10 Live Action Shorts Advance In 2013 Oscar Race

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The Academy of Motion Picture Arts and Sciences today announced that 10 live action short films will advance in the voting process for the 86th Academy Awards.  One hundred twenty pictures had originally qualified in the category.

The 10 films are listed below in alphabetical order by title, with their production companies:

“Aquel No Era Yo (That Wasn’t Me),” Esteban Crespo, director (Producciones Africanauan)

“Avant Que De Tout Perdre (Just before Losing Everything),” Xavier Legrand, director, and Alexandre Gavras, producer (KG Productions)

“Dva (Two),” Mickey Nedimovic, director, and Henner Besuch, director of photography (Filoufilm Dani Barsch)

“Helium,” Anders Walter, director, and Kim Magnusson, producer (M & M Productions)

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Kush,” Shubhashish Bhutiani, director (Red Carpet Moving Pictures) TRAILER

“Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?),” Selma Vilhunen, director, and Kirsikka Saari, screenwriter (Tuffi Films) TRAILER

Record/Play,” Jesse Atlas, director, and Thom Fennessey, executive producer (Collaboration Factory) TRAILER

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“Throat Song,” Miranda de Pencier, director (Northwood Productions)

“Tiger Boy,” Gabriele Mainetti, director (Goon Films) TRAILER

The Voorman Problem,” Mark Gill, director, and Baldwin Li, producer (Honlodge Productions)

The Short Films and Feature Animation Branch Reviewing Committee viewed all the eligible entries for the preliminary round of voting at screenings held in Los Angeles.

Short Films and Feature Animation Branch members will now select three to five nominees from among the 10 titles on the shortlist.  Branch screenings will be held in Los Angeles, New York and San Francisco in December.

The 86th Academy Awards nominations will be announced live on Thursday, January 16, 2014, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014 in Hollywood.

DELIVERY MAN – The Review

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Vince Vaughn and Chris Pratt deliver a heartwarming story in Dreamwork Pictures’ DELIVERY MAN.

David Wozniak is a burned out delivery man with money problems galore. He has done just about anything to make money in the past, including donating his sperm. When he thinks his life couldn’t get any worse, a lawyer shows up at his door to tell him that there was a mixup, and that his anonymous donations under the name “Starbuck” have resulted in the birth of 533 children. Not only that, but 142 of those children are now taking legal action so that they can find out the true identity of “Starbuck”.

Wozniak must decide whether to make his identity known, or sue the sperm bank for their mixup. As Starbuck singles out some of his children anonymously, his whole life begins to change. As the trial nears, he must decide whether to make himself known, revealing his identity to his children, and the world, or to sue the sperm bank and stay in the shadows .

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I have to admit, when I saw the original trailer for this film, I was not sold. Having said that, this film really surprised me. The film is a remake of Ken Scott’s Canadian comedy, STARBUCK. Unlike most films remade by Americans, this film actually included Scott as writer and director, which makes a big difference. The story is still funny, and Scott got to have say in the outcome of the film. Win-Win for both sides!

This is Vince Vaughn’s best role yet. Not only do we get to see the quick-witted, funny guy that we’ve all grown to know and love, but we get to see him explore a vulnerable, more compassionate side. I was blown away with his performance. The character of Wozniak is extremely well-rounded. He’s an underachieving screw-up, but he is aware of his shortcomings. It seems he just doesn’t seem to know how to change, and every time he tried, he kept falling into his old ways. It takes something bigger than him to change him. Fatherhood. Chris Pratt takes the reigns as the more sarcastic, jaded best friend character with the funny one-liners and quips. This balances the two characters out, making for an amazing team. They play off of each other quite well.

There are a few problems in the film, such as Wozniak discovering that one of his kids has a heroine problem. Rather than admitting her to rehab, she is released from the hospital to start a new job the following day. Within 10 hours she has kicked her heroine habit and is clean and sober. Not exactly realistic. Or, he covers a shift at the coffee house so that one of his sons can make it to an audition. Of course, he gets the part. These little “miracles” play more into the “guardian angel” part of the story line, as Wozniak tries to help his children anonymously. The overall story, and good nature of the film outweigh flaws such as this one.

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Like the original film STARBUCK, DELIVERY MAN offers audiences a lot of laughs, and a lot of heart. If you have seen the original, there are few differences between the two. Sure, DELIVERY MAN has some flaws, but it’s still a fun movie.

DELIVERY MAN is an inspiring story about the importance of family, and is a feel-good flick to brighten the holidays.

OVERALL RATING: 3.75 out of 5 stars

“Like” DELIVERY MAN on Facebook: https://www.facebook.com/DeliveryManMovie

Follow DELIVERY MAN on Twitter: @DeliveryManFilm

Follow DELIVERY MAN on Pinterest: Pinterest.com/DeliveryManFilm

Follow DELIVERY MAN on Instagram: DeliveryManMovie

Follow DELIVERY MAN on Tumblr: deliverymanmovie.tumblr.com/

DELIVERY MAN releases in theaters on November 22nd (Today)

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Win A Family Four Pack of Passes To The Advance 3D Screening Of FROZEN In St. Louis

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From the studio behind 2010’s “Tangled” and last year’s “Wreck-It Ralph,” Walt Disney Animation Studios presents FROZEN, the most daring comedy-adventure ever to hit the big screen.

Walt Disney Animation Studios, the studio behind “Tangled” and “Wreck-It Ralph,” presents “Frozen,” a stunning big-screen comedy adventure. Fearless optimist Anna (voice of Kristen Bell) sets off on an epic journey—teaming up with rugged mountain man Kristoff (voice of Jonathan Groff) and his loyal reindeer Sven—to find her sister Elsa (voice of Idina Menzel), whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf (voice of Josh Gad), Anna and Kristoff battle the elements in a race to save the kingdom.

The film is directed by Chris Buck (“Tarzan,” “Surf’s Up”) and Jennifer Lee (screenwriter, “Wreck-It Ralph”), and produced by Peter Del Vecho (“Winnie the Pooh,” “The Princess and the Frog”).

Featuring music from Tony winner Robert Lopez (“The Book of Mormon,” “Avenue Q”) and Kristen Anderson-Lopez (“In Transit”), FROZEN journeys into theaters November 27, 2013, in Disney Digital 3D™ in select theaters.

