LONE SURVIVOR – The Review

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The battleground has been the backdrop for countless film dramas over the decades. Many of those classics center around a particular showdown, or perhaps a mission. We watch in awe as our heroes plan out their important task and execute those same plans, often having to quickly improvise when an unforseen obstacle arises. But what happens when the unforseen cannot be overcome. Perhaps the truest test of the spirit happens when all goes wrong and the odds are overwhelming. That’s been the inspiration for countless historical epics going back to THE ALAMO and ZULU to the more recent BLACK HAWK DOWN. LONE SURVIVOR uses the current conflict in the Middle East, much as THE HURT LOCKER did, to tell us a true tale of heroism when a 2005 mission went off the rails and a quartet fought for their lives against an unending enemy attack. Yes, there’s drama, action, and just as much suspense as Bigelow’s Oscar winner and the conclusion of ZERO DARK THIRTY combined.

As the film opens, after real footage of seal team in training during the opening credits, we meet the title soldier. Then we backtrack three days to the wee hours of June 27, 2005. As the men of the special operations camp in Afghanistan awake they email their spouses, talk about upcoming nuptials, and engage in an early morning foot race around the base. After an induction ceremony for a “newbie” seal, Kristensen (Eric Bana) gives the word that “Operation Red Wings” is on. A small squad will deploy outside an Afghan village with a mission to capture or kill Ahmad Shah, a high-ranking member of the Taliban who was the mastermind of an ambush that killed several US soldiers. That small squad consists of team leader Michael Murphy (Taylor Kitsch), Danny Dietz (Emile Hirsch), Matt Axelson (Ben Foster), and Marcus Luttrell (Mark Wahlberg). But after deploying to a steep hillside overlooking the village, things don’t go as planned. The surrounding mountain range prevents Dietz from getting a communications signal. Worst of all, the men are soon discovered by several local goat herders. Before they can succeed in contacting the base for reinforcements and a rescue, the foursome are surrounded by countless Taliban forces. Their only choice is to fight and try to survive until help can arrive. Is there any chance against the treacherous terrain and overwhelming odds?

Although the film’s title spoils the outcome, each actor gives such terrific performances as these true life heroes, they make us hope against all reason that they will somehow emerge unscathed. Wahlberg shoulders most  of the film bringing very human qualities to the almost-unstoppable Luttrell. He’s full of calm determination even when the mission begins to fall apart. His struggle to keep from blacking out from pain while being frustrated at attempts to communicate with the locals is heartbreaking. He must not show his confusion while trying to decipher body language in order to know who he can trust. Kitsch is a strong leader who commits himself to keeping his brothers alive and concealing his fears. His early conversations with Wahlberg concerning his soon-to-be-bride’s wedding gift are funny and endearing. Hirsch as Dietz is all youthful exuberance as he fights to find a signal and later summons up his courage as the enemy surprises him. Foster is the cool, level-headed old pro of the group who shows his cynical side when dealing with the herders, but later shows an optimistic side when things go south. Bana is a compassionate, quick thinking and acting leader while Alexander Ludwig is funny and touching as the wide-eyed young addition who burst with pride at the thought of being accepted into this elite brotherhood.

Actor Peter Berg does a masterful job of directing his own adaptation of the celebrated memoir and cements his reputation as a truly gifted film maker. He slows the pace for the opening sequences at the base to give us a glimpse of the often casual tone of non-combat life. The fellas horse around, shoot the breeze, and wait for the word from the top, the word that will put all their training and skills to use. There’s always that slight sense of tension. And then that tension finally spills over on that rocky hillside. We’re looking through their rifle scopes, catching brief flashes of a tunic or scarf. Like the men, we’re not sure where to focus our attention. And when the bullets fly they tear off chunks of flesh and cloth like jet-propeled piranhas. We’re stunned that the squad can push through unimaginable pain. This is especially true during the film’s most harrowing, excruciating sequence when the men have no choice but to hurl themselves down the rocks and trees. Most of all Berg shows us the undefeatable spirit of these men who willingly charge into danger’s path when most of us would scramble for shelter. And all the while sharing a love and respect for their fellow soldiers, their brothers. LONE SURVIVOR is a passionate tribute to all those who serve. Yes, much of it is brutal but it’s ultimately uplifting. This film sets a high standard of excellence that future films set in the current conflict will find very tough to match. Stick around for the end credits to get a look at those real noble warriors who gave their all.

