Bruce Willis Stars In MGM’s First Trailer For Eli Roth’s DEATH WISH

Metro-Goldwyn-Mayer Pictures have released the first trailer for director Eli Roth’s reimagining of the classic 1974 revenge thriller DEATH WISH.

The original film starred Charles Bronson and it became his most famous role when he was age 52. He played Paul Kersey, a successful New York architect who turns into a crime-fighting vigilante after his wife is murdered and his daughter sexually assaulted. This successful movie spawned various sequels over the next two decades, all starring Bronson. (Trailer)

Updated from the original novel by Brian Garfield, director Eli Roth  and screenwriter Joe Carnahan’s (The Grey, Narc) bring the latest version:

Dr. Paul Kersey (Bruce Willis) is a surgeon who only sees the aftermath of Chicago violence when it is rushed into his ER – until his wife (Elisabeth Shue) and college-age daughter (Camila Morrone) are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts his family’s assailants to deliver justice. As the anonymous slayings of criminals grabs the media’s attention, the city wonders if this deadly vigilante is a guardian angel or a grim reaper. Fury and fate collide in the intense, action-thriller DEATH WISH.

Paul Kersey becomes a divided person: A man who saves lives, and a man who takes them; a husband and father trying to take care of his family, and a shadowy figure fighting Chicago crime; a surgeon extracting bullets from suspects’ bodies, and the vigilante called “The Grim Reaper” who detectives are quickly closing in on.

DEATH WISH also stars Vincent D’Onofrio (The Magnificent Seven, TV’s Daredevil and Law & Order: Criminal Intent), Elisabeth Shue (Leaving Las Vegas), Camila Morrone, Dean Norris (Breaking Bad) and Kimberly Elise (The Great Debaters). It’s a knife’s-edge portrayal that challenges our assumptions, and pushes our buttons.

By bringing the complex psychology of Brian Garfield’s book up-to-the-moment and injecting new thrills and a stark, unflinching look at the American psyche in 2017, Eli Roth and DEATH WISH brings audiences to the height of unforgettable suspense.

A Metro-Goldwyn-Mayer Pictures production, DEATH WISH is set for release on November 22, 2017.

It will be distributed in the U.S. by APR and internationally by Metro-Goldwyn-Mayer Pictures. DEATH WISH stars Bruce Willis, Vincent D’Onofrio, Elisabeth Shue, Camila Morrone, Dean Norris, Kimberly Elise. 

Directed by Eli Roth. Screenplay by Joe Carnahan, based on the 1974 Motion Picture by Wendell Mayes from the Novel by Brian Garfield. Producer, Roger Birnbaum. Associate Producer, Stephen J. Eads. Executive Producer, Ilona Herzberg. Director of Photography, Rogier Stoffers. Edited by Mark Goldblatt. Music by Ludwig Göransson. Production Design by Paul Kirby. Costume Design by Mary Jane Fort.

AMBI Pictures To Remake Christopher Nolan’s MEMENTO

memento

Andrea Iervolino and Monika Bacardi’s AMBI Pictures will finance and produce a remake of Christopher Nolan’s iconic, twist-laden film MEMENTO.

Writer/director Christopher Nolan adapted MEMENTO from a short story by his brother Jonathan Nolan titled “Memento Mori”, and the unusual, neo-noir psychological thriller took audiences by storm upon release in 2000 and has since achieved cult hit status with a fervent following.

Starring Guy Pearce, Carrie-Anne Moss, and Joe Pantoliano, MEMENTO was lauded for its nonlinear narrative structure and motifs of memory, perception, grief, and self-deception. The film was a box office success and received numerous accolades, including Academy Award nominations for Best Original Screenplay and Best Film Editing.

Nolan’s original MEMENTO follows Leonard (played by Guy Pearce) who is tracking down the man who raped and murdered his wife. The difficulty, however, of locating his wife’s killer is compounded by the fact that he suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he’s going, or why.

The movie was presented as two different sequences of scenes interspersed during the film: a series in black-and-white that is shown chronologically, and a series of color sequences shown in reverse order (simulating in the audience the mental state of the protagonist, who suffers from a anterograde amnesia).The two sequences “meet” at the end of the film, producing one complete and cohesive narrative.

AMBI took ownership of MEMENTO remake rights when the company acquired the Exclusive Media Group film library, which housed “Memento,” as well as 400 additional critical hits, commercial blockbusters and cult favorites such as “Begin Again,” “Cruel Intentions,” “Donnie Darko,” “End of Watch,” “Ides of March,” “Hit & Run,” “The Mexican,” “Parkland,” “Rush,” “Sliding Doors,” “Snitch,” “Undefeated” and “The Way Back,” to name a few.

