Danny Elfman’s DARK SHADOWS Original Score To Be Released MAY 8

WaterTower Music will release Dark Shadows – Original Score digitally and in stores on May 8, 2012. The album features original music by Grammy Award-winning and four-time Oscar®-nominated composer Danny Elfman, which is featured in director Tim Burton’s new gothic comedy Dark Shadows.

For more than 25 years, Burton and Elfman have collaborated on some of the cinema’s most beloved and recognizable films and soundtracks, including Big Fish, for which Elfman received an Oscar® nomination; BeetlejuiceBatmanEdward ScissorhandsSleepy HollowCorpse Bride; and, more recently, Alice in Wonderland.

“Tim had some specific ideas about the music on Dark Shadows,” says Elfman. “I knew that the bigger dramatic scenes would be played in a rather grand theatrical manner, but the real treat was tapping into the retro pallet Tim had imagined. He wanted something that payed homage to both the original TV series and other ’70s horror genres as well. For that we kept it minimal, eerie, and atmospheric with only electronics and a few solo instruments carrying the melodies.”

Elfman has also received Oscar® nominations for his scores for Barry Sonnenfeld’s Men in Black, and Gus Van Sant’s Good Will Hunting and Milk. Movie audiences worldwide have also heard Danny Elfman’s unique sound and style in some 80 film scores, including Sam Raimi’s Spider-Man; Brian De Palma’s Mission: Impossible; Martin Brest’s Midnight Run; Jon Amiel’s Sommersby; the Hughes Brothers’ Dead Presidents; Rob Marshall’s Academy® Award-winning Chicago; and Shawn Levy’s Real Steel.

In the year 1750, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. Two decades pass and Barnabas (Johnny Depp) has the world at his feet—or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy…until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin and the dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets.

Warner Bros. Pictures, in association with Village Roadshow Pictures, presents an Infinitum Nihil/GK Films/Zanuck Company production, a Tim Burton Film Dark Shadows in theaters and IMAX on May 11, 2012. “Dark Shadows” stars Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Jackie Earle Haley, Jonny Lee Miller, Chloë Grace Moretz, Bella Heathcote and Gully McGrath.

The Dark Shadows – Original Score on WaterTower Music will be available digitally and in stores on May 8, 2012; and on the same date, WaterTower Music will also be releasing the Dark Shadows – Original Motion Picture Soundtrack, containing eleven songs from the film.

www.darkshadowsmovie.com

THE HUNGER GAMES Scores T Bone Burnett And Danny Elfman

Santa Monica, CA, June 28, 2011– LIONSGATE has announced an unprecedented film music collaboration between Academy Award® winner and two time nominee T Bone Burnett (CRAZY HEART, COLD MOUNTAIN) and four time Academy Award® nominated composer Danny Elfman (ALICE IN WONDERLAND, SPIDER-MAN) on the music for the highly anticipated film adaptation of THE HUNGER GAMES, based on the first in Suzanne Collins’s runaway bestselling book trilogy. The announcement was made by Lionsgate’s Motion Picture Group President Joe Drake.

Elfman and Burnett will be collaborating on the film score, with Burnett also serving as the film’s Executive Music Producer, producing songs for the film and soundtrack.

Said Lionsgate’s Head of Film Music Tracy McKnight of the musical dream team assembled on behalf of the film, “THE HUNGER GAMES is such a special property – it has worldwide mass appeal, but it’s also sophisticated, cerebral, soulful, and rebellious. We needed a composer who can translate these qualities musically, and we have not one but two incredible artists in an absolutely thrilling first time ever collaboration.”

Production president Alli Shearmur is overseeing the production for the studio, and the deals for both artists were negotiated by McKnight with Lenny Wohl, EVP Business Affairs Music & Publishing, on behalf of Lionsgate.

Elfman is represented by Richard Kraft and Laura Engel of Kraft-Engel Management, who negotiated the deal on his behalf.  Larry Jenkins manages Burnett and negotiated the deal with Jason Karlov of Barnes & Thornburg LLP on his behalf. Burnett is also represented by Brian Siberell at CAA.

About T Bone Burnett

T Bone Burnett’s 40 years of experience in music and entertainment have earned him an unparalleled reputation as a first-rate innovative artist, songwriter, producer, performer, concert producer, record company owner and artist advocate.

