Victoria (her great, great grandmother) as the longest reigning monarch, so God Save The Queen!
The British prime minister and the Royal Family find themselves quietly at odds in the wake of a national tragedy in THE QUEEN from director Stephen Frears.
After Diana, Princess of Wales died in an auto accident in Paris on August 31, 1997,, Prime Minister Tony Blair (played by Michael Sheen) saw a potential public-relations disaster in the making, and took it upon himself to persuade Queen Elizabeth II (played by Helen Mirren) to make a statement in tribute to the fallen Diana – an action that went against the taciturn queen’s usual nature.
Mirren’s portrayal was spot on and she received the Best Actress Oscar at the 79th Academy Awards.
THE QUEEN was released the same year that Helen Mirren played Queen Elizabeth I in an acclaimed miniseries for British television; The Queen also gave Michael Sheen his second opportunity to play Tony Blair after portraying the prime minister in the television film The Deal.
7. HENRY V
“We few, we happy few, we band of brothers.” (Act IV, Scene III)
Kenneth Branagh wrote, directed and played the second English monarch of the House of Lancaster in HENRY V.
While Variety called it “a stirring, gritty and enjoyable pic which offers a plethora of fine performances from some of the U.K.’s brightest talents,” the movie was filled with British thespians such as Paul Scofield, Derek Jacobi, Ian Holm, Emma Thompson, Alec McCowen, Judi Dench, Richard Briers, Robbie Coltrane and Brian Blessed.
It’s no wonder Branagh’s Oscar-nominated performance and direction, its regal score by Patrick Doyle and the easy to follow Shakespearean lines were so highly praised.
6. BECKET
Richard Burton as Thomas Becket went head to head with Peter O’Toole as King Henry II in BECKET
O’Toole delivered an electrifying performance as the mischievous Henry II, who surprises England by naming his trusted valet Thomas Becket (Richard Burton in a career defining role) as Chancellor.
But when Henry next appoints him Archbishop Of Canterbury, Becket shocks the world by openly defying the King with his newfound faith and compassion. Will a desperate ruler now destroy a beloved friend to save his splintering kingdom? John Gielgud co-stars in this stunning epic based on the Broadway sensation and was brought to the screen by Hal Wallis, the legendary producer of ANNE OF THE THOUSAND DAYS – which we’ll get to in a second.
5. THE KING’S SPEECH
Those loyal to the crown were excited about this film even before it was released.
After the death of his father King George V (Michael Gambon) and the scandalous abdication of King Edward VIII (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England.
With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle.
Based on the true story of George VI, THE KING’S SPEECH follows the King’s quest to find his voice. Colin Firth won Best Actor and the film was Best Picture winner much to the delight of monarchists everywhere.
4. THE MADNESS OF KING GEORGE
While he lost the American Colonies and had the longest reign of any British King, George III was a tad MAD at times.
Parents to 15 children (maybe that was it), King George and Queen Charlotte were played by Helen Mirren and Nigel Hawthorne in THE MADNESS OF KING GEORGE. In this tale, the royal Dad goes a little off the deep end and his conniving son tries to usurp the throne.
Have you noticed the recurring theme on our list – Helen Mirren?
Nigel Hawthorne missed out winning the Oscar to Tom Hanks’ Forrest Gump that year. An absolutely masterful performance from Hawthorne was matched by that of Ian Holm’s Doctor-to-the-King.
Of note:
There is a “those-dumb-yanks” claim that the title was changed from The Madness of George III to THE MADNESS OF KING GEORGE by its distributors to avoid the possibility that American audiences would think it was the third installment of a “Madness of George” movie series.
Although Nicholas Hytner, the film’s director, admitted that the claim is “not totally untrue,” he also divulged that the most important factor was that “it was felt necessary to get the word King into the title.” The change was not primarily motivated by a perceived need to cater to Americans’ alleged ignorance, but by a prudent recognition of cultural differences between America and England.
3. A MAN FOR ALL SEASONS
Winning six Academy Awards, including Best Picture and Best Actor, director Fred Zinneman’s A MAN FOR ALL SEASONS was the ultimate standoff.
