INCONCEIVABLE Starring Nicolas Cage and Faye Dunaway Arrives on Blu-ray, DVD, and Digital HD August 29th


Academy Award winners Nicolas Cage and Faye Dunaway star in the nail-biting thriller INCONCEIVABLE, arriving on Blu-ray (plus Digital HD), DVD, and Digital HD August 29 from Lionsgate Home Entertainment. The film is currently available On Demand.


Deception hits home when the nail-biting thriller Inconceivable arrives on Blu-ray (plus Digital HD), DVD, and Digital HD August 29 from Lionsgate. The film is currently available On Demand. Academy Award® winners Nicolas Cage (Best Actor, Leaving Las Vegas, 1995) and Faye Dunaway (Best Actress, Network, 1977) star alongside Gina Gershon as a family that takes a young woman and her daughter into their home only to find that she may not be who she seems. From the producers of Heist, Lone Survivor, and 2 Guns, the Inconceivable Blu-ray and DVD will be available for the suggested retail price of $24.99 and $19.98, respectively.


A family befriends a struggling single mother and invites her into their home to be their nanny, and – eventually – their surrogate mother. But soon, strange behavior begins to surface and they realize that things are not what they seem, and that the woman they’ve entrusted their lives to may have other intentions.

BLU-RAY/DVD/DIGITAL HD SPECIAL FEATURES

  • Commentary with Filmmaker Jonathan Baker
  • “Behind the Scenes of Inconceivable” Featurette
  • Deleted Scene
  • Cast/Crew Interviews

CAST

Gina Gershon                          Face/Off, BoundP.S. I Love You

Faye Dunaway                       Network, Bonnie and Clyde, Chinatown

Nicolas Cage                           National Treasure franchise, Leaving Las Vegas

Nicky Whelan                          The Wedding RingerHall Pass

Natalie Eva Marie                     TV’s “Total Divas” and “WWE Smackdown!”

St. Louis Filmmakers Showcase Begins July 16th at The Tivoli

Shorts programs, narrative features, documentaries, and free beer – St. Louis style!

The Whitaker St. Louis Filmmakers Showcase, an annual presentation of the nonprofit Cinema St. Louis, serves as the area’s primary venue for films made by local artists. The Showcase screens works that were written, directed, edited, or produced by St. Louis natives or films with strong local ties. The 15 film programs that screen at the Tivoli from July 16-20 serve as the Showcase’s centerpiece. The programs range from full-length fiction features and documentaries to multi-film compilations of fiction and documentary shorts. Many of the programs with feature-length films include post-screening Q&As with filmmakers.

All films will be screened at The Tivoli Theater (6350 Delmar)

Look for more coverage of The St. Louis Filmmakers Showcase here at We Are Movie Geeks in the coming days including interviews with the filmmakers and reviews of the film. 

Tickets: $13
Cinema St. Louis Members: $10
Students: $10 (with valid photo ID)
A&E Arts Card Holders: $10

Buy advance tickets at the Tivoli Theatre box office (4-10 p.m. Monday-Friday and noon-10 .p.m. Saturday-Sunday) or online.
Online sales are limited to full-price tickets only with an additional $1 per-ticket service charge. Bring the credit card used for purchase and confirmation number to the box office to receive tickets.

Here’s this year’s line-up:

Doc Shorts 1  – Sunday, Jul. 16 at 12:30pm

Family Rewritten Yasmin Mistry – 13 min. – A typical middle-class American teenager, Camilla finds herself in foster care just months before her 18th birthday.

I Am The Dance of Life – Randy Shinn – 35 min.  Controversial transgender performance artist Susan Stone dances at music events in St. Louis and pushes the envelope of free expression.

Mike Sidwell, Strongman – Brian Jun – 6 min. – Mike Sidwell talks about his journey and desire to be strong.

Phantom Glory: The Bob Little Story – Jacqui Poor – 15 min. – After flying 68 combat missions during World War II, Bob Little became a flight engineer/test pilot for the McDonnell Aircraft corporation.

The Terrifying Jellyfish: A Tj Hughes Biography – Ryan Fitzgerald – 4 min. – A portrait of up-and-coming digital artist Tj Hughes.

Tory Z Starbuck – Megan Griesenauer & Andrea Williams – 15 min. – Tory Z Starbuck has been composing, recording, and performing experimental rock music in St. Louis since the 1980s.

Experimental Shorts  – Sunday, Jul. 16 at 2:30pm

Bearing Witness – Jun Bae – 5 min. – An audiovisual tone poem that encourages us to re-examine the memories that ultimately define our identity.

Busy Do – Brandon Joseph Eckert – 4 min. – An ex-gangster’s life is told through a PI’s voicemail to “Tony.”

Colorado | True Nature – Hieronymus Cole  – 5 min. – An immersion in Colorado’s scenic beauty.

Down at Dusk – Kat Cory – 5 min. – A natural landscape is transformed into the abstract in a visual exploration of the Zen Buddhist concept of ox herding.

An Empty Bliss – Will Morris – 3 min. – After drinking absinthe at a picnic, a young couple starts hallucinating.

Even The Birds Know It – Zlatko Cosic & Rachel Cosic – 3 min. – St. Louis birds share their views about the environment and the sociopolitical climate.

Exit – Jacob Zavertnik – 17 min. – After an irreplaceable loss, a man confronts the visual manifestation of his grief to decide between acceptance or stagnation.

Hypervide – Natalie Rainer – 3 min. – This ode to nature is a lively combination of organic and digital processes.

Linear Motion – Leilei Wu – 3 min. – An exploration of the linear motion found in nature, ranging from car rides to water flowing on the window of an aircraft.

