“Good People” – TV Miniseries Review

A scene from the French/Belgian TV miniseries “Good People.” Courtesy of MHz Choice

“Good People” (“Des Gens Bien”) is a French/Belgian miniseries that plays out as a droll dramedy arising from a scam. The title denotes the fact that good people can do uncharacteristically bad things with what seem like good intentions. They can also rope in other good people who mean well.

We start with watching Tom (Lucas Meister) stage an auto accident in which he barely survives, though his wife, Linda (Berangere McNeese), is burned to death. We soon learn why he did it – extreme financial hardship. Then about halfway through the six episodes, we learn how. The motive is to cash in on a big life insurance policy but events, as they must, soon spin out of control.

One cop, Philippe (Michael Abiteboul), smells a rat, suspecting the accident wasn’t what it seemed. But his boss, Roger (veteran character actor Dominique Pinon), who knows Tom very well, refuses to let him investigate. Roger had lost his wife in a similar crash around that same stretch of roadway, and is completely closed to any other explanation. There’s also an obstacle of cross-border jurisdiction limiting Philippe’s efforts.

Linda and Tom owned a tanning parlor that was failing. They were on the verge of losing that, plus their home and cars, having exhausted the limits of their credit. The members of a local church kicked in a lot of money its members could little afford to help them stay afloat by updating the equipment but it wasn’t going to be enough. Thus was the plot hatched… with the best of intentions.

Among the things that go wrong, Philippe won’t give up his probing. Linda’s cousin Serge (Peter Van den Begin), a hulking thug recently paroled from prison, tumbles onto the plan and forces his way in for the payoff. Tom’s highly devout sister (Gwen Berrou), who’d convinced the churchgoers to help him and Linda, sees something she shouldn’t, and a high-profile person accidentally involved in the intrigue brings far more attention to the case than anyone could have expected.

The tenor set by the series’ trio of writers can best be described as a darkly comic, slowly unfolding farce. The cast is excellent all around, especially shining as the plan unravels and actions become more desperate. The plot includes a few surprises in what happens to whom. Van den Begin really dominates in his scenes presenting Serge’s stupidity and conscience-free brutality. Pinon, who has been such an asset as a regular in the recently-reviewed cop series “Cassandre, gets too little screen time in this one. There’s also a brief role for Corinne Masiero, who headlined one of my favorite light crime series from ANY country, “Captain Marleau.”

My frequent complaint about series that run longer than needed is mercifully NOT applicable to this one. The half-dozen 50-minute episodes befit the material. The series ends without major cliffhangers but does leave a few open questions. One source indicates they meant it to run three seasons, which may not occur, since this one aired in 2022. I’d welcome more if that happens, but am quite satisfied with where they ended this production.

“Good People” (originally “Des Gens Bien”), in French with English subtitles, begins streaming MHz Choice on Tuesday, Dec. 23, 2025.

A scene from the French/Belgian TV miniseries “Good People.” Courtesy of MHz Choice

“Cassandre” Season 1 – TV Series Review

Gwendoline Hamon as Cassandre, in the French TV crime drama “Cassandre” Season One. Courtesy of MHz Choice

The premise of the French TV crime drama, “Cassandre,” is nothing new to fans of the genre. A police detective from Paris moves to a much smaller city due to some sort of scandal/personal problem that made him/her want/need a change of scenery badly enough to take a big step down the career ladder. But based on the two episodes comprising first half of its debut season that were available for review, the scripts and casting still make this one a fine entry into your realm of viewing options. I must not be the only one thinking that way. After starting in 2015, it’s now up to 30 episodes (and still counting), with the same principal cast.

Gwendoline Hamon stars in the title role as an ambitious, successful detective who asks for transfer to the city where, as we soon learn, the juvenile detention school her surly teenage son Jules (Luca Malinowski) was sentenced to is located. She’s resented by her new colleagues not only for being an outsider, but for replacing the beloved old boss, who just happened to be the husband of the prosecutor (Beatrice Agenin) and the father of #2 detective Pascal (Alexandre Varga), who everyone assumed would take up his father’s position. For another source of friction within the unit, Nicky (Jessy Salomee Ugolin) is secretly boinking Pascal and worries that this rather attractive new arrival will provide competition for his affections.

The first case offers no respite, as the body of a hang glider soon shows itself to be the result of murder, not mishap. She was the wife of a man who is part of a rich and influential family. They resist any investigation that could reflect poorly on them or their businesses. Even worse, Cassandre’s inquiries turn up some old skeletons that are even more upsetting to many of the principals.

The second case is about the murder of a popular teacher at Jules’ school. Once again, the pressure is on because many locals were already fearful of the bad kids being housed in their town, and would love finding a scandal to justify closing it. If you don’t know what NIMBY means, Google it, since it’s an attitude that exists just about everywhere.

The cast is excellent. As usual for Euro fare, they are mostly attractive, but well shy of glamorous, to keep them in a relatively relatable dimension. There’s also less action and bloodshed than one typically finds in comparable US crime dramas. One bonus is the fourth member of the squad, Dominique Pinon, whose distinctive face you will recognize even if you don’t know his name. The veteran actor has played a wide array of supporting characters in comedies and dramas on both sides of the Atlantic, and always delivers the goods. With about 200 movie and TV credits under his belt, it’s gratifying to see him landing a steady gig.

There’s a lot of melodrama in the mix, especially surrounding Cassandre, her bitter son and bitterer (I don’t care if that’s not a real word. I like the way it scans here) ex. That’s usually a turn-off for me, but it’s all so well written and integrated by series creators Bruno Lecigne and Matthieu Masmondet that they set the table for a long and satisfying run.

“Cassandre” Season One, in French with English subtitles, streams on MHz Choice starting Tuesday, Jan. 14.

RATING: 3.5 out of 4 stars

Jessy Ugolin, Dominique Pinon, Gwendoline Hamon, Alexandre Varga