Enter to win 4 passes to take the whole family to see FROZEN! The Advance 3D screening is Tuesday, November 26th at 7PM.

All you have to do is enter your name below in our comments section.  We will let you know if you win along with all the details and location.

NO PURCHASE NECESSARY.

http://movies.disney.com/frozen/

“Like” FROZEN on Facebookhttp://www.facebook.com/DisneyFrozen

Follow on Twitter: Twitter.com/DisneyAnimation

FROZEN

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FROZEN

THAT AWKWARD MOMENT New Character Posters

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Zac Efron, Miles Teller,  Imogen Poots and Michael B. Jordan are featured in these new character posters for the R-rated comedy, THAT AWKWARD MOMENT.

The movie is about three best friends who find themselves where we’ve all been – at that confusing “moment” in every dating relationship when you have to decide “So…where is this going?”

Written and Directed by Tom Gormican, THAT AWKWARD MOMENT also features Jessica Lucas.

Scott Aversano is producing via his Aversano Pictures banner along with Andrew O’Connor, and Justin Nappi and Kevin Turen via the Treehouse Pictures Banner.  The film is executive produced by Manu Gargi, Zac Efron, Jason Barrett, Michael Simkin, John Friedberg, and Peter Schlessel and Lia Buman.

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The film will be in theaters January 31, 2014.

Official Site: http://justgethorizontal.com/

Twitter: https://twitter.com/AwkwardMovie

Facebook: https://www.facebook.com/ThatAwkwardMomentMovie

Hashtag: #awkwardmomentmovie

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WAMG At The DELIVERY MAN Press Day With VINCE VAUGHN, CHRIS PRATT And COBIE SMULDERS

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DreamWorks Pictures’ “Delivery Man” stars Vince Vaughn as affable underachiever David Wozniak, whose anonymous donations to a fertility clinic 20 years earlier resulted in 533 children.David must now embark on a journey that leads him to discover not only his true self but also the father that he could become.

Recently, WAMG sat down with stars Vince Vaughn, Chris Pratt, and Cobie Smulders at a small press conference hosted by the film in Beverly Hills, CA. Check it out below.

Okay, a great movie here for Vince. It’s the first time I think that you’re playing in or starring in a remake of a Canadian movie, and telling the exact same story. So, I wondering what your take was on the character, and did you watch Starbuck or intentionally avoid Starbuck?

VINCE VAUGHN: Yeah, I saw Starbuck. What was interesting to me was the director, Ken Scott, wrote the movie, and also directed it. And he’s a very passionate director and storyteller, and I think he was passionate about that script and telling that story, and then he was very passionate about telling that story to this audience here. And that’s my big question when I first heard about it because if it was a different director or just a concept that they were trying to roll off of, I would have been less interested. But in meeting Ken and just the place that he works from, I feel very grateful that I met a director like that who is such a great storyteller. So, I think when you see the film you really see a lot of Ken’s DNA in the movie. One of the things that I really love in the film is that nowadays a lot of times you’ll have something be just a comedy or just a drama, or just sentimental, and this under one umbrella is really unpredictable. From one scene to the next you don’t know if you’re going to laugh or be tense. It was a compliment to Ken and that’s what I was most excited about being part of.

I was wondering if there’s something in the movie that you personally relate to either with your or a different character in the movie?

COBIE SMULDERS: Ladies first?

Yes, please.

COBIE SMULDERS: Okay. I was pregnant in this film, and I’ve been pregnant in my life. So that was a big one going through that again. The fake belly was a lot easier to have, but yeah just dealing with the similar emotions that come with that was a very relatable thing for me.

CHRIS PRATT: I really like my mom in real life. This character has a difficult relationship with his mom. So that was something dissimilar. My mom is really cool. I don’t know. Oh, also I’m a new father. So I know what it’s like to have–I don’t know what it’s like to have a whole troop of rug rats running around, but I know what it’s like to have one kid and I know what it’s like to miss a little sleep and feel like you’re … You know, I know what it’s like to be a dad. So, there’s a little bit of that but yeah.

VINCE VAUGHN: Yeah, I mean I think as an actor the best thing you have is your imagination. You’re not going to have all the experiences, but you draw on the tings that you know. So I think you definitely kind of use the things that you’re familiar with to your advantage.

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The movie shows your first reaction when you find out that your girlfriend is pregnant. So since you’re a father, too, what was your own reaction when you find out that your wife pregnant the first time, and how was it the second time?

VINCE VAUGHN: I was thrilled. I had made a conscious effort. I got married a little later in life. Hence, we were excited to try right away and thankfully, my wife was able to get pregnant right away. Then the second one we were trying on this movie actually. So there was a day it was around Christmas that my wife came to me with a Christmas ornament with the families, and there was an extra like person in a Santa hat and a Christmas ornament, and that’s how I found out, which was great. So I was really excited both times, thrilled to have impregnated my wife at this point. It’s more about me being proud of the fact of my own ability. I was very happy. I think what’s great about the character of David is his capacity to love. I feel like it’s impossible for him to resist kind of trying to reach out and have a connection. So I think that’s nice.

CHRIS PRATT: In the film we see you transition into this guardian angel who then starts to become like a cheerleader for your children. I wanted you to kind of elaborate on how parents do that, how your character did that especially the type of character you had. You were struggling to even get yourself together. So now all of a sudden you are doing it for your kids.

VINCE VAUGHN: I think what happens is he’s sort of presented with this circumstance, and he kind of approaches it wanting to sort of be all things, and then is sort of presented with the actual reality of that. My job was made so easy with both Cobie and Chris because a lot of my character is taking information about how they see me, or the character I should say, and kind of these points of view. There is I think a nice relationship between the characters in the film, but there are also real points of view about the character. So I felt like it was easy coming to work with both of these guys having them really say things, and you’re really just reacting to that.

Going back to what you had mentioned, that in the movie, you don’t know whether you’re going to laugh or you’re going to be touched. There’s a little bit of comedy. Three’s a little bit of drama.

VINCE VAUGHN: When I say, “touched” I mean emotionally not that someone in the movie will come up and begin to touch you.

Thank you for that clarification.

VINCE VAUGHN: Just to be clear because sometimes things get lost. I didn’t always know [Oh, okay.] if I was going to be touched or not.

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Do you see yourself delving in more to a dramatic role maybe in the future because it kind of touched a little bit. Do you feel like maybe that’s something that you want to do?