4.5 Out of 5

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Watch Three New Featurettes From Peter Berg’s Excellent LONE SURVIVOR

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Universal Pictures will release director Peter Berg’s superb LONE SURVIVOR in theaters tomorrow, January 10. It’s the first must-watch film of 2014!

Based on The New York Times bestselling true story of heroism, courage and survival, LONE SURVIVOR tells the incredible tale of four Navy SEALs on a covert mission to neutralize a high-level al-Qaeda operative who are ambushed by the enemy in the mountains of Afghanistan.

Faced with an impossible moral decision, the small band is isolated from help and surrounded by a much larger force of Taliban ready for war. As they confront unthinkable odds together, the four men find reserves of strength and resilience as they stay in the fight to the finish.

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The studio has released three fascinating behind-the-scenes featurettes from the set of LONE SURVIVOR.

Take a look at the cast’s advanced training and learn more about the special weapons and military equipment that were used in the film, featuring interviews from writer/director Peter Berg and Marcus Luttrell, along with the cast and crew.

Check out this interesting infographic highlighting the elite individuals who have the courage and strength to become a Navy SEAL. 

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MARK WAHLBERG (The Fighter, Contraband) leads the cast as Marcus Luttrell, the author of the first-person memoir “Lone Survivor,” whose book has become a motivational resource for its lessons on how the power of the human spirit is tested when we are pushed beyond our mental and physical limits.

Starring alongside Wahlberg as the other members of the elite team who gave everything for their brothers-in-arms are TAYLOR KITSCH (Savages, Friday Night Lights) as Michael Murphy, EMILE HIRSCH (Into the Wild, television’s Bonnie and Clyde) as Danny Dietz and BEN FOSTER (3:10 to Yuma, Kill Your Darlings) as Matthew “Axe” Axelson. ERIC BANA (Star Trek, Hanna) joins the core team as Erik Kristensen, their commanding officer in Afghanistan.

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With the exception of Luttrell, all were killed June 28, 2005, by enemy forces while supporting Operation Red Wings.

LONE SURVIVOR is written and directed by Peter Berg, who again crafts a striking portrait of the unbreakable bonds between men that he first explored in Friday Night Lights.

I have seen the film twice now and I can tell you it’s something you want to experience on the big screen. Berg truly respects and honors these men with a realistic, timeless and isolated portrait of the sacrifices that one small band of warriors made… and how one survived to tell their tale.

SEAL Lt. Michael P. Murphy Is Killed During A Reconnaissance Mission In Operation Red Wing
Photo Credit: Universal Pictures  Copyright: © 2013 Universal Studios.

Navy SEALs operating in Afghanistan in support of Operation Enduring Freedom.

(L to R) Sonar Technician (Surface) 2nd Class MATTHEW G. AXELSON, of Cupertino, California; Senior Chief Information Systems Technician DANIEL R. HEALY, of Exeter, New Hampshire; Quartermaster 2nd Class JAMES SUH, of Deerfield Beach, Florida; Hospital Corpsman 2nd Class MARCUS LUTTRELL; Machinist’s Mate 2nd Class ERIC S. PATTON, of Boulder City, Nevada; and Lt. MICHAEL P. MURPHY, of Patchogue, New York pose in Afghanistan.

A total of 11 SEALs and 8 soldiers perished on that mountain. This day is forever marked in our history, as it became the biggest single loss of life for Naval Special Warfare forces since World War II, until August 6, 2011, when a U.S. Boeing CH-47 Chinook military helicopter was shot down in Afghanistan and 30 U.S. military personnel and 8 Afghans were killed.

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Lone Survivor

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Win Tickets To The Advance Screening Of RIDE ALONG In St. Louis

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Kevin Hart and Ice Cube lead the lineup in RIDE ALONG, the new film from the director and the producer of the blockbuster comedy Think Like a Man. When a fast-talking guy joins his girlfriend’s brother—a hot-tempered cop—to patrol the streets of Atlanta, he gets entangled in the officer’s latest case. Now, in order to prove that he deserves his future bride, he must survive the most insane 24 hours of his life.