Ocean Breathes – Yihuang Lu –  1 min. – Undulating patterns of light and motion set upon a great body of water.

The Other Room – Shaun Gavin – 5 min. – A man awakens in a mysterious room and encounters myriad strange phenomena while attempting to care for some exotic cacti.

Shadow Track – Xiaoti – 4 min. – The vitality of nature is visualized in the simple black-and-white world of shadows.

Story 1: Scenes 1-9 – Zlatko Cosic – 5 min. – A multi-narrative experience in nine scenes.

Stung – Larry Ziegelman – 4 min. – In this dark music video, a heartbroken ex-boyfriend pines for the girl he still loves even after she begins a new relationship.

Summer Louis – Davey Rocco – 5 min. – A meandering visual exercise of nature’s interaction with man-made structures.

That’s What You Get For Grabbing – Zlatko Cosic – 4 min. – Abstract explorations of society from the Women’s March in St. Louis on Jan. 21, 2017.

Turntable – Wyatt Weed – 4 min. – A music video for the original song “Turntable” by St. Louis artist Abigail Stahlschmidt.

You Look Like A Squirrel – Yuhan Zhang – 4 min. – It’s hard out there for a squirrel.

Palacios – Sunday, Jul. 16 at 4:45pm

Directed by Robert T. Herrera. Eugene, an inner-city teen, escapes the city streets and hides away on a Midwest city rooftop during the Fourth of July holiday. He is found by Holly, a widowed alcoholic, who lives in the secluded rooftop dwelling with her Boston terrier. They commit to spending the day together above the city as they wait for a hopeful resolution to Eugene’s situation. As the day passes, a friendship grows even as their personal realities begin to catch up with them.

Narrative Shorts 1 – Sunday, Jul. 16 at 7:15pm

Bouquets & Banana Peels – Spencer Elmore – 16 min. – Two brothers comically confront a lifetime of issues during a community-theater production.

Concession Standoff – Peter Grayson – 10 min. – Two movie-theater co-workers determine who has to train a new employee by involving him in a nerdy, spirited debate about their favorite movies.

Dream on Pig Boy – Ben Christensen & Ian Gibbs – 12 min. – Two amateur playwrights attempt to put on a production of their bizarre new play.

In A Mad House – Tim Mitten – 6 min. – A woman confronts her abusive ex-husband and finds that he has found another victim.

The Inside Job – Brooke Jolley – 4 min – Special Agent Lane faces her archnemesis after several years of desperate searching only to find out more than she is prepared to stomach.

Max Vice – Kyle Niehaus – 25 min. – Max Vice — a no-nonsense cop from the 1980s with a love of booze, cocaine, and, above all, justice — awakens from a 30-year coma to find himself irrelevant in an unfamiliar world.

Swipe Right – Brooke Johnson – 9 min. – When a young man is dumped by his girlfriend, he decides to plunge into the world of dating apps but virtual love proves no less complicated than the real thing.

Table 21 – Brooke Jolley – 20 min. – A nosy and overzealous waiter gets obsessively wrapped up in the personal affairs of a mysterious couple.

Tonight She Comes – Sunday, Jul. 16 at 9:30pm

Directed by Matt Stuertz. After a girl goes missing, two of her friends and a mysterious set of strangers find themselves drawn to the cabin in the woods where she disappeared. They will laugh, they will drink, they will kiss, they will make love — and most of them will die

Narrative Shorts 2 – Monday, Jul. 17 at 5:00pm

Be Light – Damon Gaige Leco – 3 min. – Roaming the ruins of a collapsed civilization, a higher being highlights the unsustainable trajectory and contradictions of an ego-driven society.

Breakdown – Rexx Villotti – 13 min. – After their car breaks down on the side of the road, the rocky relationship between Jeff and Louise is strained to the point of failure.

Egg – Brandon Joseph Eckert – 3 min. – Six greasers and an egg — the possibilities are endless.

Lester Leaps In – Mike Steinberg – 30 min. – At a lumber mill in 1970s Montana, a middle manager struggles to produce a safety film.

The Night Owl – Anthony Nicolau – 12 min. – A dark story of miscommunication and conflict between two neighbors living in New York City.

Trich – Isaac Knopf – 17 min. – As preparation for a high-priority pitch at work intensifies, Ethan develops an uncontrollable urge to pull out his hair.

Narrative Shorts 3 – Monday, Jul. 17 at 7:00pm

Alliance – Andres Colonna – 14 min. – An alien living on Earth discovers that he has been betrayed.

Coup De Grace – Michael Tilly Parks – 15 min. – A soldier must prove his loyalty to a totalitarian government by serving as a one-man firing squad.

Extricated – Will Reddell – 5 min. – Haunted by his past, a man finds he can run. But can he ever escape?

Little Drummer Girl – Chris Benson – 20 min. – At the peak of the Civil War, a father is forced to make a grave decision after the loss of his family.

Mage Arc Zero – Aaron Stolze – 8 min. – A supernatural trainee learns to value his gift while letting go of his ambitions.

Oberon (The Sentient Sword) – Alexander Hernandez – 5 min. – A clever thief steals the mighty sword Oberon, but the blade only wants to return to its master.

Redemption – Cesar Encalada – 18 min. – Post-Civil War, three outlawed brothers flee their town after gunning down the local authorities. Exhausted and with no resources, they plan to raid a dilapidated farmhouse and rob the sickened landlord.

Saving Buck – Cesar Encalada – 13 min. – An American paratrooper is lost behind enemy lines in Europe during World War II.

Narrative Shorts 4 – Monday, Jul. 17 at 9:30pm

Driver’s Ed – Chase Norman – 15 min. – A shy, overweight young woman leaves the safety of her home for an unwelcoming high-school classroom.