VINCE VAUGHN: I think for all actors, it’s fun to do different things. I don’t know how you guys felt, but didn’t you guys kind of enjoy that each day kind of required something a little bit different?

COBIE SMULDERS: Yeah, I think that especially with our relationship it was either we were like screaming at each other [Yeah.], or we were very much in love. [Yeah.] So we got to play a lot of different degrees of things, yeah.

You end up having a huge family. Are you guys from big families, small families? How would that feel if your family grew a thousand times over?

CHRIS PRATT: I’m from a good size family. I’m the youngest of three, and I’ve got a lot of close cousins, and family something has always been very important to me. I don’t know if it grew like that. We would probably just take them all in. No, my dad would probably just put them all to work is what would happen.

COBIE SMULDERS: My parents divorced when I was young, but my father remarried, and so from my family I have two sisters and a brother. Then I have two step-step sisters and two step-brothers. I have a bit of a Brady Bunch thing going on. So, yeah, it’s huge. It’s a pretty big family.

VINCE VAUGHN: That’s a big family.

COBIE SMULDERS: Yeah.

VINCE VAUGHN: I have two older sisters and we’re very close. Yeah, we’re all very close. I think if you can survive the trying to kill each other and come on the other side of that, as you get older, at least in our case they’re probably my best friends now.

Vince, I was wondering… so much of your career has been known for being the fast talking guy that gets away with things, and you start that way in this movie. But over the last few years transitioning from things like Wedding Crashers into Couples Retreat, or a movie like this where you’re taking on family responsibilities; I’m just wondering if you care to comment about that process of making that kind of arc or transition in your career. And do you think that you would do another more wild and crazy kind of thing again, or do you think that’s in the past then?

VINCE VAUGHN: No, I’ll definitely do something more crazy, but I think part of it is your age, and different roles present themselves to you. Change is what you play I think at 23 to some degree than what you play at 43. So for me it’s more about tone. I think I started off doing more dramatic and character stuff, and had a lot of fun. Then we are doing early to the party with some of the old school and those movies, which is great. Then, now for me this movie particularly has been really great because like I said I think it is move dramatic, but I think it also is very funny and also a lot of different things. I think of the scene with the daughter where you are wondering what decision to make, or the boy in the wheelchair. It’s just the circumstances are, but I think the journey for Chris’ character you really get a good feel of the back story of how he’s been perceived by his family. He’s a very loveable guy but he’s kind of overwhelmed with these kids, and his life and for Cobie you see such a strong character is really embarking on a big decision with someone who’s not fully there. So, I like that in this movie you kind of have all of those different things. But I would definitely do another kind of more outlaw or comedy again depending on what that story was.

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Vince, kind of going along with that, do you feel like your own arc of maturity has paralleled the characters that you have played? What can you say about where you are now? Do you provide any kind of like a role model or mentor kind of thing to younger actors or just younger people in your life?

VINCE VAUGHN: I don’t know about that.  I don’t know. I feel like, you know, I guess that different things come to you, and at different times in your life you’re drawn to different types of material. For myself, I feel like this director, this material came at me at a time when I was really wanting to do something different, and kind of return to stuff that I had done younger. So I was grateful I would say for the opportunity where this movie was concerned, and to get a chance to work with these guys was really fun.  I think we came to work everyday really everyone believing in the material, which was great. And then in the future I’ve never been one to kind of plan stuff maybe to a fault, but you just have to sort of see what comes your way and what your interested in at that time.

Vince, a lot of the most affecting scenes in the film come from you working with the character that you mentioned in the wheelchair, and I would imagine having that kind of scene partner is very different from having an adult professional actor. Talk about whether it was with that actor in general how you prepared for playing those scenes.

VINCE VAUGHN: Well, what’s incredible is that the gentleman who played that part is a professional actor. I think he does a tremendous job in the film of really portraying someone who is physically facing the challenges that that character is, but that was an actor that’s tremendous playing that part. But you’re always fortunate I think as an actor even listening, and having great actors to work off of is so helpful. Like I said, with both of these guys and with a lot of the kids in the movie, sometimes being the lead in the film your job is to sort be present in those scenes, and react truthfully to what they bring. So sometimes when I’m getting moved or feeling things, it’s really being open to what the other actors are bringing to the table.

We see how just the very thought of being a parent changes him on the inside, and I’m curious for you guys as parents. Did you feel that sort of dramatic like shift internally? Once you became parents did you feel like I’m just a different person now because things have clicked into a different place?

COBIE SMULDERS: Yeah, I mean you become responsible for a human being, and I think a lot of people talk about like I’ve never felt love like this before. And you hear all these things before you have a child, and they’re all kind of true. And, yeah, I think it’s just dealing with the overwhelming responsibility of like I’m the protector of this child that affected me the most.

CHRIS PRATT: Oh, yeah, you can’t help but change when you have a kid, and for me it was just a sense of I didn’t feel like anything was missing in my life and it wasn’t. It all came at just the right time, and now if I am absent from my son I do feel like something is missing.  But before that I was very fulfilled and I was having a lot of fun, and I was sowing wild oats and doing the kind of things that you should do when you don’t have kids. Now, I’m just doing less of that, but I earned it, you know. Like I feel like just spending quiet evenings with my wife and son and sitting in bed in the morning and watching him marvel over the curtains opening or whatever little thing, that all it feels really good. And so, I’ve changed because like I’m impressed. What’s funny is the way I’ve changed is I’ve got a whole new window through which to see the world, and everything is exciting for me again. Things that I took granted are exciting for me again, the way something feels or smells or tastes or how drawers open.  I’m like, “Look at that, kid. That is actually really cool.” It’s like just a wall with a knob and then you pull it, and there’s a bunch of shit in there. What is that about?  I wouldn’t take a minute to appreciate a draw before my son.

VINCE VAUGHN: I think it’s true. I think you definitely get a whole world opened up to yourself with kids, and I think as a parent you try to enjoy them, and be happy and have fun. And, also try to figure out what’s the best way to be a parent to them and set them up to be happy in life and pursue those things.  So, I think a lot of it for me goes to my relationship. I’m very fortunate with my wife, and we were just talking when we were sitting down, and you realize how much the relationship when kids are young can suffer. And it’s important to make sure that you are able to spend some time with each other. I think as a father, the best thing you can do for the kid is to love the mom. Even as a parent I believe that loving the mother is the most important thing. And even parents who maybe aren’t together I think that’s important for them as well to respect each other and to be kind to each other. Because I think it does so much in who they would pick to be around, or how they feel about themselves. So I think sometimes how we communicate is important just an example. That’s probably why my wife knows not to shut the fuck up whenever I hit her. [laughs]

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Chris, you recently back into the States. I’m curious how the acclimation has been because it seems like you’ve jumped right back into things, and also we’re seeing you play more diverse roles. Is there anything you’re kind of chomping at the bit to play?

