DUNE: PART 2 – Review

TIMOTHÉE CHALAMET as Paul Atreides in Warner Bros. Pictures and Legendary Pictures’ action adventure “DUNE: PART TWO,” a Warner Bros. Pictures release. Courtesy of Warner Bros. Pictures. © 2023 Warner Bros. Entertainment Inc. All Rights Reserved

If you were perhaps underwhelmed by the first DUNE movie, DUNE: PART 2 brings the real pay-off for the hype of the first. DUNE: PART 2 is a true movie epic, with big name cast led by Timothée Chalamet, great special effects battles and a fight for freedom with a tense, stirring tale with competing ambitions more in the vein of “Game of Thrones” than Marvel’s straightforward good versus evil battles, with a religious prophecy mixed with space-spanning political ambitions in a fight for independence and over valuable resources. The first movie was needed to set the stage for this epic struggle but it was mere prologue compared to this massive, immersive tale that is part coming of age, part fight for freedom by an oppressed indigenous people, the power of belief, a master plan for power, and a struggle for control of an empire, all brilliantly pulled off in grand entertainment. A struggle for self-determination on a resource-rich land, a struggle for control in a grand chess game of power, along with personal dreams and the power of belief, has the ring of the contemporary world and human history, as well as enduring themes of literature.

Oscar-winning French-Canadian director Denis Villeneuve, whose past successes include BLADERUNNER 2049, again directs, and truly makes this one a thrilling epic. In addition to stunning visual effects, masterful direction, great storytelling, DUNE 2 has an impressive cast of international stars, including Zendaya, Rebecca Ferguson, Javier Bardem, Florence Pugh, Dave Bautista, Christopher Walken, Stellan Skarsgård, Charlotte Rampling, Austin Butler, Léa Seydoux, and Josh Brolin.

Nearly all good science fiction tales are commentary on human society, despite being set of distant planets and battles in outer space. Not everyone is a fan of science fiction, and no matter how good the story, and the novel “Dune” also added the challenge of blending in medieval-like aspect of fantasy tales, with nobles, wizards and court-intrigue. But for those of us who enjoy science fiction’s ‘what-if” speculations, like this writer, or the space-set fantasy novels that followed Frank Herbert’s genre-bending novel, DUNE 2 is that rare movie that truly captures the imagination and message of a classic science fiction world, and experience that is magical and thrilling both.

DUNE 2 picks up where the first film left off, although it opens with a little recap to refresh the memory, on the desert planet of Arrakis, called Dune by the native population, the Fremen. Young Paul Atreides (Timothée Chalamet) and his mother Jessica (Rebecca Ferguson) are all that remain of their family after the invading brutal House of Harkonnen, led by bloated, floating, evil Baron Harkonnen (Stellan Skarsgård) and his nephew Beast Rabban (Dave Bautista), wiped out both the fighting forces and other members of the House of Atreides, including Paul’s father, Duke Leto Atreides.

Although it was the House of Harkonnen that attacked, it was the Emperor (Christopher Walken) who was behind it, advised by his Bene Gesserit priestess-advisor Reverend Mother Mohiam (Charlotte Rampling). The Emperor removed control of the valuable planet Arrakis, the lucrative source of the “spice” essential for interstellar travel, from the House of Harkonnen with hopes it would spark a war that would wipe out the House of Atreides, a secret plot revealed in the first film. With the Atreides seemingly eliminated, the Harkonnen, led on planet by Dave Bautista’s hot-tempered Beast Rabban, set out to subdue the troublesome Freemen and re-start the lucrative “spice” mining industry.

Escaping from their Harkonnen captors, with the help of the special psychic skills of Paul’s mother, a member of the powerful, witch-like order of the Bene Gesserit, Paul and Jessica flee into the desert. Two connect with the indigenous Fremen people, meeting Fremen leader Stilgar (Javier Bardem) and beautiful rebel warrior Chani (Zendaya). Aided in part by a prophesy about a messiah that Paul seems to fit, young aristocrat Paul and his mother Jessica join the Fremen in their fight for freedom, setting the epic on its way.

But that prophesy is also part of a chess game set in motion by the shadowy Bene Gesserit. They have blended in with the Fremen, whispering about a savior from off-planet among the Freemen until a religious belief takes hold. When Paul appears, he shows all the foretold signs and, despite his denial of being the Mahdi, the belief grows among the Fremen along with a powerful following.

Previous attempts to bring Frank Herbert’s bestselling science fiction novel “Dune” to the big screen have not met with success, despite the novel being an enormous, genre-changing hit when it was first published in the mid-1960s and into the 1970s. But that has changed with this film, partly because of advances in F/X but also due to this director and fine cast, and the decision to treat the story as the human epic tale it really is. Although set in a future time and place far, far away, the story is grounded in human struggle, greed and ambitions, against a backdrop of the power of religious belief and filled with battles over precious resources and for freedom.

