ICE-T T Headline ‘A CELEBRATION OF MUSIC IN FILM’ At 2012 Sundance Film Festival

ICE-T TO HEADLINE ‘A CELEBRATION OF MUSIC IN FILM’
AT 2012 SUNDANCE FILM FESTIVAL

 Free Tickets to be Distributed via Twitter @sundancefestnow and @finallevel

 Event Hosted By Sundance Institute Film Music Program

Sundance Institute today announced that Ice-T and hip hop icons Chuck D (Public Enemy) and Grandmaster Caz will perform at ‘A Celebration of Music in Film’ on January 21 at the 2012 Sundance Film Festival. ‘A Celebration of Music in Film,’ one of the most anticipated music events at the annual Festival, this year celebrates SOMETHING FROM NOTHING: THE ART OF RAP, by director Ice-T, co-director Andy Baybutt and producer Paul Toogood.

The event takes place Saturday, January 21, 8:30 p.m. at the Sundance Music Café. A limited number of free tickets to the event will be available to Festival credential holders (21 and up) via Twitter @sundancefestnow and Ice-T’s feed @finallevel. Additionally, the event will be live streamed at www.sundance.org/live and http://www.livestream.com/sundancefest in participation with Livestream. RSVP to be notified when the event is live.

SOMETHING FROM NOTHING: THE ART OF RAP explores the roots and history of Rap. Through conversations with Rap’s most influential artists – among them Kanye West, Eminem,  Common, Snoop Dogg, Dr. Dre, Chuck D, Mos Def, and Ice Cube – Ice-T reveals the creative process behind this now-dominant art form.

“Ice-T’s legacy in the music community is indelible, and we are very proud to showcase these prolific and groundbreaking artists at the Festival this year,” said Peter Golub, Director of the Sundance Institute Film Music Program and producer of ‘A Celebration of Music in Film.’ “Similarly, the Festival has long been a champion of showcasing the art and imagination of music in film, and that legacy continues this year.”

“We could not be more excited and honored to have music legends Ice-T, Chuck D and Grandmaster Caz perform at this year’s Festival,” said Tracy McKnight, producer and co-host of ‘A Celebration of Music in Film’ and Head of Film Music for Lionsgate. “This night is about celebrating music in film, and highlighting this incredible art form will certainly make this evening a ‘once-in-a-lifetime’ event.”

Other music-related events to be featured at the Festival include: Roundtable Discussion: Music and Film, The Creative Process, produced by BMI (January 25, 11:00 a.m. at Sundance House Presented by HP); Film Music Remix featuring Sundance Composers Lab Alums Ronit Kirchman, Kathryn Bostic, Terry Dame, Lili Haydn, Vivek Maddala and David Poe  (January 23, 8:00 p.m. at Sundance Music Café: Night Sessions); and the Sundance ASCAP Music Café, with scheduled performers including John Forte and friends featuring Natasha Bedingfield, Flying Lotus, David Gray, The All-American Rejects, Josh Kelley, David Nail, A Fine Frenzy, Greg Laswell and filmmaker/composer Terence Nance.

Among the Film Music Program alumni whose work will be featured at this year’s Festival are: T. Griffin (composer, California Solo); Kathryn Bostic (composer, Middle of Nowhere); Ryan Beveridge (composer, Mosquita y Mari); Terry Dame (composer, My Best Day); Fall On Your Sword (Nobody Walks); Ronen Landa with Anna Bulbrook (composer, The Pact); and Gingger Shankar (Himalaya Song).

The 2012 Sundance Film Festival runs January 19 through 29, in Park City, Salt Lake City, Ogden and Sundance, Utah. A complete list of films and events is available atwww.sundance.org/festival.

 

The Sundance Film Festival

A program of the non-profit Sundance Institute, the Festival has introduced global audiences to some of the most ground-breaking films of the past two decades, including sex, lies, and videotapeMaria Full of GraceThe CoveHedwig and the Angry InchAn Inconvenient TruthPreciousTrouble the Water, and Napoleon Dynamite, and through its New Frontier initiative, has showcased the cinematic works of media artists including Isaac Julien, Doug Aitken, Pierre Huyghe, Jennifer Steinkamp, and Matthew Barney. The 2012 Sundance Film Festival sponsors include: Presenting Sponsors – Entertainment Weekly, HP, Acura, Sundance Channel and Chase SapphireSM; Leadership Sponsors – Adobe Systems Incorporated, Bing™, Canon, DIRECTV, Focus Forward, a partnership between GE and CINELAN, Southwest Airlines, Sprint and Yahoo!; Sustaining Sponsors – Bertolli® Frozen Meal Soups, FilterForGood®, a partnership between Brita® and Nalgene®, Grey Goose® Vodka, Hilton HHonors and Waldorf Astoria Hotels & Resorts, L’Oréal Paris, Stella Artois®, Timberland, Time Warner Inc. and YouTubeTM. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations will defray costs associated with the 10-day Festival and the nonprofit Sundance Institute’s year-round programs for independent film and theatre artists. www.sundance.org/festival

Sundance Institute

Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into BrothelsTrouble the WaterSon of BabylonAmreekaAn Inconvenient TruthSpring AwakeningI Am My Own WifeLight in the Piazza and Angels in America. Join Sundance Institute on FacebookTwitter and YouTube.

CHRIS KATTAN to Host Sundance Coverage on AT&T Uverse Buzz

CHRIS KATTAN TO HOST
AT&T U-VERSE 2012 SUNDANCE SPECIAL

It was announced today that actor Chris Kattan will be the host of Sundance 2012 coverage on AT&T U-verse® Buzz.

Daily coverage of the festival, including interviews and behind-the-scenes footage, will be offered by AT&T U-verse on their Buzz Channel (Ch. 300 and 1300 HD for U-verse subscribers), Facebook (www.facebook.com/uverse), Twitter (@Sundance2012), Instagram (#Sundance2012), U-verse Online (uverseonline.att.net/uverse/exclusive), as well as a dedicated Sundance website (att.com/sundance2012). In addition to the daily coverage, a comprehensive 30-minute special will air on U-verse Buzz February 15 through March 15.

ABOUT CHRIS KATTAN

Chris Kattan got his start with the famous LA-based comedy improvisational group “The Groundlings.” He is best known for his memorable characters during his seven seasons on Saturday Night Live from 1996 to 2003, alongside Will Ferrell, Amy Poehler, Maya Rudolph, Jimmy Fallon, Tracy Morgan and Tina Fey. Kattan is currently filming his third season on the Wednesday night ABC comedy The Middle,while also writing his first book Zen and Narcissism – a surprisingly romantic autobiography. He can be seen in the upcoming film, Just Crazy Enough, a physical comedy in which he starred and co-wrote.

