We Are Movie Geeks All things movies… as noted by geeks.

July 7, 2022

Actor James Caan Dead At 82

Filed under: Actors,General News,Obit — Tags: — Movie Geeks @ 1:48 pm

From The Associated Press:

(AP) — James Caan, the curly-haired tough guy known to movie fans as the hotheaded Sonny Corleone of “The Godfather” and to television audiences as both the dying football player in the classic weeper “Brian’s Song” and the casino boss in “Las Vegas,” has died. He was 82.

His manager Matt DelPiano said he died on Wednesday. No cause was given and Caan’s family, who requests privacy, said that no further details would be released at this time.

Read The Academy’s post on this great actor here: https://aframe.oscars.org/news/post/james-caan-the-godfather-actor-dead-at-82

Many of his collaborators wrote condolences on Twitter Thursday.

https://twitter.com/robreiner/status/1545095955485052928

Adam Sandler, who acted with him in “Bulletproof” and “That’s My Boy” wrote that he, “Loved him very much. Always wanted to be like him. So happy I got to know him. Never ever stopped laughing when I was around that man. His movies were best of the best.”

A football player at Michigan State University and a practical joker on production sets, Caan was a grinning, handsome performer with an athlete’s swagger and muscular build. He managed a long career despite drug problems, outbursts of temper and minor brushes with the law.

Caan had been a favorite of Francis Ford Coppola since the 1960s, when Coppola cast him for the lead in “Rain People.” He was primed for a featured role in “The Godfather” as Sonny, the No. 1 enforcer and eldest son of Mafia boss Vito Corleone.

Sonny Corleone, a violent and reckless man who conducted many killings, met his own end in one of the most jarring movie scenes in history. Racing to find his sister’s husband, Corleone stops at a toll booth that he discovers is unnervingly empty of customers. Before he can escape he is cut down by a seemingly endless fusillade of machine-gun fire. For decades after, he once said, strangers would approach him on the street and jokingly warn him to stay clear of toll roads.

Caan bonded with Brando, Robert Duvall and other cast members and made it a point to get everyone laughing during an otherwise tense production, sometimes dropping his pants and “mooning” a fellow actor or crew member.

Despite Coppola’s fears he had made a flop, the 1972 release was an enormous critical and commercial success and brought supporting actor Oscar nominations for Caan, Duvall and Al Pacino.

Caan was already a star on television, breaking through in the 1971 TV movie “Brian’s Song,” an emotional drama about Chicago Bears running back Brian Piccolo, who had died of cancer the year before at age 26. It was among the most popular and wrenching TV movies in history and Caan and co-star Billy Dee Williams, who played Piccolo’s teammate and best friend Gale Sayers, were nominated for best actor Emmys.

After “Brian’s Song” and “The Godfather,” he was one of Hollywood’s busiest actors, appearing in “Hide in Plain Sight” (which he also directed), “Funny Lady” (opposite Barbra Streisand), “The Killer Elite” and Neil Simon’s “Chapter Two,” among others.

He also made a brief appearance in a flashback sequence in “The Godfather, Part II.”

But by the early 1980s he began to sour on films, though Michael Mann’s 1981 neo-noir heist film “Thief,” in which he played a professional safecracker looking for a way out, is among his most admired films.

“The fun of it was taken away,” he told an interviewer in 1981. “I’ve done pictures where I’d rather do time. I just walked out of a picture at Paramount. I said you haven’t got enough money to make me go to work every day with a director I don’t like.”

He had begun to struggle with drug use and was devastated by the 1981 leukemia death of his sister, Barbara, who until then had been a guiding force in his career. For much of the 1980s he made no films, telling people he preferred to coach his son Scott’s Little League games.

Short on cash, Caan was hired by Coppola for the leading role in the 1987 film “Gardens of Stone.” The movie, about life at Arlington National Cemetery, proved too grim for most audiences, but it renewed Caan’s acting career.

He returned to full-fledged stardom opposite Kathy Bates in “Misery” in 1990. In the film, based on Stephen King’s novel, Caan is an author taken captive by an obsessed fan who breaks his ankles to keep him from leaving. Bates won an Oscar for the role.