He is a 12-time Grammy® Award winner, earning numerous statues in 2009 — including Album of the Year and Record of the Year — for his production work on Raising Sand, the worldwide smash album from Robert Plant and Alison Krauss. That same year, he was also awarded a Grammy® for Best Traditional Blues Album for his work on B.B. King’s One Kind Favor. He received two Grammys® in 2011 for his work on the music for the film Crazy Heart. He previously earned five Grammys® for his work on the 8-times Platinum release, O Brother Where Art Thou?, which also spawned two highly successful national concert tours. Further Grammys® followed for his work on the platinum soundtrack to the Johnny Cash biopic, Walk The Line, and the platinum Tony Bennett / k.d. lang duets album, A Wonderful World.

T Bone produced the critically acclaimed hit film Crazy Heart. He also composed the film’s score and co-wrote many of its original songs, including “The Weary Kind,” which earned T Bone and co-writer, Ryan Bingham, an Academy Award®, a Golden Globe® Award and a Grammy® Award (plus an additional Grammy® for Crazy Heart as Best Compilation Soundtrack album). T Bone’s work on that film also garnered him awards from the Broadcast Film Critics Association, as well as numerous other critics organizations throughout the U.S. 

He was nominated for an Academy Award® in 2004, along with Elvis Costello in the category of Best Original Song for “The Scarlet Tide” from the film, Cold Mountain. For his work on that film, Burnett also earned the BAFTAs Anthony Asquith Award for Achievement in Film Music. 

Burnett’s work as an in-demand music producer spans three decades and has resulted in some of music’s biggest-selling and most critically-lauded releases. He is currently producing album projects for Lisa Marie Presley and Jeff Bridges, which will be released in the second half of 2011. Burnett is also collaborating with Mellencamp and author Stephen King on the music for the play Ghost Brothers Of Darkland County. Other major productions include best-selling albums from Counting Crows, The Wallflowers, Los Lobos, Cassandra Wilson, Roy Orbison and Ralph Stanley.

T Bone’s first major foray into film was his 1999 collaboration with the Coen Brothers on The Big Lebowski, for which he served as “Musical Archivist.” He has since served as Executive Music Producer on numerous additional films, including Across The Universe, the aforementioned Walk The Line (for which he also composed the score) and The Divine Secrets Of The Ya-Ya Sisterhood.

About Danny Elfman

Danny Elfman has earned numerous honors, including a Grammy Award®, an Emmy Award®, three Golden Globe® nominations, and four Academy Award® nominations.  In 1998, he was honored with dual Oscar® nominations for Best Original Score for his work on Barry Sonnenfeld’s “Men in Black” and Gus Van Sant’s “Good Will Hunting.”  He received his third Oscar® nomination for the score for Tim Burton’s acclaimed fantasy “Big Fish.” Elfman earned his most recent Oscar® nomination for his score for the acclaimed biopic “Milk,” directed by Gus Van Sant and his most recent Golden Globe® nomination for his score to Tim Burton’s “Alice in Wonderland.”  

In all, Elfman has composed more than 60 motion-picture scores of every genre, including “Spider-Man (1&2),” “Batman” and “Batman Returns” “Men In Black (1&2),” “Edward Scissorhands,” “Beetlejuice,” “To Die For,” “A Simple Plan,” “Mission: Impossible,” “The Nightmare Before Christmas,” “Family Man,” “Wanted,” “Taking Woodstock,” “Dick Tracy,” “Darkman,” and “Chicago.”

For 17 years he wrote and performed with rock band Oingo Boingo, producing such hits as “Weird Science” and “Dead Man’s Party.” 

Elfman’s first full-length orchestral commission, Serenada Schizophrana premiered at Carnegie Hall. His first composition for ballet “Rabbit and Rogue” had its American Ballet Theatre (ABT) World Premiere at The Metropolitan Opera House at New York’s Lincoln Center in June 2008. The ballet was choreographed by Twyla Tharp and commissioned by ABT.

Elfman’s most recent film credits include the smash hit, “Alice In Wonderland,” and the upcoming “Reel Steel,” directed by Shawn Levy, Gus Van Sant’s “Restless”, “Frankenweenie”, and ”Dark Shadows.”

His Cirque du Soleil show, “Iris” opens as a permanent show at Hollywood’s Kodak Theater in 2011. 

About The Hunger Games

Every year in the ruins of what was once North America, the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games.  Part twisted entertainment, part government intimidation tactic, the Hunger Games are a nationally televised event in which “Tributes” must fight with one another until one survivor remains.

Pitted against highly-trained Tributes who have prepared for these Games their entire lives, Katniss is forced to rely upon her sharp instincts as well as the mentorship of drunken former victor Haymitch Abernathy.  If she’s ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love.