The EMG library acquisition was followed by the launch of AMBI’s new $200 million film fund last week. Monika Bacardi and Andrea Iervolino are anchor investors in the fund along with New York based private equity firm Raven Capital Management LLC (“Raven”).

This series of strategic moves led to AMBI greenlighting MEMENTO as its newest feature production.

Said Iervolino, “’Memento’ has been consistently ranked as one of the best films of its decade. People who’ve seen ‘Memento’ 10 times still feel they need to see it one more time. This is a quality we feel really supports and justifies a remake. The bar is set high thanks to the brilliance or Christopher Nolan, but we wouldn’t want it any other way.”

Iervolino added, “Our acquisition of the EMG library reinforced our commitment to build a strong global studio with a strong pipeline of commercial films that can play to a worldwide audience. Bringing a new ‘Memento’ to audiences is an initial example of how we intend to execute this strategy.”

Monika Bacardi added, “’Memento’ is a masterpiece that leaves audiences guessing not just throughout the film, but long after as well, which is a testament to its daring approach. We intend to stay true to Christopher Nolan’s vision and deliver a memorable movie that is every bit as edgy, iconic and award-worthy as the original. It’s a big responsibility to deliver something that lives up to the mastery of the original, but we are extremely excited and motivated to bring this puzzle back to life and back into the minds of moviegoers.”

Among the films currently on AMBI’s film slate are James Franco’s In Dubious Battle, featuring an ensemble cast that includes Franco, Nat Wolff, Selena Gomez, Vincent D’Onofrio, Robert Duvall, Ed Harris, Bryan Cranston, Josh Hutcherson, Zach Braff and Sam Shepherd; the 3D CGI family animated film Arctic Justice: Thunder Squad, featuring the voices of John Cleese, Alec Baldwin, James Franco, Angelica Huston and Heidi Klum; Septembers of Shiraz, starring Salma Hayek and Adrien Brody; the contemporary fairy tale This Beautiful Fantastic starring Jessica Brown Findlay and Tom Wilkinson; the animated feature Groove Tails, starring Jamie Foxx and directed by Cameron Hood; a homage to Federico Fellini’s classic film La Dolce Vita; the sci-fi thriller Rupture starring Noomi Rapace, Michael Chiklis and Peter Stormare; the psychological thriller Lavender starring Abbie Cornish and Dermot Mulroney; the romantic comedy All Roads Lead to Rome, starring Sarah Jessica Parker; Barry Levinson’s acclaimed drama The Humbling, starring Al Pacino; and the sci-fi action thriller Andron: The Black Labyrinth, starring Alec Baldwin and Danny Glover, among several others.

Over-The-Top EVIL DEAD Redband Trailer Will Consume You


©2012 TriStar Pictures, Inc. All rights reserved.

I hope you’ve had your supper. Jane Levy stars in the full red band (and bloody) trailer for TriStar Pictures’ horror EVIL DEAD. In the much anticipated remake of the 1981 cult-hit horror film, five twenty-something friends become holed up in a remote cabin. When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival. Prepare to squirm.

Go to daretoshareyourscare.com & record your reaction now.

The cast also includes Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, and Elizabeth Blackmore. From the creators of the horror classic, Rob Tapert, Sam Raimi, and Bruce Campbell, EVIL DEAD will be in theaters April 12, 2013.

Visit the film’s website: http://www.evildead-movie.com/

Like on Facebook: https://www.facebook.com/evildead

Follow on Twitter: https://twitter.com/evildead

RED DAWN – The Review

If you’re anything like me, the first thought in your head when you heard about the remake of the 1984 classic RED DAWN was to shrug it off thinking “whatever.” Then, as the film is completed and nearing release, we hear that instead of being invaded by the Russians like the original — which is entirely understandable — or, as a way to update the story, invaded by the Chinese, which was the original plan, it turns out we’re being invaded by North Korea. Exactly. My first thought was… [scoff] “Yeah, right. How does that work?”

[Biting my tongue…] As it turns out, it works rather well. Surprised? I am. RED DAWN (2012) is, structurally, more or less loosely the same film as the 1984 original. I mean, when it comes down to brass tacks, both films are about the U.S. being caught off guard by a surprise invasion from a Communist enemy, occupied, then ultimately saved by a band of unlikely heroes. The difference is in the details. Instead of the Soviet Union, we’re invaded by North Korea… but, with some help from a couple of all-too-familiar [and previously mentioned] forces with a common goal. Nonetheless, the U.S. initially gets its ass handed to them, making the struggle to fight back all the more exciting.