CHRIS PRATT: Oh, well, to address the first question yeah the transition back has been really nice, and kind of what Vince was saying about making sure that you spend enough time nurturing your relationship I spent three days in New York with my wife, just the two of us, which was really, really great. I mean we just had an amazing time, and made up for lost time. I wouldn’t be surprised if nine months from now Jack has a brother or sister maybe. No, but we had a good time and it was great, and like what Vince said it’s really important to nurture that. So that really helped with the transition. I think coming back from London to L.A. is a lot easier than going from L.A. to London in terms of the time change, because it just gives you a few extra mornings to sleep in and then you’re back on time.

Oh, and one thing, you know, it’s weird as actors because I mean we’re fortunate in the group of people who have to spend time away from their families. There are men and women serving overseas who certainly have it a lot harder than we do, and there are jobs that take people away from the families and that’s a reality with some jobs that you have. And one thing that’s really difficult I find is the transition because not only do you have to learn how to transition to living on your own again, there’s a transition that happens learning how to live with somebody again. You know, I’ll be home and I’ll be like on my computer, and I’ll think, “Oh, should I be in the other room where she is because is that what’s supposed to happen when you live together? Or is it okay for me to be here like checking my e-mail in this room. Like you just don’t know.

So there’s a little bit of a transition period that happens going away from your loved ones, and coming back in. But the transition period has been great, and I went back to work on Parks and Rec, which is an awesome family that I really love to work with and so that’s really nice. Then, the second question was are there … I just want roles, and you said roles that I was chomping at the bit to play. I don’t know. Yeah, all of them. I just want juicy ones that all taste good and I’ll chomp away, but there are good roles, and I want to work with great filmmakers. I want to work with great actors. I’ve learned a lot from working Vince on this movie. A friend of mine once told me that it’s really important to always pick somebody just to watch because you’re going to learn something.

And I learned so much from watching Vince not only just in terms of acting and being professional and being sharp on set, but also how to treat your fans when they approach you and stuff. I mean this guy anywhere he goes he gets recognized, which is something that I don’t necessarily have that I’ll get recognized from time to time. But really Vince can’t go anywhere without being confronted by people who just really love him. That sounds like it would be really great, but I think after a while that can be overwhelming, and I never once saw him treat somebody poorly. He treated his people really well. We were in Madison Square Garden with thousands of people, and they all knew who he was, and that’s where he took like, he gave every single one of those people a little moment, a little piece of himself. I think that’s something I’d aspire to do. I just want to work with people who are going to keep teaching me kind of like this one.

Cobie, this is the last season for [How I Met Your] Mother. Can you talk a little bit about what it’s like on the set knowing that this is coming to an end?  But during the time that you’ve been on the series, you’ve also managed to do several movies, including this one. So, do you know what you’re going to be doing next? Are you going to focus on film or are you interested in doing another series?

COBIE SMULDERS: The first part yeah it’s very emotional. Everyone is soaking it in. I’m really grateful to have been employed for the last nine years, and they’re very accommodating. They allowed me to go and shoot this movie on a hiatus week, and during I think I missed a few days of production to fly to New York, and work with this guy. So, they have been just amazing, but in terms of the future to sort of piggyback on what these guys have been saying, I mean as actors you’re sort of open to new experiences, and I’d like to just try new projects. In terms of film or TV, it’s hard to say. I think it just depends on the project.

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My question is for Cobie and Chris. You guys have actually done a lot of similar projects in the past. You’re both on hit comedies right now. You’re both part of the Marvel Universe. I was just kind of curious if you guys bonded over that, or did you share any fun stories?

COBIE SMULDERS: No.

CHRIS PRATT: I tried to. I tried to, but she’s ice cold.

COBIE SMULDERS: Yeah, no.

CHRIS PRATT: It’s funny. It is true. I feel like we’re seeing a lot of each other.

COBIE SMULDERS: Yeah, but only like with this kind of stuff. I mean, I came in for like a second. The new Lego movie is coming out, and Chris is in it and he’s so funny and amazing. I just saw the new trailer, which looks so funny. I know, I have a few words, but he was in the room, and we just keep seeing each other at fun things.

CHRIS PRATT: Yeah, it’s crazy.

COBIE SMULDERS: He’s a good dude. I do like him a lot. I was acting before.

CHRIS PRATT: I feel the same. It is, it’s crazy. We see each other so much, and I have a crush on her husband, Taran, a pretty hard crush on him. He’s amazing. So I’ve been really …

COBIE SMULDERS: And I on your wife actually.

CHRIS PRATT: And we’re going to you know what?

COBIE SMULDERS: Dinner dates.

CHRIS PRATT: Okay, yeah.

COBIE SMULDERS: I know why I’m so close to the microphone.

CHRIS PRATT: Yeah, I have to be close. Yeah, I think it is strange. We’ve been intersecting a lot, but I think that happens a lot. It’s really weird, and you guys probably feel this way, too.  I think it’s for everybody who’s doing this. It’s a bit of a circus, isn’t it? I mean like all of a sudden you show up and you’re all in town together. And then you depart and you might never see each other again. It’s a weird thing, but I feel that with both these guys I had a good time, and I hope to pull into town and do my tricks and my faces with them again.

Hi, this is for Cobie. Emma’s character in that she definitely challenges David when she says she’s right. She’s like totally willing to be independent and like take responsibility for this child. What draws you to play like these strong like bad ass funny women?

COBIE SMULDERS: Because they’re the most fun to play. I mean yeah I mean it’s also Emma’s a very conflicted character as well because she’s in love with this man, and she just wishes that it wasn’t so challenging at times. And I think that especially at the beginning when you’re single and you’re just in a relationship with each other, it’s one thing. But then if you bring a kid into the mix it brings up a whole other list of responsibilities. And so, it’s fun playing against that. I don’t know why I get cast as the women a lot, but they are. They’re kind of the most fun to play, you know, and it’s also nice to portray strong women in media and to have young girls grow up watching them.