THE HUNGER GAMES is directed by Gary Ross, and produced by Nina Jacobson’s Color Force in tandem with producer Jon Kilik. Collins’ best-selling novel, which has over 3 million copies in print in the United States alone, is the first in a trilogy of novels which have developed a global following. 

The film will be released on March 23, 2012. 

About Lionsgate

Lionsgate (NYSE: LGF) is a leading global entertainment company with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, family entertainment, digital distribution and new channel platforms. The Company has built a strong television presence in production of prime time cable and broadcast network series, distribution and syndication of programming and an array of channel assets. Lionsgate currently has 15 shows on more than 10 networks spanning its prime time production, distribution and syndication businesses, including such critically-acclaimed hits as “Mad Men”, “Weeds” and “Nurse Jackie” along with the popular comedy “Blue Mountain State” and the syndication successes “Tyler Perry’s House Of Payne”, its spin-off “Meet The Browns,” “The Wendy Williams Show” and “Are We There Yet?”.

Its feature film business has generated more than half a billion dollars at the North American box office in the past year, fueled by such hits as THE EXPENDABLES, THE LINCOLN LAWYER, TYLER PERRY’S MADEA’S BIG HAPPY FAMILY, SAW 3D, THE LAST EXORCISM, KICK ASS and PRECIOUS. The Company’s home entertainment business has grown to more than 8% market share and is an industry leader in box office-to-DVD and box office-to-VOD revenue conversion rates. Lionsgate handles a prestigious and prolific library of approximately 13,000 motion picture and television titles that is an important source of recurring revenue and serves as the foundation for the growth of the Company’s core businesses. The Lionsgate brand remains synonymous with original, daring, quality entertainment in markets around the world.

THE NIGHTMARE BEFORE CHRISTMAS on 3D Blu-ray 8/30

The Delightfully, Frightful Holiday Classic Makes Its Blu-ray 3D™ Debut

Tim Burton’s

THE NIGHTMARE BEFORE CHRISTMAS

Available For The First Time To Own In Spectacular 3D Presentation, August 30th, 2011


THIS MAKES ME SO HAPPY!!!

More astonishing and spectacular than ever before, Academy Award® nominated writer/producer Tim Burton’s overwhelmingly favorite The Nightmare Before Christmas becomes available for the first time ever to own on Disney Blu-ray 3D™ and/or 3D Movie Download, on August 30, 2011.  Leaping off the screen and into living rooms this holiday season, the all-new 3D presentation of The Nightmare Before Christmas will be available as a 3-Disc Combo Pack (Blu-ray 3D, Blu-ray™, DVD/Digital Copy hybrid) and/or a 3D Movie Download,* providing fans and families alike with several great ways to enjoy the film.

The Nightmare Before Christmas is produced by Academy Award® nominated writer and producer Tim Burton (Charlie and the Chocolate Factory, Corpse Bride) and Denise DiNovi (Edward Scissorhands, James and the Giant Peach), directed by Henry Selick (Coraline, James and the GiantPeach) and written by Michael McDowell (Beetle Juice, Thinner) and Caroline Thompson (Corpse Bride, The Addams Family). And the spectacular characters are voiced by  the talents of Chris Sarandon (The Princess Bride, Fright Night) as Jack Skellington’s speaking voice, Danny Elfman (Corpse Bride, Charlie and the Chocolate Factory) as Jack Skellington’s singing voice and Catherine O-Hara (Home Alone, Best In Show) as Sally, to name a few.

The Nightmare Before Christmas 3-Disc Combo Pack (Blu-ray 3D, Blu-ray, DVD/Digital Copy hybrid) will retail for the suggested price of $49.99 U.S./$56.99 Canada and the 3D Movie Download will retail for the suggested price of $25.00 U.S.

*consumers will need to own either a 3D TV and/or other 3D devices to view full 3D capabilities.

BONUS FEATURES:

·       A Special Introduction by Tim Burton

·       What’s This? Jack’s Haunted Mansion Holiday Tour – Viewers choose the way they want to tour Disneyland’s Holiday Haunted Mansion.  “On Track” explores a tricked-out version of the Haunted Mansion, while “Off Track” reveals what went into creating all the creepy fun.

·       Frankenweenie Short Film A un-cut version of the Frankenweenie short with introduction by Tim Burton.

·       Vincent Short Film

·       Tim Burton’s Original poem narrated by Christopher Lee Tim Burton’s poem that inspired the creation of the movie. Now, the original verse comes to creepylife as performed by legendary actor Christopher Lee.