In 16th-century England, King Henry VIII (Robert Shaw) betrays the Roman Catholic Church to divorce his wife and marry his latest conquest Anne Boleyn (Vanessa Redgrave). Sir Thomas More (Paul Scofield) is then forced to choose between his principles and duty to his heretical king, who has begun executing the treasonous with increasing frequency. The historically profound battle of ideals also involves Cardinal Wolsey (Orson Welles), Thomas Cromwell (Leo McKern), and More’s valiant wife (Wendy Hiller).
As with most British history films, A MAN FOR ALL SEASONS’ also featured an ensemble of Anglican actors – Susanna York, Nigel Davenport, Corin Redgrave and a young John Hurt.
2. THE PRIVATE LIFE OF HENRY VIII and ANNE OF THE THOUSAND DAYS
Let’s segue into none other than His Majesty, Henry VIII.
Alas, this one was a tie. We loved ANNE OF THE THOUSAND DAYS for Genevieve Bujold’s Anne Boleyn and Richard Burton’s Henry, while the actresses who embodied the eight wives in THE PRIVATE LIFE OF HENRY VIII were all perfectly cast as his unmitigated equals.
Seeing as we didn’t want to run the risk of losing our heads over the Tudor films, both found a spot on our list.
Watch Best Actor winner Charles Laughton in the funniest scene from THE PRIVATE LIFE OF HENRY VIII.
1. ELIZABETH and MARY, QUEEN OF SCOTS
“I am my father’s daughter.”
Our final films on the list had to go to two monarchs – ELIZABETH and MARY, QUEEN OF SCOTS.
The two Queens could hold their own to any man and Cate Blanchett proved that in her Oscar-nominated turn as “The Virgin Queen” in director Shekhar Kapur’s 1998 film. ELIZABETH was nominated in 7 categories in the 71st Academy Awards, including Best Picture and Best Actress, with Jenny Shircore receiving the Oscar for Best Makeup.
While these women never met in real life, the fictional face-to-face encounters between Glenda Jackson and Vanessa Redgrave in MARY, QUEEN OF SCOTS (1971), the power and tenacity are a wonder to watch.
Historically, Elizabeth had her confined in a number of castles and manor houses in the interior of England after preceiving her as a threat. After eighteen and a half years in custody, Mary was found guilty of plotting to assassinate Elizabeth, and was subsequently executed. Mary’s son, James, ironically succeeded Elizabeth to the English throne and became James I of England.
Your Weekly Source for the Newest Releases to Blu-Ray
Not a huge week for new Blu-Ray releases, but there are certainly a few of significant noteworthiness… and, Triple H is not one of them. Sorry, to all the wrestling fans out there. Resurrected from the 80’s are the slasher flick THE DORM THAT DRIPPED BLOOD and John Boorman’s EXCALIBUR, an under-appreciated telling of the times of Kign Arthur.
*Perhaps the best documentary of 2010, EXIT THROUGH THE GIFT SHOP is an intriguing film about art and artist, and the personality in between, but it’s also an adventure into a world with which few of us have any experience. Charles Ferguson’s INSIDE JOB is a documentary about the recent financial meltdown.
*Indicated that I actually feel it IS the best, but am attempting to be impartial.
Writer/director Jeong-beom Lee’s THE MAN FROM NOWHERE is yet another fine example of the quality filmmaking emerging from South Korea. FOUR LIONS is a dramedy about a man who forms a small terrorist cell, a film Time Magazine has placed on it’s Top Ten Films of 2010 list. Finally, and I know it’s not a “movie” but, AMC’s television series THE WALKING DEAD (based on the graphic novels) is so good, it’s worth mentioning. Plus, the first season was directed by Frank Darabont (SHAWSHANK REDEMPTION, THE MIST) so, that counts… right?
