MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN – Review

Photo Credit: Jay Maidment.
Photo Credit: Jay Maidment. © 2016 Twentieth Century Fox Film Corporation

Tim Burton’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN is the director’s freshest and most original film in years, while still being entirely within the director’s wheelhouse of quirky, colorful, and mysterious movies. In this new creative direction, Burton offers a more mature, even serious tone, and less of his signature over-the-top silly quirk, in this tale of a teenage boy and his beloved grandfather, who raised him on tales of a mysterious, hidden home for “peculiar” children – that is, children with special powers such as levitation or invisibility, and run by kindly but strict Miss Peregrine.

The film is a departure for Burton, and fans expecting the usual mix of oddball darkness and humor may feel let down by this more mature film. In one way, it is a return to his early work, EDWARD SCISSORHANDS, with an emphasis on family and fitting-in, but in a more creatively mature manner. Some fans will be disappointed that the director’s frequent collaborator Johnny Depp is absent from this film but the cast does include some fine actors, including Sammy L. Jackson, Judi Dench, Alison Janney and Terence Stamp. Based on the bestselling novel of the same name by Ransom Rigg, the story borrows elements from fairy tales, time-traveling science fiction, the X-Men and other fantasy sources, but it feels completely like its own appealingly Gothic world. At the same time, this film maintains a foothold in the real world to a surprising degree for a Tim Burton film, hearkening back a bit to his more real-world family tale BIG FISH.

Unlike the typical eerie Gothic mystery tale, this story begins in sunny, suburban Florida, where lonely, socially-awkward teenager Jake Portman (Asa Butterworth) lives with his parents (Kim Dickens and Chris O’Dowd). Jake feels ignored by his parents, particularly his hyper-critical dad Frank, but he is particularly close to his British-born grandfather Abe (Terence Stamp), who raised him on fantastic tales about the unusual children’s home where he grew up, Miss Peregrine’s Home for Peculiar Children, all of whom had special magical abilities. Jake’s father Frank (Chris O’Dowd) dismisses his father’s tales as invention and lies, and the mysterious photos Abe shows Jake as fakes, but even as a teen Jake holds his grandfather’s stories close to his heart. When grandpa Abe dies suddenly and mysteriously, Jake is devastated and his parents take him to a psychotherapist, Dr. Golan (Alison Janney), who suggests a trip to visit the old home in Wales. Jake and his father make the trip to try to find the old children’s home and maybe Miss Peregrine.

Once there, Jake’s distant, self-absorbed father seems more interested in bird-watching than in Jake’s emotional state or the search from the house, so he pays a couple of local teens to show Jake the now-abandoned old home. The village lads are glad to take the American boy on the worst possible route, having a joke at his expense, while also showing off their questionable skills as rappers (in one of the film’s few comic bits). Jake is disappointed to find the house is a deserted ruin. Later, when he is walking the beach, Jake encounters a beautiful girl in 1940s dress, Emma (Ella Purnell), who leads him through a cave to the time-loop where the home still exists. There he meets Miss Peregrine (Eva Green) and the magical children she cares for – fire-generating Olive (Lauren McCrostie), invisible boy Millard (Cameron King), inhumanly strong little Bronwyn (Pixie Davies) and more. But their quiet, hidden world is under threat, from group of other human-like beings with special powers, the Wights, led by the evil Mr. Barron (Jackson). Jake thinks he is an ordinary boy but he discovers he has a special ability that can help Miss Peregrine and the children.

On one level, this is a coming-of-age story and it represents a kind of creative coming-of-age for the director as well. Burton deserves credit, even kudos, for trying something this new, after so many years making financially-successful films in the same vein. Whether all his fans will embrace this change remains to be seen. Some may consider it a shortcoming that this film does not feature big name stars in the lead roles (apart from Jackson as the villain) and particularly Depp, while others will embrace the fresh direction.

Not that this new film does not have its flaws. Despite it’s many admirable qualities, this film suffers from too slow a pace in the action parts, and it spends too little time immersing us in its magical alternate world before launching into its action-adventure mode. Once the adventure begins, the film sometimes struggles to maintain sufficient tension and excitement. The sense of mystery and magic sometimes sags despite the fantastical surroundings.