Once again in demand, Caan starred in “For the Boys” with Bette Midler in 1991 as part of a song-and-dance team entertaining U.S. soldiers during World War II and the Korean and Vietnam wars. The following year he played a tongue-in-cheek version of Sonny Corleone in the comedy “Honeymoon in Vegas,” tricking Nicolas Cage into betting his girlfriend, Sarah Jessica Parker, in a high-stakes poker game so he can spirit her away and try to persuade her to marry him.

Other later films included “Flesh and Bone,” “Bottle Rocket” and “Mickey Blue Eyes.” He introduced himself to a new generation playing Walter, the workaholic, stone-faced father of Buddy’s Will Ferrell in “Elf.”

Caan didn’t take a starring role in a TV series until 2003 but his first effort, “Las Vegas,” was an immediate hit. When the series debuted, he was a casino surveillance chief dealing with cheaters and competitors of the fictional Montecito Resort and Casino.

His character rose to become boss of the Montecito but remained the tough guy who had learned judo in an undercover division of the U.S. government. Caan left the show during the fourth season and it was later canceled.

Born March 26, 1939, in New York City, Caan was the son of a kosher meat wholesaler. He was a star athlete and class president at Rhodes High School and, after attending Michigan State and Hofstra University, he studied at the Neighborhood Playhouse School of the Theater under Sanford Meisner.

Following a brief stage career, he moved to Hollywood. He made his movie debut in a brief uncredited role in 1963 in Billy Wilder’s “Irma La Douce,” then landed a role as young thug who terrorizes Olivia de Havilland in “Lady in a Cage.” He also appeared opposite John Wayne and Robert Mitchum in the 1966 Western “El Dorado” and Harrison Ford in the 1968 Western “Journey to Shiloh.”

Married and divorced four times, Caan had a daughter, Tara, and sons Scott, Alexander, James and Jacob.

Here are a few of James Caan’s other films.

March 16, 2021

ALIEN Actor Yaphet Kotto Passes Away At Age 81

Filed under: Actors,Obit — Tags: — Movie Geeks @ 3:17 pm

“ALIEN was the first time an African-American had been seen in a role like that and today we see women and African-Americans in heroic roles.”

(Reuters) – Yaphet Kotto, an American actor known for his roles in movies including “Alien” and “Midnight Run” and as a villain in the James Bond film “Live and Let Die,” has died at age 81.

Kotto’s death was first disclosed by his wife, Tessie Sinahon, on Facebook on Monday night. It was later confirmed by his agent Ryan Goldhar on Twitter. The cause of death was not announced.

Sinahon wrote that she was saddened and shocked by the death of her husband of 24 years, adding, “You played a villain on some of your movies but for me you’re a real hero and to a lot of people also. A good man, a good father, a good husband and a decent human being, very rare to find.”

Listen as Kotto discusses his role in ALIEN.

The actor starred alongside Michael Douglas in The Star Chamber.

LIVE AND LET DIE

January 28, 2021

WAMG Tribute: Oscar-Winning Comedy Legend Cloris Leachman Has Died

Only a few days short of January’s end, 2021 has seen the loss of its first Oscar winner. Here’s how the Associated Press broke the news:

   Cloris Leachman, an Oscar-winner for her portrayal of a lonely housewife in “The Last Picture Show” and a comedic delight as the fearsome Frau Blücher in “Young Frankenstein” and self-absorbed neighbor Phyllis on “The Mary Tyler Moore Show,” has died. She was 94.

Leachman died in her sleep of natural causes at her home in Encinitas, California, publicist Monique Moss said Wednesday. Her daughter Dinah Englund was at her side, Moss said.

Remarkably those 94 years encompassed nine decades of work on the big and small(er) screen. A truly versatile actress, her knack for comedy wasn’t really showcased until nearly twenty years into her astounding career. As a tribute we offer a fond look back at the work of a true cinema “scene-stealer” who could effortlessly inspire laughter and tears.