Dan Bradley directs this modern retelling of the Cold War classic. Bradley is a stunt man with an extensive resume, stepping behind the camera as director for the first time. Its my theory that his time spent throwing punches, dodging bullets and taking falls are a significant factor in establishing the kind of realistic, modestly-paced action we get in RED DAWN. The film opens on a local high school football game, featuring the hometown Wolverines — from which the soon-to-be-realized American rebels get their name — and sets up the character profile for one of our two main heroes.

Josh Peck (THE WACKNESS) plays the star high school quarterback with an attitude, Matt Eckert, who must overcome his own selfishness and realize that in order to survive — ironically — he must learn to be a team player. Chris Hemsworth (THOR, THE AVENGERS) plays Matt’s older brother Jed, the more responsible of the two and a Marine on leave. Isabel Lucas (IMMORTALS) plays Erica, Matt’s sweetheart who is both the driving force for Matt’s fight against the invaders and the potential undoing of their small band of freedom fighters.

RED DAWN spends just enough time introducing characters and setting up back story, then throws the viewer head first into the invasion. The title of the film is no random choice, as the Communist, or “Red” invaders parachute from a legion of bombers into the Pacific Northwest. In our case, we witness what unfolds in Spokane, Washington as Matt and Jed wake to find North Korean soldiers have quickly taken control of their town, complete with fully armed soldiers, military vehicles and a barrage of exploding houses throughout the neighborhood. What little CGI is visibly present in this film, appears during the initial takeover, but is done so with a sense of holding back, not to exceed any suspension of disbelief, but actually causes a noticeable sense of dread and patriotism in the viewer.

As the viewer becomes attached to certain characters and distrustful of others, the film leads us through this devastating turn of events without ever sensationalizing them. RED DAWN is a violent, sometimes graphic film, but is never gratuitous. The characters are written in a way that we care about them, we want to see them succeed, even the ones who clearly have their priorities skewed. Adrianne Palicki, Josh Hutcherson, and Connor Cruise round out the primary cast, forming the core of the rebel Fighters known as the Wolverines. Jeffrey Dean Morgan makes a welcome casting addition as Col. Andy Tanner, a Marine pulled out of retirement in the latter half of the film.

At one point, RED DAWN actually pokes fun at itself, but does so innocently by allowing Matt to reveal how ignorant he is to the current state of world affairs. Despite the opening title sequence revealing a well-crafted and much appreciated montage of world news broadcasts and the like, Matt fails to grasp the scope of events leading up to the North Korean invasion when he asks “How is that possible?” This all becomes clear, not only for Matt, but for an otherwise potentially skeptical audience. In fact, the premise of this remake is perhaps even more realistic and terrifying than that of the 1984 original.

Unlike so many films that shove a sort of uber-patriotism down our throats, RED DAWN delivers an easily digestible dose of patriotic storytelling that pleases the pallet, while still succeeding and it’s primary goal of entertaining the audience. RED DAWN offers a strong story, but one that’s not overly complicated; a satisfying portion of realistic action that never goes over-the-top; and a decent helping of relationship side story to please the female perspective without overwhelming the rest of the film.

Overall Rating: 3.5 out of 5 stars

RED DAWN opens nationwide in theaters on Wednesday, November 21st, 2012.

EVIL DEAD Redband Teaser Trailer – Beware, It’s Gory!

“Alright. Who wants some?” Check out the red-band trailer for TriStar Pictures’ EVIL DEAD. The film is directed by Fede Alvarez (PANIC ATTACK!) with a screenplay by Fede Alvarez & Rodo Sayagues Mendez. Just a forewarning – the Deadites are really gruesome.

In the much anticipated remake of the 1981 cult-hit horror film, five twenty-something friends become holed up in a remote cabin. When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival.

The EVIL DEAD cast includes Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, and Elizabeth Blackmore.

From the creators of the horror classic, Rob Tapert, Sam Raimi, and Bruce Campbell,
EVIL DEAD
 will be in theaters April 12, 2013.