On the other hand, the film is visually wonderful, as one expects from Tim Burton. Although the story is set in 1943, the costumes are more Victorian-inspired, with Burton’s signature colorful and extravagant embellishments. The characters are filled with quirky charm, particularly Eva Green’s Miss Peregrine, although one wishes the story had allowed a little more time for the audience to get to know them. Where the story does well with character development is with Jake and his relationship with his selfish, toxic father, played well by Chris O’Dowd, an actor better known for his comic roles, and with grandpa Abe, played with warmth by Terence Stamp. Those more realistic human relationships are the central thing that elevates this film. Jake’s budding relationship with Emma adds a little romance without dominating the tale. Samuel L. Jackson provides a wildly eye-rolling performance as the sinister Mr. Barron, bouncing between comedy and menace, a performance which viewers may love or hate.

All in all, MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN is a refreshing, invigorating change for director Tim Burton, a bold step away from his usual quirky, humor-laced and colorful Gothic fantasy and into a new creative direction. The result is the director’s most original film in years, one that shows a more mature tone while still providing plenty of his signature fantasy tale.

4 out of 5 stars

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN hits theaters everywhere September 30, 2016.

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Win Passes To The Advance Screening Of THE GIRL ON THE TRAIN In St. Louis

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Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans, Allison Janney, Edgar Ramirez and Lisa Kudrow star in DreamWorks Pictures’ THE GIRL ON THE TRAIN, from director Tate Taylor (The Help, Get on Up) and producer Marc Platt (Bridge of Spies, Into the Woods).

In the thriller, Rachel (Blunt), who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

THE GIRL ON THE TRAIN opens in theaters on October 7.

WAMG invites you to enter for the chance to win TWO (2) seats to the advance screening of THE GIRL ON THE TRAIN on OCTOBER 4 at 7PM in the St. Louis area.

TO ENTER, ADD YOUR NAME AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

WEBSITE: www.thegirlonthetrainmovie.com

THE GIRL ON THE TRAIN has been rated (Restricted – Under 17 Requires Accompanying Parent or Adult Guardian) for violence, sexual content, language and nudity.

Film Title: The Girl on the Train

Emily Blunt Is Featured In New Poster And Trailer For THE GIRL ON THE TRAIN

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Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans, Allison Janney, Edgar Ramirez, Lisa Kudrow and Laura Prepon star in DreamWorks Pictures’ THE GIRL ON THE TRAIN, from director Tate Taylor (The Help, Get on Up) and producer Marc Platt (Bridge of Spies, Into the Woods).

The new trailer and poster for the upcoming film has debuted. Check out the latest preview below.

In the thriller, Rachel (Blunt), who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

Based on Paula Hawkins’ bestselling novel, The Girl on the Train is adapted for the screen by Erin Cressida Wilson.

Wilson wrote and produced on the first season of HBO’s Martin Scorsese/Mick Jagger series, “Vinyl,” and began adaptations of “The New Winter” for Working Title and Universal, as well as “Maestra” for Amy Pascal and Sony Pictures. She is currently doing production work for DreamWorks’ “Ghost in the Shell,” for director Rupert Sanders and Scarlett Johansson.

Other screenplays include “Fur: An Imaginary Portrait of Diane Arbus,” starring Robert Downey Jr. and Nicole Kidman and “Chloe,” directed by Atom Egoyan – starring Julianne Moore, Liam Neeson and Amanda Seyfried – produced by Ivan & Jason Reitman. Wilson collaborated with South Korean director Park Chan Wook on “Stoker” at Fox Searchlight, produced by Michael Costigan and Ridley and Tony Scott. She reteamed with Jason Reitman on “Men, Women & Children,” starring Jennifer Garner, Adam Sandler and Ansel Elgort.

THE GIRL ON THE TRAIN opens in theaters October 7.

