First Look Of Jaafar Jackson As Michael Jackson – MICHAEL Is In Theaters April 18, 2025

Jaafar Jackson as Michael Jackson in MICHAEL. Photo Credit: Kevin Mazur

Worldwide audiences received their first look today at Jaafar Jackson in performance as Michael Jackson, bringing to life the “Man in the Mirror” from the legendary 1992-1993 Dangerous Tour.

The iconic photo, captured by renowned photographer Kevin Mazur, was released by Lionsgate and Universal Pictures International, the studios behind the much-anticipated April 18, 2025 film “Michael.”

The choice to have Mazur capture the first-look photograph of Jaafar Jackson is as intentional as so many of the artistic choices the producers have made. As one of the photographers who documented Michael over many years, Mazur captured rehearsals as he prepared to entertain the world with his “This Is It” concerts. He is now also the first to photograph Jaafar Jackson in character as Michael.

“​​When I arrived for my first day on the set of this movie, I was so excited – it was like the first time I went on tour to shoot Michael Jackson,” said Mazur. “When I walked onto the set, I felt like I’d gone back in time and I was walking into the stadium to shoot the tour. Seeing Jaafar perform, I thought, ‘Wow, it is Michael.’ The way he looks and acts, his mannerisms, everything – he’s Michael Jackson. For anyone who didn’t have the chance to see Michael perform live during his lifetime – this is how it was.”

“With Jaafar, every look, every note, every dance move is Michael,” said producer Graham King. “He embodies Michael in a way that no other actor could.”

Director Antoine Fuqua added, “We have assembled an incredible team of artists for this project – hair & makeup, costumes, cinematography, choreography, lighting, everything – and some who knew and worked with Michael are reuniting for this film. But most importantly, it’s Jaafar who embodies Michael. It goes beyond the physical resemblance. It’s Michael’s spirit that comes through in a magical way. You have to experience it to believe it.”

Lionsgate and Universal Pictures International have slated the worldwide release for April 18th 2025. The film is now in production. 

Jackson’s nephew Jaafar Jackson will be introduced to worldwide audiences in the starring role of the beloved musical icon. Antoine Fuqua (Training Day, The Equalizer films) will direct the film with Oscar® winner Graham King/GK Films (Bohemian Rhapsody, The Aviator, The Departed) producing, from a script by three-time Oscar® nominee John Logan.

Michael will bring audiences a riveting and honest portrayal of the brilliant yet complicated man who became known worldwide as the King of Pop. The film presents his triumphs and tragedies on an epic, cinematic scale — from his human side and personal struggles to his undeniable creative genius, captured by his most iconic performances. As never before, audiences will experience an inside look into one of the most influential, trailblazing artists the world has ever known. 

Michael is produced by King and the co-executors of the Michael Jackson estate, John Branca and John McClain. Lionsgate is distributing the film domestically, while Universal Pictures International will handle all territories apart from Japan, which Lionsgate will oversee. 

AMERICAN UNDERDOG “From The Dream to The Big Screen” Behind the Scenes Featurette Of Kurt Warner Biopic Stars Zachary Levi, Anna Paquin And Kurt Warner

Zachary Levi as Kurt Warner and Anna Paquin as Brenda Warner in American Underdog. Photo Credit: Michael Kubeisy/Lionsgate

Lionsgate has released this first look at AMERICAN UNDEDOG, due out in cinemas later this year.

The film chronicles the incredible true story of Kurt Warner (Zachary Levi), who went from stocking shelves at a supermarket to become a two-time NFL MVP, Super Bowl champion, and Hall of Fame quarterback.

The film chronicles Warner’s unique story and years of challenges and setbacks that could have derailed his aspirations to become an NFL player, and when his dreams seemed all but out of reach, it is only with the support of his wife, Brenda (Anna Paquin) and the encouragement of his family that Warner perseveres and finds the strength to show the world the champion that he already is inside. American Underdog is an inspirational story that demonstrates that anything is possible when you have faith, family and determination.

The stars and Warner discuss AMERICAN UNDERDGOG in this brand new featurette.