El Almuerzo – Jocelyn Cooper – 15 min. – After the death of their father and withdrawal of their mother, a brother and his two sisters in El Paso, Texas, in the 1970s attempt to piece their shattered lives back together.

The Gift – Tim Garrett – 6 min. – A young girl comes to terms with life in her new family.

Here And There – Janie Schlie – 10 min. – A young college student and an elderly florist find friendship in one another on a lonely holiday.

Sir – Luiz Costa Cruz – 12 min. – A transgender youth makes a difficult choice for the future.

Switching Gears – Rebecca Clayton – 8 min. – A mechanic seeks solace following the death of her father by finally completing his last project: fixing up an antique car.

Taste – Hors D’Oeuvre – Jørgen Pedersen – 15 min. – A young, stubborn chef tries to work through a surprise birthday party that blows up in her face.

An Uber Tale – Lynelle White – 8 min. – Two strangers, a guy and girl, share an Uber. Although there’s clearly an attraction between them, neither is able to initiate conversation, so they ride on. And on. And on.

Waiting to Die in Bayside, Queens – Garrett Tripp – 6 min. – A frizzy-haired hypochondriac who’s convinced she’s dying, 15-year-old Jordyn lives in a small co-op apartment in the predominantly Jewish middle-class suburb of Bayside Queens in 1976.

500: The Impact of The Reformation Today – Tuesday, Jul. 18 at 5:00pm

Directed by Dale Ward. Renowned Luther scholars from around the world reveal how the Reformation affects us in multiple ways, with a lone monk’s actions 500 years ago continuing to resonate profoundly in today’s world. This thought-provoking documentary was four years in the making, with portions shot on location throughout Germany, where the actual Reformation events occurred.

Atomic Homefront – Tuesday, Jul. 18 at 7:30pm

Directed by Rebecca Cammisa. St. Louis has a little-known nuclear past as a uranium-processing center for the atomic bomb. Government and corporate negligence led to the dumping of Manhattan Project uranium, thorium, and radium, thus contaminating North St. Louis suburbs, specifically in two communities: those along Coldwater Creek, where residents have high rates of very rare cancers, birth defects, and various autoimmune disorders that are potentially linked to ionizing radiation poisoning; and in Bridgeton, adjacent to the West Lake-Bridgeton landfill, where an uncontrolled subsurface fire has been moving toward an area where the radioactive waste was buried. Just Moms STL, a group of mothers-turned-advocates, believes their communities are being poisoned and demands that the government either fully remove the waste or permanently relocate residents living nearest the landfill. At the same time, the grassroots organization Coldwater Creek — Just the Facts Please is working to educate the community and healthcare professionals and to promote community inclusion in the Radiation Exposure Compensation Act. “Atomic Homefront” — from HBO Documentary Films — spotlights these citizen advocates, mostly women, who have mobilized to get answers, creating a powerful coalition that continues to fight for environmental justice.

Dev Diary – Wednesday, Jul. 19 at 5:00pm

Directed by James Reichmuth and Alessio Summerfield. Although St. Louis game designers the Coster brothers — Adam, Sam, and Seth — have a reputation for developing projects quickly, they have spent the last two years working on only one game. Sam’s dream game, “Crashlands” has helped him battle cancer as he struggles with Stage 4B lymphoma.

Narrative Shorts 5 – Wednesday, Jul. 19 at 7:00pm

Damage Over Time – Chris Null – 16 min. – A compulsive gamer reaches rock bottom.

Greg’s Going to Rehab – Chris Lawing – 15 min. – It’s 1986, and 15-year-old Greg is off to rehab for screwing up … but not before one last party!

Richie and the Styles – Aaron Landgraf – 24 min. – At the end of a long tour, a struggling jazz band receives news that the founder of an esteemed record label is to attend their next show.

Rob in The Hood – Greg Sporleder – 18 min. – A modern-day version of the classic tale.

Spitting Image – Maxine Du Maine – 9 min. – Jerome experiences the consequences of the unending cycle of gang violence in his urban community.

Stronger – Spencer Elmore – 11 min. – A hockey-playing son reaches a crisis point with his overbearing and abusive father.

Narrative Shorts 6 – Wednesday, Jul. 19 at 9:15pm

Blink– Peter Carlos – English/French – 4 min. – A dying man tries to hang on until his killers are brought to justice.

Bob – John Gross – 25 min. – A gay couple moves into their first apartment together and experiences paranormal activity.

Cursed World Problems – Stephen Province – 5 min. – A group of supernatural individuals vent to each other in a special support group.

Dead Air – Abby Zahuranec – 9 min. – A man finds himself in a tight place between a dangerous criminal, his loved ones, and a mysterious hotel television.

Deal Breaker – J. Miller – 6 min. – A man struggles to rent out the spare room in his apartment.

Done Deal – Cory Mack – 9 min. – Faced with signing away the memories of her dead son, a woman stands up for herself.

The Runt – Beth Ashby – 12 min. – Waking up after a nearly successful suicide attempt, Chelsea is greeted by a Dr. Carter, but as the physician questions her, she begins to wonder whether something much stranger is at work.

Shadows – Camila Morales – 4 min. – Nearing the end of his life, a man is haunted by the shadows of a past tragedy.

Spooky Sweets – Abby Zahuranec – 9 min. – A boy is forced to go trick-or-treating by his well-meaning mother as he deals with the loss of his father.

What’s Written – Alex Van Almsick & Joe Hellberg – 8 min. – A struggling writer discovers he must choose between the life of a child and the publication of his work.

Doc Shorts 2 – Thursday, Jul. 20 at 5:00pm

48 Hours to France – Mike Rohlfing – 32 min. – The story of how a short film made in just two days found its way to the Cannes Film Festival.

