FRANKENWEENIE – Fantastic Fest Review

What was your relationship to monsters as a child? Were they the boogeymen under your bed, or were they the things of wonder that fueled your imagination? My experience growing up follows the latter, filling my young mind with freakish fascinations. Clearly, the same goes for Tim Burton, who has taken his popular 1984 short film of the same name and expanded it into his newest feature film. FRANKENWEENIE (2012) is still a stop-motion animated film, in 3D this go ’round, adding even more of Burton’s uniquely dark charm to the semi-autobiographical story of a strange loner of a boy and his undead pooch.

FRANKENWEENIE is shot in glorious black and white, capturing the moody universe of Burton’s imagination. Much like the original short, the story begins by painting a picture of young Victor’s daily life, his time at school, his personality. Victor, voiced by Charlie Tahan (CHARLIE ST. CLOUD), is an intelligent loner with a knack for science. His best, and only friend, is his dog Sparky. Mr. Rzykruski, voiced by Martin Landau (ED WOOD), is the new science teacher whom has the town of New Holland’s parents and Mayor up in arms, proves to be a major influence on young Victor.

Victor’s father encourages him to get outside and try sports, but in doing so results in a tragedy that will forever change Victor’s life. Poor little Sparky meets his unexpected demise, but after Mr. Rzykruski demonstrates an experiment with electricity, Victor’s focus immediately becomes applying this new knowledge to bringing his beloved Sparky back from the dead. His success sparks a chain of events amidst his schoolmates and neighbors that slowly spirals out of control and provides a hilariously enjoyable, nostalgic adventure through multiple eras of monster movies classics.

As always, the animation in Burton’s film is awe-inspiring. The pace of FRANKENWEENIE is charged with energy and kept my eyes fixed on the action and the antics of the loyal Sparky. Combined with Danny Elfman‘s quirky trademark style of composing, the film resembles a fun house amusement ride of Gothic proportions. Seeing Burton’s creativity and love of monster films take shape in this film is a real gem. Inspirations varies widely, but I can say that it spans from the gargantuan in 1954 to the reptilian mischief of 1984, and beyond.

FRANKENWEENIE comes full circle in a fairly conventional fashion, lacking any significantly jaw-dropping moments, but the film as a whole is a marvelous experience for fans of the horror genre of all ages. Backed by Disney, Burton provides another film to the pool of monster films suitable as introductory fare to the youngest of blossoming fans. While the story is obviously most connected to that of FRANKENSTEIN, and Mr. Rzykruski is clearly inspired by Vincent Price, be prepared to pick out all the other winks and nods to genre classics.

In addition to Landau, FRANKENWEENIE also features Burton regulars Wynona Ryder as the voice of Elsa van Helsing, and Catherine O’Hara voicing Victor’s mother as well as two other characters. Having failed to keep Sparky’s return a secret, Victor must overcome the Mayor’s hatred for his dog and the bigger danger of classmate Edgar E. Gor’s irresponsibly fiendish plot to win the science fair by employing Victor’s experiment for selfish purposes. In the process, Victor learns a valuable lesson.

FRANKENWEENIE is being presented in IMAX 3D — as well as in 2D — but the 3D provides an added dimension to the film that is welcome, blending in rather than popping out as merely a gimmick. The short running time of 87 minutes also lends itself well to younger viewers.

FRANKENWEENIE opens nationwide on Friday, October 5th, 2012.

Overall Rating: 4 out of 5 stars

Tim Burton’s Highly Anticipated FRANKENWEENIE To Open Fantastic Fest 2012 – September 20


“FRANKENWEENIE”  (L-R) Mr. FRANKENSTEIN, VICTOR, SPARKY and Mrs. FRANKENSTEIN. ©2012 Disney Enterprises. All Rights Reserved.

Fantastic Fest is excited to announce Walt Disney Pictures’ FRANKENWEENIE will have its world premiere on September 20 as the opening night film for the 2012 festival, happening September 20-27 in Austin, Texas at the Alamo Drafthouse South Lamar.

“Tim Burton stands as a titan of modern genre cinema. To world premiere the feature adaptation of his early beloved short is a huge honor for me personally and for the festival in general,” said Fantastic Fest Co-founder & Creative Director Tim League.

From creative genius Tim Burton (Alice in WonderlandThe Nightmare Before Christmas) comes FRANKENWEENIE, a heartwarming tale about a boy and his dog. After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life—with just a few minor adjustments. He tries to hide his home-sewn creation, but when Sparky gets out, Victor’s fellow students, teachers and the entire town all learn that getting a new “leash on life” can be monstrous.

A stop-motion animated film, FRANKENWEENIE was filmed in black and white and rendered in 3D. The talented voice cast includes: Catherine O’Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, Robert Capron, Conchata Ferrell and Winona Ryder.

Disney invites you to delve into the stop-motion animation process with an interactive 360° tour of the sets of FRANKENWEENIE. In Tour #1, Producer Allison Abbate takes us to the town of New Holland amidst the annual Dutch Day celebration where you can scroll, point, and click to explore and discover new content in this in-depth experience.