Warner won two National Football League (NFL) Most Valuable Player (MVP) awards (1999, 2001) and a Super Bowl title (2000) as a player for the St. Louis Rams. If you lived in the St. Louis area at the time, everyone had “Warner fever”, it was that palpable. He threw for a Super Bowl-record 414 yards and was named the game’s MVP as the Rams defeated the Tennessee Titans 23–16 for the franchise’s first Super Bowl title at Edward Jones Dome. Click HERE and watch this NFL video of the quarterback legend.

Zachary Levi as Kurt Warner and Kurt Warner on the set of American Underdog. Photo Credit: Michael Kubeisy/Lionsgate

Warner also guided the Arizona Cardinals to the franchise’s first Super Bowl berth (2009).

AMERICAN UNDERDOG will be in theaters December 2021.

Follow the film on Instagram https://www.instagram.com/americanunderdg/

Zachary Levi as Kurt Warner and Dennis Quaid as Dick Vermeil in American Underdog. Photo Credit: Michael Kubeisy/Lionsgate
Zachary Levi as Kurt Warner in American Underdog. Photo Credit: Michael Kubeisy/Lionsgate
Zachary Levi as Kurt Warner in American Underdog. Photo Credit: Michael Kubeisy/Lionsgate

Is this the real life? Is this just fantasy? Watch Rami Malek As Freddie Mercury In BOHEMIAN RHAPSODY Trailer

Bohemian Rhapsody is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury, who defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet.

20th Century Fox has released a terrific teaser trailer for the upcoming film BOHEMIAN RHAPSODY. Starring Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joseph Mazzello, Aiden Gillen, Tom Hollander, and Mike Myers, BOHEMIAN RHAPSODY hits theaters everywhere November 2, 2018.

The film traces the meteoric rise of the band through their iconic songs and revolutionary sound, their near-implosion as Mercury’s lifestyle spirals out of control, and their triumphant reunion on the eve of Live Aid, where Mercury, facing a life-threatening illness, leads the band in one of the greatest performances in the history of rock music. In the process, cementing the legacy of a band that were always more like a family, and who continue to inspire outsiders, dreamers and music lovers to this day.

Rami Malek (Freddie Mercury) and Gwilym Lee (Brian May) star in Twentieth Century Fox’s BOHEMIAN RHAPSODY. Photo Credit: Alex Bailey.

Is this the real life?
Is this just fantasy?

Queen fans around the world can visit PutMeInBohemian.com on a mobile device and record their best rendition of “Bohemian Rhapsody,” for a chance to have their voice included in the movie.

https://www.foxmovies.com/movies/bohemian-rhapsody

 L-R: Gwilym Lee (Brian May), Ben Hardy (Roger Taylor), Rami Malek (Freddie Mercury), and Joe Mazzello (John Deacon) star in Twentieth Century Fox’s BOHEMIAN RHAPSODY. Photo Credit: Courtesy Twentieth Century Fox.

Sam Claflin To Star In Soccer Legend Biopic ROBIN FRIDAY

Sam Claflin

Sam Claflin (THE HUNGER GAMES franchise, THE RIOT CLUB, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES) is set to star in the soccer legend biopic ROBIN FRIDAY, to be directed by Oscar-nominated filmmaker, Henry-Alex Rubin (MURDERBALL, DISCONNECT), it was announced today by producers Mike Young, Julian Stone and Paolo Hewitt of RF Movie Productions Ltd. Financing partners include Global Film Partners’ Daniel Koefoed and Guirec van Slingelandt, Telegael’s Paul Cummings and 9Magnan’s Meghana Gupta.

Fortitude International, co-founded by Nadine de Barros, Robert Ogden Barnum and Daniel Wagner, will handle foreign rights and will present the project to buyers at the Cannes Film Market. De Barros will be supported by her sales team including Katie Irwin, VP of International and Samantha Peel, Director of International Sales and Marketing.

CAA, which packaged and arranged financing for ROBIN FRIDAY, will represent the film’s North American rights.

Based on the biography The Greatest Footballer You Never Saw: The Robin Friday Story, co-written by acclaimed music and sports author Paolo Hewitt, the screenplay was written by Stone and Hewitt.

Scheduled for a fall shoot in the UK, the feature film was developed with funding and support from Film Cymru Wales. Additional casting is underway to bring an authentic soccer presence to Robin Friday’s world including casting real life professional soccer players.