For the past two years, high-school security guard Ben (Hart) has been trying to show decorated APD detective James (Cube) that he’s more than just a video-game junkie who’s unworthy of James’ sister, Angela (Tika Sumpter). When Ben finally gets accepted into the academy, he thinks he’s earned the seasoned policeman’s respect and asks for his blessing to marry Angela.

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Knowing that a ride along will demonstrate if Ben has what it takes to take care of his sister, James invites him on a shift designed to scare the hell out of the trainee. But when the wild night leads them to the most notorious criminal in the city, James will find that his new partner’s rapid-fire mouth is just as dangerous as the bullets speeding at it.

John Leguizamo and Laurence Fishburne join the cast of the action-comedy directed by Tim Story. RIDE ALONG is produced by Will Packer (Think Like a Man), alongside Ice Cube, Matt Alvarez (Barbershop) and Larry Brezner (Good Morning, Vietnam).

From Universal Pictures, RIDE ALONG opens in theaters nationwide January 17th.

WAMG invites you to enter for your chance to receive a pass (Good for 2) to the advance screening of RIDE ALONG –  Tuesday, January 14 at 7PM in St. Louis.

Answer the following:

What is Kevin Hart’s birthday, where was he was born and the name of his 2011 comedy tour.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. ENTER YOUR NAME AND ANSWER IN OUR COMMENTS SECTION BELOW.

3. YOU MUST SUBMIT THE CORRECT ANSWER TO OUR QUESTION ABOVE TO WIN. NO PURCHASE NECESSARY.

The film is rated PG 13.

RIDE ALONG on the web – #RIDEALONG

Visit the official website

Follow RIDE ALONG on Facebook  / Twitter / Instagram / Tumblr / Google+

Subscribe on YouTube

Ride Along

Zac Efron, Miles Teller and Michael B. Jordan Talk THAT AWKWARD MOMENT In New Featurette

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Did you catch the People’s Choice Awards last night on CBS? If you watched, you probably saw Zac Efron, Miles Teller and Michael B. Jordan presenting the award for Favorite Comedic Movie.

The three star in the upcoming R-rated comedy, THAT AWKWARD MOMENT, about three best friends who find themselves where we’ve all been– at that confusing “moment” in every dating relationship when you have to decide “So… where is this going?”

Written and directed by Tom Gormican, Efron, Jordan and Teller talk about the “so moment” in this new featurette.

Efron and Miles Teller play best friends Jason and Daniel, perennially unattached players for whom the nightclubs and cafes of lower Manhattan are a happy hunting ground, full of beautiful and ambitious young women. When their longtime friend Mikey, played by Michael B. Jordan, splits with his wife, Jason and Daniel welcome him back to the pack enthusiastically.

Mikey’s reluctance to dive back into the dating pool moves Jason to propose a pact between the three friends. The inspiration for their agreement came from a truly classic comedy.

“I remembered a Shakespeare play called Love’s Labour’s Lost,” Gormican says. “In the story, a group of guys decide to swear off women, but then they all meet girls and they start lying to each other about it. I thought it was an interesting idea that could be updated really effectively. When Mikey gets dumped, instead of saying, that’s terrible, his friends say great, you’ve come back to us. Come into our world. This is the place to be. And they make this pact not to get emotionally involved with any of the women they hook up with.”

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Zac Efron and director, Tom Gormican, on the set of THAT AWKWARD MOMENT

THAT AWKWARD MOMENT co-stars Imogen Poots and Jessica Lucas.

The film will be in theaters January 31, 2014.

Official Site: www.JustGetHorizontal.com
Facebook: www.facebook.com/ThatAwkwardMo­mentMovie
Twitter: @SoVeryAwkward
http://instagram.com/thatawkwardmomentmovie

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1976 : Hunt v Lauda – The Review

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Even if you aren’t into Formula One racing, 1976 : HUNT V LAUDA is a captivating documentary that takes us inside one of racings biggest rivalries.

James Hunt has never been equaled. Could swashbuckling Hunt catch the scientific Lauda? Could Niki overcome an appalling crash to come back from the dead and fight James all the way to the last race of the season?