First, we start with a few details on her showbiz roots. Cloris was born in Des Moines, IA on April 30, 1926. As teen growing up near the Windy City, she acted in plays before being crowned “Miss Chicago 1946” as part of the Miss America pageant. Soon she moved to NYC to study under famed director Elia Kazan at the prestigious Actors Studio. We first saw Cloris in the movies as an uncredited extra in 1947’s CARNEGIE HALL.

But TV audiences would soon know her name as the young actress kept very busy during those early days of live broadcasts. It wasn’t long before the movie studios beckoned her to the West Coast. For her first speaking film role, Cloris made an unforgettable cinema splash as she ran down a pitch black highway, barefoot (and supposedly five months pregnant), wearing a trench coat, prior to the opening titles of director Robert Aldrich’s adaptation of Mickey Spillane’s KISS ME DEADLY from 1955. Despite her character Christina’s hasty demise, Cloris certainly made a big impression in “Tinsel Town”.

Returning to TV for a year, she would be seen again on the big screen in THE RACK with Paul Newman (the first of three films with him, with small roles in BUTCH CASSIDY AND THE SUNDANCE KID and WUSA over a decade away). The small screen had more steady work for her as she became the second mom Ruth Martin to “Lassie”. After her single season stint ended, Cloris was in demand all over the TV landscape from Westerns, to police thrillers and even sitcoms. Some of her most memorable work was in the many anthology shows like “Alfred Hitchcock Presents”, “One Step Beyond”, “Thriller”, and, most memorably, in an iconic “The Twilight Zone” story as the exhausted mother of the all-powerful Anthony Freemont (Billy Mumy) in ”It’s a Good Life”.

Cloris was finally back on the big screen in 1962’s THE CHAPMAN REPORT,  seven years before BUTCH would start another film run with LOVERS AND OTHER STRANGERS, WUSA, THE PEOPLE NEXT DOOR, and THE STEAGLE. As she continued on more guest-starring roles on TV series (and made-for-TV-movies), a young “maverick” filmmaker would offer her the role that would change her life.

Peter Bogdanovich, fresh from his cult classic TARGETS, cast Cloris as the repressed lonely wife of the high school football coach, Ruth Popper, who begins a torrid affair with one of his students, in his adaptation of Larry McMurtry’s THE LAST PICTURE SHOW. The film was an unexpected box office smash which garnered lots of critical raves, especially for Leachman’s heartbreaking performance. And the Academy took notice bestowing eight nominations and awarding the coveted Supporting Actor and Actress Oscars to Ben Johnson and Cloris.

And just as Cloris finally made a name for herself in cinema, TV was also giving her career a huge boost with a character role in a truly “game-changing” situation comedy. Leachman was the abrasive Phyllis Lindstrom on “The Mary Tyler Moore Show” in 1970, a role that would earn her two Emmys and her own spin-off “Phyllis” from 1975 to 1977.  And as the world learned of her comedic gifts another big director tapped her for his latest romp.

Hot off the box office smash BLAZING SADDLES, Mel Brooks, along with star and co-writer Gene Wilder, would lovingly parody the black and white movie monster masterpieces of yore in 1974’s YOUNG FRANKENSTEIN. Leachman plays a pivotal supporting character, the mistress/housekeeper of the old Transylvanian castle Frau Blucher. The role was heavily influenced by Una O’Connor in THE BRIDE OF FRANKENSTEIN with touches of Judith Anderson as Mrs. Danvers in 1940’s REBECCA. Blucher herself inspired one of the film’s greatest “running gags”: whenever her name is spoken, a horse whinny is heard (causing her to grimace). The film was a huge hit and is often called the greatest horror/comedy/spoof of all time (as for yours truly, well, it’s my flat-out favorite flick ever).

But that’s not her last Brooks outing. Mel would call on her again for his Hitchcock-inspired comedy HIGH ANXIETY in 1977. This time Cloris was one of the villains, a sadistic shrew named Nurse Diesel who ran a shady sanitarium. Her forerunners were again Danvers, along with the controlling mom in NOTORIOUS and a touch of the Wicked Witch of the West. The final Brooks/Leachman collaboration would be in 1981’s THE HISTORY OF THE WORLD: PART 1 as she “dressed down” as Madam Defarge in the French Revolution segment.