Visit the official site: www.thegirlonthetrainmovie.com

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Eva Green And Asa Butterfield Star In Second Trailer For MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN

DF-07504 - Jake (Asa Butterfield) makes sure Emma (Ella Purnell) stays relatively down to earth. Photo Credit: Jay Maidment.
Photo Credit: Jay Maidment.

20th Century Fox has released a BRAND NEW trailer for MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN

From visionary director Tim Burton, and based upon the best-selling novel, comes an unforgettable motion picture experience. When Jake discovers clues to a mystery that spans alternate realities and times, he uncovers a secret refuge known as Miss Peregrine’s Home for Peculiar Children. As he learns about the residents and their unusual abilities, Jake realizes that safety is an illusion, and danger lurks in the form of powerful, hidden enemies. Jake must figure out who is real, who can be trusted, and who he really is.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN hits theaters everywhere September 30, 2016.

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Watch Emily Blunt, Allison Janney And Rebecca Ferguson In THE GIRL ON THE TRAIN

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Universal Pictures has debuted the teaser trailer, first poster and photos for the upcoming THE GIRL ON THE TRAIN.

Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans, Allison Janney, Edgar Ramirez, Lisa Kudrow and Laura Prepon star in DreamWorks Pictures’ THE GIRL ON THE TRAIN, from director Tate Taylor (The Help, Get on Up) and producer Marc Platt (Bridge of Spies, Into the Woods).

In the thriller, Rachel (Blunt), who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

Based on Paula Hawkins’ bestselling novel, THE GIRL ON THE TRAIN is adapted for the screen by Erin Cressida Wilson and Taylor. The film’s executive producers are Jared LeBoff and Celia Costas, and it will be released by Universal Pictures.

THE GIRL ON THE TRAIN opens in theaters October 7.

Visit the official site: www.thegirlonthetrainmovie.com

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Bring Home The MINIONS On Blu-ray Combo Pack, DVD And On Demand December 8, 2015

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The breakout stars the world fell in love with in Universal Pictures and Illumination Entertainment’s Despicable Me global film franchise headline their own movie for the first time in MINIONS, available on Digital HD November 24, 2015, and on Blu-ray Combo Pack, DVD and On Demand on December 8, 2015 from Universal Pictures Home Entertainment.

A much anticipated prequel to the unprecedented worldwide blockbusters Despicable Me and the beloved sequel Despicable Me 2, Minions is an immensely entertaining film for all audiences called “inventive and hilarious” by Julian Roman, Movieweb.com. The Blu-ray Combo Pack and Digital HD also come with three all-new mini-movies and even more Minions everyone will want to watch again and again especially during the busy holiday travel season.

The story of Universal Pictures and Illumination Entertainment’s Minions begins at the dawn of time. Starting as single-celled yellow organisms, Minions evolve through the ages, perpetually serving the most despicable of masters. Continuously unsuccessful at keeping these masters—from T. rex to Napoleon—the Minions find themselves without someone to serve and fall into a deep depression. But one Minion named Kevin has a plan, and he—alongside teenage rebel Stuart and lovable little Bob—ventures out into the world to find a new evil boss for his brethren to follow. The trio embark upon a thrilling journey that ultimately leads them to their next potential master, Scarlet Overkill (Academy Award-winner Sandra Bullock), the world’s first-ever female super-villain. They travel from frigid Antarctica to 1960s New York City, ending in ‘mod’ London, where they must face their biggest challenge to date: saving all of Minionkind…from annihilation.

Sandra Bullock (The Blind Side, Gravity) heads up an all-star voice cast including Golden Globe and recent Emmy Award-winner Jon Hamm (“Mad Men,” Bridesmaids), Academy Award-nominee Michael Keaton (Birdman: (Or The Unexpected Virtue of Ignorance), Toy Story 3), six-time Emmy Award-winner Allison Janney (“The West Wing,” “Masters of Sex,” “Mom”), Academy Award-nominee Steve Coogan (Despicable Me 2, Philomena), BAFTA Award-winner Jennifer Saunders (“Absolutely Fabulous,” Shrek 2), and Academy Award-winner Geoffrey Rush (The King’s Speech, Pirates of the Caribbean series). The inimitable voices of the Minions are again voiced by Academy Award-nominee Pierre Coffin (Despicable Me, Despicable Me 2) who co-directs with Kyle Balda (Dr. Seuss’ The Lorax). Minions is produced by Illumination Entertainment CEO and founder Chris Meledandri and Janet Healy. Brian Lynch wrote the screenplay, and Chris Renaud serves as executive producer of the film.