ABOUT AT&T

AT&T Inc. (NYSE:T) is a premier communications holding company and one of the most honored companies in the world <http://www.att.com/corporateawards> . Its subsidiaries and affiliates – AT&T operating companies – are the providers of AT&T services in the United States and around the world. With a powerful array of network resources that includes the nation’s fastest mobile broadband network, AT&T is a leading provider of wireless, Wi-Fi, high speed Internet, voice and cloud-based services. A leader in mobile broadband and emerging 4G capabilities, AT&T also offers the best wireless coverage worldwide of any U.S. carrier, offering the most wireless phones that work in the most countries. It also offers advanced TV services under the AT&T U-verse® and AT&T │DIRECTV brands. The company’s suite of IP-based business communications services is one of the most advanced in the world. In domestic markets, AT&T Advertising Solutions and AT&T Interactive are known for their leadership in local search and advertising.

Additional information about AT&T Inc. and the products and services provided by AT&T subsidiaries and affiliates is available at http://www.att.com. Follow our news on Twitter at @ATT.

LIVEstyle AND FULCRUM GROUP ANNOUNCE “AXE HAIR MEDIA LOUNGE and GROOM ROOM and Supper Club” AT THE 2012 SUNDANCE FILM FESTIVAL

LIVEstyle AND FULCRUM GROUP ANNOUNCE “AXE HAIR MEDIA LOUNGE and GROOM ROOM and Supper Club” AT THE 2012 SUNDANCE FILM FESTIVAL

New York-based entertainment agency LIVEstyle Entertainment, in partnership with Connecticut-basedFulcrum Group, is preparing to launch the 9th year and 37th major festival installation of its signature multi-day branded entertainment programs, the LIVEstyle Film Lounge, The Supper Club and AXE® Hair Media Lounge & Groom Room, located at 628 Park Ave in Park City, Utah.  The venue and integrated programs will be an anchor destination for filmmakers, celebrities, global film and consumer media outlets, world-class chefs, independent and major studios and producers.  Through this platform, sponsors AXE Hair; Issey Miyake’s new men’s fragrance L’Eau d’Issey Pour Homme Sport; Monster Energy Beverages; AriZona Beverages; hipswag.com; outdoor athletic products company Thule; IndieFlix.com; Pook Toque and official Festival sponsor Stella Artois will come face-to-face with the principal industry influencers, media, tastemakers and VIPs during one of the world’s largest film festivals, as more than thirty individual events and programs unfold onsite over six days involving fifteen different official festival films.

 

Friday, January 20, 2012 (5pm-7pm)

WHAT: YOUR SISTER’S SISTER cast dinner hosted by IFC Films and the cast and guest chef La-Toya Fagon

CAST: Emily Blunt, Rosemarie DeWitt, Mark Duplass

 

Friday, January 20, 2012 (8pm-11pm)

WHAT: FILLY BROWN cast dinner and premiere party hosted by cast with guest chef La-Toya Fagon and a surprise musical performance

CAST:      Lou Diamond Phillips, Gina Rodriguez, Jenni Rivera, Edward James Olmos

 

Friday, January 20, 2012 (11pm-2am)

WHAT: KEEP THE LIGHTS ON premiere after-party hosted by Director Ira Sachs

CAST:  Thure Lindhardt, Zachary Booth, Julianne Nicholson, Souleymane Sy Savane and Paprika Steen

 

Friday, January 20, 2012 (1:30-40:00AM)

WHAT: TIM & ERIC’S BILLION DOLLAR MOVIE post-premiere party

CAST:  Will Ferrell; John C. Reilly; Tim Heidecker, Eric Wareheim

 

Other Guest include : Blythe Danner and Melanie Lynskey

AXE HAIR MEDIA LOUNGE and Groom Room @ Blue Iguana 628 Park Ave, Park City, Utah  84060

About FULCRUM GROUP:

Fulcrum Group is a full service agency based in New York City and Connecticut with more than 50years combined experience in promotions, marketing, communications and digital media. Providing strategic programming, complete execution and customizable marketing campaigns, Fulcrum Group helps companies discover their core values and achieve their goals. Their wide range of printing and digital promotional services help clients acquire customized and creative merchandise vital to strengthen brand presence and equity, enhance market awareness and emanate overall success. Whether Fulcrum serves as event producer, consultant or promotional company; it delivers all components to create an exclusive event experience and maximum brand exposure unlike any other. For more information, please visit http://www.fulcrumgrp.com.

About LIVEstyle  Entertainment:    

Founded in 2002, LIVEstyle Entertainment is a leader in innovative live entertainment marketing, programming and production.  Having built and executed successful events and properties throughout the film, fashion, music, art and sports industries, LIVEstyle has proven its ability to deliver high-impact brand programs on an annual basis for clients and consumers alike.  In addition to being the most prolific film festival event producer in the world,  LIVEstyle Entertainment creates tailor-made event programs for corporate and entertainment industry clients alike.  For more information, please visit www.livestylent.com.

About AXE®

AXE Hair, a leader in men’s hair care, is proud to be the Title Sponsor of the AXE Hair Media Lounge & Groom Room at Sundance 2012, treating media, tastemakers, filmmakers and celebrity talent to the ultimate AXE Hair experience.  AXE is an iconic personal care brand around the world that helps guys look, smell and feel their best. The Unilever-manufactured brand is available in a line of shampoos and styling aids, as well as deodorants and shower gels.  The brand’s mission is to help guys get the girl with grooming products that reflect individual personality and lifestyle.  For more information, visit www.theaxeeffect.com.

About Unilever North America

Unilever is one of the world’s leading suppliers of fast moving consumer goods with strong operations in more than 100 countries and sales in 180.  With products that are used over two billion times a day around the world, we work to create a better future every day and help people feel good, look good and get more out of life with brands and services that are good for them and good for others.

In the United States, Canada and the Greater Caribbean (Trinidad & Tobago, Dominican Republic, Puerto Rico) the portfolio includes brand icons such as: Axe, Becel, Ben & Jerry’s, Bertolli, Blue Band, Breyers, Caress, Consort For Men, Country Crock, Degree, Dove personal care products, fds, Good Humor, Hellmann’s, I Can’t Believe It’s Not Butter!, Just for Me!, Klondike, Knorr, Lever 2000, Lipton, Motions, Nexxus, Noxzema, OMO, Pond’s, Popsicle, Promise, Q-Tips, Ragu, Skippy, Slim-Fast, Soft & Beautiful, St. Ives, Suave, tcb, TIGI, TRESemmé, Vaseline, and Wish-Bone.

All of the preceding brand names are registered trademarks of the Unilever Group of Companies. Dedicated to serving consumers and the communities where we live, work and play, Unilever employs more than 13,000 people across North America – generating nearly $10 billion in sales in 2010.  For more information, visit www.unileverusa.comwww.unilever.ca,orwww.unilevercaribbean.com.

About AriZona

AriZona Beverages USA LLC was founded in Brooklyn in 1971 by Don Vultaggio and John Ferolito and to this day remains a privately held and family-run American business based in Woodbury, NY. AriZona Beverages—makers of AriZona Iced Tea, waters, juices, energy drinks, sports drinks and powdered tea mixes —is the number one ready-to-drink tea in North America and has begun worldwide expansion starting with South America, Europe and Asia. AriZona’s mission is to create the highest quality products that not only look great, but also taste great and are affordable for people to buy. For more information, visit www.drinkarizona.com.