Hi, my question is for Chris. In the scene that you share with Vince when you’re outside and your children keep coming into the sandbox, how many takes was it where the little girl was smacking you in the face? Was it one or more?

CHRIS PRATT: It was more than one. I feel like we did that, I think we did that a few times. I remember Ken [PH] Supp kept backing it up to like before she slapped me, and it was really cold out. I was like, “I think we got it. I think we got it.” It was hard. That little girl is a star. Those kids are all amazing, but that little girl in particular is such a special kid. I mean she was just so confident. I remember one time saying to her, “How do you feel?  Do you want to run lines?” And she said, “I’m good.” I can just see her.

COBIE SMULDERS: How old was she?

CHRIS PRATT: I think she’s like old. I think she’s six or seven. Maybe six, but all those kids were just really fantastic, and I think we had to — I mean I think I broke a couple of times because she was just great. She was great. Those kids were just terrific. They were great kids.

This movie gives a lot because of having so many children involved. It is like expectations and about the opportunity that every time you have a kid that presents also the scariness of that. Three days you’ve all been parents. How did your expectations maybe when you were younger or when you yourself were children about what being a parent would like changed by having somebody and seeing how that plays out, and what were some of those expectations?

COBIE SMULDERS: Well, I think one of the things that I have fought for a long time is I feel that what you grow up with or how you grew up is what you think is right. And I think for a long time I was trying to recreate that, but it’s just not going to exist in my life for my child because like we have a very different lifestyle. So, I sort of combated that for awhile, and it was kind of learning just to be able to go with it, and do the best for your child in each moment instead of trying to make it something else because I grew up in Canada. It’s pretty awesome up there, guys. So it’s just very different.

Some great moments in this movie in this movie about reflecting on your own family, reflecting on your own parents. When you were making this movie, was your own personal reflection a big part of it to help you tap into that? For each, for all of you talk about the personal tapping into your family that you had while making this movie? 

CHRIS PRATT: Oh, my dad is a big man, and I remember as a kid always wondering why the hell does he tie his robe above his belly. Like what is the deal with tying it up here on top of his belly when most people would tie it like at their waistline? And I realized after being big in this movie and wearing a robe that was probably designed for like Cobie or something that that’s just where the tie is. And when you have a big belly you have to tie it above there.  So I saw myself in my dressing room wearing that robe with the tie tied where it falls naturally on top of my belly. I thought to myself, “Oh, my God, I just became my dad.”

VINCE VAUGHN: You know, for me I think you as an actor you bring — some of your own experiences can make things easier. You build off of it, but your imagination is always the best thing you have as far as creating things I think specifically for what that character is going through. But you’re definitely drawing obviously things that you can connect to, and then you kind of mold the change that you’re making into it sort of right for the character. What I love about the film is that to me the movie a lot of it is about learning to accept who you are. You have the pressures to be a bunch of different things, and we don’t all have all skills at all sides of stuff. But getting to be okay with yourself, forgive yourself, you know, love yourself, and bringing that to the table for relationships whether it’s with someone that you’re in love with, a romantic relationship or a family, parents, kids.

There’s a lot of that in the movie, and I feel like as we all watch the film, and to the point earlier about hopes and fears. I think what’s great about the film is as a parent it does kind of deal with your biggest fears or hopes for kids. But I think as a young person they connect to the movie because it’s what is in front of everybody everyday is, “Gosh, I’d love to be doing this or I want my life to go this way, but how do I did I find myself in this? How do I get out of this? How do I change where I’m at?”  You know, I think that that’s something for all of us as we go through life. As you get older hopefully you get a little better at getting past the moments that aren’t your best, or getting out of situations that aren’t your favorite and trying to increase the things that you are enjoying.

Well, we can see that this movie is really multi-dimensional, multi-layered. There are so many things that you can pull out of it. Your son [in the film] Vigo in the film really called you out when he distinguished …  He was saying that there was a difference between real families [Right.] and the Starbuck situation. He made you find the definition, and he wanted you to pull it out. I wanted you to kind of tap into that because a lot of people deal with that. And especially when you look at the domino effect because that’s what you guys have to deal with the domino effect of this whole sperm donor situation if we actually really had to approach it, you know. 

VINCE VAUGHN:  I think to your point to me one of the things that’s so loving and warm in the film was that you have a bunch of people looking for a connection who are looking to be a part of something. And there’s something really wonderful in the way that the film and the very kind of non-fluffy way takes that journey. And I’ve received some really nice notes from people already even some people in the industry who have been adopted or had other experiences, and really spoke and moved me in a way that the movie spoke to them. And so, to me when I watched the film I find the kids in the movie to be really positive and loving and all this, you know, life and joy inside of them. And there’s something that feels really wonderful about that connection that they find and that they experience. So I think that that side of things and however you go through it in life is what we all … It’s nice to feel loved and also I think that’s forgotten a lot is it’s nice to have someone to love. That’s a great side of it as well.

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 A DreamWorks Pictures and Reliance Entertainment presentation, the film is written for the screen and directed by Ken Scott, based on “Starbuck,” the original screenplay written by Ken Scott and Martin Petit, and also stars Chris Pratt and Cobie Smulders. “Delivery Man” is produced by André Rouleau and executive produced by Ray Angelic, Scott Mednick and Mark Sourian.

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DELIVERY MAN releases in theaters on November 22nd

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WEHRENBERG THEATRES Presents The 2013 CANS FILM FESTIVAL December 7th

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Wehrenberg Theatres will once again host its annual “Cans Film Festival” to benefit The Salvation Army’s “Tree of Lights” campaign. Saturday, December 7th, guests who bring five canned food items to any Wehrenberg Theatre will receive free admission to any movie that day starting before 5 PM.

Guests who bring an additional ten cans or more per person (15 or more total per person) will also receive a free movie pass for a future visit. In addition, Wehrenberg Theatres will again award a year-long movie pass to the single largest donation received in the theatre circuit.

Cans Film Festival, the area’s most popular food drive, stocks the local food pantries every year during the holiday season when those less fortunate need it most. 2012 nearly matched the 2011 record of over 335,000 canned food items during the one-day event. The 2012 campaign was just under that total with 330,000 cans, but organizers hope to set a new record this year.