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Minions will be available on Blu-ray with DIGITAL HD and UltraViolet and DVD

  • Blu-ray unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
  • DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
  • DIGITAL HD with UltraViolet lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download

BONUS FEATURES EXCLUSIVE TO BLU-RAYTM AND DIGITAL HD:

  • THREE ALL-NEW MINI-MOVIES:
    • Cro Minion
    • Competition
    • Binky Nelson Unpacified
  • DELETED SCENE – ME, MYSELF AND STUART
  • AROUND THE WORLD INTERACTIVE MAP – Explore the world of the Minions with this interactive map featuring a collection of games, trivia, featurettes, storyboards, and more all themed to movie locations.
  • BEHIND THE GOGGLES – THE ILLUMINATION STORY OF THE MINIONS – Get a “behind the goggles” look at the history and evolution of everyone’s favorite yellow henchmen.
    • WRITER – See how the Minions evolve throughout the different time periods. Writer, Brian Lynch discusses creating distinctive personalities for the three main Minions, his VillainCon idea, and the Minion family.
    • BOSS’ OFFICE – Illumination Entertainment CEO and founder and Minions producer, Chris Meledandri discusses the origins of Illumination Entertainment and the genesis of both Despicable Me and the Minions.
    • ART DEPARTMENT – See how the Minions came to life, from the original art concept of the henchmen to the final creation of the Minions and how to differentiate them between new time periods. Also, see how the idea of Herb and Scarlett Overkill’s characters came to be.
    • GALLERY – CONCEPT ART (stills)
    • GALLERY – COLOR SCRIPT (stills)
    • COMPOSERListen to how composer Heitor Pereira creates the sound of the Minions and what it takes to create big music for small characters.
    • ACTORS STUDIO – Listen to the actors’ experiences being part of the Minions movie, who their favorite Minions are, and why they love them so much.
    • NOTICE BOARD (stills)
    • SAFETY VIDEO
  • ILLUMINATION MACGUFF ANIMATION
    • ANIMATION – Go behind the scenes and hear about the challenges and excitement behind the Minion characters and bringing them alive through animation in the movie
    • LIGHTING, LAYOUT AND EFFECTS – A look at the ways in which layout and lighting plays a big role in the emotion and motivation in the movie. Also see the ways in which they try to keep the 60’s vintage look and the challenges they face with very technical shots, where one shot can take weeks.
    • 3D MODELS GALLERY (stills)
    • DIRECTORS – Directors Pierre Coffin and Kyle Balda discuss the unique challenges of creating distinctive personalities for the Minions 
    • PRODUCERS – Producers Chris Meledandri, Janet Healy and Executive Producer Chris Renaud discuss the three main characters – Kevin, Stuart, and Bob – little family in the movie and the goal of creating a special bond between them and the audience when they leave the theater.
    • EDITORIAL – Editor Claire Dodgson discusses the distinctive editing style of the Despicable Me franchise and the three-year process it takes to make these movies from the original storyboards to cutting scenes with Minion dialogue.
    • STORYBOARD ARTIST – Learn how the actions of the words of the script turn into visual drawings and how much work is put in from the rough sketches to the final cut of the movie.
    • GALLERY – STUART HOT TUB STORYBOARD (stills)
  • JINGLE BELLS MINION STYLE – This holiday favorite is brought to life in a merry-Minion way. Now you get to sing along to the beloved video that was the most shared piece of content on Facebook in 2014.
  • THE SECRET LIFE OF PETS THEATRICAL TRAILER