PRICE CHECK Premieres on Wed, Jan 25th at the Eccles

PRICE CHECK

World Premiere Event at the Sundance Film Festival in the Premiere Section
Wednesday, January 25th

Parker Posey is making her way back to Sundance with her film PRICE CHECK, a comedy written and directed by Michael Walker.

Pete Cozy (Eric Mabius) does his best juggling family life, rising debt and a dead end job, but when his new boss, Susan (Parker Posey), a sexy, powerful, human dynamo shows up, Pete is pulled into the maelstrom that is her life and made to work harder than he ever has before. Suddenly, money and opportunities come his way, but at what price?

Public Screenings:

Wednesday, January 25th at 6:30pm- Eccles Theatre, Park City
Thursday, January 26th at 9:00am- Eccles Theatre, Park City
Saturday, January 28th at 8:30am- MARC, Park City
Saturday, January 28th at 9:00pm- Salt Lake City Library, SLC

Like PRICE CHECK on Facebook: https://www.facebook.com/pricecheckfilm 

Joss Whedon & Drew Goddard’s THE CABIN IN THE WOODS To Open SXSW 2012

SXSW announced this week THE CABIN IN THE WOODS as their opening night, world premiere for SXSW 2012. There is a lot of hype surrounding this long-awaited genre film, hype that we hope is true. According to some lucky Austinites who had the great fortune of seeing the film during this year’s Butt-numb-a-thon, the hype is justified. Little to nothing has has been revealed about the plot, but the general idea comes across in the title. I would comment on the trailer, but I have chosen not to watch it… at least, for as long as I possibly can avoid spoiling anything at all for myself. My recommendation to you… watch if you wish, but at your own risk. I’ve been told the film’s even better without seeing the trailer. The poster however, pictured below, is pretty darn cool, though!

THE CABIN IN THE WOODS was co-written by Joss Whedon (BUFFY THE VAMPIRE SLAYER) and Drew Goddard (CLOVERFIELD, LOST), and is Goddard’s directorial debut. The 2012 SXSW Film Conference and Festival will take place March 9 – 17, 2012 in Austin, Texas.

The film stars Chris Hemsworth (THOR), Kristen Connolly, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins (LET ME IN) and Bradley Whitford (THE WEST WING).

THE CABIN IN THE WOODS, the upcoming “horror movie to end all horror movies” that will turn the genre on its head, will be in theaters everywhere April 13th, 2012. Five friends go to a remote cabin in the woods. Bad things happen. If you think you know this story, think again.

Official Website: http://www.discoverthecabininthewoods.com/
Official Facebook Page: http://www.facebook.com/TheCabininTheWoods
Official Twitter Page: https://twitter.com/#!/lionsgatehorror #DiscoverTheSecret

2012 Sundance Film Festival Announces Films In Premieres & Docu. Premieres; WEST OF MEMPHIS On List


WEST OF MEMPHIS/Credit: Olivia Hamel

Special Event with Joseph Gordon-Levitt’s hitRECord on Jan. 26

Sundance Institute announced today the films selected to screen in the out-of-competition Premieres and Documentary Premieres sections of the 2012 Sundance Film Festival. The Festival will be held January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.

John Cooper, Director of the Sundance Film Festival, said, “The fact that most of the Premieres have been produced completely independently further underscores the resourcefulness and tenacity of filmmakers in this climate. That drive and entrepreneurial spirit has pushed narrative and documentary filmmakers alike to create rich stories which will entertain and inspire audiences at the festival and in the year to come.”

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “Featuring one of the most influential directors of all time returning to his Brooklyn roots as well as emerging filmmakers tackling big issues with sophistication beyond their experience, our Premieres section has much to offer – including a live performance/exhibition by Joseph Gordon-Levitt’s open collaborative production company hitRECord that defies categorization. Our Documentary Premieres section features equally impressive filmmakers at the top of their game who have crafted impactful films that will both dazzle and enlighten.”

PREMIERES
A showcase of some of the most highly anticipated dramatic films of the coming year from new and established directors. Presented by Entertainment Weekly. Each is a world premiere.

2 Days in New York / France (Director: Julie Delpy, Screenwriters: Julie Delpy, Alexia Landeau) — Marion has broken up with Jack and now lives in New York with their child. A visit from her family, the different cultural background of her new boyfriend, her sister’s ex-boyfriend, and her upcoming photo exhibition make for an explosive mix. Cast: Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau, Alex Nahon.

Arbitrage / U.S.A. (Director and screenwriter: Nicholas Jarecki) — A hedge-fund magnate is in over his head, desperately trying to complete the sale of his trading empire before the depths of his fraud are revealed. An unexpected, bloody error forces him to turn to the most unlikely corner for help. Cast: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Nate Parker.

Bachelorette / U.S.A. (Director and screenwriter: Leslye Headland) — Unresolved issues between four high school friends come roaring back to life when the least popular of them gets engaged to one of the most eligible bachelors in New York City and asks the others to be bridesmaids in her wedding. Cast: Kirsten Dunst, Isla Fisher, Lizzy Caplan, James Marsden, Adam Scott, Kyle Bornheimer.

California Solo / U.S.A. (Director and screenwriter: Marshall Lewy) — A former Britpop rocker has long settled for an unfettered life working on a farm outside of L.A. When he’s caught driving drunk and faces deportation, he must confront past and current demons in his life to stay in the country. Cast: Robert Carlyle, Alexia Rasmussen, Kathleen Wilhoite, A Martinez, Danny Masterson.

Celeste and Jesse Forever / U.S.A. (Director: Lee Toland Krieger, Screenwriters: Rashida Jones, Will McCormack) — Celeste and Jesse met in high school, married young, and at 30, decide to get divorced but remain best friends while pursuing other relationships. Cast: Rashida Jones, Andy Samberg, Ari Graynor, Chris Messina, Elijah Wood, Emma Roberts.

For A Good Time, Call… / U.S.A. (Director: Jamie Travis, Screenwriters: Katie Anne Naylon & Lauren Anne Miller) — Lauren and Katie move in together after a loss of a relationship and a loss of a rent controlled home, respectively. When Lauren learns what Katie does for a living the two enter into a wildly unconventional business venture. Cast: Ari Graynor, Lauren Anne Miller, Justin Long, Mark Webber, James Wolk.

GOATS / U.S.A. (Director: Christopher Neil, Screenwriter: Mark Jude Poirier) — Ellis leaves his unconventional desert home to attend the disciplined and structured Gates Academy. There, he re-connects with his estranged father and for the first time questions the family dynamics. Cast: David Duchovny, Vera Farmiga, Graham Phillips, Justin Kirk, Ty Burrell.

LAY THE FAVORITE / U.S.A. (Director: Stephen Frears, Screenwriter: D.V. DeVincentis) — An adventurous young woman gets involved with a group of geeky older men who have found a way to work the sportsbook system in Las Vegas to their advantage. Cast: Bruce Willis, Catherine Zeta-Jones, Rebecca Hall.

Liberal Arts / U.S.A. (Director and screenwriter: Josh Radnor) — When 30-something Jesse is invited back to his alma mater, he falls for a 19-year-old college student and is faced with the powerful attraction that springs up between them. Cast: Josh Radnor, Elizabeth Olsen, Richard Jenkins, Allison Janney, John Magaro, Elizabeth Reaser.