Presented by Disney, Frankenweenie is directed by Tim Burton, produced by Tim Burton and Allison Abbate, from a screenplay by John August, based on an original idea by Tim Burton. FRANKENWEENIE releases in U.S. theaters on October 5, 2012.

For further information on Frankenweenie go to http://disney.com/frankenweenie/.

For the latest developments visit the Fantastic Fest official site www.fantasticfest.com and follow on Facebook & Twitter.

Review: FANTASTIC MR FOX

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FANTASTIC MR FOX is very mildly fantastic. That’s not a knock. The film is great, but it’s great in a subtle kind of way. It’s an understated comedy that can satisfy audiences both young and old. Adapted for the screen from Roald Dahl’s classic children’s book. He’s also the writer who concocted such great classic tales as CHARLIE AND THE CHOCOLATE FACTORY and JAMES AND THE GIANT PEACH, both of which have had their moments on screen as well.

The film also takes on the uniquely awkward and quirky dimensions that form within the mind of writer-director Wes Anderson. In case you have no idea who that is, Wes Anderson is the marvelous filmmaker who began with BOTTLE ROCKETS (some of you may still have puzzled looks on your faces) but went on to make RUSHMORE. There we go! That’s the big “Aha!” I was hoping for. Anderson went on to make THE ROYAL TENENBAUMS, THE LIFE AQUATIC WITH STEVE ZISSOU and most recently DARJEELING LIMITED.

FANTASTIC MR FOX tells the story of the title character, voiced by George Clooney. Mr. Fox is fantastic, or at least everyone thinks he is and he plays into that role… but, at what cost? Mr. Fox is good at one thing, besides being fantastic, and that one thing is stealing birds from farmers. The problem is, Mr. Fox promised his wife Mrs. Fox (Meryl Streep) he would stop the dangerous vocation of stealing birds and instead becomes a newspaper columnist, a job at which he is less suited and one that he otherwise has no passion for.

As the now not-quite-so-fantastic Mr. Fox seeks a new tree home for his family in an effort to feel more fantastic again, he discovers the perfect home… which just so happens to be conveniently located nearby the three farms, owned by three of the meanest farmers in the land. Thus begins Mr. Fox’s secret pursuit of his glory days reborn, but not without the help of his opossum friend Kylie, voiced by Wally Wolodarsky.

Initially, life is grand once again for Mr. Fox, living the high life of foul larceny, but in time allows his passion to take control of his life leading to unintended circumstances. His actions have cumulative consequences that boil to a head, putting his and other fellow wildlife families lives in danger. Will Mr. Fox be the cause of misery and destruction, or will his true fantastic nature emerge when it’s needed most?

FANTASTIC MR FOX is an altogether new kind of film for Wes Anderson, in that it is filmed using stop-motion animation. That is to say, intricately animated clay characters constructed on jointed metal armatures, a la A NIGHTMARE BEFORE CHRISTMAS, WALLACE & GROMIT, et al. However, this is not your typical Tim Burton-esque animated fantasy extravaganza. The animation in this film is splendidly old school. The style and technique used in this film is purposely rough around the edges, giving the film a familiar but fresh nostalgic charm.

On the surface, the animation in FANTASTIC MR FOX may appear a bit too simple, but what becomes immediately apparent is the attention to detail Anderson underwent in conveying facial expressions and gestures that speak volumes. The hurky-jerky motion fits in well with the dialogue, written to feel exactly like a Wes Anderson film. In fact, much of this film feels similar to elements from THE ROYAL TENENBAUMS. Both are stories about dysfunctional families, a common theme in Anderson’s films.

Some may feel like Clooney’s voice as Mr. Fox stands out a bit more than the rest of the cast, but that’s fine because it is Mr. Fox’s story after all. However, the interesting thing I noticed about this is that I did notice his voice distinctly as a recognizable voice more readily than the others… and it didn’t bother me. My theory is that Mr. Fox is very much a character similar to many that Clooney has portrayed, and has done so with great success. Clooney’s recognizable cadence and vocal tendencies served Mr. Fox extremely well.

Mr. Fox’s son Ash, voiced by Jason Schwartzman, is an awkward and different young fox, sharing many similarities in character to Richie (Luke Wilson) in TENENBAUM, who feels unloved and replaced by the arrival of Eli Cash (Owen Wilson). Eric Anderson (brother of Wes Anderson) voices cousin Kristofferson, who arrives to stay with the Fox’s and proves to be good at everything he does, causing Ash to feel overshadowed. Schwartzman’s performance as Ash is perhaps the best part of FANTASTIC MR FOX. He is funny, but is a sort of way that we can relate to and also feel a bit sorry for. Anderson does a wonderful job at bringing that certain quality about Schwartzman’s voice and delivery to life in the animation of Ash’s expressions and body language.