Blues & Ragtime: The Sounds of St. Louis – St. Louis Artworks – 11 min. – The story of how ragtime music — with it local roots — became the foundation for much of modern blues, R&B, and hip-hop.

Displaced & Erased – Emma Riley – 7 min. – The history of Clayton’s uprooted former black community.

Heartbeat – Hadley Schnuck – Spanish – 5 min. – A journey through Central Havana to the percussive sound of “Song to Elegua,” the Santería deity who unites the earthly and the divine.

Just Listening: A Short Film About Art And Activism – Dan Parris & Missouri Humanities Council – 21 min. – Exploring art as both a reaction to tragedy and a form of activism, “Just Listening” interviews artists about their response to Michael Brown’s death.

Sanctuary – Ashley Seering & Cory Byers – 8 min. – An abandoned church gets an unexpected second chance as a skate park.

Seed The Change – Jessica R Witte, Meridith Mckinley & Brad Witte – 4 min. – A 400-foot-long drawing made of birdseed is created over the course of a day on the riverfront below the Arch.

Under The Glass – Levi Barnes – 8 min. – Pinball is making a comeback, but did it ever really go away?

Gabe – Thursday, Jul. 20 at 7:30pm

No parent should have to bury their child, but that was the reality the Weils faced when their son Gabe was diagnosed with Duchenne muscular dystrophy. Told he would not live past 25, Gabe made it his life goal to earn a college degree. Then, during his senior year of college, he received a new diagnosis, doubling his life expectancy overnight. This unforeseen scenario, though remarkable, presented Gabe with a complicated obstacle: creating a future for which he had never planned in a world that often forgets he exists.

Closing-Night Awards Party – Thursday, Jul. 20 at 8:00pm

Cinema St. Louis announces the Showcase films chosen for inclusion in the Whitaker St. Louis International Film Festival, and a jury gives awards to the best Showcase films. Complimentary Kräftig beer is served, and a cash bar is available. Attendees must be 21 or older.

 

 

 

 

 

 

 

 

 

 

 

WAMG Giveaway – Win LOVE BY THE 10TH DATE on DVD


The race is on for love when Love by the 10th Date arrives on DVD July 18 from Lionsgate. The irresistible romantic comedy follows four friends — played by Meagan Good, GRAMMY Award-winner Kelly Rowland, GRAMMY® Award-nominated Keri Hilson, and Kellee Stewart — navigating the ups downs of dating while on the journey toward the “elusive 10th date.” The Love by the 10th Date DVD will be available at Walmart for the suggested retail price of $14.98.

Now you can own the LAST MAN CLUB DVD. We Are Movie Geeks has ONE copy to give away. All you have to do is leave a comment answering this question: What is your favorite movie with the word ‘LOVE’ in the title? (mine is I LOVE YOU MAN!). It’s so easy!

Good Luck!

OFFICIAL RULES:

1. YOU MUST BE A US RESIDENT. PRIZE WILL ONLY BE SHIPPED TO US ADDRESSES.  NO P.O. BOXES.  NO DUPLICATE ADDRESSES.

2. WINNERS WILL BE CHOSEN FROM ALL QUALIFYING ENTRIES.

Gabby (Meagan Good), Nell (Kellee Stewart), Billie (Keri Hilson), and Margot (Kelly Rowland) balance their dating adventures alongside their career ambitions at an upscale digital magazine in Los Angeles, under the watchful eye of their editor, Maureen (Cat Deeley). Inspired by the magazine’s relationship advice column on how to find “the one,” the ladies navigate the ups and downs of modern dating, romance, exes, and friendships, and learn what they really want out of life and love. Jeffrey Bowyer-Chapman and Brandon T. Jackson also star.


CAST

Meagan Good                          Think Like a Man franchise, TV’s “Code Black”

Kelly Rowland                         Think Like a Man, TV’s “Empire”

Keri Hilson                               Almost Christmas, Think Like a Man

Kellee Stewart                        TV’s “The Soul Man”, Guess Who

THE MOTH DIARIES – The Review (and a Tribute to Video Watchdog)


As part of my post duty orders here at We Are Movie Geeks I am tasked with reviewing movies on DVD and Blu ray that may not have found an audience. Movies with little or no theatrical release, did not play very long, escaped attention, what have you.

I am proud to direct your attention to a little known film from 2011 called The Moth Diaries. First I have to say that I, like many millions of movie goers, reveled in the new screen incarnation of Wonder Woman, not only starring Gal Gadot as the original female super hero and masterfully directed by a woman, Patty Jenkins, and also starring Robin Wright, Connie Nielsen and a whole crew of the most righteous Amazons ever seen on a movie screen, wonderful!


I have a confession to make, at the age of 10 I was obsessed with the legend of the Amazon Empire. Fully aware that they did not allow boy children to live (allegedly) I loved the idea anyway. I saw Wonder Woman three times on the big screen, so far. I wanted the whole movie to take place in the Amazon’s Kingdom. But I digress; I’m here to talk about The Moth Diaries.
My point being that Wonder Woman is a celebration of Woman Power (I would say Girl Power but that would be more than a bit condescending.) Moth Diaries is even more of a celebration of Girl Power (here that fits, this is a movie about a girl’s boarding school. )

Directed and screenplay by a woman, Mary Herron (American Psycho) based on a novel by a woman, Rachel Klein, produced mostly by women including Sandra Cunningham and several others and starring an almost all female cast Sarah Bolger, Lily Cole, Sarah Gadon and many others, this is far from being a “Chick Flick” (whatever that really is!) No my friends The Moth Diaries fulfills every fan boys, and girls, requirements for a “scary movie” and raises a lot of questions about life in general.