Price Check / U.S.A. (Director and screenwriter: Michael Walker) — Pete is having trouble resolving a happy marriage and family life with rising debt and a job he hates. When his new boss pulls him into the maelstrom that is her life, money and opportunities come his way, but at what price? Cast: Parker Posey, Eric Mabius, Annie Parisse, Josh Pais, Cheyenne Jackson.

Red Hook Summer / U.S.A. (Director: Spike Lee, Screenwriters: James McBride, Spike Lee) — A young Atlanta boy spends his summer in Brooklyn with his grandfather, who he’s never seen before. Cast: Clarke Peters, Jules Brown, Toni Lysaith, James Ransone, Thomas Jefferson Byrd.

Red Lights / U.S.A., Spain (Director and screenwriter: Rodrigo Cortés) — Psychologist Margaret Matheson and her assistant study paranormal activity, which leads them to investigate a world-renowned psychic. Cast: Cillian Murphy, Sigourney Weaver, Robert De Niro, Elizabeth Olsen, Toby Jones.

Robot and Frank / U.S.A. (Director: Jake Schreier, Screenwriter: Christopher Ford) — A curmudgeonly older dad’s grown kids install a robot as his caretaker. Cast: Frank Langella, Susan Sarandon, James Marsden, Liv Tyler. SALT LAKE CITY GALA FILM

Shadow Dancer / United Kingdom (Director: James Marsh, Screenwriter: Tom Bradby) — When a widowed mother is arrested in an aborted bomb plot she must make hard choices to protect her son in this heart-wrenching thriller. Cast: Andrea Riseborough, Aidan Gillen, Domhnall Gleeson, with Gillian Anderson and Clive Owen.

The Words / U.S.A. (Directors and screenwriters: Brian Klugman, Lee Sternthal) — Aspiring writer Rory Jansen finds another man’s haunting memories in a collection of lost stories and claims them as his own, propelling him to literary stardom. Cast: Bradley Cooper, Jeremy Irons, Dennis Quaid, Olivia Wilde with Zoe Saldana. CLOSING NIGHT FILM

Special event: Hit RECord at the Movies with Joseph Gordon-Levitt — Be a part of the process by joining Joseph Gordon-Levitt and the global hitRECord community for a special one-time-only interactive exploration of the power of making things together. Gordon-Levitt will showcase works that have been created from the collaborative hitRECord production company and invite the audience to engage, interact and contribute to the event using their digital devices. The event will be recorded, with footage posted on their website for all to enjoy and be inspired by. hitRECord, which launched with an installation in the New Frontier section of the 2010 Sundance Film Festival, returns to the Festival to showcase the project’s evolution and potential for creative experimentation.

DOCUMENTARY PREMIERES
Created to highlight the growing impact and popularity of documentaries in our world today, Documentary Premieres presents eight moving new films about big subjects or by master filmmakers that showcase the power of the form. Each is a world premiere.

About Face / U.S.A. (Director: Timothy Greenfield-Sanders) — An exploration of beauty and aging through the stories of the original supermodels. Participants including Isabella Rossellini, Christie Brinkley, Beverly Johnson, Carmen Dell’Orefice, Paulina Porizkova, Jerry Hall and Christy Turlington weigh in on the fashion industry and how they reassess and redefine their own sense of beauty as their careers progress.

BONES BRIGADE: An Autobiography / U.S.A. (Director: Stacy Peralta) — When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too – as they evolved from insecure outsiders to the most influential athletes in the field.

The D Word: Understanding Dyslexia / U.S.A. (Director: James Redford) — While following a Dyslexic high school senior struggling to achieve his dream of getting into a competitive college, The D Word exposes myths about Dyslexia and reveals cutting edge research to elucidate this widely misunderstood condition.

ETHEL / U.S.A. (Director: Rory Kennedy) — This intimate, surprising portrait of Ethel Kennedy provides an insider’s view of a political dynasty, including Ethel’s life with Robert F. Kennedy and the years following his death when she raised their eleven children on her own.

A Fierce Green Fire / U.S.A. (Director: Mark Kitchell) — A definitive history of one of the most important movements of the 20th century, A Fierce Green Fire chronicles the environmental movement’s fascinating evolution from the 1960s to the present.

SOMETHING FROM NOTHING: THE ART OF RAP / United Kingdom (Director: Ice-T, Co-Director: Andy Baybutt) — Through conversations with Rap’s most influential artists – among them Chuck D, Snoop Dogg, Dr. Dre, Eminem, MC Lyte, Mos Def, and Kanye West – Ice-T explores the roots and history of Rap and reveals the creative process behind this now dominant art form.

Untitled Paul Simon Project / U.S.A. (Director: Joe Berlinger) — Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he sparked for allegedly breaking the UN cultural boycott of South Africa, designed to end Apartheid.

West of Memphis / U.S.A. (Director: Amy Berg) — Three teenage boys are incarcerated for the murders of three 8-year-old boys in West Memphis, Arkansas. 19 years later, new evidence calls into question the convictions and raises issues of judicial, prosecutorial and jury misconduct – showing that the first casualty of a corrupt justice system is the truth.

The Sundance Film Festival
A program of the non-profit Sundance Institute, the Festival has introduced global audiences to some of the most ground-breaking films of the past two decades, including sex, lies, and videotape, Maria Full of Grace, The Cove, Hedwig and the Angry Inch, An Inconvenient Truth, Precious, Trouble the Water, and Napoleon Dynamite, and through its New Frontier initiative, has showcased the cinematic works of media artists including Isaac Julien, Doug Aitken, Pierre Huyghe, Jennifer Steinkamp, and Matthew Barney. The 2012 Sundance Film Festival sponsors include: Presenting Sponsors – Entertainment Weekly, HP, Acura, Sundance Channel and Chase SapphireSM; Leadership Sponsors – Adobe Systems Incorporated, Bing™, Canon, DIRECTV, Focus Forward, a partnership between GE and CINELAN, Southwest Airlines, Sprint and Yahoo!; Sustaining Sponsors – Bertolli® Frozen Meal Soups, FilterForGood®, a partnership between Brita® and Nalgene®, Grey Goose® Vodka, Hilton HHonors and Waldorf Astoria Hotels & Resorts, L’Oréal Paris, Stella Artois®, Timberland, Time Warner Inc. and YouTubeTM. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations will defray costs associated with the 10-day Festival and the nonprofit Sundance Institute’s year-round programs for independent film and theatre artists. www.sundance.org/festival

Sundance Institute
Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Son of Babylon, Amreeka, An Inconvenient Truth, Spring Awakening, I Am My Own Wife, Light in the Piazza and Angels in America.

Join Sundance Institute on Facebook, Twitter and YouTube.

2012 Sundance Film Festival Lineup Announced

Park City, UT – Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.

Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.”

John Cooper, Director of the Sundance Film Festival, said, “In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking. Looking at this year’s submissions, the result is more fully realized visions and stronger stories; we are proud to see the Festival emerging as a key indicator of the health and creativity of our filmmaking community. The overall quality of the films in the 2012 Competition section will make for an exciting Festival and a remarkable year ahead for independent film audiences everywhere.”

