SIX MINUTES TO MIDNIGHT – Review

Judi Dench as Miss Rocholl in Andy Goddard’s “Six Minutes to Midnight.”
Courtesy of IFC Films. An IFC Films Release.

A Nazi-run boarding school for girls on the British coast? Sound preposterous but in fact there really was such a school, which is the inspiration for the period spy thriller SIX MINUTES TO MIDNIGHT.

Judi Dench, Eddie Izzard, and Jim Broadbent headline the film, a Hitchcock-like British historical thriller set in the summer of 1939, just as WWII loomed. The Augusta-Victoria College is a finishing school for German girls at Bexhill-on-Sea on the southeast coast of England.

The film has been a pet project for many year for Eddie Izzard, who grew up in the area., and not only stars in the film but co-wrote the script along with co-star Celyn Jones and director Andy Goddard. The idea sparked when Izzard visited a Bexhill museum and saw the school’s insignia patch, which features a small Swastika along side a British flag.

The school, which existed from 1932 to 1939, was intended for German girls, many of them the daughters of the Nazi elite, to learn the English language and about English culture, as part of a plan to spread Nazi ideology to Britain. Actually, Augusta-Victoria College was one of many international schools in the area prior to WWII, in an area long noted for such foreign-run boarding schools. However, this is a fictional film. While it is it is unclear what, if any, of the story is factual, although it seems likely that British authorities were keeping an eye on the school as tensions rose prior to the Nazi’s invasion of Poland in 1939.

After the mysterious disappearance of the school’s previous English teacher, teacher Thomas Miller (Eddie Izzard) goes for an interview as a replacement for the job at Augusta-Victoria College for girls at Bexhill. He is interviewed by the German school’s British headmistress, Miss Rocholl (Oscar-winner Dame Judi Dench), who describes the school as a place to promote understanding between British and German people. She chooses to focus on that aspect of the school rather than its Nazi sponsorship, and is genuinely devoted to “her girls” and their care and education. Although the headmistress is less than impressed with Miller, who has a spotty employment history, she does need to quickly find a replacement to maintain the girls’ English language skills. In the end, she agrees to hire him on a trial basis, swayed in part by the fact that he is half-German and bilingual.

Miller isn’t there just to teach English but to keep tabs on the German school. The school is on summer break and only the other teacher who seems to be present is the physical education teacher Ilise Keller (Carla Juri), who drills the girls in exercise routines and takes them on outings to the beach to swim. On one such seaside outing, they make a shocking discovery – the body of the former English teacher, which has washed up on shore. The discovery sparks tensions at the school, mirroring the tensions rising on the international scene as war approaches.

With everyone on edge, a tale of secrets and espionage begins. There is a distinct Hitchcock flavor to this spy thriller set in the late ’30s, specifically echoing THE 39 STEPS, although the plot is wholly different.

Audiences are used to seeing Eddie Izzard in comic roles or doing stand-up, so seeing him in a straightforward dramatic role is a bit of a shift, yet the actor handles is well. He couldn’t have better supporting cast with Dame Judi, who plays the well-meaning if deluded headmistress, and Jim Broadbent, who adds the comic relief as a colorful, outgoing local bus driver who ends up playing a critical role. Izzard’s co-writer Celyn Jones plays a policeman, a crafty veteran of the last war, who is assisting the local police captain, played by James D’Arcy, in investigating the events around the discovery of the body of the missing man.

Many characters are not what they seem, and secrets, betrayals and chases abound. Izzard’s Miller is very much a Hitchcock character, a man falsely accused of a crime who must go on the run to clear his name, although Miller has his secrets too.

Unsurprisingly, the acting is excellent, particularly Dench’s portrayal of the well-meaning headmistress, whose affection for “her girls” blinds her to what is really going on. Dame Judi gives a touching performance as the headmistress, so devoted to her young charges that she is willing to ignore the glaring warning signs right in front of her. As the spy thriller story unfolds, her position becomes more tenuous and she reaches a breaking point.

The rest of the cast also do fine work, with Celyn Jones and Jim Broadbent particularly memorable in their smaller but pivotal roles.

The whole tale is set in the scenic British countryside, with the stately home that houses the school, the area’s picturesque historic sites, and the lovely rolling hills and windswept coast. The sets and period details are just right, and scenic location setting adds both to the film’s visual appeal and its authentic feel.

Those period details include that Augusta-Victoria school crest, with its unsettling mix of British and Nazi symbols, which so struck Izzard when he first saw it.