This powerful story captures the heart of the 1970s – told through unseen footage and exclusive interviews with the people who were really there – the team managers, families, journalists and friends who were in the front row of the season that changed Formula 1 forever.

The film, originally aired on the BBC, focuses on drivers Niki Lauda and James Hunt. The two battled every step of the way during their season, both on the track and in the courtroom. The two were so competitive that there were constant accusations of cheating. Even after a near fatal car crash on the track, Niki Lauda only missed two races (six weeks) before getting back on the track. A priest came to his bed side to read him his last rites, and he still pushed through all of the pain from his burns and injuries so that he could jump back in the saddle. Talk about dedication!

Four decades later, team members from both sides share their opinions on that unforgettable season. It’s clear to see that there are still some hard feelings, as both sides radiate a bit of bitterness in their interviews. Still, everyone puts forth a valiant effort to their bias aside so that they can tell a truthful story. They also include interviews from Sally Hunt, James’ sister. The most interesting interviews come from Niki Lauda, since he is one of the main subjects. Unfortunately, James Hunt passed away from a heart attack in 1993, at the age of 45.

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Despite the growing competition between the men, the two did have a bit of a friendship underneath, and the film does a great job of mentioning that. The two would even “go to the pub” together, a Lauda mentioned at one point in the film. It’s important for viewers to see that despite all of the drama, these two legends were still human. Even touching on the positive aspects of their relationship brings a bit of humility to their rivalry.

My only complaint about the film is that it is only 48minutes, so I kind of feel like there is more to this story that was left out due to time. As someone who does not follow racing, or know much about it, I still felt like the film could have easily been another 30-45 minutes longer in order to dive a little deeper, or to tell a few more tales. For example, I would have liked to have seen little more background information about Lauda and Hunt. (What can I say? I like character development!)

1976 : HUNT V LAUDA is an interesting look at the passion behind mankind’s love for machines, and just how far one will go to be on top.

OVERALL RATING : 4 out of 5 stars

HUNT V LAUDA

FOR MORE INFO:

REVOLVER ENTERTAINMENT FACEBOOK : https://www.facebook.com/RevolverEntertainmentUSA

 TWITTER : https://twitter.com/revolverus

Get your copy of 1976 : HUNT V LAUDA at AMAZON:  http://www.amazon.com/1976-Hunt-v-Lauda-Niki/dp/B00H2WIXY4/ref=sr_1_2?ie=UTF8&qid=1387413176&sr=8-2&keywords=hunt+v+lauda

1976 : HUNT V LAUDA is on DVD and VOD now

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THE ADVENTURES OF ROBIN HOOD Playing Saturday Morning at The Hi-Pointe

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“Welcome to Sherwood, my lady!”

CAPTAIN BLOOD may have made Errol Flynn a star but his role as the fit, cocky hero Robin Hood made him an immortal, and is no doubt his most remembered role. Actually, THE ADVENTURES OF ROBIN HOOD was originally intended as a project for Jimmy Cagney, but when Errol became a star they knew he was made for the role. Warner Brothers really went all out on this one – period costumes, glorious Technicolor, (it looks like it could have been made yesterday – yet it was over 75 years ago!), a cast of thousands, mind blowing sets and much, much more! This movie, of course, is about the man who steals from the rich and gives to the poor: the handsome, young chap named Robin Hood who creates a lot of trouble around Sherwood! Trouble arises when Prince John (Claude Rains) takes advantage of King Richard’s absence to tax the country into poverty but meets his match in Robin Hood and his band of Merry Men! The color cinematography is purely masterful – take the climatic, exciting fight scene towards the end. The use of shadows and light is very clever and unusual. The acting is excellent too, with great performances from all with Olivia de Havilland especially wonderful as Maid Marion.

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If you want to have a memorable cinematic experience then I strongly suggest seeing THE ADVENTURES OF ROBIN HOOD on a big screen. And lucky St. Louisans will have the opportunity this Saturday morning, January 11th, when it plays at the Hi-Pointe Theater (1005 McCausland Ave., St. Louis, MO 63117). Doors open at 10am and the movie begins at 10:30.