For the 2012 Sundance Film Festival, 110 feature-length films were selected, representing 31 countries and 44 first-time filmmakers, including 26 in competition. These films were selected from 4,042 featurelength film submissions composed of 2,059 U.S. and 1,983 international feature-length films. 88 films at the Festival will be world premieres.

In addition to the four Competition categories, the Festival presents feature-length films in six out-ofcompetition sections. Films in the Spotlight, Park City at Midnight, and New Frontier sections will be announced on December 1. Films in the Premieres and Documentary Premieres sections will be announced on December 5.

On Day One, the Festival will screen one narrative film and one documentary from both the U.S. and World Cinema competitions, as well as one shorts program.

Keri Putnam, Executive Director of Sundance Institute, said, “The enthusiasm and optimism of John Cooper and his programming team this year is infectious; we are all excited to unveil and experience their selections for the 2012 Sundance Film Festival. On behalf of my colleagues at the Sundance Institute we are pleased to introduce new storytellers to our audience, welcome new and returning filmmakers to the Festival and kick off a lively cultural dialogue for 2012.”

U.S. DRAMATIC COMPETITION
The world premieres of 16 American narrative feature films.

Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under, in this tale of a six year old named Hushpuppy, who lives with her daddy at the edge of the world. Cast: Quvenzhané Wallis, Dwight Henry.

The Comedy / U.S.A. (Director: Rick Alverson, Screenwriters: Rick Alverson, Robert Donne, Colm O’Leary) — Indifferent even to the prospects of inheriting his father’s estate, Swanson whiles away his days with a group of aging Brooklyn hipsters, engaging in small acts of recreational cruelty and pacified boredom. Cast: Tim Heidecker, Eric Wareheim, Kate Lyn Sheil, Alexia Rassmusen, Gregg Turkington.

The End of Love / U.S.A. (Director and screenwriter: Mark Webber) — A young father unravels following the loss of the mother of his child. Cast: Mark Webber, Shannyn Sossamon, Michael Cera, Jason Ritter, Amanda Seyfried, Frankie Shaw.

Filly Brown / U.S.A. (Directors: Youssef Delara, Michael D. Olmos, Screenwriter: Youssef Delara) — A Hip Hop-driven drama about a Mexican girl who rises to fame and consciousness as she copes with the incarceration of her mother through music. Cast: Lou Diamond Phillips, Gina Rodriguez, Jenni Rivera, Edward James Olmos.

The First Time / U.S.A. (Director and screenwriter: Jonathan Kasdan) — Two high schoolers meet at a party. Over the course of a weekend, things turn magical, romantic, complicated and funny, as they discover what it’s like to fall in love for the first time. Cast: Brittany Robertson, Dylan O’Brien, Craig Roberts, James Frecheville, Victoria Justice.

For Ellen / U.S.A. (Director and screenwriter: So Yong Kim) — A struggling musician takes an overnight long-distance drive in order to fight his estranged wife for custody of their young daughter. Cast: Paul Dano, Jon Heder, Jena Malone, Margarita Levieva, Shay Mandigo.

Hello I Must Be Going / U.S.A. (Director: Todd Louiso, Screenwriter: Sarah Koskoff) — Divorced, childless, demoralized and condemned to move back in with her parents at the age of 35, Amy Minsky’s prospects look bleak – until the unexpected attention of a teenage boy changes everything. Cast: Melanie Lynskey, Blythe Danner, Christopher Abbott, John Rubinstein, Julie White. DAY ONE FILM

Keep the Lights On / U.S.A. (Director: Ira Sachs, Screenwriters: Ira Sachs, Mauricio Zacharias) —An autobiographically inspired story of a passionate long-term relationship between two men driven by addiction and secrets but bound by love and hopefulness. Cast: Thure Lindhardt, Zachary Booth, Julianne Nicholson, Souleymane Sy Savane, Paprika Steen.

LUV / U.S.A. (Director: Sheldon Candis, Screenwriters: Sheldon Candis, Justin Wilson) — An orphaned 11-year-old boy is forced to face the unpleasant truth about his beloved uncle during one harrowing day in the streets of Baltimore. Cast: Common, Michael Rainey Jr., Dennis Haysbert, Danny Glover, Charles S. Dutton.

Middle Of Nowhere / U.S.A. (Director and screenwriter: Ava DuVernay) — When her husband is incarcerated, an African-American woman struggles to maintain her marriage and her identity. Cast: Emayatzy Corinealdi, David Oyelowo, Omari Hardwick, Lorraine Touissant, Edwina Findley.

Nobody Walks / U.S.A. (Director: Ry Russo-Young, Screenwriters: Lena Dunham, Ry Russo-Young) — Martine, a young artist from New York, is invited into the home of a hip, liberal LA family for a week. Her presence unravels the family’s carefully maintained status quo, and a mess of sexual and emotional entanglements ensues. Cast: John Krasinski, Olivia Thirlby, Rosemarie DeWitt, India Ennenga, Justin Kirk.

Safety Not Guaranteed / U.S.A. (Director: Colin Trevorrow, Screenwriter: Derek Connolly) — A trio of magazine employees investigate a classified ad seeking a partner for time travel. One employee develops feelings for the paranoid but compelling loner and seeks to discover what he’s really up to. Cast: Aubrey Plaza, Mark Duplass, Jake Johnson, Karen Soni.

Save the Date / U.S.A. (Director: Michael Mohan, Screenwriters: Jeffrey Brown, Egan Reich, Michael Mohan) — As her sister Beth prepares to get married, Sarah finds herself caught up in an intense post-breakup rebound. The two fumble through the redefined emotional landscape of modern day relationships, forced to relearn how to love and be loved. Cast: Lizzy Caplan, Alison Brie, Martin Starr, Geoffrey Arend, Mark Webber.

Simon Killer / France, U.S.A. (Director and screenwriter: Antonio Campos) — A recent college graduate goes to Paris after breaking up with his girlfriend of 5 years. Once there, he falls in love with a young prostitute and their fateful journey begins. Cast: Brady Corbet, Mati Diop, Constance Rousseau, Michael Abiteboul, Solo.

Smashed / U.S.A. (Director: James Ponsoldt, Screenwriters: Susan Burke, James Ponsoldt) — Kate and Charlie are a young married couple whose bond is built on a mutual love of music, laughter and… drinking. When Kate decides to get sober, her new lifestyle brings troubling issues to the surface and calls into question her relationship with Charlie. Cast: Mary Elizabeth Winstead, Aaron Paul, Octavia Spencer, Nick Offerman, Megan Mullally.

The Surrogate / U.S.A. (Director and screenwriter: Ben Lewin) — Mark O’Brien, a 36-year-old poet and journalist with an iron lung, decides he no longer wishes to be a virgin. With the help of his therapist and the guidance of his priest, he contacts a professional sex surrogate to take him on a journey to manhood. Cast: John Hawkes, Helen Hunt, William H. Macy.

U.S. DOCUMENTARY COMPETITION
The world premieres of 16 American documentary films.