A number of Hollywood hits will be showcased during Cans Film Festival. Families will get a kick out of Frozen (2D and 3D), a stunning, animated comedy adventure. The Hunger Games: Catching Fire and Thor: The Dark World (2D and 3D) are sure to be popular at Cans Film Festival as well. All applicable 3D shows are valid for Cans Film Festival (up to theatre capacity). This is the perfect opportunity to see how far 3D technology has come!

Please note not all theatres will play all mentioned features. For show times, visit www.wehrenberg.com or check your local papers.

Participating theatres in the ST. Louis area are:

Arnold 14 Cine – Arnold, MO Mid Rivers 14 Cine – St. Peters, MO

Campbell 16 Cine – Springfield, MO O’Fallon 15 Cine – O’Fallon, IL

Cape West 14 Cine – Cape Girardeau, MO Osage Village 5 Cine – Osage Beach, MO

Des Peres 14 Cine – Des Peres, MO Ronnies 20 Cine – St. Louis, MO

Galaxy 14 Cine – Bloomington, IL St. Charles 18 Cine – St. Charles, MO

Galaxy 14 Cine – Chesterfield, MO St. Clair 10 Cine – Fairview Heights, IL

Galaxy 14 Cine – Rochester, MN Town Square 12 Cine – Dardenne Prairie, MO

Galaxy 16 Cine – Cedar Rapids, IA Eagles’ Landing 8 Cine – Lake Ozark, MO

O’Fallon 15 Cine – O’Fallon, IL

Ronnies 20 Cine – St. Louis, MO

St. Charles 18 Cine – St. Charles, MO

Town Square 12 Cine – Dardenne Prairie, MO

Wehrenberg Theatres is not responsible for sell-outs and cannot offer rain checks. Please note theatres will award one pass per person present; theatres cannot offer one pass for every 15 cans.

Having celebrated its 100th Anniversary in 2006, St. Louis-based Wehrenberg Theatres is the oldest family-owned-and-operated theatre circuit in the U.S. Ronald P. Krueger, 3rd Generation, Chairman and CEO of Wehrenberg Theatres.

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Explicit Trailer For Lars von Triers’ NYMPHOMANIAC Is Definitely NSFW

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Here’s the trailer for Lars von Triers’ NYMPHOMANIAC. But be warned – this preview contains very explicit material, so have at it von Trier fans.

Since its initial launch in June, Zentropa Productions has been unveiling teaser chapters on the film’s website and on YouTube.

CHAPTER 1  is  THE COMPLEAT ANGLER
CHAPTER 2  is  JERÔME 
CHAPTER 3  is  MRS. H
CHAPTER 4  is  DELIRIUM
CHAPTER 5  is  THE LITTLE ORGAN SCHOOL
CHAPTER 6  is  THE EASTERN & WESTERN CHURCH (THE SILENT DUCK)
CHAPTER 7  is  THE MIRROR
CHAPTER 8  is  THE GUN

NYMPHOMANIAC is the wild and poetic story of a woman’s erotic journey from birth to the age of 50 as told by the main character, the self-diagnosed nymphomaniac, Joe.

On a cold winter’s evening the old, charming bachelor, Seligman, finds Joe beaten up in an alleyway. He brings her home to his flat where he tends to her wounds while asking her about her life.

He listens intently as Joe over the next 8 chapters recounts the lushly branched-out and multi faceted story of her life, rich in associations and interjecting incidents.

The film stars Charlotte Gainsbourg, Stellan Skarsgård, Shia LaBeouf, Jamie Bell, Christian Slater, Connie Nielsen, Uma Thurman, Udo Kier and Willem Dafoe.

http://www.nymphomaniacthemovie.com/

https://www.facebook.com/Nymphomaniac

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FARAH GOES BANG – The SLIFF 2013 Review

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Review by Dana Jung

The year is 2004. Three weeks before the presidential election, Farah (Nikohl Boosheri) leaves Los Angeles with her two best friends K.J. (Kandis Erickson) and Roopa (Kiran Deol) to hit the campaign trail for John Kerry. But there is a lot more going on than political idealism on this cross-country road trip, and all three young women will learn some life lessons before Election Day.

FARAH GOES BANG, the funny and sometimes touching new film directed and co-written by Meera Menon, follows the conventions of the typical road movie while also perfectly capturing the sense of disenchantment that much of the country’s youth felt during the war in Iraq. Farah is a first-generation American of Persian heritage. Overly focused (some would say obsessed) with her face and body image, Farah has two main goals at this point in her young life: to help end the war by getting Kerry elected, and to lose her virginity. While Roopa’s zestful activism fuels Farah’s first objective (“Get off your ass and stop watching AMERICAN IDOL!” she yells at a college crowd), K.J. gently chides her with commentary and advice on the “sex thing.” As the three friends drive from state to state, going door-to-door for their grassroots campaigning, they meet a wide variety of people who change them in small but meaningful ways. From the Korean War veteran with a daughter in Iraq, to a loudmouthed bigot, the women soon learn that talking politics is not so simple.

The strengths of the film lie in its strong and natural performances by the three leads, in the intelligent and realistic dialog, and in the subtle ways it juxtaposes its main themes. For example, there are parallels drawn between Farah’s quest to lose her virginity, and the loss of political innocence that all the women experience in one way or another. Another big plus is the humorous and sometimes raunchy conversations the women have—this is a road movie, after all, so a lot of the film is shot inside a moving car. The script also has an easy flow with a solid grip on its characters, so that the politics are leavened with a sense of fun and self-deprecation that is refreshing. When they pass a roadside stand, K.J. says “Let’s stop and get some fireworks!” to which Roopa replies, “That’s the most patriotic thing I’ve ever heard you say.” But the film is never boring, and follows the adventures of the three until the day after the election. Knowing that outcome, it is inspiring to see such a finely tuned portrayal of young America at the time. In one captivating scene, we watch the women sit spellbound as then-Senator Obama delivers his speech at the Democratic Convention–an astute political observation of how the seeds planted by these young people would reach fruition in the next four years.
More than just a movie about female bonding, FARAH GOES BANG is a testament to the mood swing of social change during the last decade, and a charming and witty portrait of the next generation of potential leaders the nation has to offer.