Claflin will play the lead role of Robin Friday, the controversial and wild English soccer legend who played for Reading and Cardiff, Wales in the 1970s and died tragically at the young age of thirty eight. Friday’s short-lived, but brilliant talent continues to be remembered by his fans, and in 2004 he was voted “all time cult hero” in a BBC poll. He was just as well known for his hedonistic lifestyle off the field and was named #1 in a Channel 4 list of soccer “Bad Boys.”

“This will not just be a film about cheering a goal, but about tears and laughs and music and silence and anger and love…because this working-class hero with outrageous talent lived it all. It was a time before the age of privileged athletes, a time when the fans lived next door to their heroes. As Robin Friday walked down the streets of the 70’s, everybody wanted to be him. But quite frankly, no one else had the balls…” said Stone.

“Robin Friday’s legacy continues to live on today and is a story tailor-made for the big screen given the larger-than-life energy which Friday brought to the sport and his life. The talented Sam Claflin is the perfect actor to fill the shoes of this British legend due to his background in the sport prior to pursuing his acting career,” said de Barros.

The Hunger Games: Catching Fire At The 2013 Cannes Film Festival At The Majestic Barriere

Sam Claflin will next be seen in the final installment of Lionsgate’s global box office phenomenon, THE HUNGER GAMES: MOCKINGJAY – PART 2, co-starring Jennifer Lawrence, Liam Hemsworth and Josh Hutcherson, coming to theatres worldwide in November 2015. Claflin’s film credits also include Disney’s PIRATES OF THE CARIBBEAN: ON STRANGER TIDES with Johnny Depp, Lone Scherfig’s recently released THE RIOT CLUB, and LOVE, ROSIE. He is currently shooting ME BEFORE YOU with Emilia Clarke and Janet McTeer for New Line, then will next film THEIR FINEST HOUR AND A HALF, which re-teams him with Scherfig, and SNOW WHITE AND THE HUNTSMAN, opposite Kristen Stewart.

Henry-Alex Rubin previously directed DISCONNECT starring Jason Bateman, Alexander Skarsgård, Paula Patton and Andrea Riseborough, which premiered at the Venice Film Festival and Toronto International Festivals, and was released in the US in 2012. He directed the documentary MURDERBALL, which was nominated for an Oscar and won the Audience Award at Sundance.

Eddie Redmayne is Stephen Hawking In First Trailer For THE THEORY OF EVERYTHING

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“He made Einstein beautiful.” – HAWKING (2004)

Focus Features has released the brand new trailer for THE THEORY OF EVERYTHING.

Audiences and critics will get a first look at the film when it premieres at the Toronto International Film Festival on September 7th.

Starring Eddie Redmayne (“Les Misérables”) and Felicity Jones (“The Amazing Spider-Man 2”), this is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.

Once a healthy, active young man, Hawking received an earth-shattering diagnosis at 21 years of age. With Jane fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of – time.

Courtesy hawking.org.uk
Courtesy hawking.org.uk

Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed.

The film is based on the memoir Travelling to Infinity: My Life with Stephen, by Jane Hawking, and is directed by Academy Award winner James Marsh (“Man on Wire”).

THE THEORY OF EVERYTHING opens in select cities on November 7.

theoryofeverything

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“We are all different – but we share the same human spirit. Perhaps it’s human nature that we adapt – and survive.” – Stephen Hawking

For more on the scientist, watch the 2013 autobiographical film HAWKING here.

Narrated by Hawking, now 72, the movie features interviews with Jane (now divorced,) his colleagues and family, as well as Jim Carrey, Buzz Aldrin and Benedict Cumberbatch who played the cosmologist in the superb 2004 TV film “Hawking”.

Visit Hawking’s official site HERE.

CHASING MAVERICKS – The Review

Over the years we’ve seen several inspirational sports biography films. Certain sports seem to lend themselves to the cinema, like boxing with RAGING BULL and ALI, or baseball in THE PRIDE OF THE YANKEES and THE ROOKIE. But surfing’s a more difficult to convey on-screen. Many folks may harken back to the crude rear-projection sequences in camp 1960’s flicks like GIDGET, BEACH PARTY and their sequels. With documentaries like the first ENDLESS SUMMER, new film technology allowed for an up close look at the surf pros. CHASING MAVERICKS is the dramatic life story of one of those pros: Jay Moriarty. In a way this is similar to a superhero story. Instead of getting a uniform and shield, we see how Jay got his wetsuit and board. It also has an element of the wise elder training the young upstart. Think Mr.Miyagi in THE KARATE KID films and the various Jedi masters in the STAR WARS series. Perhaps, more than the other genres, MAVERICKS is a true family film with sons discovering fathers in the unlikeliest of settings (and vice-versa).