Ai Weiwei: Never Sorry / U.S.A., China (Director: Alison Klayman) — Renowned Chinese artist and activist Ai Weiwei has garnered international attention as much for his ambitious artwork as his political provocations and increasingly public clashes with the Chinese government.

The Atomic States of America / U.S.A. (Directors: Don Argott, Sheena M. Joyce) — In 2010, the United States announced construction of the first new nuclear power plant in more than 32 years. A year later, a 9.0 magnitude earthquake struck the Fukushima Power Plant in Japan sparking a fierce debate in the U.S. over the safety and viability of nuclear power.

Chasing Ice / U.S.A. (Director: Jeff Orlowski) — Science, spectacle and human passion mix in this stunningly cinematic portrait as National Geographic photographer James Balog captures time-lapse photography of glaciers over several years providing tangible visual evidence of climate change.

DETROPIA /U.S.A. (Directors: Heidi Ewing, Rachel Grady) — The woes of Detroit are emblematic of the collapse of the U.S. manufacturing base. This is the dramatic story of a city and its people who refuse to leave the building, even as the flames are rising.

ESCAPE FIRE: The Fight to Rescue American Healthcare / U.S.A. (Directors: Matthew Heineman, Susan Froemke) — What can be done to save our broken medical system? Powerful forces are trying to maintain the status quo in a profit-driven medical industry, but a movement to bring innovative methods of prevention and healing is finally gaining ground – potentially saving the health of a nation.

Finding North /U.S.A. (Directors: Lori Silverbush, Kristi Jacobson) — A crisis of hunger looms in America and is not limited to the poverty stricken and uneducated. Can a return to policies of the 1970s save our future?

The House I Live In / U.S.A. (Director: Eugene Jarecki) — For over 40 years, the War on Drugs has accounted for 45 million arrests, made America the world’s largest jailer and damaged poor communities at home and abroad. Yet, drugs are cheaper, purer and more available today than ever. Where did we go wrong and what is the path toward healing?

How to Survive a Plague / U.S.A. (Director: David France) — The untold story of the intensive efforts that turned AIDS into a manageable condition – and the improbable group of (mostly HIV-positive) young men and women whose amazing resilience broke through a time of rampant death and political indifference.

The Invisible War / U.S.A. (Director: Kirby Dick) — An investigative and powerfully emotional examination of the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence and the profound personal and social consequences that arise from it.

Marina Abramović The Artist is Present / U.S.A. (Director: Matthew Akers) — Marina Abramović prepares for a major retrospective of her work at The Museum of Modern Art in New York hoping to finally silence four decades of skeptics who proclaim: ‘But why is this art?’

ME at the ZOO / U.S.A. (Directors: Chris Moukarbel, Valerie Veatch) — With 270 million hits to date, Chris Crocker, an uncanny young video blogger from small town Tennessee, is considered the Internet’s first rebel folk hero and at the same time one of its most controversial personalities.

The Other Dream Team / Lithuania, U.S.A. (Director: Marius Markevicius) — The 1992 Lithuanian National Basketball Team went from the clutches of Communism to the Summer Olympics in Barcelona – a testament to the powerful role of sports as a catalyst for cultural identity.

The Queen of Versailles / U.S.A. (Director: Lauren Greenfield) — Jackie and David were triumphantly constructing the biggest house in America – a sprawling, 90,000-square-foot palace inspired by Versailles – when their timeshare empire collapses and their house is foreclosed. Their rags-to-riches-to-rags story reveals the innate virtues and flaws of the American Dream. DAY ONE FILM

Slavery By Another Name / U.S.A. (Director: Sam Pollard) — As slavery came to an end with Abraham Lincoln’s Emancipation Proclamation, a new system of involuntary servitude took its place with shocking force, brutalizing, terrorizing and ultimately circumscribing the lives of hundreds of thousands of African Americans well into the 20th century.

Love Free or Die: How the Bishop of New Hampshire is Changing the World / U.S.A. (Director: Macky Alston) — One man whose two defining passions are in conflict: An openly gay bishop refuses to leave the Church or the man he loves.

We’re Not Broke / U.S.A. (Directors: Karin Hayes, Victoria Bruce) — As American lawmakers slash budgets and lay off employees, leaving many people scrambling to survive, multibillion-dollar corporations are concealing colossal profits overseas to avoid paying U.S. income tax. Fed-up Americans are taking their frustration to the streets.

WORLD CINEMA DRAMATIC COMPETITION
Fourteen films from emerging filmmaking talents offer fresh perspectives and inventive styles.

4 Suns / Czech Republic (Director and screenwriter: Bohdan Sláma) — Immature Fogi attempts to straighten up and accept his responsibilities as a new husband and father, as well as role model to his troubled son from a previous relationship, but finds himself unable to change his nature, leaving him to watch haplessly as his family begins to crumble. Cast: Jaroslav Plesl, Aňa Geislerová, Karel Roden, Jiří Mádl, Klára Melíšková. World Premiere

About the Pink Sky / Japan (Director and screenwriter: Keiichi Kobayashi) — A high school girl finds a wallet full of money and tracks down its owner, leading to unexpected consequences for the girl and her friends. Cast: Ai Ikeda, Ena Koshino, Reiko Fujiwara, Tsubasa Takayama, Hakusyu Togetsuan. International Premiere

Can / Turkey (Director and screenwriter: Rasit Celikezer) — A young married couple live happily in Istanbul, but their decision to illegally procure a child threatens their future together. Cast: Selen Ucer, Serdar Orcin, Berkan Demirbag, Erkan Avci. World Premiere

Father’s Chair (A Cadeira do Pai) / Brazil (Director: Luciano Moura, Screenwriters: Elena Soarez, Luciano Moura) — Following the trail of his runaway teen son, Theo confronts his own identity as a son, a father and a man along the way. Cast: Wagner Moura, Lima Duarte, Mariana Lima. World Premiere

L / Greece (Director: Babis Makridis, Screenwriters: Efthymis Filippou, Babis Makridis) — A man who lives in his car gets caught up in the undeclared war between motorcycle riders and car drivers. Cast: Aris Servetalis, Makis Papadimitriou, Lefteris Mathaios, Nota Tserniafski, Stavros Raptis. World Premiere

The Last Elvis (El Ultimo Elvis) / Argentina (Director: Armando Bo, Screenwriters: Nicolás Giacobone and Armando Bo) — A Buenos Aires Elvis impersonator who believes that he is the reincarnation of the King struggles to shake free from reality and live his musical dream. Cast: John McInerny, Griselda Siciliani, Margarita Lopez. World Premiere

Madrid, 1987 / Spain (Director and screenwriter: David Trueba) — The balance of power and desire constantly shifts during the meeting of an older journalist and a young student, of two generations completely foreign to one another. Cast: José Sacristán, María Valverde, Ramon Fontserè. International Premiere

My Brother the Devil / United Kingdom (Director and screenwriter: Sally El Hosaini) — A pair of British Arab brothers trying to get by in gangland London learn the extraordinary courage it takes to be yourself. Cast: James Floyd, Saïd Taghmaoui, Fady Elsayed. World Premiere