SIX MINUTES TO MIDNIGHT offers fine historical spy thriller entertainment, nice performances and a glimpse into a little-known, curious bit of British history. It opens Friday, March 26, at Landmark’s Plaza Frontenac Cinema, and Marcus’ Chesterfield, Ronnie’s, St. Charles and Arnold Cinemas.

RATING: 3 out of 4 stars

SET FIRE TO THE STARS – The Review

SET FIRE TO THE STARS

By Dane Marti

“Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.”

Sometimes it’s wonderful to write film reviews. Some folks enjoy tearing a film to shreds. Me? I love praising first-rate films and SET FIRE TO THE STARS is definitely one of them: Based on events concerning the brilliant poet Dylan Thomas and his wild and revelatory misadventures while visiting America, I was easily enthralled and taken back to the nineteen fifties. However, as visually beautiful as the movie is, the film stays focused on two main characters: powerful acting.

Elijah Wood is John Malcolm Brinnin, an academic and poet who was instrumental in bringing the legendary poet to the United States. He is quite good, erasing, for the time being, his iconic performance as Frodo in The Lord of the Rings films.

Actor/co-screenwriter Celyn Jones, giving a portrayal of the poet that is obviously something special for him, gives a compelling, in-depth performance. Like many poets, writers and artists, Dylan is in love with the bottle. His is a tortured and romantic vision of the world, free of much of the academic drivel that many characters in the film float around in. For me, it was very entertaining watching Dylan shock the literati of New York.

The film really works when, in desperation, Brinnin, realizing that the situation is about to unravel, takes his hero to a hidden, boyhood cottage, ostensibly to keep Dylan from going on another insane bender, but also, I believe, to really have time to learn about his hero. What follows changes the young academics life and, I imagine broadens his life and a writer, poet and human.

There is also gorgeous jazz and folk music throughout the film, conveying the poetically human dimensions of the film.

As for this reviewer and writer, a dude that loves the written word and the art of poetry and fiction, this film, directed by Andy Goddard, cleverly conveys the era with honesty and truth. Andy Goddard will have a great future as a film director, I believe. Oh, and although, off hand, I haven’t seen the truthful acting of Celyn Jones before, there is no doubt: He can handle very difficult performances.

The real Dylan Thomas was not only brilliant, but also a bit of a Looney. While my friends in the Midwest would probably enjoy having some drinks with him, the poet could easily offend upper crust folks with more delicate sensibilities.

Visually, the black and white cinematography gives a magical sheen to the east coast, in particular the New York City skyline, but also interiors that often appear to be enhanced with a super real effect. As a person interested in visuals, this didn’t distract from the film. So, although it is first and foremost a character study of two great men, the film does have a rather cool and stylish look to it.

Subtle, simple, yet powerful, SET FIRE TO THE STARS is easily the best film I’ve seen this year: Passionate, Heartbreaking and true.

Opens June 12 in Select Theaters; in Los Angeles on June 19, 2015 at Laemmle’s NoHo 7

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Elijah Wood Stars In SET FIRE TO THE STARS Trailer And Poster

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Opening in select U.S. theaters on June 12, watch the trailer for SET FIRE TO THE STARS.

The film premiered in 2014 at the Edinburgh International Film Festival and was released in the UK in November.

Shelagh Rowan-Legg (Twitchfilm.com) wrote the film, “is a tribute not only to a poet, but to poetry, and how cinema can find its own way to convey poetry, through its own lyricism,” and “the stand-out feature of the poetic extention is by far the incredible score by Gruff Rhys.”

Based on true events, Elijah Wood stars as John Malcolm Brinnin, the New York academic who brought Dylan Thomas to America.

Actor/co-writer Celyn Jones plays the volatile celebrity poet – tormented by anonymity, alcohol and the abyss – who scandalized the Manhattan literati of the Fifties and challenged Brinnin’s hero worship of his work. In the face of the Welsh poet’s wilder excesses in the Big Apple – angel, beast and madman – John has no choice but to hijack Dylan to a private retreat to get him ready for America. The days and nights that follow will change his life forever.

Part literary biopic and – shot in cut-glass black-and-white – part love-letter to the American B-movies of the Forties and Fifties, Andy Goddard’s (TV’s Doctor Who – 2008; Downton Abbey – 2011-12) debut feature is both a character driven chamber piece and a cautionary tale about the flytrap of meeting your heroes.

SET FIRE TO THE STARS opens Friday, June 12, 2015 in New York at The Village East with a national and Los Angeles release to follow on June 19 in major cities.

The film will be released nationwide on July 21 on DVD, VOD, Digital platforms and Itunes.

Elijah Wood in SET FIRE TO THE STARS
Elijah Wood in SET FIRE TO THE STARS