We first meet Moriarty timing the waves as they break on shore in 1987. While rescuing the pooch of his slightly older pretty neighbor Kim, the eight year-old lad is swept up by the current. Before the sea claims him lil’ Jay is pulled up by super surfer dude “Frosty” Hesson (Gerard Butler). Driving the kids back home, Jay is stunned to find out that his rescuer lives right down the street. Soon the boy is pulling out his father’s old surfboard out of the garage (Dad has been absent for a while) and hitting the beach. Cut to 1994 as teenage Jay (Jonny Weston) secretly hitches a ride on top of Frosty’s van and observes the surfer pro and some pals going to a secluded section of beach that is home of the “mavericks” (giant, monster waves). After he’s discovered, Jay begs Frosty to teach him out to ride the mavericks. The elder surfer begrudgingly agrees and for the next several months Jay balances his school work, pizza job, keeping his boozy Mom (Elisabeth Shue) focused on her job, and pursuing the lovely grown-up Kim (Leven Rambin) with his passion for training in order to tame those truly killer waves.

This is a sweet little underdog tale accented with some truly spectacular photography of these athletes. We get all angles (including underwater), and these thirty and forty-foot swells looming over the surfers are really breath-taking. The film makers do their best to help us focus in on the principals (it’s a big problem with all the similar boards and wetsuits). On land some of the subplots don’t quite play off and disrupt the momentum of the main surf-training story. The romance of Jay and Kim seems to be a given with some minor obstacles (she doesn’t want her pals to know that she likes this guy that’s a couple years younger!). And the concerns about Jay’s pal Blond hooking up with a bad crowd (he may be dealing drugs!) never has a real resolution. When a major tragedy blindsides a character it seems like it was thrown at the script from left field (perhaps this is what happened, true life being very untidy). As for the cast, Butler has toned down the aggression so prominent in the dismal rom-coms and gives us a hunky, often mellow surfin’ Yoda. His Frosty is a mentally absent father whose paternal nature is finally opened up by his young student. On the other end is Shue’s character who also is put on the right course by her son’s determination. It’s always a pleasure to see this veteran actress again on screen, but the role is somewhat underwritten. We never really get to see her pushing away from the bottle. Weston is a likeable, if somewhat bland (perhaps, the way his role is written) hero. The script may be too respectful of this real life surfing icon. He’s more of a noble ideal than a true human being complete with flaws and frailties. CHASING MAVERICKS is a well shot profile of the sport and one of its heroes, but the people are not nearly has compelling as the images of those brutal, but beautiful waves.

3 Out of 5 Stars

The Oscar Race Begins – The First Trailer & New Photos For Spielberg’s LINCOLN Movie Starring Daniel Day-Lewis, Tommy Lee Jones And Sally Field Are Here

I thought the brief glimpse of Lewis as The Great Emancipator in the first teaser earlier this week was chilling. That pales in comparison to the new breath-taking trailer for DreamWorks Pictures’ LINCOLN. Steven Spielberg directs two-time Academy Award winner Daniel Day-Lewis in LINCOLN a revealing drama that focuses on the 16th President’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.

What a preview of things to come! Whoever cuts Spielberg’s trailers is an editing genius.

The combination of David Strathairn, Joseph Gordon-Levitt, James Spader, Hal Holbrook, Tommy Lee Jones and the great Sally Field as Lincoln’s wife Mary Todd sets the Oscar race ablaze. John Williams, Americana music is simply exhilarating. Can’t you hear the strains of Aaron Copland throughout?

I love the historical, grand epics – always have. Being in the midst of the prominent film festivals right now and with the film critics yet to announce, my hopes for Best Picture are pinned on the sprawling, historical  LINCOLN and Tom Hooper’s sprawling LES MISERABLES. On Oscar night, I think it will come down to these behemoths.