DVD BONUS FEATURES

  •  DELETED SCENE – ME, MYSELF AND STUART 
  • JINGLE BELLS MINION STYLE – This holiday favorite is brought to life in a merry-Minion way. Now you get to sing along to the beloved video that was the most shared piece of content on Facebook in 2014.
  • THE SECRET LIFE OF PETS THEATRICAL TRAILER

Official Website: http://www.minionsmovie.com

Facebook: https://www.facebook.com/minions

Twitter: https://twitter.com/minions

Instagram: https://instagram.com/minionnation/

YouTube: https://www.youtube.com/illumination

Pinterest: https://www.pinterest.com/minionnation/

Tumblr: http://minionnation.tumblr.com

Hashtag: #Minions

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Since the dawn of time, Minions have served (and accidentally eliminated) history’s most despicable villains. After their latest explosive mistake leaves them without an evil leader, the Minions fall into a deep depression. With the tribe on the brink of collapse, three unlikely heroes–Kevin, Stuart, and Bob—embark on a journey to find a new big boss. When their quest leads them to their next potential master, Scarlet Overkill (Academy Award® winner Sandra Bullock), our three heroes must face their biggest challenge yet: saving all of Minionkind…from annihilation!

FILMMAKERS:
Cast: Sandra Bullock, Jon Hamm, Allison Janney, Steve Coogan, Jennifer Saunders, Geoffrey Rush, Pierre Coffin

Directed By: Pierre Coffin, Kyle Balda

Written By: Brian Lynch

Produced By: Chris Meledandri, Janet Healy

Executive Produced By: Chris Renaud

Edited By: Claire Dodgson

Music By: Heitor Pereira

TECHNICAL INFORMATION –BLU-RAY 3D™:
Street Date: December 8, 2015

Copyright: 2015 Universal Pictures Home Entertainment

Selection Number: 61168386 (U.S.), 61168352 (CDN)

Layers: BD-50

Aspect Ratio: Widescreen 1.85:1

Rating: PG

Languages/Subtitles: English, Spanish, and French

Sound: Atmos Dolby True HD/DVS Dolby Digital 2.0 DVS (English), Dolby Digital 5.1 (Spanish and French)

Run Time: 1 Hour 31 Minutes

TECHNICAL INFORMATION BLU-RAY:
Street Date: December 8, 2015

Copyright: 2015 Universal Pictures Home Entertainment

Selection Number: 61126654 (U.S.), 61168350 (CDN)

Layers: BD-50

Aspect Ratio: Widescreen 1.85:1

Rating: PG

Languages/Subtitles: English, Spanish, and French

Sound: Atmos Dolby True HD/DVS Dolby Digital 2.0 DVS (English), Dolby Digital 5.1 (Spanish and French)

Run Time: 1 Hour 31 Minutes

To experience Dolby Atmos at home, Dolby Atmos enabled AV receivers and additional speakers are required; however, Dolby Atmos soundtracks are fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

TECHNICAL INFORMATION DVD
Street Date: December 8, 2015

Copyright: 2015 Universal Pictures Home Entertainment

Selection Number: 61126664 (U.S.), 61168351 (CDN)

Layers: Dual

Aspect Ratio: Anamorphic Widescreen 1:85:1

Rating: PG

Languages/Subtitles: English, Spanish, and French

Sound: Dolby Digital 5.1/DVS Dolby Digital 2.0 (English), Dolby Digital 5.1 (Spanish and French)

Run Time: 1 Hour 31 Minutes

MINIONS – The Review

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Those goggle-eyed scene-stealers from DESPICABLE ME (and its sequel) get their own showcase in MINIONS, a colorful, fast-paced prequel that kids will have fun with but fails to soar to the heights of the original films. The funniest bits in MINIONS are the opening scenes (we saw them in the trailer) with Minions throughout history disastrously serving the most despicable baddies they can find; a T-Rex, a Pharaoh, Dracula, Napoleon, etc. The story then jumps ahead to 1968, when three brave minions, Bob, Kevin, and Stuart, leave their tribe in the Antarctic to find a new Archfiend to assist. After a brief stop in New York City, the boys travel to ‘Villain Con’, a supervillain convention in Florida where they meet and get jobs working for Scarlet Overkill (Sandra Bullock). She, along with her husband Herb (John Hamm) whisks the three off to England with the assignment of stealing for her the Crown Jewels from the Queen. They muff that job but accidentally wind up ruling the country, which doesn’t sit well with the Overkills.