Rebecca (Sarah Bolger) is one of many young ladies attending a prestigious all girls school in Canada (Moth Diaries was filmed in Quebec but the movie is never location specific.) Her best friend is Lucy (Sarah Gadon,) Rebecca keeps a diary of daily events and is haunted by the death by suicide of her Father, and apparently has attempted suicide herself. Both Rebecca and Lucy are popular among the other girls, until a new comer arrives, Ernessa (Lily Cole).

Ernessa, as played by Lily Cole , is one strange character. Right from the beginning we can see something is not right. Lily Cole is a very odd looking actress, her features seem to be accentuated with very heavy eyebrows.


Ernessa seems like a misfit and an outsider, at first. Soon Lucy is befriending her, and other girls trail in her wake. Rebecca is soon no longer the popular girl on campus. She starts believing Ernessa is a vampire, or is she just jealous of the new girl? Or is she going into a mental downward spiral of paranoia and madness?

Ernessa displays none of the classic vampire attributes; there are no fangs, no puncture wounds on the neck. There are crosses; this is a Catholic girl’s school after all. But Ernessa can enter the school chapel with no problem; she is fine in broad daylight. Yet she can command moths, yes moths, to do her bidding. And she can levitate, along with her new best friend Lucy while Rebecca watches in horror.

This is yet another film filed with references but many of them are literary. A young, handsome English teacher, Mr. Davies (Scott Speedman) teaches from the text of Dracula by Bram Stoker. In a wonderful scene he states that Stoker’s novel is really about female empowerment, female sexuality. This causes a room full of drowsy, falling asleep young ladies to (literally) sit up and take notice.

That the best friend of Rebecca is named Lucy is no coincidence. And Mr. Davies also teaches from the text of J Sheridan Le Fanu’s groundbreaking short novel Carmilla, the first vampire story to suggest a lesbian relationship between vampire and victim.


Moth Diaries is not a jump out of your seat scary movie. Instead we get a feeling of dread, real dread as the story progresses. It is not as graphic as other more recent vampire movies such as Let The Right One In and it’s American remake Let Me In. Although there is one scene, well, to quote Mel Brooks in Dracula, Dead and Loving It “there may be a little blood!”
And Moth Diaries does not just reference vampire literature. There are scenes and situations that echo every girl’s school movie from Madchen in Uniform and Picnic at Hanging Rock up to Dario Argento’s masterpiece Suspiria. One entire sequence is a nod to Argento’s film.

And Moth Diaries is ambiguous right up until the end. Is Ernessa really a vampire? Is she a ghost? Is she Rebecca from a past life? The movie more than hints that Ernessa and Rebecca is actually the same person. Lucy has a scene with Rebecca which more than hints that it’s Rebecca who is actually the vampire!

Moth Diaries is a wonderful, intelligent, well thought out movie that hits on several very human fears; being an outcast, a woman’s fear of her own menstrual cycle, (there is one very graphic scene depicting just that) fear of being misunderstood, of having our best intentions backfire on us, fear of sex itself, fear of gay sex, you name it, it’s all there.
I recognized none of the actors here, only the director was familiar to me. The whole cast is all on the same page and deliver wonderful performances with some very difficult and provocative material. Now here is the weird thing, creepy even. I don’t know how other Movie Geeks do their research on a film. Myself, I never, ever read a critic or a puff piece on a movie until I’ve seen it. After watching anything, in a theater, on dvd or blu ray, then I go to the websites and magazines to read what the critics have to say about it.


I hit our website first, We Are Movie Geeks, to see what my cohorts, associates and partners in crime have to say about a title, if it’s been reviewed. I also look at Roger Ebert’s website and Rotten Tomatoes, I read Dvd Verdict regularly. But my favorite place to read reviews are in some of the more esoteric magazines. I regularly buy Rue Morgue, Phantom of the Movies Videoscope, Shock Cinema, Screem, Famous Monsters, Diabolique. And one of my favorite magazines, for years, has been Video Watchdog, edited and published by Tim and Donna Lucas.

One of my bizarre habits, maybe you know someone like this, or maybe you is someone like this. I cannot read my magazines as fast as I buy them Just as an example I love Rue Morgue magazine, they have had several changes in Editorial staff over the last few years, yet they remain consistent in their layout, coverage, viewpoint all of that. I love to read their magazine, but I am still reading their 2014 issues. I have a stand up box with all their issues leading up to the most recent, mint condition of course, because I haven’t gotten around to reading them. And that is not the only one, all of my film magazines I am behind on. And if it’s the more mundane type of publication, computers or politics, what have you, especially fiction magazines, I am even further behind. I have magazines that I bought in the 1990s and I haven’t gotten to them yet.

The same with books, I have a terrible habit of buying books, putting them neatly on shelves, in alphabetical order, and, for the most part, ignoring them. I do read a lot of books, from the library. I have spent my life trying to catch up on my reading, probably will never happen. My last words on my death bed will probably be “I never got around to reading War and Peace! Marcel Proust! Romance of the Three Kingdoms! Wait a minute!”

My point being, that was not so with Video Watchdog. I love that magazine so much, I only have a couple of issues to go to be completely caught up. And this is the sad part, Tim and Donna Lucas have ceased publication of that wonderful magazine.

I had a subscription, I knew something was wrong last year when months went by between issues. Then, they stopped altogether, then I received a notice of a filing for bankruptcy by the Lucas, operating under the name Video Watchdog. I honestly felt like a close friend had died. I depended on Video Watchdog for a great many things, excellent reviews of movies I had never heard of and that always piqued my interest to see them. Or reviews of movies I had heard of years ago and never gotten the chance to see, such as their excellent article on a bizarre little regional film called Malatesta’s Carnival of Blood which someone at the Monster Times liked, way back in the 1970s. I still haven’t seen it but I sure enjoyed reading about it.