LINCOLN is produced by Steven Spielberg (who wore a suit and tie to the set of the film every day out of respect for one of America’s greatest Presidents) and Kathleen Kennedy, with a screenplay by Tony Kushner, based in part on the book “Team of Rivals: The Political Genius of Abraham Lincoln” by Doris Kearns Goodwin. The DreamWorks Pictures/Twentieth Century Fox film, in association with Participant Media, releases in U.S. theaters exclusive on November 9, 2012, with expansion on November 16, 2012.

“Like” LINCOLN on Facebook: http://www.facebook.com/LincolnMovie

Follow us on Twitter: http://twitter.com/lincolnmovie

Official site: www.thelincolnmovie.com

Photos ©DreamWorks II Distribution Co., LLC.  All Rights Reserved.

Photo: David James, SMPSP

©DreamWorks II Distribution Co., LLC. All Rights Reserved.

W.E. – The Review

Looking to be come a ” queen of all media “, pop icon Madonna has stepped behind the camera to direct her first feature film, W.E. ( maybe the first woman singer/star to do so since Barbra Streisand? ). Here she tackles two stories that intertwine several decades apart : a fictional young woman trapped in a loveless marriage to a wealthy NYC doctor in 1998 and the true life romance between Wallis Simpson ( like Madonna, a style icon ) and Edward, the Duke of Windsor ( the two form the title’s WE ) during the 1930’s. Other films have mixed historical and fictional characters ( RAGTIME, TIME AFTER TIME ), while others have featured modern-day characters getting inspiration from the past ( JULIE AND JULIA ), so does this new film put a fresh spin on these concepts? And after a spotty career acting in front of the camera ( for every DESPERATELY SEEKING SUSAN and DICK TRACY, there’s a SHANGHAI SURPRISE and SWEPT AWAY ) will  Madonna find consistent success directing motion pictures?

Let’s take a look at the two timelines ( and heroines ). In 1998 Manhattan, Abbie Cornish plays Wallis AKA Wally ( named by her mother and grandmother after Wallis Simpson ) a young woman sharing a swank high-rise apartment with her wealthy surgeon hubby. Wally is taking measures to have a child while her indifferent spouse spends hours away from her ( hospital business ). She’s drawn back to Southeby’s auction house ( her former employer ) where several items from the Windsor estate are on display prior to a major auction event. There Wally also strikes up a friendship with one of the new security guards, Russian born Evgeni ( Oscar Isaac ). Interwoven through this are flashbacks to the life of the real Wallis Simpson ( Andrea Riseborough ). When we first meet her she’s being beaten by her brutish first husband. Later she’s traveling with her second hubby Ernest and introduced to Edward ( James D’Arcy ), the next in line to the British throne. They meet and soon become inseperable as Ernest steps aside. This causes a huge scandal and Edward abdicates ( his famous ” woman I love” radio speech ). The couple spend the rest of the lives together, traveling the globe while in exile from Great Britain.

Such is the film’s meager plot. Like Clint Eastwood’s J EDGAR, the movie would’ve been much improved and more compelling by staying with one timeline or story. Just as 1998 picks up some momentum, boom-we’re back in 1936. At times the ladies pop in and meet ( Wally turns down a NYC corner and there’s Mrs. Simpson ). Often the film seems like ” lifestyle porn ” ( look at that car! The furnishings! The gowns! ). Madonna’s camera lovingly zooms in on every detail when it’s not spinning around the opulent rooms with one of the characters. Rapid cuts and changes in film stock attempt to liven up the party scenes too frequently. And I hate to be a prig, but the constant smoking, for gosh sakes!! The first shot of Edward is him waltzing with a butt hanging out of his mouth! Inches from his dance partner’s face! Yuchh! I know it was fashionable then, but now’s it’s just gross!  Things are not much better in the modern story. Perhaps that’s the reason for the 1998 setting, years before Mayor Bloomberg banished smokers to the street corners. I mean Evgeni’s chain-smoking in the video monitor rooms. And what kind of security is he?! He gazes silently as Wally fondles almost everything in the prized collection! The actors do what they can with these stock roles. The women are noble sufferers while they men are either violent brutes, affable cuckholds, ” cling-y” royals, or exotic, smouldering hunks. Riseborough and D’Arcy model classic fashions while recreating scenes better told in THE KING’S SPEECH. We never really get to know this woman who was the ultimate upwardly mobile traveler. I won’t go into the campy, cringe-inducing scene with her entertaining the Duke near the end of his life ( at least we see that he’s hooked up to several tubes, paying the price for his carton a day habit ). Cornish seems to be in a fog while Isaac tries to be sensitive and sexy ( the two actors worked previously together in SUCKER PUNCH. Well, third time’s the charm! ). Oh and did I mention that Evgeni’s a reader and a widower! A movie dream date! W.E. is a laboriously paced cinematic endurance test. Madonna may be a gifted film maker, but her talent is not on display here. This movie is literally style over substance, all that’s missing is Robin Leach screaming out the prices of the props.