Visit the film’s website: http://www.evildead-movie.com/

Like on Facebook: https://www.facebook.com/evildead

Follow on Twitter: https://twitter.com/evildead

Watch Chloe Grace Moretz In CARRIE Teaser Trailer

Here’s your first look at CARRIE in the new, unnerving trailer. Director Kimberly Peirce (Boys Don’t Cry; Stop-Loss) reimagines Stephen King’s best-selling novel for MGM and Screen Gems’ take on the enduring genre classic. Starring Chloe Grace Moretz (Hugo), four time Oscar-nominee Julianne Moore (Crazy, Stupid, Love; The Kids are Alright) and Judy Greer (The Descendants), CARRIE tells the supernatural tale of a telekinetic teenage girl tormented by her peers. Before the film opens in March, watch Brian De Palma’s 1976 film version of CARRIE. His movie earned Oscar nominations for stars Sissy Spacek and Piper Laurie.

The quiet suburb of Chamberlain, Maine is home to the deeply religious and conservative Margaret White (Moore) and her daughter Carrie (Moretz). Carrie is a sweet but meek outcast whom Margaret has sheltered from society. Gym teacher Miss Desjardin (Greer) tries in vain to protect Carrie from local mean girls led by the popular and haughty Chris Hargenson (Portia Doubleday, Youth in Revolt), but only Chris’ best friend, Sue Snell (Gabriella Wilde, The Three Musketeers), regrets their actions. In an effort to make amends, Sue asks her boyfriend, high school heartthrob Tommy Ross (newcomer Ansel Elgort), to take Carrie to prom. Pushed to the limit by her peers at the dance, Carrie unleashes telekinetic havoc.

MGM and Screen Gems’ CARRIE is directed by Kimberly Peirce and produced by Kevin Misher (Public Enemies). J. Miles Dale (The Vow) serves as executive producer and Roberto Aguirre-Sacasa (Big Love) wrote the script from King’s original story. CARRIE’s creative team includes Director of Photography Steve Yedlin (Looper), Production Designer Carol Spier (Eastern Promises), Costume Designer Luis Sequeira (The Thing) and Editor Lee Percy (Boys Don’t Cry).

CARRIE will be in theaters March 15, 2013.

http://www.carrie-movie.com/

Like it on Facebook: https://www.facebook.com/CarrieMovie

Follow on Twitter: https://twitter.com/CarrieMovie

#WhatHappenedToCarrie

Clint Eastwood’s UNFORGIVEN To Be Reborn In Japan With Director Lee Sang-il’s YURUSAREZARUMONO; Ken Watanabe Stars

For the first time in Japanese cinema history, an American-made film is being remade and released in Japan with award-winning director Lee Sang-il’s Japanese-language motion picture Yurusarezarumono, inspired by the Oscar-winning classic Unforgiven, directed by and starring Clint Eastwood. Released in the U.S. in 1992, Unforgiven was nominated for nine Academy Awards in 1993 and won four, including Best Picture. The announcement was made today by Richard Fox, Executive Vice President, International, Warner Bros. Entertainment, and William J. Ireton, President & Representative Director, Warner Entertainment Japan Inc.

Inspired by the Eastwood classic, writer/director Lee Sang-il (the Japan Academy Prize-winning film VillainHula Girls) shifts the setting to Japan in retelling the epic, adapting the Unforgiven screenplay by David Webb Peoples. The film stars an ensemble including some of Japan’s most acclaimed actors, led by Ken Watanabe (Letters from Iwo JimaThe Last Samurai) as Jubei Kamata, reinterpreting the role played by Clint Eastwood in the original, with Akira Emoto (VillainDr. Akagi) taking on the part played by Morgan Freeman, and Koichi Sato (Crest of Betrayal, What the Snow Brings) reprising Gene Hackman’s part.

San-Il is joined by cinematographer Norimichi Kasamatsu (VillainZatoichi: The Last), lighting engineer Koichi Watanabe (About Her BrotherDeath Note), audio recording engineer Mitsugu Shiratori (Space BrothersVillain), creative designer Mitsuo Harada (Terumae Romae, Canaries of the North(TBC)), and costume designer Kumiko Ogawa (O-okuVillain).

Filming is set to commence in mid-September on location in Hokkaido. Yurusarezarumono is targeted for nationwide release in Japan in the fall of 2013.

Yurusarezarumono is set in Hokkaido around 1880, the start of the Meiji period following the collapse of the Edo shogunate, at a time when the Japanese government is attempting to open the land (then named Ezo) populated by the indigenous Ainu people.

In the shogunate’s waning days, Jubei Kamata (Watanabe), a former swordsman of the shogunate, slaughters countless rebels under orders, earning a fearsome reputation in Kyoto. Following the government’s collapse, he takes part in a succession of bloody battles culminating in the decisive battle at Goryokaku, then vanishes without a trace, eluding the determined efforts of the new government to capture him.