DUNE 2 works on every level, with fabulous special effects, a twisty tense story grounded both in human history and the present, and an epic hero tale on a grand scale, with excellent action performances and pulse pounding action. Director Denis Villeneuve brings to bear the same skill he showed in his previous science fiction tale BLADERUNNER 2049, and his skill with difficult human storytelling he showed in films like Incendies

Art direction helps craft the worlds along with world-class F/X. The Harkonnen world is often in black-and-white, suggesting increasingly the films of Nazi power and even the military parades of the Soviet Union. At other times, it is the coliseum-packing gladiator battles, with Austin Butler, shedding his Elvis charm (and most of his hair) as a crazed, violent young member of the famously-vicious Harkonnen. Location shooting in Jordan helped create the desert planet of Arrakis, called Dune by the native Fremen, and the sandworms are huge, impressive and plentiful.

Even if you didn’t care for the first one, DUNE: PART 2 is an epic delight well worth a trip to the theater, hopefully to see in on the biggest screen possible.

DUNE opens Friday, Mar. 1, in theaters.

RATING: 4 out of 4 stars

DUNE: PART TWO First Trailer Arrives

The first trailer for DUNE: PART TWO has landed.

The saga continues as award-winning filmmaker Denis Villeneuve embarks on “Dune: Part Two,” the next chapter of Frank Herbert’s celebrated novel Dune, with an expanded all-star international ensemble cast.

The film, from Warner Bros. Pictures and Legendary Pictures, is the highly anticipated follow-up to 2021’s six-time Academy Award-winning “Dune.” The big-screen epic continues the adaptation of Frank Herbert’s acclaimed bestseller Dune with returning and new stars, including Oscar nominee Timothée Chalamet (“Wonka,” “Call Me by Your Name”), Zendaya (“Spider-Man: No Way Home,” “Malcolm & Marie,” “Euphoria”), Rebecca Ferguson (“Mission: Impossible – Dead Reckoning”), Oscar nominee Josh Brolin (“Avengers: End Game,” “Milk”), Oscar nominee Austin Butler (“Elvis,” “Once Upon A Time…In Hollywood”), Oscar nominee Florence Pugh (“Black Widow,” “Little Women”), Dave Bautista (the “Guardians of the Galaxy” films, “Thor: Love and Thunder”), Oscar winner Christopher Walken (“The Deer Hunter,” “Hairspray”), Stephen McKinley Henderson (“Fences,” “Lady Bird”), Léa Seydoux (the “James Bond” franchise and “Crimes of the Future”), with Stellan Skarsgård (the “Mamma Mia!” films, “Avengers: Age of Ultron”), with Oscar nominee Charlotte Rampling (“45 Years,” “Assassin’s Creed”), and Oscar winner Javier Bardem (“No Country for Old Men,” “Being the Ricardos”).

“Dune: Part Two” will explore the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a warpath of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee.

Villeneuve directed from a screenplay he co-wrote with Jon Spaihts based on Herbert’s novel. The film is produced by Mary Parent, Cale Boyter, Villeneuve, Tanya Lapointe and Patrick McCormick. The executive producers are Josh Grode, Herbert W. Gains, Jon Spaihts, Thomas Tull, Brian Herbert, Byron Merritt, Kim Herbert, with Kevin J. Anderson serving as creative consultant. Villeneuve is again collaborating with his “Dune” creatives: Oscar-winning director of photography Greig Fraser; Oscar-winning production designer Patrice Vermette; Oscar-winning editor Joe Walker; Oscar-winning visual effects supervisor Paul Lambert; Oscar-nominated costume designer Jacqueline West.

Oscar-winning composer Hans Zimmer is again on hand to create the score. “Dune: Part Two” was filmed on location in Budapest, Abu Dhabi, Jordan and Italy.

The film is slated for a November 3, 2023 worldwide release from Warner Bros. Pictures.

LÉA SEYDOUX as Lady Margot Fenring

FLORENCE PUGH as Princess Irulan

TIMOTHÉE CHALAMET as Paul Atreides

AUSTIN BUTLER as Feyd-Rautha Harkonnen in Warner Bros. Pictures and Legendary Pictures’ action adventure “DUNE: PART TWO,” a Warner Bros. Pictures release.

AUSTIN BUTLER as Feyd-Rautha Harkonnen

Copyright: © 2023 Warner Bros. Entertainment Inc. All Rights Reserved.