FARAH GOES BANG screens Friday, Nov 22nd at 7:00pm at the Tivoli Theater as part of the St. Louis International Film Festival

For ticket information, go to Cinema St. Louis’ site HERE

http://www.cinemastlouis.org/farah-goes-bang

THE BOOK THIEF – The Review

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The cinemas are bracing for a big film this weekend. It’s based on a young adult novel about a plucky girl trying to survive in an oppressive society. Oh, but this is not about a futuristic society. This one was based over in Europe about 75 years ago. Germany to be exact. And this plucky young girl is nearly have the age of that futuristic heroine. Little Liesel’s only in grade school. And in order to fight for survival, she doesn’t rely on a bow and arrow like Ms. Katniss. She must use her head and heart to stay one stop ahead of the baddies. Both young women have little to eat (hence, those “Hunger Games”), but Liesel yearns to feed her stomach and her intellect. That’s why she risks everything by becoming THE BOOK THIEF.

In the late 1930’s as she is traveling by train to a better life, Liesel (Sophie Nelisse) watches in horror as her beloved younger brother passes away in a nearby passenger seat. Consumed by despair, her mother sends her ahead solo to live with her relatives Hans (Geoffrey Rush) and Rosa (Emily Watson) in a bustling German village. Happily Liesel becomes friends with a neighbor boy her age named Rudy (Nico Liersch). Unfortunately many of their schoolmates mock her because of her inability to read. Hearing of this, the kind-hearted Hans sets up a class room in the basement and soon she is a voracious reader. So much so that she rescues a tome from the Nazi party sponsored town square book burning. The family also risks the ire of the local authorities by sheltering the teenage Jewish son of an old family friend. The young man named Max (Ben Schnetzer) becomes good friends with Liesel as he hides out in the apartment. While delivering laundry from Rosa, Liesel also befriends the wife of the town Buergermiester, who shares her secret library. But what will happen to their lives as the raging war begin to engulf the little town?

Of course the focus of the film is the title character expertly portrayed by screen newcomer Nelisee. We get to see this crazy often cruel world through her wide expressive eyes. Life has knocked her down in the film’s opening scenes as she is almost a mute when she steps off the train, But soon we witness her plucky spirit along with her courage and compassion. Luckily she holds her own while sharing scenes with two screen veterans. Rush nearly steals the film as the sweet. mischievous, loving father figure who becomes Liesel’s biggest supporter and inspiration. He’s a terrific counterbalance to his rough domineering wife superbly essayed by Watson. Her Rosa has built up a tough exterior to shield her from life’s cruelties, but her seemingly cold heart is thawed by the sweet little girl she has been given. At times she must parent both Liesel and Hans as the two conspire on new schemes. Liersch is charming as the boy next door who’s immediately smitten by Liesel. Unfortunately, the blond lad is shunned by many because of his admiration for African-American Olympic star Jesse Owens. Schnetzer also has great rapport with Nelisee as his Max tries to stay safe and hidden while wishing to join the fight and find his missing family.

Director Brian Percival makes excellent use of the Bavarian street sets and landscapes along with lovely period costumes. The film seldom lags as the years pass and the tides of war change. Unfortunately the film is being marketed as a gentle children’s’ entertainment, almost a sequel to THE SOUND OF MUSIC, but it’s much tougher than that. In addition to the narrator’s identity, the film doesn’t shy away from the brutality of the Nazis as they threaten everyone (especially the children) in the otherwise peaceful village. We see that many of the residents chafe at the new order, but feel helpless and ineffectual. This is especially true when they must spend their nights underground as the bombs strike from the skies. This is a sweet, sometimes bitter tale that can be enjoyed by all audiences. So watch out, because while she’s snapping up your novels, THE BOOK THIEF just may steal your heart.

3.5 Out of 5

THE BOOK THIEF opens around the country and screens exclusively in the St. Louis area at Landmark’s Plaza Frontenac Cinema

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WAMG Interview – Kathy Bratkowski: Director of SOMETHING IN THE WATER – SLIFF 2013

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SOMETHING IN THE WATER: A ST. LOUIS ROCKUMENTARY looks at a scene that anyone who was around St. Louis in the ‘70s has to remember as an invigorating period for classic-rock fans. The new documentary looks back at the unique set of circumstances that electrified the music scene here in the late ’60s and early ’70s. The new film by Emmy-winning director Kathy Bratkowski chronicles the advent of free-form radio at stations such as KSHE, the storied concerts at the Mississippi River Festival (MRF) and Superjam, and the area musicians who used St. Louis stages to reach a national audience. Featuring rare interviews, archived MRF concert footage, and photos from the musicians themselves, SOMETHING IN THE WATER is a funny, honest, and unique account of “ground zero for rock and roll,” as told by those who played a major role in the emergence of classic rock in St. Louis. Interviewees include Rich Dalton, Mark Klose, David Grafman, Mark Boatman and Roger Boyd of Head East, Pat and Danny Liston of Mama’s Pride, Steve Scorfina of Pavlov’s Dog, Supe Granda of the Ozark Mountain Daredevils, Lyle Ward, Ron Elz, Bob Heil, Steve Schankman, and Joe Edwards.

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SOMETHING IN THE WATER: A ST. LOUIS ROCKUMENTARY will be screening this Sunday, November 24th, at the Wildey Theater in Edwardsville, Ill. Kathy Bratkowski will be in attendance and will answer questions after the screening. Steve Scorfina of Pavlov’s Dog and some of his fellow bandmates will be performing music after Ms Bratkowski’s Q&A.

For ticket information, visit Cinema St. Louis’ site HERE

http://www.cinemastlouis.org/something-water

For directions to the Wildey Theater, visit their site HERE

http://www.wildeytheatre.com/

Kathy Bratkowski took the time to answer some questions about SOMETHING IN THE WATER for We Are Movie Geeks before it’s screening here.

Interview conducted by Tom Stockman November 19th, 2013.

We Are Movie Geeks: Is this your first feature length documentary?

Kathy Bratkowski: It is.

WAMG:  Has it showed at other film festivals, and if so, what has been the reaction?

KB:  It’s only screened so far at Cinema St. Louis’ Filmmakers Showcase last summer. We’ve entered it in the True/False Film Festival in Columbia and in the Big Sky Film Festival in Montana.

WAMG: What is your background and what did you win your Emmys for?

KB: My Emmys that I have won have been for television programming related to the arts for a show called State of the Arts for a cable company called HEC-TV and they are the producing company for SOMETHING IN THE WATER. State of the Arts is a magazine-style show about the arts in St. Louis and the St. Louis region.