More than a decade later, Jubei lives on in desolate isolation as a frugal rancher with an Ainu woman as his wife and their children. However, his wife—who alone transformed a man whose only reason for existence was to kill—dies, leaving him to guard over her grave with their children in sparse austerity.

However, the man who vowed never to take sword again finds himself driven by poverty to once again join battle as a bounty hunter…

Together with a former comrade, he faces those convinced in their own justice. Another cycle of violence starts anew in another new era.

Men tossed in the wake of turbulent history stage their final battle in the immense natural environments of Hokkaido with exhilarating horseback action. The film’s scale will emulate the immensity of American westerns.

Clint Eastwood commented, “It’s an honor to know that Lee Sang-il and my good friend Ken Watanabe, with whom I worked closely on Letters from Iwo Jima, will be teaming on a Japanese rendition of Unforgiven.”

Director Lee Sang-il said, “It has been 20 years since the release of Unforgiven.

People wander between “good” and “evil,” no matter who you are—this is the theme, which lies within this film and it speaks deeply to us even today, still unable to end the vicious cycle of violence. It is my belief to create films that people can relate to—people who carry doubts and redemption, striving to be right, rather than people who insist he is right without any doubts. The original film is acclaimed to be the masterpiece of western films. I am thrilled, happy, and overwhelmed with pleasure to be given this opportunity, as director Clint Eastwood, whom I highly respect, is a filmmaker with an unprecedented talent. Ken Watanabe, a man with definite presence, that makes one think there is no one but him. Akira Enomoto, a man I’d like to call an old ally. Koichi Sato, a man who I had always wanted to work with for a long time. I strongly wish to create a film that will always be remembered, together with the help of the passion of above members and other wonderful cast and filmmakers.”

Ken Watanabe stated, “To me, director Clint Eastwood is like my father in the film industry and it will be challenging for me to remake one of his best known films. Together with director Lee, we’d like to build our Unforgiven in our own way in this vast land of Hokkaido.”

Akira Emoto said, “I am thrilled with joy to be able to take part in the prestigious retelling of the masterpiece, Unforgiven. As a member of the team presenting this film in this era, I cannot restrain my excitement. Please look forward to the completion of the final version, made by Mr. Ken Watanabe, Mr. Koichi Sato, Director Lee, and the team.”

Koichi Sato commented, “After reading the script, I felt such strength as though this is an original script, though it really is a remake of a well known film. I feel it is because director Lee Sang-il’s soul is embedded within. So, the rest is up to us to put our soul in each role and bring you a presentable piece.”

Ireton added, “I am proud to announce that Warner Japan’s Local production is about to launch a project which can only be accomplished by a major Hollywood studio. Unforgiven, an Academy Award-winning movie directed by Clint Eastwood, will be reborn as a Japanese film. Welcoming the most promising director in the Japanese film industry, Lee Sang-il, and globally acclaimed film star Ken Watanabe as lead cast, producing this film will definitely hold a significant meaning to our company. We are blessed and humbled to be given the chance of recreating this epic film in the 21st century as a Japanese film.”

Yurusarezarumono is scheduled for a Fall 2013 nationwide release in Japan.

TOTAL RECALL ( 2012 ) – The Review

Well Mr. Farrell, is this going to be an annual Summertime event ? I’m talking about his starring in big budget remakes. And not of films from Hollywood’s Golden Age. These are from the last 30 years or so ( I saw them in theatres in the original release, so thanks for making me feel even older Mr. F! ). Last year he was in the remake of 1985’s FRIGHT NIGHT taking on Chris Sarandon’s suburban vamp Jerry Brewster ( I prefer the original for Roddy McDowell and the lack of murky, dim 3D ). This time he’s got much bigger shoes to fill. Farrell’s got the Arnold Schwarzenegger role in the remake of TOTAL RECALL. The first version came out in 1990 inbetween the Austrian Oak’s comedies KINDERGARTEN COP and TWINS, well before he returned as our favorite cinema cyborg. This was also director Paul Verhoeven’s follow-up to ROBOCOP ( which is about to be rebooted soon ). Now Len Wiseman ( perhaps best known for starting the UNDERWORLD series ) is behind the reins. Can he replace our memories of a butt-kickin’ Sharon Stone and those misshapen Mars mutants with this new SF head trip?