Photo Credit: Niko Tavernise

Legendary Comics Announces the Official Graphic Novel Adaptation of Denis Villeneuve’s Epic Film DUNE

Legendary Comics Announces the Official Graphic Novel Adaptation of Denis Villeneuve’s Epic Film Dune. Now available for pre-order exclusively on Kickstarter, the graphic novel adaptation from the creative team of Lilah Sturges, Drew Johnson and ZID brings Timothée Chalamet and the all-star cast to the page through stunning visual artwork to tell Frank Herbert’s seminal hero’s journey. Check out the Dune: The Official Movie Graphic Novel motion trailer:

 Legendary Comics, in cooperation with Herbert Properties, LLC, announced today the official movie graphic novel based on Warner Bros. Pictures and Legendary Pictures’ Dune, the critically acclaimed film adaptation of Frank Herbert’s seminal bestselling book from Academy Award-nominated filmmaker Denis Villeneuve. Both the graphic novel and the film, currently in theaters worldwide, tell the epic hero’s journey of Paul Atreides (played by Oscar nominee Timothée Chalamet). Dune: The Official Movie Graphic Novel, adapted by writer Lilah Sturges (Legendary Comics’ The Science of GhostLumberjanes) with art by Drew Johnson (Legendary Comics’ Godzilla: Aftershock and Godzilla Dominion) and colors by digital painter Zid (Legendary Comics’ Kingdom Kong) and colorist Niezam, features beautiful artwork that brings the cinematic vision of Dune to the world of sequential art. Limited editions of the graphic novel are now available for pre-order today exclusively on Kickstarter, with the book trade edition to follow. Both editions are set  to be released in February of 2022, and fans can now pre-order all editions HERE

Partnering with Rocketship Entertainment, the limited-edition Kickstarter releases of Dune: The Official Movie Graphic Novel feature four distinct covers. Comic legend Bill Sienkiewicz, who created the original Dune comic for Marvel in 1984, returns to the Dune universe to contribute the cover for the graphic novel. Three additional variant covers from Drew Johnson and Zid, U.K. illustrator and comic artist John Ridgway (2000 AD, Hellblazer, Doctor Who), and comic legend Tim Sale (Batman: The Long Halloween, Superman: For all Seasons) will also be available. Exclusive merchandise and collectibles will also be offered through Kickstarter.

“As a fan of both the book and our film, I wanted to bring Denis Villeneuve’s amazing vision and this all-star cast to the world of comics, and with the cooperation of Brian Herbert and Herbert Properties, LLC, we have done just that with an amazing group of creators,” said Robert Napton, Senior Vice President of Legendary Comics.

A mythic and emotionally charged hero’s journey, Dune, based on Frank Herbert’s seminal novel, tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive. The film stars Oscar® nominee Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Oscar® nominee Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, Chang Chen, David Dastmalchian, Sharon Duncan-Brewster, with Oscar® nominee Charlotte Rampling, with Jason Momoa, and Oscar® winner Javier Bardem.

Here’s some variant covers:

About the creators: 

Lilah Sturges is the writer of numerous comics, including the PRISM Award winning Lumberjanes: The Infernal Compass, The Magicians and Legendary Comics’ upcoming The Science of Ghosts, as well as many other titles from DC, Marvel, IDW, and others. She lives in Austin, Texas with two daughters and two cats.

Drew Johnson has been a professional illustrator for over 20 years, working on comics such as Wonder Woman, Wonder Waman ’77, Sensation Comics, Supergirl, The Authority, Batman: Legends of the Dark Knight, Spider-Man, Fantastic 4, GI Joe, Star Wars, Tomb Raider, & many more. Drew’s contributions to Legendary Comics’ Monsterverse include illustrating Godzilla: Aftershock, the official graphic novel prequel to Godzilla: King of the Monsters, and Godzilla Dominion, the official graphic novel prequel to Godzilla vs. Kong, as well as contributing the cover art on the final issue of the Kong: Skull Island series. 

Zid was born 2 days after Christmas in 1983, he is living his childhood dream drawing and painting what he has always been most passionate about: comics. He is a multidisciplinary artist based in Malaysia and was nominated at #8 in 10 Comic Book Creators To Watch in 2013 on Newsarama.com for his maiden project with Robert Napton, his career with Legendary Comics began with Trick ‘r Treat: Monster Mash late 2015. This work relationship continued with the digital graphic novel prequel to the Netflix movie Spectral: Ghosts of War in 2016, and his biggest responsibility yet, Skull Island: The Birth of Kong in 2017. After a change of terrain with Lost in Space: Countdown to Danger, he is returned to Skull Island for Kingdom Kong. In his free time, (which is not a lot) you can see him updating his social media accounts with his slice of life comic as a work-from-home dad under the hashtag #DOAWFHD. 