·       Film Commentary – commentary by producer and writer Tim Burton, director Henry Selick and composer Danny Elfman.

·       The Making of Tim Burton’s The Nightmare Before Christmas – Go behind the scenes of the very first full-length stop motion animated movie with the filmmakers. 

·       The Worlds of Tim Burton’s The Nightmare Before Christmas – Witness the creation of the film’s richly imagined dreamscapes, including Halloween Town, Christmas Town and the Real World.

·       Deleted Scenes

·       Storyboard to Film Comparison

·       Original Theatrical Trailers and Posters

Disc Specifications:

Street Date:                 August 30, 2011

Direct prebook:             July 5, 2011

Distributor prebook:     July 19, 2011

Release Format: 3-Disc Blu-ray 3DSuper Set (Blu-ray 3D + Blu-ray + DVD/Digital Copy hybrid) and 3D Movie Download

Suggested Retail Price: Blu-ray 3D = $49.99 U.S./ $56.99 Canada

3D Movie Download = $25.00 U.S.

Feature Run Time: 76 minutes

Rated: PG (U.S.); PG (Canada)

Aspect Ratio: Blu-ray = 1080p HD/ Widescreen (1:85.1 and 1:66:1)

DVD = Widescreen (1:66.1)

Audio: Blu-ray = English 7.1 Dolby TrueHD, French and Spanish 5.1 Dolby Digital

DVD= English 5.1 Dolby Digital

Subtitles: Blu-ray = English SDH, French and Spanish (applies to film content only)

DVD = English SDH and French (applies to film content only)


ABOUT THE MOVIE:

Tim Burton’sThe Nightmare Before Christmas is an ingenious and inspired fable that cleverly mixes Halloween and Christmas for an eerily unexpected holiday celebration. The film brilliantly combinesstop-motion animation with three-dimensional sets and superb graphics to create a stunningly original movie experience. With a Grammy® nominated soundtrackby Oscar® nominee Danny Elfman (Corpse Bride, “The Simpsons”), Tim Burton’sThe Nightmare Before Christmas is a modern holiday classic.

 

Bored with his perennial role as Halloween Town’s frightening Pumpkin King, Jack Skellington wanders off and discovers the cheerful village of Christmas Town. Determined to shake things up in Halloween Town, he enlists the help of some mischievous trick-or-treaters to kidnap Santa Claus and takes over the job of delivering gifts to the children of the world himself. When his plan goes awry, Jack attempts to restore Santa to his rightful place. But first, he must rescue St. Nick from the clutches of the evil Oogie Boogie!

About Disney’s Blu-ray 3D Catalog:

Tim Burton’s Nightmare Before Christmas will join the studios unparalleled catalog of 3D in-home movies including The Lion King: Diamond Edition (releasing October 4, 2011),  Gnomeo & Juliet (released May 24, 2011), TRON: Legacy(released April 5, 2011), Tangled (released March 29, 2011), Step Up 3D (released December 21, 2010), Tim Burton’s Alice In Wonderland (released December 7, 2010), and Disney’sA Christmas Carol (released November 16, 2010).

About The Walt Disney Studios:

For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company (NYSE:DIS) was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under four banners: Walt Disney Pictures, which includes Walt Disney Animation Studios and Pixar Animation Studios, Disneynature, Touchstone Pictures and Marvel. Through the Home Entertainment division, innovative distribution methods provide access to creative content across multiple platforms. Original music and motion picture soundtracks are produced under Walt Disney Records and Hollywood Records, while Disney Theatrical Group produces and licenses liveevents, including Broadway theatrical productions, Disney on Ice and Disney LIVE!.

Review: THE WOLFMAN

Folks leaving theaters may be compelled to howling into the night, induced by seeing Joe Johnston’s remake of Universal’s classic THE WOLFMAN, but don’t assume these are howls of appreciation. While Joe Johnston (JUMANJI, HIDALGO) starts the film out right… dark, moody and Gothic, playing somewhat on the old school vibe that allows the original to remain enjoyable, however the consistency begins to fall apart soon after.

The story is fairly straight-forward… silly man goes out into the dark woods against the town’s warnings, silly man gets attacked and bitten by a powerful creature of the night, silly man becomes a werewolf. We all know the basic premise. However, it’s the underlying story of Lawrence Talbot, played by Benicio Del Toro (TRAFFIC, CHE), and his relationship to Sir John Talbot and his brother’s wife Gwen, played by Emily Blunt (THE YOUNG VICTORIA).