Admission is just $5

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The Hi-Pointe’s site can be found HERE
http://hi-pointetheatre.com/

Check out this vintage trailer for THE ADVENTURES OF ROBIN HOOD

 

LONE SURVIVOR : Prizepack Giveaway

Lone Survivor

Universal Pictures’ upcoming action/drama LONE SURVIVOR with Mark Wahlberg, Taylor Kitsch & Emile Hirsch is about to be  released into theaters everywhere, and to celebrate WAMG is giving away a LONE SURVIVOR prizepack.

Based on The New York Times bestselling true story of heroism, courage and survival, Lone Survivor tells the incredible tale of four Navy SEALs on a covert mission to neutralize a high-level al-Qaeda operative who are ambushed by the enemy in the mountains of Afghanistan. Faced with an impossible moral decision, the small band is isolated from help and surrounded by a much larger force of Taliban ready for war. As they confront unthinkable odds together, the four men find reserves of strength and resilience as they stay in the fight to the finish.

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TO ENTER:

1. YOU MUST BE A U.S. RESIDENT WITH A U.S. SHIPPING ADDRESS. NO P.O. BOXES.

2. PLACE YOUR NAME, A VALID EMAIL, AND ANSWER TO THE QUESTION BELOW IN THE COMMENT SECTION OF THIS POST.

3. WHAT IS YOUR FAVORITE MARK WAHLBERG, TAYLOR KITSCH, EMILE HIRSCH, OR BEN FOSTER MOVIE?

WINNERS WILL BE CHOSEN THROUGH A RANDOM DRAWING OF QUALIFYING CONTESTANTS. NO PURCHASE NECESSARY. PRIZES WILL NOT BE SUBSTITUTED OR EXCHANGED.

Lone Survivor

Mark Wahlberg stars as Marcus Luttrell, the author of the first-person memoir “Lone Survivor,” whose book has become a motivational resource for its lessons on how the power of the human spirit is tested when we are pushed beyond our mental and physical limits. Starring alongside Wahlberg as the other members of the SEAL team are Taylor Kitsch, Emile Hirsch and Ben Foster.

Lone Survivor is written and directed by Peter Berg, who again crafts a striking portrait of the unbreakable bonds between men that he first explored in Friday Night Lights.

Lone Survivor

FOR MORE INFO:

WEBSITE: http://www.lonesurvivorfilm.com/

FACEBOOK: https://www.facebook.com/lonesurvivorfilm

TWITTER: https://twitter.com/lonesurvivorusa

INSTAGRAM: http://instagram.com/LoneSurvivorFilm

LONE SURVIVOR is in LA AND NY Theaters Now, and is released everywhere January 10

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19 Scientific And Technical Achievements To Be Honored With Academy Awards

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The Academy of Motion Picture Arts and Sciences today announced that 19 scientific and technical achievements represented by 52 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation on Saturday, February 15, at The Beverly Hills Hotel.

In addition, visual effects supervisor and director of photography Peter W. Anderson will receive the Gordon E. Sawyer Award (an Oscar® statuette) for technological contributions that have brought credit to the industry.  Post-production and distribution executive Charles “Tad” Marburg will receive the John A. Bonner Medal of Commendation for outstanding service and dedication in upholding the high standards of the Academy.

For the first time in the history of the Scientific and Technical Awards, a large number of individuals, collectively, will be recognized with an Academy Award® of Merit (an Oscar statuette). The award is dedicated to “all those who built and operated film laboratories, for over a century of service to the motion picture industry.”

“This year’s honorees have in a myriad of ways enabled today’s moviegoing experience,” said Richard Edlund, Academy Award-winning visual effects artist and Scientific and Technical Awards Committee Chair. “Their efforts have advanced not only the art and science of motion pictures, but the work of countless global industries.”

Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2013. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.

The Academy Awards for scientific and technical achievements are:

TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES)

To Olivier Maury, Ian Sachs and Dan Piponi for the creation of the ILM Plume system that simulates and renders fire, smoke and explosions for motion picture visual effects.
The unique construction of this system combines fluid solving and final image rendering on the GPU (Graphics Processing Unit) hardware without needing an intermediate step involving the CPU. This innovation reduces turnaround time, resulting in significant efficiency gains for the ILM effects department.