DUNE (2021) – Review

So, even though it’s the season of the big somber serious “award-bait” films, who’s ready for a journey back to “a galaxy far, far away”? Whoa, shut down the “hyper-drive”, I’m not talking about that one, y’know the one we all first visited back in 1977. Although we’ve been, cinematically, in this particular “star system” before. First at the movies in 1984, then on basic cable TV in 2000. It’s based on a book series with a huge fan base, although neither version pleased them (as for the 84 “take”, if you catch it on TV, the director credit is for “Alan Smithee” as the acclaimed filmmaker doesn’t want his real name on it), nor did it attract a throng of new admirers. Perhaps film tech needed to catch up to the tale’s unique requirements. Or maybe it just needs the correct director and cast. Now we can see if all three are needed for the proper screen treatment of Frank Herbert’s DUNE.

As the new film opens, we’re transported to the ocean planet of Caladan, which is ruled by the Atreides family. The young “prince” Paul (Timothee Chalamet) is in the grip of another weird desert-based dream (or nightmare). He’s finally awakened by his mother, Lady Jessica (Rebecca Ferguson) who insists that he join her for breakfast before the day’s big ceremony. We soon learn that she is training Paul to harness the mystical “persuasion” powers he has inherited from her. After donning their formal attire, they join father Duke Letto (Oscar Isaac) and his aide Gurney (Josh Brolin). Emissaries from the ruling House Harkonnen (under the order of the Emperor) instruct Leto and his family (and military forces) to relocate to the harsh desert planet of Arrakis to supervise the harvesting of melange, AKA “spice” which possesses many amazing properties (it’s essential to space travel). Prior to the move Gurney tutors paul in combat fighting, while “ace’ fighter pilot Duncan (Jason Momoa) regales Paul with stories of his time on his future home. Later Paul undergoes a test of “pain” conducted by Jessica’s trainer, the Reverend Mother Mohiam (Charlotte Rampling). On Arrakis, the Atreides entourage is greeted by the officials, though much of the populace, including the fierce rebel fighters known as Fremen, plot to overthrow their new otherworldly overlords. But while the Atreides try to deal with the deadly gigantic sandworms that wreck the spice mining compounds, the Harkonnen, led by the cruel Baron Vladimir (Stellan Skarsgard), are plotting a surprise attack. Can Paul and his family survive all the deadly threats on their new home world?

A truly stellar cast has been brought together on this, helping to breathe life into the now 56-year-old SF classic. Hey six of them are from the MCU, and another actor swam in from the Justice League. The focus of it all is Chalamet as Paul, who, as in many adventure fables, is the youngster at the start of a “hero’s quest”. Like most teens, Paul has an obstinate streak, but he’s got an enthusiastic spirit, always seeking wisdom, even as dark forces surround him. Chalamet brings a real intensity to Paul, compelling us to be in his “rooting section”. Luckily he’s got the talented Ferguson as Lady Jessica in his corner. She challenges Paul, exhorting him to sharpen his “special skills” while trying to protect him from those said forces. Much of the same can be said of Isaac as Leto who never denies his son of his wisdom or affection, all while balancing the demands of his title. Part of Paul’s extended family is Brolin as Gurney, who puts up a tough front, although he too hopes to keep his surrogate nephew out of harm’s path. Ditto for his “almost” big brother Duncan who’s given a gregarious and snarky edge by Momoa. Lurking in the shadows, Skarsgard makes Baron a stuffed flesh pad of pure malevolence, issuing orders in a guttural growl to the hulking Beast Rabban (Dave Bautista) and craven co-conspirator (think Peter Lorre in MAD LOVE) Piter (David Dastmalchian). They’re almost as scary as Rampling who’s pure intimidation as the Reverend. On Arrakis, Javier Bader is a most charismatic and funny Fremaon rebel leader named Stilgar, while Zendaya is the desert goddess of Paul’s dreams, Chani, in a brief role (guessing we’ll see a lot more of her in follow-ups).

This is the passion project of director Denis Villeneuve, one of the more interesting visual filmmakers of recent memory (ARRIVAL, BLADE RUNNER 2049), who worked on the screenplay adaptation with Jon Spaihts and Eric Roth. And, as Denis has said in countless interviews, the scope is big, full of endless vistas best viewed on the biggest screen possible (yes, you can stream it on your HDTV, but you won’t be truly “immersed”). It could be called a cosmic LAWRENCE OF ARABIA, especially since most of the action takes place in the sands of Arrakis, where those fearsome worms seem to be more than a mile long (the use of vibrations to attract and distract them is quite engaging). The artists and craftspeople have fashioned a world similar to ours, but with fantastic flourishes. The air transports recall helicopters, though they lift via fluttering side wings like a dragonfly or hummingbird. A wrist device creates a protective blue-tinded force field around its wearer until a weak area gives off a red-tinted warning. Thousands of soldiers march in unison, sporting shell-like battles armor, while others travel the hot sands clad in “moisture suits” that cool with re-circulated sweat. But Villeneuve doesn’t neglect the human drama and family dynamics in favor of these great gizmos and “eye candy”.Unfortunately, the source material was so dense that the film ends abruptly (even at 155 minutes) leaving us wanting (much like the Hobbit trilogy or, THE EMPIRE STRIKES BACK, one of the book’s “spiritual children”). Perhaps it’s best to leave us yearning for more as the booming Hans Zimmer score booms over the speakers, which also sounds great with the sweeping cinematography of Greg Fraser. Yes, this is the superior film treatment, though we’re left feeling that there’s much more to be gleaned from the world of DUNE.