Teddy Bear / Denmark (Director: Mads Matthiesen, Screenwriters: Mads Matthiesen, Martin Pieter Zandvliet) — Dennis, a painfully shy 38-year-old bodybuilder who lives with his mother, sets off to Thailand in search of love. Cast: Kim Kold, Elsebeth Steentoft, Lamaiporn Sangmanee Hougaard, David Winters, Allan Mogensen. World Premiere

Valley of Saints / India, U.S.A. (Director and screenwriter: Musa Syeed) — Gulzar plans to run away from the war and poverty surrounding his village in Kashmir with his best friend, but a beautiful young woman researching the dying lake leads him to contemplate a different future Cast: Gulzar Ahmad Bhat, Mohammed Afzal Sofi, Neelofar Hamid. World Premiere

Violeta Went to Heaven (Violeta se Fue a Los Cielos) / Chile, Argentina, Brazil, Spain (Director: Andrés Wood, Screenwriters: Eliseo Altunaga, Rodrigo Bazaes, Guillermo Calderón, Andrés Wood) — A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes. Cast: Francisca Gavilán, Thomas Durand, Luis Machín, Gabriela Aguilera, Roberto Farías. International Premiere

Wish You Were Here / Australia (Director: Kieran Darcy-Smith, Screenwriters: Felicity Price, Kieran Darcy-Smith) — Four friends embark on a carefree holiday, but only three return home. Who knows what happened on that fateful night? Cast: Joel Edgerton, Teresa Palmer, Felicity Price, Antony Starr. World Premiere. DAY ONE FILM

WRONG / France (Director and screenwriter: Quentin Dupieux) — Dolph searches for his lost dog, but through encounters with a nympho pizza-delivery girl, a jogging neighbor seeking the absolute, and a mysterious righter of wrongs, he may eventually lose his mind… and his identity. Cast: Jack Plotnick, Eric Judor, Alexis Dziena, Steve Little, William Fichtner. World Premiere

Young & Wild / Chile (Director: Marialy Rivas, Screenwriters: Marialy Rivas, Camila Gutiérrez, Pedro Peirano) — 17-year-old Daniela, raised in the bosom of a strict Evangelical family and recently unmasked as a fornicator by her shocked parents, struggles to find her own path to spiritual harmony. Cast: Alicia Rodríguez, Aline Kuppenheim, María Gracia Omegna, Felipe Pinto. World Premiere

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary filmmakers working today.

½ REVOLUTION / Denmark (Directors: Omar Shargawi, Karim El Hakim) — In January 2011, two filmmakers captured the reality of the Egyptian revolution as it occurred out of view from the world’s media in the alleyways and streets away from the square – and in the process were arrested by the secret police. North American Premiere

5 Broken Cameras / Palestine, Israel, France (Directors: Emad Burnat, Guy Davidi) — A Palestinian journalist chronicles his village’s resistance to a separation barrier being erected on their land and in the process captures his young son’s lens on the world. International Premiere

THE AMBASSADOR / Denmark (Director: Mads Brügger) — What happens when a very white European man buys his way into being a diplomat in one of Central Africa’s most failed nations? Welcome to the bizarre and hidden world of African diplomacy, where gin and tonics flow and diamond hustlers and corrupt politicians run free. North American Premiere

BIG BOYS GONE BANANAS!* / Sweden (Director: Fredrik Gertten) — The behind-the-scenes story of a full-scale attack on freedom of speech. When Dole set its sights on the WG Film production Bananas!* in May 2009, confusion was the method, aggression was the tactic and media control was the story. North American Premiere

China Heavyweight / Canada, China (Director: Yung Chang) — In central China, where a coach recruits poor rural teenagers and turns them into Western-style boxing champions, the top students face dramatic choices as they graduate – should they fight for the collective good or for themselves? A metaphor for the choices everyone in the New China faces now. World Premiere

Gypsy Davy / Israel, U.S.A., Spain (Director: Rachel Leah Jones) — How does a white boy with Alabama roots become a Flamenco guitarist in Andalusian boots? A tale of self-invention and the pursuit of happiness, regardless of the cost to others. International Premiere

The Imposter / United Kingdom (Director: Bart Layton) — In 1994 a 13-year-old boy disappears from his home in San Antonio, Texas. Three and a half years later he is found alive thousands of miles away in Spain with a shocking story of kidnap and torture. But all is not what it seems in this tale that is truly stranger than fiction. World Premiere

Indie Game: The Movie / Canada (Directors: Lisanne Pajot, James Swirsky) — Follow the dramatic journeys of indie game developers as they create games and release those works, and themselves, to the world. World Premiere

The Law in These Parts / Israel (Director: Ra’anan Alexandrowicz) — Israel’s 43-year military legal system in the Occupied Palestinian Territories unfolds through provocative interviews with the system’s architects and historical footage showing the enactment of these laws upon the Palestinian population. International Premiere

Payback / Canada (Director: Jennifer Baichwal) — Based on Margaret Atwood’s best-selling book, Payback explores how debt is a central organizing principle in our lives – influencing relationships, societies, governing structures and the very fate of this planet. World Premiere

Putin’s Kiss / Denmark (Director: Lise Birk Pedersen) — 19-year-old Marsha is a model spokesperson in a strongly nationalistic Russian youth movement that aims to protect the country from its enemies. When she starts recognizing the organization’s flaws, she must take a stand for or against it. North American Premiere

Searching for Sugar Man / Denmark, United Kingdom (Director: Malik Bendjelloul) — Rodriguez was the greatest ‘70s US rock icon who never was. Hailed as the greatest recording artist of his generation he disappeared into oblivion – rising again from the ashes in a completely different context many miles away. World Premiere. DAY ONE FILM

The Sundance Film Festival
A program of the non-profit Sundance Institute, the Festival has introduced global audiences to some of the most ground-breaking films of the past two decades, including sex, lies, and videotape, Maria Full of Grace, The Cove, Hedwig and the Angry Inch, An Inconvenient Truth, Precious, Trouble the Water, and Napoleon Dynamite, and through its New Frontier initiative, has showcased the cinematic works of media artists including Isaac Julian, Doug Aitken, Pierre Huyghe, Jennifer Steinkamp, and Matthew Barney. The 2012 Sundance Film Festival sponsors include: Presenting Sponsors – Entertainment Weekly, HP, Acura, Sundance Channel and Chase SapphireSM; Leadership Sponsors – Adobe Systems Incorporated, Bing™, Canon, DIRECTV, Focus Forward, a partnership between GE and CINELAN, Southwest Airlines, Sprint and Yahoo!; Sustaining Sponsors – Bertolli® Frozen Meal Soups, FilterForGood®, a partnership between Brita® and Nalgene®, Grey Goose® Vodka, Hilton HHonors and Waldorf Astoria Hotels & Resorts, L’Oréal Paris, Stella Artois®, Timberland, Time Warner Inc. and YouTubeTM. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations will defray costs associated with the 10-day Festival and the nonprofit Sundance Institute’s year-round programs for independent film and theatre artists. www.sundance.org/festival

Sundance Institute
Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Son of Babylon, Amreeka, An Inconvenient Truth, Spring Awakening, I Am My Own Wife, Light in the Piazza and Angels in America.