Ms. Leachman would keep very busy over the next decades as she bounced from TV (she would headline several sitcoms and stepped into the hit “The Facts of Life” for its final two seasons) to the movies with a cameo in 1979’s THE MUPPET MOVIE (as Orson Wells’ secretary) and played Granny Moses in the 1993 big-screen version of the 60s TV classic THE BEVERLY HILLBILLIES. In between 70s comedies, Ms. Leachman was in a couple of 30s era crime thrillers. She led Public Enemy Number One to his doom as Anna Sage, the “woman in red”, in John Milius’ DILLINGER in 1973. Two years later she’d lead her own “crew” in Jonathan Demme’s CRAZY MAMA. She even revisited Ruth Popper in 1990’s TEXASVILLE (her third Bogdonavich film after co-starring in 1974’s DAISY MILLER). Cloris was soon in demand for grandmother roles with TV’s “Raising Hope” and in the BAD SANTA movies.

And she was also wanted at the “mike” for lots of animated projects. In TV Cloris lent her voice to everything from “The Simpsons” and Bob’s Burgers” to “Adventure Time” and “Justice League Action”. And at the movies she was heard in such cartoon features as BEAVIS AND BUTT-HEAD DO AMERICA, THE IRON GIANT, and MY LITTLE PONY: THE MOVIE. The last time we saw her on-screen credit was just a couple of months ago as she returned to her character “Gran” in the sequel to the 2013 hit, THE CROODS: A NEW AGE.

Hold on, we’ve not seen all of her work quite yet. Two feature films, NOT TO FORGET and HIGH HOLIDAY, will be completed soon (fingers crossed that the theatres will be ready). Ah, but for now we must say goodbye to one of our most prolific performances, though she’ll always be with us. Her Ruth Popper will forever touch our hearts as much as Frau Blucher (“whinny”) will tickle our funny bones as she screeches, “He vas’ my boyfriend!”. Just be careful that hot Ovaltine doesn’t shoot through your nose! Auf wiedersehen, Ms. Leachman!

November 29, 2020

David Prowse, STAR WARS Darth Vader, Has Passed Away At Age 85

Filed under: Obit — Tags: , , — Michelle McCue @ 10:32 am
Actor David Prowse, who portrayed Darth Vader, signs autographs during the opening day of ”Star Wars Celebration IV” in Los Angeles May 24, 2007.
REUTERS/MARIO ANZUONI/FILE PHOTO

David Prowse, the English actor who played Darth Vader in the original Star Wars films, has died aged 85, his management company said on Sunday.

“It’s with great regret and heart-wrenching sadness for us and million of fans around the world, to announce that Dave Prowse MBE has passed away at the age of 85,” Bowington Management said in a statement on Twitter.

The champion weightlifter-turned-actor starred as the body, but not the voice, of one of cinema’s best-known villains.

Director George Lucas opted to dub another voice onto Prowse’s portrayal of the towering, masked antagonist Darth Vader in “Star Wars”, “The Empire Strikes Back” and “Return of the Jedi”.

Prowse was honoured by Queen Elizabeth in 2000 for services to charity and road safety after starring in a long running public campaign as a character called the Green Cross Code Man who encouraged pedestrian road safety.

https://twitter.com/TheWookieeRoars/status/1332965991245078528

(Reporting by William James; Editing by Edmund Blair)

November 2, 2020

WAMG Tribute: Original Film 007 Sir Sean Connery Has Died

With only a couple of months left, 2020 cruelly claimed yet another silver screen icon. Reuters broke the news this past Sunday:


Scottish movie legend Sean Connery, who shot to international stardom as the suave, sexy and sophisticated British agent James Bond and went on to grace the silver screen for four decades, has died aged 90.

“Father Time” seemingly took our first (and for many the favorite) incarnation of the ultimate super spy (tough break you SPECTRE creeps and megalomaniacs). For much of the 1960s, he was the most popular movie star on the planet. We Movie Geeks respectfully raise a martini glass (shaken, not…you know) to his long career.