3 Out of 4


DUNE opens in select theatres everywhere and begins streaming for 30 days on HBO Max beginning on Friday, October 22, 2021.

Zendaya, Jason Momoa And Timothée Chalamet Are Among Huge Cast In Amazing New Trailer And Stunning Character Posters For DUNE – In Cinemas, IMAX And HBO Max October 22

Oscar nominee Denis Villeneuve (“Arrival,” “Blade Runner 2049”) directs Warner Bros. Pictures and Legendary Pictures’ “Dune,” the big-screen adaptation of Frank Herbert’s seminal bestseller of the same name.

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

The film is slated to be released in select theaters in 2D and 3D and IMAX and on HBO Max on October 22, 2021 and will be available on HBO Max’s Ad-Free plan in 4K UHD, HDR10, Dolby Vision and Dolby Atmos (English Only) on supported devices for 31 days from theatrical release.

Check out the brand-new trailer.

DUNE will have its world premiere at the Venice Film Festival out-of-competition on September 3 and will screen as a World Exclusive IMAX Special Event at the 2021 Toronto International Film Festival.

The film stars Oscar nominee Timothée Chalamet (“Call Me by Your Name,” “Little Women”), Rebecca Ferguson (“Stephen King’s Doctor Sleep,” “Mission: Impossible – Fallout”), Oscar Isaac (the “Star Wars” franchise) Oscar nominee Josh Brolin (“Milk,” “Avengers: Infinity War”), Stellan Skarsgård (HBO’s “Chernobyl,” “Avengers: Age of Ultron”), Dave Bautista (the “Guardians of the Galaxy” films, “Avengers: Endgame”), Stephen McKinley Henderson (“Fences,” “Lady Bird”), Zendaya (“Spider-Man: Homecoming,” HBO’s “Euphoria”), Chang Chen (“Mr. Long,” “Crouching Tiger, Hidden Dragon”), David Dastmalchian (“Blade Runner 2049,” “The Dark Knight”), Sharon Duncan-Brewster (“Rogue One: A Star Wars Story,” Netflix’s “Sex Education”), with Oscar nominee Charlotte Rampling (“45 Years,” “Assassin’s Creed”), with Jason Momoa (“Aquaman,” HBO’s “Game of Thrones”), and Oscar winner Javier Bardem (“No Country for Old Men,” “Skyfall”).

Villeneuve directed “Dune” from a screenplay he co-wrote with Jon Spaihts and Eric Roth based on the novel of the same name written by Frank Herbert. Villeneuve also produced the film with Mary Parent, Cale Boyter and Joe Caracciolo, Jr. The executive producers are Tanya Lapointe, Joshua Grode, Herbert W. Gains, Jon Spaihts, Thomas Tull, Brian Herbert, Byron Merritt and Kim Herbert.

Behind the scenes, Villeneuve reteamed with two-time Oscar-nominated production designer Patrice Vermette (“Arrival,” “Sicario,” “The Young Victoria”), two-time Oscar-nominated editor Joe Walker (“Blade Runner 2049,” “Arrival,” “12 Years a Slave”), two-time Oscar-winning visual effects supervisor Paul Lambert (“First Man,” “Blade Runner 2049”), and Oscar-winning special effects supervisor Gerd Nefzer (“Blade Runner 2049”). He also collaborated for the first time with Oscar-nominated director of photography Greig Fraser (“Lion,” “Zero Dark Thirty,” “Rogue One: A Star Wars Story”); three-time Oscar-nominated costume designer Jacqueline West (“The Revenant,” “The Curious Case of Benjamin Button,” “Quills”) and co-costume designer Bob Morgan; and stunt coordinator Tom Struthers (“The Dark Knight” trilogy, “Inception”).

Oscar-winning and multiple Oscar-nominated composer Hans Zimmer (“Blade Runner 2049,” “Inception,” “Gladiator,” “The Lion King”) is creating the score.

Warner Bros. Pictures and Legendary Pictures Present a Legendary Pictures Production, a Film by Denis Villeneuve, “Dune.”

The film has been rated PG-13 for sequences of strong violence, some disturbing images and suggestive material.

https://www.dunemovie.com/

First DUNE Trailer Features Sand Worms Of Arrakis & Watch The Conversation With Cast Hosted By Stephen Colbert

Here’s a first look at the trailer for director Denis Villeneuve’s (“Arrival,” “Blade Runner 2049”) highly anticipated DUNE, the big-screen adaptation of Frank Herbert’s seminal bestseller.