It’s pretty much the same set-up as before. Doug Quaid ( Farrell ) is a working drone living in the “Colony”. Seems that in the far off future the only parts of Earth that are still inhabitable are England ( now the United Federation of Britain where all the swells reside in luxury ) and an island across the globe ( probably Australia ) called ” The Colony”. It’s not so nice. You could say that it’s Gotham City to UFB’s Metropolis ( for you comics fans ). Every morning Doug leaves his gorgeous wife Lori ( Kate Beckinsale ) and joins pal Harry ( Bookem Woodbine ) in a massive commuter tube ( called ” the Drop”, or ” the Fall”, or something ominous like that ) that shoots them through the Earth’s core to UFB where they work at a factory producing robots ( or “Synthoids ” ) used as military back-up. Seems a revolutionary group lead by Matthias ( Bill Nighy ), which is trying to liberate the colonists, is causing UFB leader Cohaagen ( Bryan Cranston ) no end of headaches. Speaking of the old noggin, Doug’s not been sleeping well because of some dreams where he’s fighting UFB forces alongside gorgeous warrior Melina ( Jessica Biel ). These visions along with some job fatigue inspire Doug to walk into the local “Rekall” shop ( despite Harry’s warnings ). ” Rekall ” plants new memories into your brain via a high-tech brain-chair. But something goes haywire and a switch is tripped inside Doug. Seems that everything he knows is a lie! ( Cue David Byrne, ” This is not my beautiful wife..” ). Can he get to the bottom of things and learn the truth about his past? And how does he fit into the big global battles? Just who is he and what side is he on?

So does this version work better in the era of CGI effects? Well, Farrell is more believable as a working stiff than Ah-nold. And Mr. F handles the action stuff very well. But, for wont of a better word, the 1990 model is a whole lot more fun. I mean gooey-cheesy fun! There are a few nods to the original, but I miss those over-the-top make-up effects from Rob Bottin and company. And the new version is repetitious almost to the point of boredom. It’s chase, leap, shoot, chase, exposition…., shoot, chase, explosion, leap, plot…., chase, etc. The film plays out more like a video game with dull dialogue between levels. And all the running and chasing. Makes you realize why Chuck Jones’s Road Runner cartoons are so great! They’re only seven minutes, not stretched-out over two hours! I wish I could at least praise the art direction, but the ” Colony ” is pure BLADE RUNNER meets Venice ( with the crowded neon-lit streets and constant rain ) and AFB is THE FIFTH ELEMENT with the massive, stacked skyscrapers and magnetic hover-cars ( a nod to STAR WARS EP. II there ). As for the actors, Beckinsale looks to be relishing a rare bad-girl role ( greatly expanded from Stone’s role in 1990 ). She’s a sexy future version of the unstoppable Bond hench…er…person. At least she’s having some fun!  Biel and Nighy are woefully underused as the rebels while Cranston is playing a more vicious balck-hatted villain version of the oily politico we saw a few weeks ago in ROCK OF AGES. The whole flick is exhausting and overdone. Not that the original is full of subtlety. After viewing this you may wish that you got your ” a** to Mars”, or to your local video store to see the original. I bet that talking chest-head thingy looks mighty fine on Blu!

Overall Rating: 2 Out of 5 Stars

THE THREE STOOGES – The Review

Every decade or so, one or two film makers become a major force in cinema comedies. The 1980’s saw the influence of ZAZ (AKA Jerry Zucker, Jim Abrahams, and David Zucker) starting with AIRPLANE! and RUTHLESS PEOPLE . For the last ten years or so Judd Apatow (40-YEAR OLD VIRGIN) and Todd Phillips (OLD SCHOOL) have ruled the comedy roost. In between there’s the Farrelly brothers (Peter and Bobby), former sitcom writers who invaded the multiplexes with the big box office laugh fests DUMB AND DUMBER and THERE’S SOMETHING ABOUT MARY (which opened the gates for the return of the R-rated movie comedy). When interviewed during their salad days, the guys related their affection for a decades old comedy team and vowed to bring them back to the big screen (they even appeared on a tribute  NBC-TV special hosted by their KINGPIN star Woody Harrelson). After some recent under performing movie missteps (HALL PASS couldn’t connect with today’s raunchy comedy crowds), they’ve decided to finally put together their dream project/love letter. The end result is THE THREE STOOGES. Several fans of the trio have been quite vocal on the internet decrying this new film as sacrilege. They say that this will tarnish the good name of the classic comedians. Really? The Stooges?  While they were still with us, the fellas did plenty of material that was not exactly sterling. Remember SNOW WHITE AND THE THREE STOOGES? What about the crudely produced 60’s cartoons (from the “Clutch Cargo” folks) with cheaply made color live-action intros? A decade later “The Three Robotic Stooges” from Hanna-Barbera (a real low point for HB-and that’s saying something!) premiered on CBS Saturday mornings. And the boys nearly co-starred in BLAZING STEWARDESSES (Emile Sitka was to replace the ailing Larry Fine, but Moe’s death put the kibosh on this!). So whether this should be done is beside the point. It’s here. Let’s see how it works as a film..