MINIONS has plenty of laughs but plays more like a series of frantic visual gags than a fully developed story. There’s a lot of fun to be had with the period music and references to Nixon, the moon landing, and the Swinging London of that time period. I’m not sure small children will laugh when the Minions pop out of a sewer lid on Abbey Road just as the Beatles are making their famous crossing, but I did. Voiced by the film’s directors Pierre Coffin and Kyle Balda jabbering in a helium-fueled garble, the Minions are pure slapstick gold, but MINIONS lacks the heart of the first two films. I think the little banana-loving gremlins work best when they’re comedy relief on the edges of the actual story, not front and center like they are here. They also need a good super-villain to work off of and Sandra Bullock’s Scarlet is no Gru. She’s given little to do besides standard cartoon stuff like cackle and scream and shoot her lava lamp gun from her flying machine. Worse is Jon Hamm, not funny at all as Scarlet’s creepy, unnecessary husband.  The film gets bogged down when it becomes the Overkill’s story, making the 91-minute running time seem longer. I wish the central villains had been the Nelsons, a wacky American family on a cross-country crime spree that picks up the hitchhiking Minions in their station wagon early in the film. Ma and Pa Nelson are voiced by Allison Janney and Michael Keaton and what they pull off with their brief screen time is far more hilarious than anything Bullock and Hamm do. If the producers of MINIONS make another spin-off film, they’d be wise to bring back the Nelsons.

3 of 5 Stars

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Melissa McCarthy’s SPY Gets A Mondo Poster And Fun Gifs

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The hilarious SPY, from director Paul Feig, is on track to take the number one spot at this weekend’s box office.

20th Century Fox has announced that their new comedy is currently Certified Fresh on Rotten Tomatoes. In honor of opening day, the studio is debuting a new Mondo poster and some fun gifs.

Susan Cooper (Melissa McCarthy) is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency’s most dangerous missions. But when her partner (Jude Law) falls off the grid and another top agent (Jason Statham) is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global disaster.

The film also features Rose Byrne, Bobby Cannavale, Allison Janney, Curtis “50 Cent” Jackson, and Miranda Hart.

Read Tom Stockman’s review here: https://www.wearemoviegeeks.com/2015/06/spy-review/

SPY is in theaters now.

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McCarthy was recently seen starring in The Weinstein Company’s ST. VINCENT and in TAMMY which she co-wrote with her actor/writer husband Ben Falcone, who also served as the film’s director. She also starred in Fox’s THE HEAT opposite Sandra Bullock for Feig, Universal’s IDENTITY THIEF alongside Jason Bateman, Universal’s THIS IS 40 for Director Judd Apatow, and Todd Phillip’s THE HANGOVER PART I

McCarthy’s upcoming films include the Dreamworks animated comedy B.O.O.: BUREAU OF OTHERWORLDLY OPERATIONS opposite Seth Rogen and MICHELLE DARNELLE (2016).

Feig’s most recent films include the buddy cop comedy THE HEAT starring Sandra Bullock and Melissa McCarthy, which grossed over $220 million globally and the hit comedy BRIDESMAIDS starring Kristen Wiig, Rose Byrne, Maya Rudolph, Melissa McCarthy and Jon Hamm.