Tim Lucas did an excellent series of articles reevaluating and championing the films of Jess Franco, something that was long overdue. Pulling out a back issue at random, on the cover, Green Slime! An insane Japanese movie sci-fi monster movie with an all American and European cast. A review of the Silver Chalice by Ramsey Campbell, a review that led me to actually watch this amazing film. (Don’t worry I’ll be writing my own review shortly.) Campbell was one of the regular contributors to VW as well as Kim Newman, Shane M Dallman, David Kalat, Douglas E Winter and often Tim Lucas himself contributing wonderful articles, interviews and reviews.
I attempted to break into Video Watchdog some years ago when I wrote to several magazines offering my services. Tim Lucas was the only editor who actually sent a response. And now his great magazine is gone.


Now, I tell all this to lead up to the really whacked part of this rambling narrative. The day after I watched Moth Diaries, as I was just starting to look through my back issues for any information about this excellent movie, in the mail came, one last issue of Video Watchdog, an undated, number 184, final issue for current subscribers, with Lily Cole on the cover from Moth Diaries! The….Day….. After. Covered as part of an article detailing movies inspired by Le Fanu’s story Carmilla here was exactly what I was looking for, from a source I thought had disappeared from my life completely.

And, Tim and Donna are selling their back issues of Video Watchdog for the cost of postage and handling only, see their website for details. I put in my order and wrote a thank you letter to the Lucas’ for everything they’ve done for film scholarship. And I’m keeping every back issue I currently possess; don’t even ask if you can buy them, they are truly collector’s items now.
So thank you Tim and Donna Lucas, Video Watchdog is already missed.

CHASING TRANE: THE JOHN COLTRANE DOCUMENTARY Screens at Webster University July 14th – 18th

  
I myself don’t recognize the word ‘jazz.’ I just feel that I play John Coltrane.” –John Coltrane
CHASING TRANE: THE JOHN COLTRANE DOCUMENTARY screens Friday,  July 14th through Tuesday July 18th at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts each evening at 8:00pm.
 CHASING TRANE is the definitive documentary film about an outside-the-box thinker with extraordinary talent whose boundary-shattering music continues to impact and influence people around the world. This smart, passionate, thought-provoking and uplifting documentary is for anyone who appreciates the power of music to entertain, inspire and transform. Written and directed by critically-acclaimed documentary filmmaker John Scheinfeld (The U.S. vs. John Lennon and Who Is Harry Nilsson…?) the film is produced with the full participation of the Coltrane family and the support of the record labels that collectively own the Coltrane catalog. Scheinfeld brings his strong story-telling skills to the creation of a rich, textured and compelling narrative that takes the audience to unexpected places. Set against the social, political and cultural landscape of the times, CHASING TRANE brings John Coltrane to life as a fully dimensional being, inviting the audience to engage with Coltrane the man, Coltrane the artist.

The critics love CHASING TRANE: THE JOHN COLTRANE DOCUMENTARY

Michael Phillips of The Chicago Tribune says:
“He was, and is, loved, supremely, by millions. “Chasing Trane” shares the love.”
James Verniere of The Boston Herald calls the film a:
“…Glorious portrait of American musical genius.”
and Kristen Lopez at The Young Folks says:
“Chasing Trane wraps you in a hypnotic, jazz-influenced embrace you won’t want to escape.”

Admission is:

$6 for the general public
$5 for seniors, Webster alumni and students from other schools
$4 for Webster University staff and faculty

Free for Webster students with proper I.D.

Advance tickets are available from the cashier before each screening or contact the Film Series office (314-246-7525) for more options. The Film Series can only accept cash or check.

COWABUNGA! – The Original TEENAGE MUTANT NINJA TURTLES Screens Midnights This Weekend at The Tivoli

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“We were awesome! Bodacious! Bitchin’! Gnarly! Radical! Totally tubular, dude! Wicked! Hellacious! I have always liked… Cowabunga……. COWABUNGA!”

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TEENAGE MUTANT NINJA TURTLES (1990) screens this Friday and Saturday nights (July 14th and 15th) at midnight at the Tivoli Theater as part of their ‘Reel Late at the Tivoli’  Midnight series.

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The entire concept of Teenage Mutant Ninja Turtles was conceived by Kevin Eastman and Peter Laird who originally created them to parody the dark, gritty comic books of the early 80s. Of course, the series branched away and became a pop culture phenomenon of its own and when something becomes a monstrous hit, you can almost guarantee a motion picture is right down the alley. TEENAGE MUTANT NINJA TURTLES hit the theaters in 1990 and instead of it being a continuation of the hit cartoon series, the film goes back to its source material and starts its own continuity. Sure, the Turtles are fun, lovable and quirky as heck but they’re very much like their original comic book counterparts, which were edgy and at times grim. The film has a real gruff, grimy look to it. New York City is portrayed with grubby streets full of trash with dark alleyways. Surprisingly, the performances in TEENAGE MUTANT NINJA TURTLES are pretty much spot-on thanks to a script which refused to be dumbed down and actually dealt with some pretty dark subjects such as gang influence and teenage runaways and criminals. And the one who was responsible for bringing the turtles to life was the Muppet Master himself, Jim Henson – one of his final projects. It’s astonishing what Henson and his crew were able to accomplish with the art of animatronics and puppetry and the men underneath the turtle suits must have had to practice an awful lot to get the film’s fight scenes just right.