Lawrence is an American actor in London, called away to Blackmoore by his brother Ben’s wife Gwen, pleading for his help locating her husband who recently went missing. Upon Lawrence’s arrival, Ben’s body (or, what was left of it) had already been discovered. This prompts Lawrence to seek out who, or what, killed his brother.

The pace of THE WOLFMAN varies slightly, with a comfortably slow beginning, with the audience being tossed headlong into Lawrence’s first transformation soon after. If there’s one thing done reasonably well in the film, I’d say the transformation effects were effective, believable and better than expected… for the most part. Expect AN AMERICAN WEREWOLF IN LONDON with added CGI tweaking from the transformation scenes.

THE WOLFMAN isn’t a complete flop. The movie has its moments, especially concerning scenes featuring Hugo Weaving (THE MATRIX, LORD OF THE RINGS) as Abberline from Scotland Yard, and Sir Anthony Hopkins (HANNIBAL, FRACTURE) as Sir John Talbot. This plot becomes something of a strange love triangle, of which I found no reasonable use except to quantify Gwen’s involvement in the film’s ending.

The most disappointing element of THE WOLFMAN was the complete failure of the film to be scary. The movie ultimately plays out like a suspense-action flick with werewolves, and when it does attempt to be “scary” it relies solely on stock made-you-jump tactics. For a Gothic monster movie, it’s neither frightening nor is it consistently very Gothic, often removing itself completely from time and place by scenes of over-indulgent CGI-enhanced action sequences.

Another element of THE WOLFMAN I found questionably intriguing was its uneven attempt to be a little funny, relying a great deal on violent humor during the extremely bloody and graphic scenes of an attacking werewolf. Coincidentally, these were the scenes that had the most creative impulse and garnered the most favorable audience reactions.

Other notable elements of THE WOLFMAN that standout include the over-use of “head-on” shots of Lawrence as a charging werewolf, which are absurdly bad, inconsistency in the werewolf’s design as portrayed on screen, especially with its legs, and… on a slightly more positive not, an effective albeit very familiar score from composer Danny Elfman. Overall, THE WOLFMAN isn’t a terribly bad movie, but will likely disappoint fans of the 1941 original.

Overall Rating: 2.5 out of 5 stars

More ‘Terminator: Salvation’ Concept Art and McG Speaks on His Vision

terminator-salvation-hydrobot

Back in November, we brought you the first bit of concept art. Â  Check out that article here. Â  Today, we bring you even more of the cool stuff courtesy of Wired.

McG presented these pieces of concept art to  the Directors Guild of American screening room and talked about his vision for the film.   What follows are the pieces of concept art that were presented along with some excerpts of what McG spoke about.

Continue reading More ‘Terminator: Salvation’ Concept Art and McG Speaks on His Vision

Danny Elfman Scoring ‘Terminator: Salvation’

Brad Fiedel. Â  Marco Beltrami. Â  Danny Elfman. Â  What do they all have in common? Â  They’ve all now scored a ‘Terminator’ film, as it was reported by MTV on Friday that Elfman would be pulling scoring duty on ‘Terminator: Salvation’.

“I just started yesterday,† Elfman told MTV News from the red carpet of the Critics’ Choice Awards.

Elfman, who has been nominated for Academy Awards for his scores on ‘Men in Black’, ‘Good Will Hunting’, and ‘Big Fish’, said that he had not yet incorporated the original ‘Terminator’ theme into the score yet. Â  He also explained that there was no mandate for him to do so.

“I think if it comes up and it seems appropriate, we will [use it],† Elman said. “And if it doesn’t, we [won’t]. I never really know what to expect when I begin other than just kind of get into it and have fun. Especially a movie like ‘T4’ – just have fun. So that’s what I intend to do.†

It was also reported last month that the ‘Terminator: Salvation’ soundtrack would include an original song by the film’s co-star, Common.

What do you think? Â  Is Elfman a good choice for the ‘Terminator: Salvation’ score? Â  Should the original ‘Terminator’ theme be included? Â  Does this seem less and less like a ‘Terminator’ film with each passing day? Â  Let us know by commenting below!

Source: MTV

Danny Elfman is on with ‘Alice’

Surprise, surprise! Danny Elfman has signed on to write the score for Tim Burton’s newest film, a remake of ‘Alice in Wonderland’. The announcement came during a panel at the El Capitan theater in Hollywood.  Well, every movie needs a great score and I’m sure this will be no different. As a reminder, ‘Alice in Wonderland’ opens March 5, 2010.

Source: www.canmag.com