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

And gosh, is this a great cast or what?!

Timothée Chalamet (“Call Me by Your Name,” “Little Women”), Rebecca Ferguson (“Stephen King’s Doctor Sleep,” “Mission: Impossible – Fallout”), Oscar Isaac (the “Star Wars” franchise) Oscar nominee Josh Brolin (“Milk,” “Avengers: Infinity War”), Stellan Skarsgård (HBO’s “Chernobyl,” “Avengers: Age of Ultron”), Dave Bautista (the “Guardians of the Galaxy” films, “Avengers: Endgame”), Stephen McKinley Henderson (“Fences,” “Lady Bird”), Zendaya (“Spider-Man: Homecoming,” HBO’s “Euphoria”), Chang Chen (“Mr. Long,” “Crouching Tiger, Hidden Dragon”), David Dastmalchian (“Blade Runner 2049,” “The Dark Knight”), Sharon Duncan-Brewster (“Rogue One: A Star Wars Story,” Netflix’s “Sex Education”), with Oscar nominee Charlotte Rampling (“45 Years,” “Assassin’s Creed”), with Jason Momoa (“Aquaman,” HBO’s “Game of Thrones”), and Oscar winner Javier Bardem (“No Country for Old Men,” “Skyfall”).

Watch the interview now.

Behind the scenes, Villeneuve reteamed with two-time Oscar-nominated production designer Patrice Vermette (“Arrival,” “Sicario,” “The Young Victoria”), two-time Oscar-nominated editor Joe Walker (“Blade Runner 2049,” “Arrival,” “12 Years a Slave”), two-time Oscar-winning visual effects supervisor Paul Lambert (“First Man,” “Blade Runner 2049”), and Oscar-winning special effects supervisor Gerd Nefzer (“Blade Runner 2049”). He also collaborated for the first time with Oscar-nominated director of photography Greig Fraser (“Lion,” “Zero Dark Thirty,” “Rogue One: A Star Wars Story”); three-time Oscar-nominated costume designer Jacqueline West (“The Revenant,” “The Curious Case of Benjamin Button,” “Quills”) and co-costume designer Bob Morgan; and stunt coordinator Tom Struthers (“The Dark Knight” trilogy, “Inception”).

Oscar-winning and multiple Oscar-nominated composer Hans Zimmer (“Blade Runner 2049,” “Inception,” “Gladiator,” “The Lion King”) is creating the score.

Many, myself included, love to this day David Lynch’s 1984 version of DUNE that featured a huge cast:

Francesca Annis as Lady Jessica
Leonardo Cimino as the Baron’s Doctor
Brad Dourif as Piter De Vries
José Ferrer as Padishah Emperor Shaddam IV
Linda Hunt as the Shadout Mapes
Freddie Jones as Thufir Hawat
Richard Jordan as Duncan Idaho
Kyle MacLachlan as Paul Atreides
Virginia Madsen as Princess Irulan
Silvana Mangano as Reverend Mother Ramallo
Everett McGill as Stilgar
Kenneth McMillan as Baron Vladimir Harkonnen
Jack Nance as Nefud
Siân Phillips as Reverend Mother Gaius Helen Mohiam
Jürgen Prochnow as Duke Leto Atreides
Paul Smith as The Beast Rabban
Patrick Stewart as Gurney Halleck
Sting as Feyd Rautha
Dean Stockwell as Doctor Wellington Yueh
Max von Sydow as Doctor Kynes
Alicia Roanne Witt as Alia
Sean Young as Chani

Warner Bros. Pictures and Legendary Pictures Present “Dune.” The film is slated to be released in theaters on December 18, 2020.

BLADE RUNNER 2049 – Review

RYAN GOSLING as K in Alcon Entertainment’s action thriller “BLADE RUNNER 2049,” a Warner Bros. Pictures and Sony Pictures Entertainment release, domestic distribution by Warner Bros. Pictures and international distribution by Sony Pictures. Photo by Stephen Vaughan.

BLADE RUNNER 2049, director Denis Villeneuve’s sequel to Ridley Scott’s BLADE RUNNER, is a visual feast, a cinematic banquet that is much in the style and spirit of the original. For that reason alone, it deserves to be seen on the biggest screen, with the best sound, you can find. This is a film worth the effort to see it as it should be seen, but particularly if you are one of the many fans of the first film.

Fans of the original BLADE RUNNER need not fear this sequel. As one of many filmmakers who were smitten with and influenced by Ridley Scott’s ground-breaking film, French Canadian director Denis Villeneuve’s intention clearly is to honor the original BLADE RUNNER. So, no, this is no crass cash-in film. Villeneuve offers a film that is respectful of, and in the same spirit as, the first film, an homage that takes us back to the eye-popping, innovative world Ridley Scott created but then builds on it. BLADE RUNNER did not really need a sequel, of course, but the decision to make a sequel is a far better choice than a re-make. Villeneuve’s other films include SICARIO, PRISONERS, ARRIVAL, and INCENDIES, so taut, thought-provoking films are entirely in his wheelhouse.

The original BLADE RUNNER was a modest success at the box office when first released but grew into a huge hit on video, and became a film that influenced a generation of upcoming filmmakers. The plot had only the slightest resemblance to the Philip K. Dick science fiction novel on which it was supposed to be based, but the film did capture the brooding mood, moral complexity, and dystopian world of the novel. But it was the film’s visual innovation that most stuck with audiences.

BLADE RUNNER 2049 returns to the world Ridley Scott created but 30 years into its future. Thirty years on, life is even worst for those left behind on an environmentally-devastated Earth. People scrambling to survive still envy those with enough money to relocate to off-world colonies, the few wealthy industrialists still on Earth exist apart in modern fortresses high above, and LAPD is still using blade runners to track down and dispatch the remaining older model biological robots called “replicants,” who manage to make their way back to Earth. Agent K (Ryan Gosling) is one of those blade runners, on the track of one replicant, Sapper Morton (Dave Batista), when he makes an odd discovery at the site where he had been hiding. The discovery alarms his boss who sends K on a mission that will lead him to the long-vanished blade runner Deckard (Harrison Ford).

K has the backing of his hard-bitten supervisor Lt. Joshi, played with style by Robin Wright. The mission will involved K with billionaire industrialist Niander Wallace (Jared Leto), the blind maker of the current, more controllable version of replicants, and his relentless robot assistant Luv (Sylvia Hoeks), as well as a host of people and replicants in the most shadowy parts of the devastated world.

 

Like the original, the sequel is more moody mystery than an action thriller. The cast is good, and both they and Ryan Gosling deliver strong performances that make the film all the more haunting. The film is packed with literary and cinema references, as well as commentary on our present world. One scene feels straight out of Dickens, where an army of ragged urchins live in an abandoned factory in the toxic zone, combing through the trash for salvageable materials, under the stern eye of a futuristic Fagan.

Still, the biggest reason to see this film is the astounding cinematic experience. BLADE RUNNER 2049 is a feast for those who love the visual and aural artistry that cinema can achieve, and Villeneuve has the skills to give us this immersive experience. The film successfully evokes the look and feel, even the sound, of the original film, with the noirish half-lit scenes, futuristic landscapes mixed with globalized urban decay, and an eerie techno sound track, yet it never simply apes the first one. There is always something more, in every shot.

The world director Villeneuve creates for us is very much in to same universe of the first BLADE RUNNER but we are given it on a more grand, more detailed scale, as well as in a future that has had 30 more years of decay. It is both beautiful and ugly, horrifying and breathtaking. An enormous seawall protects Los Angeles from the Pacific Ocean, the air is thick and an acrid yellow, and a toxic dump stretches from LA south to San Diego. The same jumble of grubby back alleys, garish neon, mixed languages, slick corporate ads and rough street vendors contrasted against the dark, stark modern architecture of inaccessible corporate headquarters abounds. Apart from a few wealthy souls insulated in high-rise guarded compounds, everyone else is struggling to get by in a world that is clearly disintegrating. The police may move around in flying cars yet K lives in a cramped apartment in a crime-filled, graffiti-festooned neighborhood, an apartment that nonetheless has amenities such as a holographic woman to greet him and serve dinner.

The cinematic delights, the abundant literary and film references, thoughtful social commentary and fine acting performances in BLADE RUNNER 2049 will be enough to satisfy many audiences. However, some may feel that the story moves a bit slowly and, at about two and a half hours, runs a bit long.

Still, for fans of the original BLADE RUNNER or those up for a cinematic feast, Villeneuve’s sequel is a must-see. Just be sure to see it on the biggest screen, and sit back, relax, and drink in all the cinematic splendor without wanting to hurry to the end.

Rating: 4 1/2 out of 5 stars

Watch The New Trailer For BLADE RUNNER 2049 – Hits Theaters October 6

Coming to theaters on October 6 is the long awaited sequel to Ridley Scott’s sci-fi film, BLADE RUNNER 2049.

Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.

From executive producer Ridley Scott and director Denis Villeneuve, BLADE RUNNER 2049 stars Ryan Gosling, Harrison Ford, Ana De Armas, MacKenzie Davis, Sylvia Hoeks, Lennie James, Carla Juri, Robin Wright, Dave Bautista and Jared Leto. Cinematography is by Roger Deakins who worked on Villeneuve’s SICARIO and PRISONERS.

BLADE RUNNER is now regarded by many critics as one of the all-time best science fiction films. It was nominated for two Oscars and the 1982 classic has since developed a cult following.

The score was from Vangelis and was nominated in 1983 for a BAFTA and Golden Globe. Composer Jóhann Jóhannsson, who has previously worked with Villeneuve on PRISONERS, SICARIO and ARRIVAL, will be composing the score to the sequel. He also composed the score for THE THEORY OF EVERYTHING. (Interview)

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First Look At BLADE RUNNER 2049 Features Ryan Gosling And Harrison Ford

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Here’s your first look at Warner Bros. Pictures highly anticipated BLADE RUNNER 2049 from director Denis Villeneuve.

The film, executive produced by Ridley Scott, is set to be released in IMAX and select theaters October 6, 2017.

Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing  for 30 years.

BLADE RUNNER 2049 also stars Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, with Dave Bautista and Jared Leto.

The film is based on characters from the novel Do Androids Dream of Electric Sheep? by Philip K. Dick, Story by Hampton Fancher, Screenplay by Hampton Fancher and Michael Green.

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ARRIVAL – Review

Amy Adams as Louise Banks in ARRIVAL

Most life forms begin with an egg. A beginning. The egg is a sign of hope, and with it comes the expectation that a new life will emerge, breaking through the primordial shell. It’s an action that is inherently violent and yet, it is celebrated because it signifies achievement.

It’s no coincidence that in Denis Villeneuve’s heavily symbolic film that the alien ship is shaped like an upright black egg. Often we associate UFOs as horizontal black discs or shiny saucers, but when the ship is revealed to the audience for the first time, it appears like a black egg almost resting on the Earth’s surface. Even the US military doesn’t know how the ship arrived. It’s as if Earth suddenly gave birth to this new object.

Upon further examination, the egg actually resembles more of a computer mouse – it has the overall oval-like shape but with an almost flat or concave surface on its back side. This isn’t the only computer reference either. Even the protective screen that the human characters communicate through with the otherworldly creatures looks like a giant computer screen or monitor. It’s no secret that our world is connected to and, in most cases, completely reliant on technology. Its main use is for communication, but as ARRIVAL points out, even though our planet has advanced technologically since its creation, the conversation may have stopped.

Amy Adams plays a college professor and renowned linguist who is recruited by the US government to translate the language and writing of an alien species after 12 ships land in different parts around the world. She’s joined by a physicist played by Jeremy Renner. With the help of the military, their goal is to figure out why the visitors have landed on Earth and what their intentions are. At the same time, the tension of the events causes the different countries to begin to turn on each other. And so it becomes not just a chess match between us vs. them, but also us vs. our neighbors. 

Denis Villeneuve is one of the most exciting voices working in film. You could say his film style is fundamental. There’s a simple yet focused manner to how he tells his stories (in this case, from a thought-provoking screenplay by Eric Heisserer), while letting the human element of the story always be the centerpiece. For two films in a row now he has had women in the lead. He positions both as outsiders. In SICARIO, Emily Blunt is an outsider because she’s a woman barely heard in a world of men. She doesn’t know who to trust, and likewise, you fear for her. In ARRIVAL, Amy Adams is unique because she’s the only one truly communicating in a (once again) male-driven world. Instead of fearing for her like we did with Emily Blunt, we relate to Adams because of her humanitarian approach to the conflict.

Adams plays the part with little flourish. In a role that could have easily been Oscar-bait if handed over to the likes of Naomi Watts or Anne Hathaway, Adams delivers a meek and understated performance. Even her character is presented in a way that she seems unadorned with makeup. It’s a character built on principles, and Amy Adams encompasses this perfectly.

Although ARRIVAL includes tentacled alien creatures, the film is never really about that. It’s a quiet film that balances the focus between Adams dealing with her own personal turmoil while attempting to be the woman who is maintaining the peace so that all of the men get along and that the different sides don’t blow each other up. How her story unfolds is where some may take issue. Time existing as not just a straight line becomes an important element of the film – even so far as replicating this idea through the design of the alien writing – but some viewers might find how this theme plays into the ending a bit of a turnoff. What will be interesting is to see how this element affects the film on multiple viewings, as is the case with his previous film ENEMY.

When thinking about ARRIVAL as an alien invasion film where our planet is on the brink of all-out war, it makes Villeneuve’s film sound like the work of science fiction. But given how he grounds the story in such an interesting way, it feels like we could wake up tomorrow morning and encounter the same events. Coincidentally, it’s fascinating that ARRIVAL opens the weekend after one of the most divisive elections the United States has ever encountered. Moreso, who knows how this divide will affect our country in the years to come. Good science fiction transcends the time it was created and carries a message that future generations can continue to learn from. For better or for worse, separate sides being forced to come together in the face of an overwhelming crisis might be a message that we need now… and will need in the future in order for life to prosper in this world.

 

Overall rating: 4.5 out of 5

ARRIVAL opens in theaters everywhere November 11

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