To Ronald D. Henderson for the development of the FLUX gas simulation system.
The use of the Fast Fourier Transform for solving partial differential equations allows FLUX a greater level of algorithmic efficiency when multi-threading on modern hardware. This innovation enables the creation of very high-resolution fluid effects while maintaining fast turnaround times.

To Andrew Camenisch, David Cardwell and Tibor Madjar for the concept and design, and toCsaba Kohegyi and Imre Major for the implementation of the Mudbox software.
Mudbox provides artists powerful new design capabilities that significantly advance the state of the art in multi-resolution digital sculpting for film production.

To Martin Hill, Jon Allitt and Nick McKenzie for the creation of the spherical harmonics-based efficient lighting system at Weta Digital.
The spherical harmonics lighting pipeline precomputes and reuses a smooth approximation of time-consuming visibility calculations. This enables artists to quickly see the results of changing lights, materials and set layouts in scenes with extremely complex geometry.

To Florian Kainz, Jeffery Yost, Philip Hubbard and Jim Hourihan for the architecture and development of the Zeno application framework.
For more than a decade, Zeno’s flexible and robust design has allowed the creation of a broad range of Academy Award-winning visual effects toolsets at ILM.

To Peter Huang and Chris Perry for their architectural contributions to, and to Hans Rijpkemaand Joe Mancewicz for the core engineering of, the Voodoo application framework.
For more than a decade, Voodoo’s unique design concepts have enabled a broad range of character animation toolsets to be developed at Rhythm & Hues.

To Matt Pharr, Greg Humphreys and Pat Hanrahan for their formalization and reference implementation of the concepts behind physically based rendering, as shared in their bookPhysically Based Rendering.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. First published in 2004, Physically Based Rendering is both a textbook and a complete source-code implementation that has provided a widely adopted practical roadmap for most physically based shading and lighting systems used in film production.

To Dr. Peter Hillman for the long-term development and continued advancement of innovative, robust and complete toolsets for deep compositing.
Dr. Hillman’s ongoing contributions to standardized techniques and a common deep image file format have enabled advanced compositing workflows across the digital filmmaking industry.

To Colin Doncaster, Johannes Saam, Areito Echevarria, Janne Kontkanen and Chris Cooper for the development, prototyping and promotion of technologies and workflows for deep compositing.
Their contributions include early advancements in key deep compositing features such as layer and holdout-order independence, spatial and intra-element color correction, post-render depth of field, and precise blending of complex layer edges.

To Thomas Lokovic and Eric Veach for their influential research and publication of the fundamental concepts of deep shadowing technology.
Providing a functional and efficient model for the storage of deep opacity information, this technology was widely adopted as the foundation of early deep compositing pipelines.

To Gifford Hooper and Philip George of HoverCam for the continuing development of the Helicam miniature helicopter camera system.
The current Helicam system is a high-speed, extremely maneuverable, turbine-engine, radio-controlled miniature helicopter that supports professional film and digital cinema cameras. Helicam provides a wide range of stabilized, remotely operated pan, tilt and roll capabilities, achieving shots impossible for full-size helicopters.

To John Frazier, Chuck Gaspar and Clay Pinney for the design and development of the Pneumatic Car Flipper.
This self-contained high-pressure pneumatic device safely launches a stationary full-sized car on a predetermined trajectory. The precision of operation enhances the safety of performers, and the physical design allows a rapid setup and strike.

To Joshua Pines, David Reisner, Lou Levinson, Curtis Clark, ASC, and David Register for the development of the American Society of Cinematographers Color Decision List technology.
The ASC CDL unifies color correction principles for use on- and off-set, providing for the faithful reproduction of color values across a variety of color correction devices. This technology provides basic image-processing mathematics that translate the lift, gamma and gain settings to a set of common color values to help preserve the cinematographer’s intent throughout production.

To Jeremy Selan for the development of the OpenColorIO color management framework.
OpenColorIO is an open source framework that enables consistent color visualization of motion picture imagery across multiple facilities and numerous software applications.

SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)

To Ofer Alon for the design and implementation of the ZBrush software tool for multi-resolution sculpting of digital models.
ZBrush pioneered multi-resolution digital sculpting, transforming how artists conceive and realize their final designs. ZBrush has enabled artists to create models far more quickly and with much greater detail than previous approaches.

To Eric Veach for his foundational research on efficient Monte Carlo path tracing for image synthesis.
Physically based rendering has transformed computer graphics lighting by more accurately simulating materials and lights, allowing digital artists to focus on cinematography rather than the intricacies of rendering. In his 1997 Ph.D. thesis and related publications, Veach formalized the principles of Monte Carlo path tracing and introduced essential optimization techniques, such as multiple importance sampling, which make physically based rendering computationally feasible.

To Andre Gauthier, Benoit Sevigny, Yves Boudreault and Robert Lanciault for the design and implementation of the FiLMBOX software application.
FiLMBOX, the foundation of MotionBuilder, enables the real-time processing and control of devices and animation. For over two decades, its innovative architecture has been a basis for the development and evolution of new techniques in filmmaking, such as virtual production.

To Emmanuel Prevenaire, Jan Sperling, Etienne Brandt and Tony Postiau for their development of the Flying-Cam SARAH 3.0 system.
This battery-powered, radio-controlled, miniature helicopter camera system employs computer-assisted piloting and tele-operation in an airframe that utilizes GPS-assisted flight controls for aerial filming of unparalleled sophistication. Flying-Cam SARAH achieves shots impossible for full-size helicopters, cable systems or other traditional camera support devices.

ACADEMY AWARD® OF MERIT (OSCAR® STATUETTE)

To all those who built and operated film laboratories, for over a century of service to the motion picture industry.
Lab employees have contributed extraordinary efforts to achieve filmmakers’ artistic expectations for special film processing and the production of billions of feet of release prints per year. This work has allowed an expanded motion picture audience and unequaled worldwide cinema experience.

GORDON E. SAWYER AWARD (OSCAR STATUETTE)
Peter W. Anderson 
Presented to an individual in the motion picture industry whose technological contributions have brought credit to the industry.

JOHN A. BONNER MEDAL OF COMMENDATION (MEDALLION)
Charles “Tad” Marburg
Presented in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

Portions of the Scientific and Technical Awards Presentation will be included in the Oscar telecast.

Academy Awards® for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC.

LAKE WINDFALL – The Review

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Five longtime buddies go off on an adventure-filled camping trip at a Missouri lake. Things start off fun, but there is soon tension in the air. The men begin to bicker, there’s a gun, and not all will survive to see Monday. If this sounds like a familiar premise done countless times before, you’d be right but I guarantee you’ve never seen anything quite like LAKE WINDFALL, a poorly written but strikingly filmed, capably acted and endearingly odd horror entry from deaf filmmaker Roger Vass that takes a startling, unpredictable turn about halfway through that has to be seen to be believed. With a small cast and an even more minimal amount of dialogue, LAKE WINDFALL drops us smack dab in the middle of a camping vacation gone horribly, horribly wrong. Yet instead of monsters and mediocrity, the film is a thinking deaf man’s bonanza. The fear derives not from cranky critters or killers, but from the deaf community’s desire to be accepted and what that means, or should mean, to the whole of humanity. And the warning is very disturbing indeed.

Three of the five campers in LAKE WINDFALL are deaf (or at least in various stages of hearing impairedness) and the entire film is told in sign language (and subtitles in addition to spoken dialog). On the surface, the plot is rather basic. Drew (Alex Laferriere) is the hearing son of deaf parents and is using the weekend to try to bond with his deaf brother Matt (Christopher B. Corrigan), after his wife has driven a wedge between him and his family (“Your family’s beneath you!” she actually says while sporting lingerie in the film’s opening scene “it’s embarrassing when we’re out in public”). Jake (Jason Hicks) is a deaf friend of the brothers and is introduced having a heated discussion with his mom over a video relay service (VRS) for the deaf on his iPad. Nerdy Cliff (Timothy Dillard) is hard of hearing and is just learning sign language. Keith (Will Sanders) is a friend of Matts who hears just fine but gets quickly annoyed with the others, especially after they teach him to sign his new nickname – ‘penis’. The five drink beer, get on each other’s nerves, and share their feelings about the ups and downs of deafness, getting into a discussion about ‘Audism’ the notion that one is superior based on one’s ability (or inability) to hear. According to this film, it’s most often the “hearing” people who discriminate against the deaf but Audism can occur the other way around.