Blu-Ray for Tuesday, March 8th, 2011
Triple H drives the bus in THE CHAPERONE (2011)
THE DORM THAT DRIPPED BLOOD (1982)
Liev Schreiber & Carla Gugino in EVERY DAY (2010)
John Boorman’s exquisite EXCALIBUR (1981)
Bansky & More in EXIT THROUGH THE GIFT SHOP (2010)
Terrorism gets “funny” in FOUR LIONS (2010)
Financial Crisis Documentary INSIDE JOB (2010)
Hilariously Painful JACKASS 3D (2010)
THE MAN FROM NOWHERE (2010)
Harrison Ford in MORNING GLORY (2010)
Russell Crowe in THE NEXT THREE DAYS (2010)
AMC’s THE WALKING DEAD: The Complete First Season (2010)
DVD for Tuesday, March 8th, 2011
ABDUCTED (2011)
APHRODISIAC: THE SEXUAL SECRET OF MARIJUANA
AROUND A SMALL MOUNTAIN (2011)
BRENDA STARR, REPORTER – Serial (1945)
COLIN & BRAD: TWO MAN GROUP (2010)
EVERY DAY (2010)
FOUR LIONS (2010)
HELENA FROM THE WEDDING (2010)
INSIDE JOB (2010)
JACKASS: Two-Disc Edition w/ 3D (2010)
LETTERS TO FATHER JACOB (2009)
THE MAN FROM NOWHERE (2010)
THE NEXT THREE DAYS (2010)
RAGE [Rabia] (2011)
THE SHRIVEN (2010)
SON OF TERROR (2011)
THE WALKING DEAD: The Complete First Season (2010)
Yes, a little devil on my shoulder (not one I care to listen to all that often) wanted me to put that headline as “Guy Ritchie Takes Out EXCALIBUR,” but I’m classier, than that, folks. Plus, who’s to say Ritchie doesn’t have some toy or otherwise…ahem…tool that he, actually, calls Excalibur? Who am I to break that news here?
Anyway, back to movies…
Variety is reporting that Ritchie has attached himself to Warner Brothers’ new King Arthur project. Evidently, Ritchie just loves his classical, British figures who are fictional but who many people feel truly lived in their day. These are the people I don’t want to hang out with at parties.
This is particularly noteworthy, as, according to the scoop from Pajiba, this is WB setting up a competing project with the one already being worked on under the same house with Bryan Singer involved. That one is a direct remake of John Boorman’s, 1981 EXCALIBUR, while the Ritchie film is a feature film adaptation of Warren Ellis’ EXCALIBUR treatment. Could be WB hedging their bets, especially since it doesn’t seem Singer is going to be getting to his EXCALIBUR remake any time soon.
TRAINSPOTTING and THE BEACH writer John Hodge is working on the new screenplay in collaboration with Ritchie. Atlas Entertainment and Hollywood Gang are backing the project.
Bryan Singer (The Usual Suspects, Apt Pupil) and Warner Bros are collaborating on an effort to resurrect King Arthur and the knights of the round table. Warner Bros is currently still working on their acquisition of rights for remaking John Boorman’s 1981 film EXCALIBUR and Singer is also not yet been officially secured for the project.
The 1981 movie starred Nigel Terry as Arthur and Cherie Lunghi as Guenevere and featured early performances from Liam Neeson, Patrick Stewart and Gabriel Byrne. The movie told the well-known myth, in a gritty and dramatic fashion, of the young man who draws the sword Excalibur from a stone, is mentored by Merlin, establishes Camelot, loses his wife, Guenevere, to his best friend, Lancelot, and engages in the quest for the Holy Grail. — HR
Currently, it seems Singer is only in talks to produce the film, however that’s not to say he wouldn’t ultimately direct. Allegedly, Singer’s version of the tale would be much more based in the legend and fantasy lore of Excalibur than that of Antoine Fuqua’s 2004 version titled KING ARTHUR.
Word coming out of Comic Con is that comic book author Warren Ellis has been hired to write a film treatment for Hollywood Gang Productions for a new version of EXCALIBUR.
Here is the word coming from Ellis’ own blog:
I was actually cleared to talk about this at San Diego, but all the press I did there was Japanese-oriented for the Marvel Anime deal… so I’m going to mention it here, to say I did, and to maybe make up for that by giving the comics news sites something to post post-SDCC.
I’m writing a film treatment for Hollywood Gang, who co-produced Frank Miller’s 300. Hollywood Gang have previously optioned my graphic novel (with Chris Sprouse) OCEAN.
On my desk, the treatment is called Untitled Arthurian Project.
I’m working directly with Gianni Nunnari, Oliver Kramer and Craig Flores (whom I was delighted to bump into on the Warner’s lot the other day) and having a great time.
So… yeah. Movie stuff. Other things to talk about soon. I’ve been sitting on that one for months.
Ellis created the comic series “Transmetropolitan” for Helix and “Planetary” for Wildstorm. Among other comic series, he also wrote the web series “G.I. Joe: Resolute.”
Hollywood Gang has worked on 300, SHUTTER ISLAND, and the upcoming WAR OF GODS and the untitled 300 sequel.