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WAMG: Did you grow up listening to KSHE?

KB: I did. Like so many people I went to Mississippi River Festival. I remember seeing some of these bands at different places. I wasn’t someone who went to these places every night though. I’m a little younger to have totally been in the scene and by the time I got to college, it was really sad because it was disco. But I do remember a lot of this. It was a very different time though.

WAMG: I can remember going to the Mississippi River Festival a couple of times myself, I remember seeing The Little River Band and Dave Mason there. I think those were the only two shows I saw there.

KB: I was talking to someone recently about those days and driving across that old bridge. I think the drinking age over in Illinois was 18 or 19 at that time.

WAMG: I think it was actually 21 for men and 19 for women during much of the ‘70s.

KB: I didn’t remember that. That’s so funny!

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WAMG: SOMETHING IN THE WATER – where does that title come from?

KB: When you see the film, it’s from a comment that Rich Dalton from KSHE made. He was musing about why our city having this great music scene and why so many great musicians come from here and he said “I don’t know. Maybe it’s something in the water”. We don’t really answer the question as to why this all happened here because I don’t know if you can answer it. There were a lot of different variables that came together to make St. Louis a great place to hear music and to be a musician at that time.

WAMG: Were there people you wanted to interview for SOMETHING IN THE WATER that you couldn’t track down?

KB: I discovered that Facebook is a great place to track down people. I probably should have interviewed (KSHE DJs) Ron Stevens and Joy Grdnic. They were really influential. I did 16 or 17 different interviews and you have to stop somewhere. Steve Rosen is someone I would have liked to have interviewed. He was one of the very early KSHE DJ’s. A few other musicians would have been nice but I think we have a good representation.

WAMG: You interviewed Ron ‘Johnny Rabbit’ Elz. Did the controversy about the other Johnny Rabbit come up?

KB: No, but I do know about that. Rich Dalton was talking about that. Someone else came in and tried to bill themselves as Johnny Rabbit.

WAMG: Yeah, someone could make a whole documentary just about that. What are the differences between how KSHE is run today and how it was run in the ‘70s?

KB: I think it’s hugely different. It’s more of a commercial format and highly formatted. Back then it was free-form radio, it was kind of run by the hippies. By the kids for the kids. They were playing the things they liked and that’s why bands would come here and start their concert tours. The DJs would invite them to the station to talk. They had great radio opportunities here. That doesn’t always happen now. It’s a much more corporate world. What Rich Dalton is doing with his KSHE-HD is very similar to the old KSHE, more a free-form format. You can still get that but it’s not on the standard commercial radio anymore.

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WAMG: Do you still attend rock and roll shows?

KB: We do. There was a KSHE event at Jefferson Barracks last year. The Ozark Mountain Daredevils played and I interviewed Mike “Supe” Granda then and it was fun to see them in front of a big crowd like that.

WAMG: What are some of the differences between the concert scene of today compared to that period?

KB: I think the world is more of a different place. There’s much more control over the crowd and stuff like that. It was getting a little excessive at that time. Mississippi River Festival is a case in point. I mean, you could bring in anything. And people did. They brought in tents and barbeque pits and there was pot smoking and drinking. None of that would be done so openly today I don’t think.

WAMG: I can’t recall, was the Mississippi River Festival a free event?

KB: Two dollars!

WAMG: Wow! Yeah, concerts today are so expensive. That’s why I stopped going years ago. Why do you think certain bands, like Mama’s Pride and J.D. Blackfoot, were so popular in St. Louis but not in other cities?

KB: In the documentary we talk about that and it does have a lot to do with KSHE and that station’s influence. Shelly Grafman was the manager for much of the time period that we talk about. During that period, KSHE could make a band. Sammy Hagar, still today, is hugely popular here but not necessarily a lot of other places and that has a lot to do with the fact that KSHE played his music a lot.

WAMG: Do you think KSHE was unique among hard rock stations nationwide or did every city have a KSHE?

KB: Eventually every city had a KSHE. Early on, not necessarily so. That’s discussed in the documentary. Ron Elz went out to San Francisco very early on and heard this album-oriented free-form radio being done by a man named Tom Donahue out there. He’s considered the father of that format and Ron brought it back to St. Louis. KSHE wasn’t making money at the time. The SHE part in the call letters originated because it was supposed to be a women-oriented station and the playing romantic music and that sort of stuff in the early ‘60s and that wasn’t going anywhere and so Ron Elz tried this new format. KSHE was really one of the first, and eventually it caught on everywhere.

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WAMG: Where did you unearth all of the archive footage?

KB: It was really great because KSHE has an online museum. They have tons of photos and interviews with musicians. Anything they own they owned they let us use. Photographers opened up their collections for us. There’s a guy named Bill Parsons who photographed a lot of the concerts at that time. He gave us lots of stuff. And Mississippi River Festival, through a man named Lyle Ward, who’s also in the film, and SIU (Southern Illinois University – on whose campus Mississippi River Festival was held) allowed us to use two documentaries they had shot at the time as well as hundreds of photos from their exhibit. There’s also a guy name John Nieman who wrote a book about KSHE (KSHE and 40 Years of Rock in St. Louis). He lives in Chicago but he gave us some photographs from his book. So people were just super-generous with their materials.

WAMG: I’m not surprised. It seems like a topic ripe for documenting now that we’re all getting in our 50s and have such fond memories of all of this stuff.

KB: Yeah, I think people are in the mood to look back at all of that. People who were teenagers at the time and so many have described the film as really evocative and something that brings back a lot of memories.

WAMG: And it’s so St. Louis! Would you like to make another documentary feature? What is your next project?

KB: I don’t know. I do a lot of freelance work for HEC-TV so I’m always producing things but it tends to be more about visual art and some popular music but not always. I’m thinking about doing something that is sort of an outgrowth of this project on my own. So, we’ll see.

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WAMG: The screening of SOMETHING IN THE WATER is at the Wiley Theater this Sunday.

KB:  Yes, and Steve Scorfina, who was with Pavlo’s Dogs is going to perform a set of music right after the Q&A and he’ll be joined by Mike Saffron, who was the drummer in the original Pavlo’s Dogs and also some members of Steve’s current band.

WAMG: Great. Good luck with the screening and all of your future projects.

KB:  Thank you.