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AURELIE LAFLAMME’S DIARY – SLIFF Review

The pre-teen years are trying for most young people. This is especially the case for this film’s heroine. She lost her Dad five years ago. And she’s pretty certain she’s an alien. From another planet. This comprises several pages in AURELIE LAFLAMME’S DIARY, a sweet-natured coming of age French-Canadian dramedy. In the pre credit opening sequence she’s left stranded at the museum after the school bus heads out after the big field trip. The snarky, feisty, ninth grader clashes with her teachers and is a regular visitor to her principal’s office ( Ugh! He’s drenched in aftershave! ). She’s not a part of any clique, so she eats lunch in a bathroom stall ( she and her BFF Kat got into a spat ). At home her single, working Mom alternates between nagging her about her schoolwork and tidiness and embarrassing her ( Mom’s wearing a thong! And flirting with the principal! ). Once Aurielie and Kat mend their friendship they embark on series of adventures at the start of Grade Nine. Kat finds her dream guy, Truch, at the arcade while Aurelie begins a flirtation with the dreamy Nicholas ( why does her brain short-circuit around him? ). This leads to a disastrous Halloween party and a Christmas season that’s full of surprises. Who knows, perhaps the new year will bring a truce between mother and daughter.

This warm-hearted comedy benefits from its young energetic cast. Marianne Verville as Aurielie is endearing as she enacts the awkwardness and embarrassment of a young girl on the verge of womanhood. She aided well by Genevieve Chartrand as Kat who is maturing a bit faster and gets a jump on the whole dating scene. The adults at school are more than cartoon authority figures as they try to encourage Auriele’s independent spirit. Especially good is Valerie Blais as a still unsteady single Mom trying to walk the line between nurturer and disciplinarian. Youngsters should enjoy the many Walter-Mitty style fantasy sequences that help illustrate just what’s going in her head ( what imagination! ) Parents may squirm a bit at some feminine hygiene product jokes and a subplot involving baby hamsters, but this is a gentle, good-hearted that should engage young movie goers and perhaps remind their parents of similar ” alien ” emotions they felt not so very long ago.

Showtimes
Sunday, November 20th at 3:30pm – Washington University/Brown Auditorium

ELEANOR’S SECRET – SLIFF Review

It’s been said that when a child learns to read, the door to a whole new world opens up for them. This is literally the case in the delightful animated feature film ELEANOR’S SECRET ( that’s actually one of two big secrets ). The main hero of the tale is in reality a young boy named Nathaniel. He and his family ( Mom, Dad, and older sister Angelica ) are going to spend some time at the beach house they’ve inherited from their late Aunt Eleanor ( she nearly made it to 100! ). Little Nat is especially saddened because his Aunt would read to him. unfortunately he’s not been able to grasp his reading lessons at school, and his sister taunts him mercilessly about this. Their parents bring out a note just for the kids from their Aunt telling what she has left for them. Angelica gets a beloved old porcelain doll. Nathaniel gets a key to a mysterious secret room ( and its contents ). Unlocking the door, he is stunned to see a vast library filled to the brim with rare old editions. What good is this to him? That night as he endures a nightmare of letters and words, the old house suffers severe damage from a storm. The next morning they survey the damage and Dad decides that they may need to sell some of Aunt Eleanor’s things ( including the books ) to pay for the repairs. Returning to the secret room, Nathaniel is shocked to see tiny beings literally crawling out of the volumes! There’s Red Riding Hood and the Big Bad Wolf! Snow White, Peter Pan, Mowgli, and hundreds of classic literary creations ( could that be Count Dracula? ). Seems that unless he can read a magic inscription on the wall before noon, all the characters will fade away. After a few failed attempts, the bad fairy from Sleeping Beauty shrinks Nate down to their size. She won’t return him to his size until he reads the magic words. They hear a noise and scatter back into the books. It’s dad with that vulture-like antiques dealer. He boxes up the books and takes them to his store front further down the beach. Once there, Nathaniel decides to return home and read the inscription before noon. With the Ogre, the March Hare, and his beloved Alice ( from Wonderland ) they escape and embark on the perilous journey while the Hare’s pocket watch inches closer to twelve.

ELEANOR’S SECRET is a glorious, gentle adventure that may inspire youngsters to explore the library shelves ( and maybe peer through some of their family’s own, old dusty volumes ). The film is designed to resemble a modern children’s book with its angular, abstract, gently shaded characters. The classic literary heroes and villains are visualized quite differently from their established film icons ( this is not Disneyland! ). Backgrounds and vehicles are moved by the most subtle computer imagery, while all else is brought to life by the classic hand drawn style. The story builds up a sense of urgency that generates some suspense that should enthrall the young viewers, although the raging storm and escape from a determined crab may upset the very youngest. This is a sweet, whimsical escapade that should provide inspiration for many evenings ( or rainy days ) of adventures via the printed page.

Showtimes
Sunday, November 20th at 1:30pm – Washington University/Brown Auditorium

KARAOKE MAN – SLIFF Review

Review by Dana Jung

Offbeat love stories full of quirky characters are certainly nothing new. They can be groundbreaking (THE GRADUATE) or funny (RUSHMORE) or sweet (THE OH IN OHIO), and they seem to be perfectly suited to independent filmmaking, with low budgets and relatively unknown casts. These films live or die on the strength of their scripts, creating eccentric but lovable characters trying to navigate the sometimes turbulent waters of life and love. The best of these movies find a rhythm with their actors and paint lovely pictures of people. The latest entry in the genre, KARAOKE MAN, directed and co-written by Mike Petty, achieves these lofty heights for most part.

Louis is a brilliant but eccentric artist who has accepted a new job at a small independent comic book company. He is immediately smitten by Glennis, who is not so eccentric but is an aspiring singer/songwriter. We know from the start that these two belong together, and their budding romance is funny and heartwarming. One of Louis’ ideas for impressing Glennis is to help his natural shyness by donning an old (and rare) costume of some obscure superhero (a subplot here offers lots of comic relief). Thus Louis becomes ‘Karaoke Man’ and sings at the karaoke bar where Glennis works.

The film mixes the worlds of karaoke, comic book geeks, trivia, and the serious music business in a bright and entertaining way for most of its length. Veteran TV actors Brian Dietzen (NCIS) and Caitlin Crosby (HARD TIMES OF RJ BERGER) shine in a cast peppered with good performances. Marc Evan Jackson must also be mentioned as creating one of the funniest and wisest parental figures in recent memory. Other recognizable supporting faces include Spencer Locke (COUGAR TOWN) and James Denton (DESPARATE HOUSEWIVES) as Glennis’ co-workers.

Full of philosophical wit such as, “Today is the last day of your previous life,” and “I like unrequited love – it’s safer,” these actors make the most of the sharp dialogue. It isn’t until the last quarter of the film that things become rather ordinary. We get the Rude Ex-Boyfriend Showing Up scene, then the Sad Breakup scene, and a climax where things literally unravel in a heavy-handed metaphor that was fresh when first mentioned halfway through the film. All this makes the ending seemed rushed and rather cliched, which is a shame because KARAOKE MAN had me at “comic book”.

Showtime:
Saturday, Nov 19th at 4:00pm at the Tivoli Theatre