That’s Sean in the middle, number 24.

His journey to movie stardom started fairly humbly across “the pond”. After stints as a coffin-polisher (really), milk delivery man, and bodybuilder (he competed in the 1950 Mr. Universe contest), Connery took up acting, first on stage in “South Pacific”, then on the “telly”. Soon his rugged six foot two physique caught the attention of film studio casting agents. NO ROAD BACK was his feature debut in 1957, followed by the crime thriller, HELL DRIVERS. His big break would come the next year in the “tear-jerker” ANOTHER TIME, ANOTHER PLACE in a supporting role opposite American film goddess Lana Turner. From there he filled his days third or fourth-billed in everything from jungle action (a “baddie” in TARZAN’S GREATEST ADVENTURE) to a Disney kids’ fantasy (DARBY O’GILL AND THE LITTLE PEOPLE), even crooning a tune:

A couple of years later Connery would take on the role that would change his life (and the entire film industry) forever. Producers Harry Saltzman and ‘Cubby’ Broccoli, after a long search, cast him in the first of their adaptations of Ian Fleming’s best selling “potboilers”, DR. NO. Here’s how 007 entered cinema superstardom:

The film was a surprise hit around the globe with Connery’s cool charisma as its biggest asset. Every man wanted to be him, and every woman…wanted him. The next year, its follow-up FROM RUSSIA WITH LOVE built on the former’s box office. Sure, there had been film series before, but most were “B” pictures (Boston Blackie, Mr. Moto) or “A” films that eased into “Bs” with smaller budgets (Tarzan, the Thin Man). That was true even later with the Planet of the Apes flicks, but Bond was different. Each new film was bigger: more elaborate stunts and action sequences, more wild gadgets. and new “Bond girls”. Audiences couldn’t get enough, as United Artists began re-releasing previous films in very profitable double feature packages (they wouldn’t be leased to TV until the mid-70s). Companies lined up to the producers, hoping that their cars, clothes, and liquors would be used by that “gentleman agent”.

Everyone was wowed by the series, with the exception of its star. Connery was uncomfortable with the intense glare of publicity and intrusive cameras. Plus, he wanted to branch out and prove that he was more than, as the Italians called his character, “Mr. Kisskiss Bangbang”. He was the leading man for Alfred Hitchcock’s twisted MARNIE. Then he worked with Sidney Lumet (the first of four films) in the gritty war drama THE HILL. Connery even saddled up with Brigette Bardot in the Western SHALAKO. All this in between his Bond missions. After his fifth, YOU ONLY LIVE TWICE, Connery left the series (supposedly over money issues).

He returned to his homeland for THE MOLLY MAGUIRES. Then he did a curious thing while promoting his next Lumet film, the crime caper THE ANDERSON TAPES. Connery’s hair had begun thinning during his second Bond film and was wearing a series of toupees. A friend of mine told me that he and a buddy saw Connery, “au natural”, on The Tonight Show with Johnny Carson. This pal was stunned and mumbled, “He’s bald as a cueball” for the next hour or so. This might have wrecked any other leading man’s career but Connery’s appeal remained intact.

So much so that he was lured back to Bond (after the limp box office of the non-Connery 007 effort) with DIAMONDS ARE FOREVER, after which he told the press “Never again.” (ahem). Thus began a decade of interesting role choices for the actor. Sure, there were misfires, like the trippy fever dream ZARDOZ (his wardrobe, or lack of, was quite scandalous), but there were enduring critical favorites with some of the greatest directors. Connery finally got to work with old chum Michael Caine in THE MAN WHO WOULD BE KING from director John Huston (supposedly he had wanted to make it in the 40s with Gable and Bogart). There was also THE WIND AND THE LION for John Milius. He was a weary swashbuckler in Richard Lester’s ROBIN AND MARION opposite Audrey Hepburn. Later Connery would be part of big ensemble films like MURDER ON THE ORIENT EXPRESS (again with Lumet) and the WWII epic A BRIDGE TOO FAR. He even did a 70s disaster flick, METEOR, with Natalie Wood.