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Now you’ll have the chance to TEENAGE MUTANT NINJA TURTLES ‘90’s style on the big screen again when it plays this weekend (July 14th and 15th) at The Tivoli at midnight as part of their Reel Late at the Tivoli midnight series.

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The Tivoli’s located at 6350 Delmar Blvd., University City, MO. Admission is a mere $8!

The Tivoli’s website can be found HERE

http://www.landmarktheatres.com/market/st.louis/tivolitheatre.htm

Here’s the Reel Late at the Tivoli Line-up for the next couple of months:  

July 14-15            TEENAGE MUTANT NINJA TURTLES (1990)

July 21-22            SHAFT (1971)

July 28-29            THE PRINCESS BRIDE 

Aug. 4-5               THE EXORCIST: EXTENDED DIRECTOR’S CUT

Aug. 11-12           SPIRITED AWAY 
Friday and Saturday at midnight, Subtitled
Saturday matinee at noon in English

Aug. 18-19           THE SHINING 

Aug. 25-26           THE ROOM  with Tommy Wiseau in person! –
Preceded by a trailer for Tommy’s upcoming film BEST F(R)IENDS
All tickets $15; no passes

DJANGO, PREPARE A COFFIN – The Blu Review


Review by Roger Carpenter

The spaghetti western subgenre is littered with series-headlining characters like Sabata, Sartana, and Ringo.  But for sheer popularity as well as film volume, no one beats Django.

Director Sergio Corbucci introduced Django to an international audience in 1966.  Starring Franco Nero as the titular character, the film was so immensely popular across the globe that it spawned at least 60 unofficial sequels with titles like Django the Bastard, Viva! Django, Django Kill…If You Live Shoot!, Django Kills Softly, and literally dozens of others.  There was even a comedy western entitled Nude Django.  The name continues to live on with Takashi Miike’s Sukiyaki Western Django (2007) and Quentin Tarantino’s Django Unchained (2012), which not only sports the original “Django” theme song but also a small part for Django himself, Franco Nero, as a bettor during a Mandingo fight.


The Italians are famous for jumping onto any cinematic bandwagon, and they were quick to do just that when the original Django was released to huge box office.  Many Django films began as standalone westerns with nothing to do with Django and were simply retitled to cash in on the name.  Indeed, there is no guarantee that viewers will even encounter a character named Django in a Django film.  In this particular case, writer/director Ferdinando Baldi at least guarantees that not only will the character of Django feature in this film, but his machine-gun coffin does as well.  This time out actor Terence Hill (AKA Mario Girotti) stars as Django, and was reportedly hired because he had a passing resemblance to Franco Nero.

Hill stars as Django, a traveling hangman happy to do the law’s dirty work for 25 pieces of gold, never mind that many of the condemned are obviously innocent.  The beginning of the film sets up Django as a villain, which certainly is different than the usual heroic aura the character has.  However, Django has a trick up his sleeve.  It seems he harbors a hatred for outlaw David Barry (Horst Frank), who killed Django’s wife and left Django for dead in an ill-conceived robbery.  Django is faking the executions and sending the “dead” to a secret camp to await further instructions, with an eye towards vengeance against David Barry.  But will Django be able to put his plan in place, or will the temptation of the hidden gold be too much for his band of cutthroats?

While perhaps not as well-known as some of the more prestigious spaghetti westerns, Django, Prepare a Coffin is still a solid film.  Director Ferdinando  Baldi had a long, if not quite distinguished, career as a director.  Texas, Adios, another spaghetti western, is probably his best-known film.  He proves here he is a good technical director.  Terence Hill, who starred in a ton of these kinds of films, is a very good copy of the original Django character, complete with razor stubble, piercing blue eyes, and dressed all in black.  Hill would go on to star in another very popular spaghetti western series as Trinity, along with other classics like My Name is Nobody.  Horst Frank, as David Barry, is simply terrific as the bad guy.  He, too, has piercing eyes and, since he’s also German, draws a fair amount of comparison to fellow German actor and spaghetti western baddie, Klaus Kinski.  Kinski typically played his villains as barely contained pure evil.  Frank isn’t quite that crazed, but certainly is steely-eyed, vicious, and cruel.  Frank had a long and varied career and worked with Jess Franco (The Marquis De Sade’s Justine), Umberto Lenzi (So Sweet…So Perverse), Dario Argento (The Cat O’ Nine Tails), and also appeared in the genuine spaghetti western classic, The Grand Duel.  Eurosleaze star George Eastman (the Anthropophagous himself) plays a supporting role as the evil puppet master pulling the strings of Horst Frank’s character. This is a bit of a turn for Eastman, whose real name is Luigi Montefiori, as he can typically be found playing innocuous characters in plenty of spaghetti westerns throughout the sixties.  It’s a shame his more prurient films of the 70’s and 80’s, typically made with sleaze director Joe D’Amato, seem to have encouraged many to dismiss him as a hack, as he is generally very good.  Unfortunately, his character in this film, a crooked politician, really serves no purpose but to tie the characters together during an opening scene which takes places at a political rally. Horst Frank’s character of David Barry is evil enough and actually gets a bit watered down due to his slavish behavior towards Eastman’s character.  It all seems a bit contrived and unnecessary and the story could have been better-served with David Barry simply going it alone as the evil robber baron.


Of course, it wouldn’t be a spaghetti western without plenty of standoffs, gunfights, and betrayal between the primary characters, and this film is no different.  Django is captured and beaten only to escape to wreak havoc on the bad guys, all of which sets up the finale that sees Django digging up his coffin and machine gun just in time for a standoff with dozens of David Barry’s cronies.