Overall Rating: 1 Out of 5 Stars

MY WEEK WITH MARILYN – The Review

Marilyn Monroe was a complicated woman. Even today, people struggle to make sense of her life and career. For many, she was merely a starlet, a famous actress and icon with the world wrapped around her finger. They believe she had the perfect life. The truth, however, is the subject of MY WEEK WITH MARILYN. The story revolves around a young man named Colin Clark (Eddie Redmayne) who wishes to make his own way by breaking into the motion picture business, instead of riding on his father’s success. Colin ventures out to obtain a job — any job will do — with Sir Laurence Olivier’s production company in London. Colin’s timing and youthful determination lands him on the set of THE PRINCE AND THE SHOWGIRL. This is how he meets Marilyn Monroe, played by Michelle Williams.

As London prepares for the arrival of the world’s most famous woman, Sir Laurence Olivier, played by Kenneth Branagh, prepares to director and star in a film with the sexiest woman on Earth. Part of him somehow hopes for a flirtatious rejuvenation, despite being married to actress Vivien Leigh of GONE WITH THE WIND, played by Julia Ormond, and Marilyn being on her third marriage, this time to the accomplished playwright Arthur Miller, played by Dougray Scott.

Directed by Simon Curtis, MY WEEK WITH MARILYN is his feature theatrical feature film. Curtis was worked primarily as a producer, and as director of multiple television series and made-for-TV movies. While this may sound like a warning sign for a mediocre movie, the rule does not apply in this case. The film may have a subtle element of melodrama, but is overwhelmingly insightful and uplifting in a non-sappy sort of way.

How does a virtual nobody like Colin Clark fit into the legendary story of Marilyn Monroe? The screenplay is based on the diaries written by Clark during his time with Marilyn, on and off the set of THE PRINCE AND THE SHOWGIRL, at the time titled THE SLEEPING PRINCE. Colin Clark wrote two books about Marilyn Monroe; “The Prince, The Showgirl and Me” and “My Week With Marilyn.” The interesting dynamic of the relationship between Colin and Marilyn is that, despite her incredible success, talent and fame, she still thought of herself as a regular, flawed person. She was a frightened woman, nervous and paranoid of being abandoned.

These traits come from Marilyn’s troubled and frankly sad childhood. Marilyn was not born with a silver spoon in her mouth. Rather, she worked very hard for her success, which occurred over time, not overnight. Beginning life as Norma Jean, she invented the persona of Marilyn Monroe, but she would continue to struggle with this throughout her unfortunately short life. Marilyn found it difficult coping with the constant attention as Marilyn, feeling like her own true identity was being held captive beneath the overpowering persona of her own invention. Colin comes into play soon after meeting Marilyn. She seems him as a kindred spirit, a regular guy. She could trust Colin and open up to him. What happens between them is left for you to experience in the film, but it’s the basis of support that triggers their unlikely bond.

Michelle Williams is breathtaking. Not only does she portray Marilyn with stunningly accurate beauty – in appearance, voice and mannerisms – but she captures the conflict so well. Williams’ has tapped into the psyche of Marilyn, allowing MY WEEK WITH MARILYN to humanize the woman Colin calls “a Greek goddess.” Branagh is stellar as Sir Laurence Olivier, a role meant for him alone to play. Branagh gives Olivier a frustrated hilarity, with class and manners, but also shows the temperamental perfectionist behind the camera.

MY WEEK WITH MARILYN chronicles many previously unrecognized elements of cinema from that long gone era. The trials and tribulations between Sir Laurence Olivier and Marilyn Monroe working together on a film was a fragile balancing act, bringing two eras of filmmaking together, illuminating the inevitable death of the ways things have been, ushering in the new era of Method acting and the new Hollywood star.