Feig and McCarthy will team up again for the recently announced GHOSTBUSTERS reboot.

http://www.foxmovies.com/movies/spy

SPY – The Review

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Director Paul Feig, whose BRIDESMAIDS upended notions of what a raunchy female ensemble comedy could be, does it again with another genre – the spy spoof. In SPY Melissa McCarthy stars as Susan Cooper, a desk-bound CIA analyst who uses technology to watch the back of her partner, Special Agent Bradley Fine (Jude Law), acting as his eyes and ears to remotely guide him on dangerous espionage endeavors. When he is killed by Raina Boyanov (Rose Byrne), the spoiled criminal daughter of a Bulgarian crime lord that Bradley had killed in the opening scene, Cooper volunteers to be sent to the field to avenge his death. She is assigned the task of following Raina through Europe and reporting back with information about the potential handing over of a nuclear weapon, one only Raina knows the whereabouts of. In disguise, Susan becomes much closer to her target than what had been initially planned, all the while trying to avoid Ford (Jason Statham), an obnoxious rogue CIA agent determined to singlehandedly solve this mission himself. She also has to contend with her assigned disguises, which include old-lady perms, dowdy dresses and T-shirts with cats on them (“I look like someone’s homophobic aunt”).

SPY may have a familiar set-up, but it’s hilarious, with a perfect cast and nonstop zingers that fly so thick and so fast that you’re likely to miss half of them because you’ll be laughing so loudly. SPY is not an Austin Powers-style parody of the secret agent genre, but really a straightforward riff on the James Bond series and director/writer Feig’s affection for all things 007 is clear. He tailors SPY into the template of a classic Bond entry complete with globe-hopping action (Paris, Rome, and Istanbul), a ‘Q’-like gadget master (who conceals gizmos in stool softeners, hemorrhoid wipes, and fungal cream), a scene at a casino, a car chase, and a Shirley Bassey-inspired opening tune played over animated gunplay credits. The plot twists in SPY won’t surprise anyone familiar with the espionage dossier, but Feig is not trying to reinvent the genre but simply to make his audience laugh. Seeing a mostly female-driven farce is something of a relief after years of repetitive Seth Rogen/Will Ferrell/Adam Sandler/Judd Apatow man-child comedies. Jude Law has fun and Jason Statham is a riot spoofing his image but SPY is notable for its roster of funny women in solid roles. McCarthy is defter and more empowered than usual (and with a mouth that would make Samuel L. Jackson blush). They’ve dialed down the usual laugh-at-the-fat-chick gags and the actress seems more than game for the physical stuff. Watch in amazement at what she does with a frying pan in a show-stopping kitchen battle. McCarthy is a big presence who needs a foil, and Rose Byrne is more than good enough. Though they don’t begin to interact until halfway in, the pair has perfect, aggressive timing and the films best moments are the hilarious and vulgar banter that fly between them (“what are you, a slutty dolphin trainer?”). Allison Janney is a stitch as Susan’s humorless boss with her own rigid ideas about appropriate camouflage and horsey Brit Miranda Hart is a scene-stealer as Susan’s best pal and fellow agent.

SPY is terrific in a lot of ways, and there’s an easy argument to be made that it’s the funniest major American film so far this year purely on the merits of its joke construction and action. It’s crude and rude, its plot is nothing special, and at over two hours it threatens to run out of steam, but its leading ladies strike major comic sparks off each other and I highly recommend SPY.

4 of 5 Stars

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Win Passes To The Advance Screening Of SPY In St. Louis – Stars Melissa McCarthy And Jason Statham

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Have you ever wondered, “If I was recruited as a spy and sent on a mission, how might I react?”

In the new movie SPY, Susan Cooper (Melissa McCarthy) is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency’s most dangerous missions. But when her partner (Jude Law) falls off the grid and another top agent (Jason Statham) is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global disaster.

Directed and written by Paul Feig, SPY also stars Rose Byrne, Bobby Cannavale, Miranda Hart, Allison Janney and Curtis “50 Cent” Jackson.

From 20th Century Fox, the comedy opens nationwide on June 5, 2015.

WAMG invites you to enter for a chance to win passes (Good for 2) to the advance screening of SPY on June 2nd at 7PM in the St. Louis area.

We will contact the winners by email.

Answer the following:

Being a big fan of espionage movies, writer-director Paul Feig said he wanted SPY, “to have the tone of a spy film, but still be as funny as we could make it.”

Given the choice, would you want to play the “spy” or the “villain” in a movie? and why?

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OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

3. No purchase necessary.

This film has been rated R for language throughout, violence and some sexual content including brief graphic nudity.

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