Arrow Video has released Django, Prepare a Coffin in a special, 2-disc edition that comes with a Blu-Ray as well as a standard DVD presentation.  The film looks great on HD.  There is the option of Italian and English language tracks, along with subtitles for the Italian track or English SDH for the English language version.  Atypical of the majority of Arrow’s releases, this particular set is light on the special features, including only the original trailer as well as a short explanation of the Django phenomenon of retitling movies hosted by spaghetti western expert and author Kevin Grant.  It’s an interesting little feature for those not well-versed in the peculiarities of Italian genre cinema.  An illustrated collector’s booklet is included for the first pressing only.

You can order the film through Amazon or directly from Arrow at http://www.arrowfilms.co.uk/category/usa/

STORMY MONDAY Starring Melanie Griffith Available on Blu-ray July 18th From Arrow Video


STORMY MONDAY starring Melanie Griffith will be available on Blu-ray July 18th From Arrow Video

In 1988, Mike Figgis (Internal Affairs, Leaving Las Vegas) made his feature directorial debut with Stormy Monday, a taut, noir-influenced gangster movie that drew on his key formative influences, including his youth in the Newcastle of the late ’50s and early ’60s, and the city’s vibrant jazz scene.

Sean Bean (Ronin) plays Brendan, a young loafer taken under the wing of jazz club owner Finney (Sting, Quadrophenia), who’s under pressure from American mobster Cosmo (Tommy Lee Jones, The Fugitive) to sell up in exchange for a cut of a local land development deal. Brendan just wants to earn an honest crust, but his burgeoning relationship with Cosmo’s ex-lover Kate (Melanie Griffith, Body Double) threatens to drag him into the middle of the impending showdown…

A romantic crime thriller with genuine heart, Stormy Monday features striking, rain-drenched cinematography by Roger Deakins (The Big Lebowski, No Country for Old Men) and a seductive jazz score provided by the director himself. Presented here for the first time in high definition in the UK, there has never been a better time to discover one of this iconic filmmaker’s most assured and uniquely haunting efforts.

SPECIAL EDITION CONTENTS

High Definition Blu-ray (1080p) and Standard Definition DVD presentations
Original stereo audio (uncompressed on the Blu-ray Disc)
Optional English subtitles for the deaf and hard of hearing Audio commentary with Mike Figgis, moderated by critic Damon Wise
New video appreciation by critic Neil Young, and a “then and now” tour of the film’s Newcastle locations
Theatrical trailer
Reversible sleeve featuring original and newly commissioned artwork by Jacey

WAMG Giveaway – Win LAST MAN CLUB on DVD


LAST MAN CLUB is a heartwarming, road trip adventure of four military veterans facing their later years. Stuck in a VA Hospital, Pete (Barry Corbin) asks a kind nurse to track down Eagle (Jim Mackrell), the Captain of his B-17 crew during World War II. Housebound at his son’s (Michael Massee) and facing the purgatory of a nursing home, Eagle gets a letter from Pete and embarks on a cross-country trip to reach him.


Now you can own the LAST MAN CLUB DVD. We Are Movie Geeks has FOUR copies to give away. All you have to do is leave a comment answering this question: What is your favorite movie with the word ‘LAST’ in the title? (mine is LAST HOUSE ON THE LEFT!). It’s so easy!

Good Luck!

OFFICIAL RULES:

1. YOU MUST BE A US RESIDENT. PRIZE WILL ONLY BE SHIPPED TO US ADDRESSES.  NO P.O. BOXES.  NO DUPLICATE ADDRESSES.

2. WINNERS WILL BE CHOSEN FROM ALL QUALIFYING ENTRIES.

Check out the trailer for LAST MAN CLUB:

WWII veteran John “Eagle” Pennell is a day away from being sent to a retirement home. He escapes in his late wife’s 1958 Ford Fairlane and embarks on a cross-country journey to find the last surviving members of his B-17 crew with the help of a beautiful young accomplice. The fulfillment of an oath is Eagle’s destiny, but what he discovers along the way is a life-affirming view of himself and forgiveness for his family who is trying to stop him. Once reunited with his remaining crewmen, they venture through the backroads of America in a race to complete their mission, as the police, the FBI, a dangerous gangster and Eagle’s family try to figure out this band of geriatric’s next move.

I AM THE BLUES Screening at Webster University July 7th-11th

     
I AM THE BLUES screens Friday,  July 7th through Tuesday July 11th at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts each evening at 8:00pm.
 
I Am the Blues takes the audience on a musical journey through the swamps of the Louisiana Bayou, the juke joints of the Mississippi Delta and Moonshine soaked BBQs in the North Mississippi Hill Country. The film visits blues musicians rooted in the genre’s heyday, many in their 80s, still living in the American deep south and touring the Chitlin’ Circuit. Let Bobby Rush, Barbara Lynn, Henry Gray, Carol Fran, Little Freddie King, Lazy Lester, Bilbo Walker, Jimmy “Duck” Holmes, RL Boyce, LC Ulmer, Lil’ Buck Sinegal and their friends awaken the blues in all of us.
 
The critics love I AM THE BLUES:
T’Cha Dunlevy at The Montreal Gazette said:
“I was quietly blown away by Daniel Cross’s new documentary I Am the Blues, which follows the Montrealer on a quest through the southern U.S. to track down the last remaining ambassadors of the genre.”
Chris Knight of The National Post wrote:
“When the music takes flight, it’s a thing of beauty. Heartache never sounded so good.”

Admission is:

$6 for the general public
$5 for seniors, Webster alumni and students from other schools
$4 for Webster University staff and faculty

Free for Webster students with proper I.D.

Advance tickets are available from the cashier before each screening or contact the Film Series office (314-246-7525) for more options. The Film Series can only accept cash or check.

The Webster University Film Series site can be found HERE

http://www.webster.edu/film-series/