Aside from Williams’ and Branagh’s potentially Oscar-worthy performances, MY WEEK WITH MARILYN also serves up inspired supporting performances from Judi Dench as Dame Sybil Thorndike and Emma Watson as Lucy, the young wardrobe worker on set with whom Colin has a romantic interest. In addition to the acting, MY WEEK WITH MARILYN features a soundtrack for the music lover at heart. Conrad Pope provided the rich orchestral original score, while the film also features fabulous pieces of the era from Dean Martin and Nat King Cole. Most impressive is Michelle Williams doing her own singing when Marilyn performs… a treat in and of itself, especially during the “Old Black Magic” performance during the end credits.

MY WEEK WITH MARILYN is an enjoyable, well-made movie for anyone who is familiar with the icon and the era to enjoy, but I highly recommend the film to those less familiar with Marilyn, or those who perhaps only see her as the persona and nothing more. For those, the film should hopefully be an eye-opening thrill and a testament to the artist more than her creation alone.

MOZART’S SISTER – The Review

Successful film biographies often inspire ‘back-story’ sequels. Since many of these movies end at the conclusion of the subject’s life, producers will go back back and explore an earlier chapter of this remarkable individuals history. Hence, we’ve seen films like YOUNG MR. LINCOLN and YOUNG TOM EDISON. Now many years after AMADEUS, cinema explores the life of ten year old Mozart, but from a different viewpoint. As the title suggests MOZART’S SISTER is indeed this story told through the eyes of Wolfgang’s older sister (by five years). The movie is a fresh look at the formative years of this musical genius, but it also tells the story of an older sibling possessed of incredible talent who had no chance to shine in her brother’s long shadow.

Like many musician stories we first encounter the artists between ‘gigs’ and on the road. The Mozart family (father, mother, sister, and the star son) huddle for warmth in a coach bumping along down a desolate forest trail. Life is hard as they trek from one royal court to the next. Some of them keep the family waiting for days and weeks before the royal performance. Often, the family is not paid for their concerts. Pappa Mozart is a strict taskmaster who insists on many hours of practice everyday. He also makes sure that each child knows their place-sister must not play the violin as it is unladylike. The coach breaks down and the family seeks shelter in a nearby abbey. There they meet the four young daughters of French royal family (the king prefers them to stay hidden there and not reside at the palace). Maria befriends them and grows close to the youngest princess, Louise. She asks Maria to deliver a love letter to the son of a music master when the Mozart family reaches Paris. When they arrive at the palace, they learn that the kingdom is in mourning. The wife of the Dauphin (the Prince) has died in childbirth. In order to deliver the note, Maria must dress as a boy. The young music master is tutoring the Dauphin, who does not wish to associate with any females. Maria, in male drag, begins a friendship with the Dauphin. Will she reveal her true identity to him? How will this effect the family and impact the career of young Mozart?

MOZART’S SISTER is quite a treat for the ears and eyes. The music produced by the two young artists is very impressive. Kudos to the actors for handling the instruments convincingly. The costuming of that period is beautifully reproduced. All the settings from the palace interiors to the quiet abbey, classrooms, and apartments help send us to that 1700’s time period. Marc Barbe as the elder Mozart, Leopold, conveys the ambition and drive that compelled them to travel Europe. Delphine Chuillot gives Mama Mozart, Anna-Maria, a quiet dignity as she tries to accommodate her husband’s dreams while trying to provide a stable family atmosphere. Clovis Fouin as the Dauphin alternates between sadness and romantic interest while also being very mysterious. The young actors really shine in this film. David Moreau as little Wolfgang has the playful spirit of a young boy who doesn’t realize how the family’s future rests on his small shoulders. Lisa Feret is quite remarkable as a young princess who seems so wise for her age. Of course the movie sinks or swims on the performance of Marie Feret as (Nannerl) Maria Mozart. You can see her frustration in her eyes as she must take a back seat to the boy genius. Her father dismisses her work and ignores her creations. Her trepidation at dressing as a boy as in YENTYL is soon replaced by her attraction to the troubled prince.She makes us hope that she will triumph over a world that wants to put her in her place and toss her aside. MOZART”S SISTER has all the trappings of a big movie costume epic, but it succeeds in telling a quiet personal story of a young woman who just wanted a chance to share her musical gifts.

Overall Rating: 3 Out of 5 Stars