The cast of FANTASTIC MR FOX rounds out well, featuring Bill Murray as Badger, Owen Wilson as Coach Skip, Michael Gambon as farmer Franklin Bean and a very entertaining performance from a certain brilliant actor as Rat, who serves as Mr. Fox’s non-human nemesis. The film is filled with great dialogue, witty and smart. The humor is a type that has the audience undergo frequent but comfortable chuckles and giggles, with a wink-wink sensibility.

FANTASTIC MR FOX delivers a distinctly story book style and feeling, one of which I haven’t seen an equivalent since JAMES AND THE GIANT PEACH. The screen is filled with warm, Earthy colors and tiny, well-placed details in the set design add depth and curiosity to the experience of watching the film. Whereas Wes Anderson’s previous films are strictly intended for adult audiences, FANTASTIC MR FOX is accessible to children as well as adults. Kids will get the general idea of the story and much of the humor while also being fascinated by the animated animal characters, while adults will enjoy the life humor and human intricacies that can be read between the lines.

Review: ‘$9.99’

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If you are into the interesting stop motion claymation of days past, then $9.99 is for you! If you are looking for an upbeat, interesting story that leaves you all warm and fuzzy inside, then you might want to skip this one.

$9.99 is an Australian based clay-mation based on the writings of Etgar Keret. The plot revolves around 12 characters (all voiced over by Australian actors), and their struggles in life. The stories are all scattered, some even dream or surreal like, and strung together in no particular pattern. The short stories don’t really seem to intertwine to much, or relate in any sort of relevant way to each other. They are just stories of people living in their small town. The only thing that they seem to have in common is that they are all way to caught up in their own lives.

The first story is pretty much about an angry homeless man begging for money in a very aggressive manner. Miraculously, and with no real explanation, he turns into an angel. I don’t know if there is suppose to be some sort of significance to an angry, aggressive man transforming into a higher being (whether mortal or not) but it didn’t really make much sense… at all! This seems to be the trend with a lot of the stories. There is also a beautiful woman who seems to get what she wants, and what she wants is a man with no skin or bones. The weird part is, that there is a man willing to try this! There is also a young person who can’t seem to hold a job. This one is pretty obvious and relatable, but the confusing part is how they jump from realistic to surreal, nonsensical problems. It’s not done in a symbolic way where there is some deeper reasoning to make you think. If that in fact was their goal, they missed the mark big-time! I found myself asking what was the point of these stories, and why should I care. The foul language, drug use, and clay animated sex couldn’t even make things interesting!

The only thing that was mildly entertaining was the creepy stop motion clay-mation. The figures are dark and worn with a twist of looking life like. They are quite creepy. Their lips actually remind me of how Gumby was animated… where they look like they are just stuck on. Watching how they move was the only real highlight to this film.

Images from Wes Anderson’s ‘The Fantastic Mr. Fox’

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It’s rare that I get excited for animated films not made by Pixar, but this is a film I’ve been following for quite a while now. THE FANTASTIC MR. FOX, based on the beloved classic children’s book, is a new stop-motion animated film from director Wes Anderson. First of all, yes… it’s still totally cool for a filmmaker to make a claymation movie in a digital age. Second, it’s being made by this filmmaker, previously responsible for BOTTLE ROCKETS, RUSHMORE, THE ROYAL TENENBAUMS and THE LIFE AQUATIC WITH STEVE ZISSOU. Isn’t that enough? If not, here are some great new images from the film including a couple from behind the scenes with Wes Anderson and Bill Murray.

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Source: USA Today

Reality Reels: ‘Monster Road’ looks at Bruce Bickford

‘Monster Road’ (2004) is an odd and fascinating documentary about an odd and fascinating claymation stop-motion animator named Bruce Bickford. His legendary art is one known primarily to the most determined of cult fans who seek out the more obscure art from the most obscure artists, but given the opportunity to view his work with an open mind and from a place of admiration for what he’s accomplished on his own with little more than his imagination and some clay, you may just become one of his biggest fans.

Animator and documentary filmmaker Brett Ingram directed this award-winning documentary, receiving honors from both the Boston Independent Film Festival and the Slamdance Film Festival. The film captures Bickford’s eccentric personality, detailing his child-like charm and the under-whelming demeanor of the quiet man living and working in quiet surroundings. ‘Monster Road’ features a great deal of Bickford’s work but also takes us into his mind as well as his father’s who plays an important part in Bickford’s life, his past and his work space, making it easier for us to understand what he does and why he chooses to work with themes and subject matter that may seem violent and disturbed on the surface.

Most of Bruce Bickford’s work has remained in the underground vault of cult status, but perhaps his most widely known work would be an animated film called ‘The Amazing Mr. Bickford’ written and co-directed by Frank Zappa with Bickford’s animations set to Zappa’s music. It’s (of course) only been released on VHS and is long out of print and a used copy online is going to set you back about $25, give or take. You can check out Bruce Bickford’s website here.

‘Monster Road’ is available on DVD with the following features:

  • Deleted Scenes
  • A Selection of Bruce Bickford’s Animations
  • Trailers and Music by Shark Quest from the Soundtrack

Here is a clip from The Amazing Mr. Bickford:

Here is a clip from the Monster Road documentary: