THE PICKLE RECIPE – St. Louis Jewish Film Festival Review

Review by Mark Longden

THE PICKLE RECIPE Screens Wednesday, June 7, at 1 PM, Plaza Frontenac Cinema

The St Louis Jewish Film Festival is now in its 22nd year, and it’s to be commended for bringing so many interesting and stimulating movies to us here in the Midwest. This year has documentaries, dramas, and plenty of comedy too, of which THE PICKLE RECIPE is perhaps the standout.

First up, in case you’re wondering about bias, I love Jon Dore. His Canadian show, a forerunner to “Inside Amy Schumer” (which he guested on), a mix of sketches, standup and interviews with interesting people, was brilliant, and since then he’s appeared in lots of movies and shows and is always hilarious. Here, he’s Joey, a musician / party organiser, who specialises in mitzvahs (both bar and bat), who seems to genuinely love his work.

But, a happy chap doing his job competently makes for a dull comedy, so a wrench is thrown into the works in the shape of a chain of disasters that burns down the hall and destroys all his equipment. He doesn’t have any insurance! And neither does the venue, apparently! With his ex-wife now married to a rich man who wants to buy their daughter’s love, no money and no prospects, things aren’t looking good for Joey, until his shady sad-sack of an Uncle, Morty (David Paymer) suggests a money-making scheme. Joey’s grandmother Rose (St Louis native Lynn Cohen) has a famous recipe for kosher dill pickle which has kept Irv’s Deli in Detroit in business for decades. Morty and Rose don’t get along, so if Joey can steal it, Morty can sell it and both their financial troubles will be over.

It’s the gentlest heist movie of all time. Joey gets a job at the deli, and is slowly accepted as one of the gang by the other staff, learns about his grandmother, her life and (eventually) her recipe. He gets his friend Ted (standup Eric Edelstein) to pretend to be a Rabbi – he isn’t even Jewish – so Rose will trust him enough to give him the recipe. And so on, as he realises his initial plan was perhaps not the best thing. There’s a wonderfully obvious love interest.

There aren’t going to be too many surprises while watching this movie. And that’s part of its charm – much like the pickles at the centre of things, it’s comfort food. Dore makes a fine everyman, and even though he’s doing a bad thing you’re on his side throughout. Edelstein’s performance is absolutely wonderful, completely stealing every scene he’s in, and everyone else does a fine job with what they have too. Although your reviewer is not Jewish, he has the great fortune to be married to one, and there were plenty of nods of recognition throughout. There’s a real warmth to the movie, to the friendships.

Kudos to director Michael Manasseri (who also, trivia fans, acted in 80s classic “Licence To Drive”) and writers Sheldon Cohn and Gary Wolfson, both of whom getting their first writing credit. One assumes it’s a labour of love for everyone involved. It even manages to make Detroit look something other than miserable, so even more kudos.

If you’re going to the St Louis Jewish Film Festival, which I highly recommend, then this one ought to be on your viewing list. Take your family, maybe get any squeamish people to turn away during the scene which is just a close-up of a mouth eating dozens of pickles (it’s really quite gross), and have a splendid evening.

2011 SPOTLIGHT INITIATIVE AWARDS ANNOUNCED FOR TIFF

SPOTLIGHT INITIATIVE AWARD WINNERS ANNOUNCED FOR
2011 TORONTO INTERNATIONAL FILM FESTIVAL

Honorees Include Ashley Greene, Anna Kendrick, David Paymer,
Morgan Spurlock and Roland Emmerich

The Creative Coalition is pleased to announce that Ashley Greene (Butter, Twilight), Anna Kendrick (50/50, Up in the Air), David Paymer (Twixt, The American President), Morgan Spurlock (Comic Con: Episode IV – A Fan’s Hope, Super Size Me) and Roland Emmerich (Anonymous, 2012) have been named as honorees for the 2011 Spotlight Initiative Awards. The awards will be bestowed to honorees during the upcoming Toronto International Film Festival.

The dinner honoring this year’s recipients will be attended by influential players from the arenas of art and entertainment and takes place on Saturday evening, September 10th at the Roosevelt Room.

Representing all aspects from the world of independent filmmaking, the 2011 class of honorees embodies the tenets of The Creative Coalition’s Spotlight Initiative. The Spotlight Initiative was created in 2008 to support independent films with messages that make a positive difference in the world and celebrate the art and craft of filmmaking for their social relevance.

The Creative Coalition CEO, Robin Bronk said, “The range of work from this year’s honorees is a true testament to why we created the Spotlight Initiative Award. Actors and filmmakers are under no obligation to use film as a venue to educate audiences on social issues, but our 2011 class of recipients has done a masterful job in doing so throughout their respective careers.”

‘Drag Me to Hell’ Gets a Poster With Flames… Cool

drag-me-to-hell-poster

I do have to say Sam Raimi generally has some pretty cool poster designs for his films. Â  Granted, ‘Spider-man’ et al had about $400 million worth of marketing, so you knew the poster design for those would be phenomenal, but Raimi’s smaller films even get in on the better-than-average design levels.

The new poster for ‘Drag Me to Hell’ is no exception. Â  It’s simple. Â  It’s effective. Â  It completely captures the mood of the film. Â  Even that tagline captures any tongue-in-cheek elements the film might convey (and, trust me, there’s plenty of that).

‘Drag Me to Hell’ comes out on May 29th.

Source: Shock Till You Drop