As the 80s began Connery was still a cinema staple. With the “sci-fi’ craze in bloom, he starred in a futuristic riff on HIGH NOON, OUTLAND. Then it was on to a big kids’ fantasy from Monty Python’s Terry Gilliam, TIME BANDITS. But the biggest “stunner” was Connery’s return to Bond in the “unofficial” (Brocolli was not involved) remake of THUNDERBALL, NEVER SAY NEVER AGAIN as a greying, but still dashing, fifty-something superspy. He would kick off a different, new series with HIGHLANDER before playing a mystery-solving monk in THE NAME OF THE ROSE. The next year Connery when experience a career resurgence, and some of his best reviews ever, as a world-weary tough Irish Chicago cop in the big-screen version of the 60s TV classic:

THE UNTOUCHABLES. Brian DePalma’s sprawling lawman versus gangsters saga would even net him an Oscar for Best Supporting Actor in 1988. Connery was now in even bigger demand as his busy “second act” began in earnest. The next year he joined another big movie series as Professor Henry Jones, Sr. in INDIANA JONES AND THE LAST CRUSADE as the father of Harrison Ford’s globe-trotting hero, in the third installment from director Steven Spielberg. Around the same time, People magazine crowned him “sexiest man alive”. Pretty good for a nearly bald, grey-bearded Scottsman pushing sixty.

A dozen or so years of film roles followed. Action thrillers and dramas, from the nautical submarine story THE HUNT FOR RED OCTOBER to King Arthur in FIRST KNIGHT. He even got to play a villain in the 1998 movie version of the 60s spy TV show (not the Marvel heroes) THE AVENGERS. And somehow Connery found the time to be knighted in 2000. He finally bid adieu to the big screen (at least in front of the cameras) in 2003 with THE LEAGUE OF EXTRAORDINARY GENTLEMAN with his role as Alan Quatermain along with producing duties.

But in the next ten years, he lent his voice to several projects, from a Bond videogame to the animated feature SIR BILLI, though none could top his turn as Draco in DRAGONHEART from 1996.

Connery continued to be a pop culture fixture. In the “Gumby Winter Special” comic book story cartoonist based his Santa Claus on the actor’s likeness.

And we have to recall Darrell Hammond’s mimicry of him in a recurring Saturday Night Live sketch parodying “Celebrity Jeopardy”, as the tormentor of host Alex Trebek played by Will Farrell.

Now “M” (or would it be “G”) closes and seals the dossier on the movies’ first Bond, perhaps stamping it “for your eyes only”. But the character continues on, perhaps as a testament to the original. Aside from that “special agent”, Mr.Connery has left us a most impressive legacy of film work that movie fans will enjoy forever. Though he has gone, from reports whisked away in his sleep, we invoke that end credit from the film series: “James Bond will Return”. And Sean Connery will never be forgotten.

August 2, 2020

Actor Wilford Brimley Dies At Age 85 And Ron Howard & John Carpenter Pay Tribute

Filed under: Obit — Tags: — Michelle McCue @ 1:42 pm

Actor Wilford Brimley, who worked his way up from stunt performer to star of film such as “Cocoon” and “The Natural,” died Saturday morning, Aug. 1, 2020. He was 85.

Utah-born Brimley found his way into the film industry through stunt work around horse riding, before taking on successively larger roles in his 40s and 50s which brought him fame playing sometimes gruff but lovable moustachioed seniors.

In Ron Howard’s 1985 Sci-Fi feature “Cocoon”, Brimley played a man in his 70s who together with the other residents of a Florida retirement home, discovers an alien energy source that rejuvenates them.

Another memorable role came alongside Tom Cruise in the 1993 legal thriller, “The Firm”, where Brimley played a sinister security official for a law firm.

He also starred in THE THING from director John Carpenter.

The director paid tribute to Brimley on Twitter

The actor even gave a nod to the 1982 film over on Twitter in 2018.

https://twitter.com/RealWilfordB/status/1055252267467726849

Actor Barbara Hershey, who starred with Brimley in several films, described him on Twitter as a wonderful man and actor who “always made me laugh”.