The first half of LAKE WINDFALL focuses on the interactions between the deaf and the hearing. There are some minor revelations (Matt informs Drew their mother has breast cancer), but the viewer soon begins to wonder where the film is going. The writing in these scenes is unpolished and awkwardly-scripted, as though it were a hastily-written first draft, but the lack of finesse manages to lend the film a disquieting, dreamlike atmosphere. The next morning, Drew and Keith take a boat out to fish, while the others grab Jake’s rifle and shoot some cans. Jake comes across a deer in the woods and decides to shoot it, but just as he is about to pull the trigger, something happens and he and the others are flung to the ground. This is where LAKE WINDFALL takes its extraordinary, unexpected turn. It’s not a machete-wielding killer or an ‘animals attack’ twist that the group encounters, but an apocalyptic, cataclysmic event, later identified as ‘Soundfall’. The world has suddenly become deaf! Disarray and chaos ensue, and as time passes for the protagonists, the sunny, picturesque woodsy setting, flourishing with flora and fauna, gradually becomes darker, moodier and more threatening. We feel the landscape shifting around these men in an unsettling way. The soundtrack on the film is suddenly reduced to a few moody effects and all dialog becomes silent. There are confrontations with others and a couple of murders. Capturing a tangible sense of dread, LAKE WINDFALL (I’m not sure why the film wasn’t titled SOUNDFALL) is infused with sporadic bursts of style under Roger Voss’s capable direction. Much of the voyeuristic camerawork tends to be from the ground up, as though from the point-of-view of lurking critters – so that the wilderness locations, for all their natural beauty, seem to brim with the tension of unbearable foreboding. The cinematography by Ruan De Plessis is crisp and detailed, with much of the atmosphere provided by the locations and cinematography rather than cheap scares. The film ends with the President of the United States explaining the fallout of ‘Soundfall’ and thanking the deaf community for saving the world in a speech so bizarre and artlessly written that it becomes a thing of surreal beauty: “The most disastrous thing that happened to us is that our ears were destroyed…..we could only communicate through the printed word, which was cumbersome…..without sign language, we would still be struggling to get out of the dark ages…..today, we have never seen world peace as much as we are seeing today”. LAKE WINDFALL, which played recently at the St. Louis International Film Festival, is full of these moments that are genuinely beyond any kind of rationalization, lending the film an air of eerie irresolution and I highly recommend seeking it out.

Read my interview (conducted before I had a chance to see the film) with Roger Vass, the writer and director of LAKE WINDFALL HERE
https://www.wearemoviegeeks.com/2013/11/wamg-interview-roger-vass-director-lake-windfall-sliff-2013/

ROBOCOP Omnicorp Video Discusses How “Man And Machine Will Become One”

Joel Kinnaman stars in Columbia Pictures' "Robocop."

In ROBOCOP, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology.  Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America.  Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it.

When Alex Murphy (Joel Kinnaman) – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured in the line of duty, OmniCorp sees their chance to build a part-man, part-robot police officer.

OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.

Michael Keaton

Joel Kinnaman;Jackie Earle Haley

Joel Kinnaman;Abbie Cornish

Joel Kinnaman;Gary Oldman

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The film stars Joel Kinnaman, Michael Keaton, Gary Oldman, Samuel L. Jackson Abbie Cornish, Jackie Earle Haley, Michael K. Williams, Jay Baruchel, Jennifer Ehle, and Marianne Jean-Baptiste

ROBOCOP will be in theaters in IMAX on February 12, 2014.

robocop.com

https://www.facebook.com/RoboCop

https://twitter.com/RoboCop

https://twitter.com/OmnicorpPR

This film has been rated PG-13 by the MPAA for the following reasons: Intense sequences of action including frenetic gun violence throughout, brief strong language, sensuality and some drug material.

PHOTOS BY: Kerry Hayes. © 2013 Columbia Pictures Industries, Inc. and Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.

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