First, here’s a quick stooge history lesson (a Stooges 101). The Three Stooges were a comedy group assembled by vaudeville comic Ted Healy in the early 1920’s. They were Shemp Howard, his brother Moe, and wild-haired violinist Larry Fine. When Hollywood beckoned they were featured performers in a couple of Fox films. Shemp left the team for a solo career and was replaced by another Howard brother, Jerry AKA Curly. They made some features and shorts with MGM before the stooges split from Healy. Soon they were signed by the struggling Columbia Pictures for a series of short subjects (16 to 18 minute films sometimes called two reelers) over the course of 25 years! When Curly retired due to illness, brother Shemp came back to replace him. When Shemp died, veteran comic Joe Besser filled the spot till the final short in 1959. The advent of television had pretty much shuttered all the studios’ shorts departments. Looked like the end of the road for the trio. But suddenly TV made them more popular than ever! Columbia’s Screen Gems division sold the stooges shorts to local TV stations around the country during the heyday of the kiddie show host (usually aired during the afternoon with local ads, a live audience of youngsters, and assorted short cartoons). They were in demand again. Comic vet Joe DeRita (AKA Curly Joe) replaced Besser and the fellows packed stadiums, hit the TV variety shows, and even starred in new feature films from Columbia (beginning with HAVE ROCKET, WILL TRAVEL). No doubt the young Farrelly boys were glued to their sets watching the boys during this big resurgence. Sadly the last of the stooges, DeRita passed away in 1993.

In putting together this new screen romp, the Farrellys are aiming squarely for family audiences (the ads tout its PG rating) since the stooges’s rapid slapstick and cartoon look always connected with kids. Now this is not an autobiography of the team (been done), nor is it a period piece set during the stooges golden era (late thirties, early forties). It features the most popular trio 0f Moe, Larry, and Curly, set in today’s world with a good deal of topical humor. As in the Brady Bunch feature films, the stooges don’t quite seem to belong (Gene Siskel used to say that they were always out-of-place) in these modern settings which gives the film the old fish (or fishes) out of water premise. There’s one plot flowing through the film’s 90 minutes, but there are title cards and animation inserted to make it appear that three new short subjects have been strung together. The story harkens back to the plots of several of the old shorts. The boys leave the orphanage where they grew up (on the entrance sign it states “est. 1934”, the same year as the release of the first stooge short, WOMAN HATERS-nice inside joke) in order to raise $830,000 and save it from closing (shades of THE BLUES BROTHERS). They get into many mishaps along the way and get entangled in a plot to do away with the rich husband of a femme fatale’ (Sofia Vergara). Although they’re in 2012, the stooges remain in somewhat familiar story territory.

Quite a lot of publicity has been stirred up by the Farrellys about the casting of the comic icons. Russell Crowe is Moe. Now it’s Benicio Del Toro. Sean Penn’s a lock as Larry. He’s out, Paul Giamotti’s in. Jim Carrey’s gonna wear prosthetics and a fat suit to be Curly. Nope, maybe Jack Black will shave his head. Finally three TV vets were cast who bring a great deal of energy and skill in re-creating the trio (hard to imagine those higher-profile stars doing a better job). The real discovery is Chris Diamantopoulos as Moe (Chris is a vet of several TV shows including “24”). He’s quick-tempered, easily frustrated, and dishes out punishment (and takes a lot) with authority. Surprisingly he shows some vulnerability and tenderness in a couple of scenes (A sensitive Moe!). His nicknames for by-standers (he calls a stout matron “Jumbotron”) are a hoot! The biggest star of the three may be Sean Hayes who got an Emmy for his work as Jack on the long-running “Will and Grace”. He displays his expert comic timing as the frizzy-haired Larry. While in the old shorts Larry would blend into the background, Hayes’s Larry gives the film some of its biggest laughs. And he can take a smack almost as well as the original. Interesting side note: both actors played comedians in TV bio films. Diamantopoulos played Robin Williams in “Behind the Camera: the Unauthorized Story of ‘Mork and Mindy'” while Hayes was Jerry in “Martin and Lewis.” And then there’s perhaps the most beloved and imitated stooge. Curly is played by the former “MadTV” cast member Will Sasso. He more than brings the required manic energy to the role, while reproducing the child-like nature of the groups’ wide-eyed innocent. Curly always seemed to be off on another dimension from his two pals and Sasso gets that, too. I was concerned about his being taller than his team mates, but that was not an issue after a few minutes in. During several sequences, the actors are like a well oiled machine as they engage in a rapid bopping, eye-poking, slapping whirlwind worthy of a top drill team or dance troupe. There have been several recreations on TV of the boys over the years: SCTV (with the legendary John Candy as Curly), ABC’s Fridays (with Larry David as Larry!), Fox’s In Living Color, and the ABC bio movie (produced by Mel Gibson), but Chris, Sean, and Will are the best yet.

And the guys have some great supporting players (besides the talented youngsters that play the trio at age ten). The biggest scene stealer has to be Larry David as the orphanage’s Sister Mary Mengele. Excitable and full of fury, he holds his own against the stooges and several overly cloying orphans (guess the kids are there for young audience identification. Seemed like a lot of forced pathos). Craig Bierko is terrific as the sap who enlists the stooges in the murder plot, but then suffers the most abuse from them. Vergara is as lovely as she is on “Modern Family,” but here we get to see her ruthless side as a variation of the classic double (and triple) crossing film noir bombshell. The other ladies don’t have as much to work with. Jennifer Hudson gets to belt a bit of gospel as one of the nuns, but spends the rest of her time responding the boys’ antics. The real waste is the great Jane Lynch in the somber, bland role of Mother Superior (one of the best comic actors working today, and she doesn’t get to crack wise?). There’s a welcome cameo from Bill Murray’s brother Brian as a priest and a very satisfying sequence involving the cast of a much reviled (but strangely popular) reality TV show (perhaps cathartic is more appropriate). A few moments lag, but there’s a whole lotta’ fun packed in these ninety minutes ( try to stick around for the end credits music video ). You might find yourself laughing more than the kids. Like the Farrellys, I watched those black and white gems on my favorite TV host’s show (hey Cactus Pete’s Funny Company!) and this new film gave me some  nostalgic amusement. There’s some clever sight gags and slapstick along with clever riffs on time-tested bits. It’s silly and crude, but I laughed a lot in spite of my “adult sophistication.” You stooge-iphiles need not worry. This is a film that captures the spirit of the old classics and is filled with affection for those ‘chowder-heads.’ Should you give this flick a look? Why ‘soitenly’!

Overall Rating: 4 out of 5 stars

First Look Photo Of Whitney Houston & Jordan Sparks In SPARKLE


PHOTO BY: Alicia Gbur COPYRIGHT: © 2012 Stage 6 Films, Inc. All Rights Reserved.

Sparkle (Jordin Sparks) and Emma (Whitney Houston) star in this first image from TriStar Pictures’ SPARKLE.

SPARKLE is a remake of the 1976 film and tells the story of the title character Sparkle (Jordin Sparks), the youngest of three sisters and a music prodigy who struggles to become a star while facing issues that are tearing her family apart. Starring alongside Houston in the musical drama are Grammy® nominated and platinum recording artist Jordin Sparks (“American Idol” winner, Season 6), Derek Luke (Antwone Fisher, Captain America: The First Avenger), Mike Epps (Jumping the Broom, Friday After Next), Carmen Ejogo (I, Alex Cross, Pride and Glory), Tika Sumpter (What’s Your Number?, “Gossip Girl”), Omari Hardwick (Kick Ass, The A-Team) and Grammy® Award winner, Cee-Lo Green.

SPARKLE is being directed by Salim Akil (Jumping The Broom) from a screenplay written by Mara Brock Akil (“The Game”, “Girlfriends”) and produced by Debra Martin Chase (Sisterhood of the Traveling Pants, Just Wright) along with Salim Akil, Mara Brock Akil, T.D. Jakes and Curtis Wallace (Jumping the Broom, Not Easily Broken). Whitney Houston is also Executive Producing along with Gaylyn Fraiche (Sisterhood of the Traveling Pants 2), and Howard Rosenman (Sparkle, The Family Man). Original music provided by multi-Platinum and Grammy® Award-winning artist R. Kelly. “SPARKLE is a movie I have wanted to remake for a long time and I am so glad to finally see my wish come true and to be part of this stellar team of actors and producers,” said Houston.

Shooting on SPARKLE began principal photography in Detroit, Michigan in October 2011. The film is due in theaters August 10, 2012.