WAMG EXCLUSIVE: IT’S SO EASY AND OTHER LIES Interview With CHRISTOPHER DUDDY

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IT’S SO EASY AND OTHER LIES, based on Guns N’ Roses bassist Duff McKagan’s New York Times best-selling memoir, is in theaters now. The film chronicles Duff’s rise to fame, his near fatal struggles with addiction, and his transformation into the person he is today.

Recently, I had the chance to speak with director Christopher Duddy. Check it out below!

The doc also features exclusive archival footage and interviews from Duff’s closest friends including fellow GNR band member Slash, PEARL JAM guitarist Mike McCready, and MOTLEY CRUE bassist Nikki Sixx.

How do you adapt a book into a film? That must have been quite the undertaking at the start… What was your approach, and did it stay the same throughout?

It is a tricky undertaking but I had an extra template with the story telling besides the book and that approach was through the live performance Duff gives in the movie. He reads from the book as his band scores his spoken word in a very fucking cool way. Duff enlisted a steel slide guitar and a string quartet and arranged all these iconic Guns N Roses and Velvet Revolver songs with classic orchestration specifically for the movie and that is the catalyst for the whole journey throughout this documentary. It’s more a hybrid of a concert film and a documentary. We even use a lot of animated sequences. We really wanted this film to be out of the box and not make it self indulgent and not make it a Guns N Roses doc. Now this didn’t make the executive producers or distributors very happy but we made the film Duff and I wanted to make.

 You deal with some pretty heavy material, such as addiction and recovery. How did you find the balance as a storyteller while navigating through footage?

Good question, making a documentary like this is really an investigation into someone’s life and its a scary thing because as a film maker you are asking someone to pull the curtain back exposing themselves enough for other people to see into their shit, good or bad, enough to make it interesting also and Duff was very adamant about showing not only the good, but also the bad shit a lot of bad shit that he went through and struggles he had with addiction. Most people want to hide behind the good so people don’t think bad about them. I think we balanced it well but you know, this is his journey and I hope it inspires people that they too can overcome struggles with addiction.

I was impressed by your interviews with some of the Sunset Strip royalty – Nikki Sixx, Slash… A lot of people would consider it a dream to interview them. How did you find it, and what were some highlights for you?

Those are the perks when you get the opportunity to make a film like this. I’m a fan of those guys, I’m the same age as Duff so I grew up on their music. It was a real pleasure to get to meet and interview Slash and Nikki, they were both really cool dudes. I went to both their homes to shoot and Slash’s was classic. When I got to his house I asked him where he wanted to shoot his interview and he said in his studio. So his assistant takes us down to his studio and we walk into this all black leather room with a brass stripper pole right smack dab in the middle of the fucking studio. Even the ceiling was covered in black leather. I was like “this will do just fine!” I’m a big Pearl Jam fan so meeting and shooting Mike McCready was also a treat. That’s the cool thing about Duff, he is really well liked in the music world and with fellow rock stars so it wasn’t hard to get these guys onboard. That did make this a fucking cool experience making this movie.

Was there anyone you didn’t get to interview that you would have liked to?

Yes for sure. When we started out I made up a wish list of potential interviewers but as the film started to find it’s own narrative the movie takes over and determines what stories your telling and who to interview. That’s the nature of documentary filmmaking and you can’t force anyone into that narrative if it is not justified. So there were some interviews we shot and didn’t end up in the movie and then there were some guys I had on the wish list that we ended up not going after because it didn’t work.

What do you hope audiences take away from this film?

Like i said earlier, we wanted this to be a different and unorthodox film so I hope they are first entertained and enjoy the experience and I hope the audience is inspired by Duff’s story of struggle and recovery and perseverance through the dark parts of his life and that we all have it in us to win against our demons and to follow our dreams and passions and find happiness and success no matter what you do. An uplift of human spirit. We need it these days.

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IT’S SO EASY AND OTHER LIES – Review

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Review by Stephen Tronicek

Christopher Duddy’s IT’S SO EASY AND OTHER LIES feels long at 84 minutes, but that’s not a criticism. All that means is the movie, which is about the life of the Guns N’ Roses bassist Duff McKagan has it’s tone in the right place.  It’s a film about a lifetime, and the dynamism of the tone allows the film to feel like an intimate epic.

It helps that the time period covered here is absolutely fascinating. The earlier moments of the film take place in Seattle at the beginning of the punk band scene. The energy that is generated by Duff and the other subjects of the documentary is potent, and exhilarating. There’s an earnestness to listening to Duff talk like you’re talking to an old friend as he pulls artifacts of days past out of a box. . The description of creating a stage out of wood and plastic milk crates at the age of 15 brings a longing nostalgia that runs through of many great films, such as Almost Famous and most recently Sing Street. The creation of Guns N’ Roses is depicted in much the same way. The palpable excitement of the time period shines through here beautifully.

Soon, though the film needs to come back to focus on it’s main subject, Duff McKagan. The film shows McKagan’s fight against alcoholism, and drugs.  McKagan has been on an undeniably difficult journey. even if his exploits seem to be a little cliched for the genre of the music documentary. Then again those cliches have to come from somewhere. It’s a compelling and very uplifting story, but it seems like something that’s been made before. That doesn’t really break the engagement of the story here though. Documentaries eliminate the sense of disbelief for the most part, and that allows the power of the stories told by them to make a startlingly clear impact. Duff is also a very expressive person to listen to, and the way he lights up when discussing the good days as well as the intensity he brings to the discussion of the bad ones creates a certain charisma for the film that undeniably works. The story of an idealistic rocker who gets wrapped up in drugs and alcohol only to return to a better way of life has been told before, but it’s special through the eyes of Duff and the interviewees.

All of that goes a long way for the documentary too. For as engaging as the subject matter of IT’S SO EASY AND OTHER LIES is the direction is marred by a flat aesthetic that the film never really escapes. There’s attempts at adding effects and animation to change up this feeling but much of it looks cheap. Cheap effects aren’t enough to break a story though. The idealistic beginnings of the piece are a great contrast to the heavier middle and ending acts, making the film feel tangible. That’s more than flat direction could ever bring down.

IT’S SO EASY AND OTHER LIES manages to give life to an old story, and it does that very well. Technically it’s not wildly ambitious, but the soulful interviews manage to make up for any problems that arise in that. Duff McKagan has lived a fascinating life and IT’S SO EASY AND OTHER LIES lets us go through it with him.

4 out of 5 Stars

XLrator Media will release IT’S SO EASY AND OTHER LIES in select theaters on June 3.
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