Brimley got his big break in 1979, when he appeared opposite Jane Fonda, Jack Lemmon and Michael Douglas in The China Syndrome and starred in The Natural.

The actor also appeared in Absence of Malice, from director Sydney Pollack. The film stars Paul Newman, Sally Field, Bob Balaban.

June 30, 2020

WAMG Tribute: Comedy Legend Carl Reiner Has Died

Filed under: Obit — Tags: , , , — Jim Batts @ 7:57 pm

The word rang out this morning in the world of laughter. A member of comedy royalty had taken his last well-deserved bow.

Here’s how the AP news service spread the word:

NEW YORK (AP) — Carl Reiner, the ingenious and versatile writer, actor and director who broke through as a “second banana” to Sid Caesar and rose to comedy’s front ranks as creator of “The Dick Van Dyke Show” and straight man to Mel Brooks’ “2000 Year Old Man,” has died. He was 98.

Reiner’s assistant Judy Nagy said he died Monday night of natural causes at his home in Beverly Hills, California.

While he made significant contributions to the worlds of live theatre, television, recordings, and literature, we at WAMG would like to applaud his body of work in motion pictures: acting, writing and directing. But in order to begin, lets’ double back to TV. Carl first achieved worldwide fame as part of the cast of the live comedy/variety program “Your Show of Shows”. Along with Imogine Coca and Howard Morris, he supported celebrated comic actor Sid Caesar. And Carl was also part of the lauded writing staff which included future superstars Larry Gelbart. Neil Simon, and Carl’s “best friend” Mel Brooks (for their follow-up show “Caesar’s Hour” Woody Allen joined them briefly). In 1973 a feature film compilation of some of their best work was released. Here’s one of the highlights of TEN FROM YOUR SHOW OF SHOWS…

Carl’s career acting in movies really begin in 1959 with supporting roles in comedies such as HAPPY ANNIVERSARY and THE GAZEBO. Two years later he would play the papa in a popular film franchise in GIDGET GOES HAWAIIAN. But his highest-profile film role would come in another couple years as part of the incredible ensemble cast of the blockbuster IT’S A MAD MAD MAD MAD WORLD (Carl may have been the last surviving male co-star. Actress Barrie Chase is still with us). Here’s a taste of the slapstick chaos…

Not content to merely act in front of the camera, Carl spread his writing wings with the script to the Doris Day/ James Garner domestic comedy (with some jabs at Madison Avenue) THE THRILL OF IT ALL…

In 1965 Carl would be writing for James Garner again, along with his TV collaborator Dick Van Dyke, for the France-based farce THE ART OF LOVE. The following year Carl would be part of another huge ensemble comedy hit (though his role was much bigger this time) with THE RUSSIANS ARE COMING! THE RUSSIANS ARE COMING!…

Then next year Carl spread his talented wings once more by making his feature film directing debut with the sentimental autobiographical comedy ENTER LAUGHING (based on his novel). From there it was a reunion with Dick Van Dyke for the dark (maybe audience weren’t ready) tragi-comedy THE COMIC. I wrote about it in our look back at the cinema of 1969. Click here to read it. Luckily Carl bounced back the next year with the outrageous cult comedy (and midnight movie staple) WHERE’S POPPA?…

But it would take seven years for Carl to have his first mainstream commercial hit feature film comedy with OH, GOD!…

After a nostalgic wrestling comedy starring Henry (the Fonz) Winkler, THE ONE AND ONLY, Carl would begin a very successful four-film collaboration with Steve Martin, starting with the smash mega-hit THE JERK. Here’s Carl’s crazy cameo…

The two paired again for DEAD MEN DON”T WEAR PLAID, ALL OF ME (co-starring Lily Tomlin) and the under-rated horror/sci-fi spoof THE MAN WITH TWO BRAINS (and remember Merv Griffin is still at large)…

Carl would continue his directing career till the late 1990s working with comedy superstars like John Candy in SUMMER RENTAL, and up and coming TV stars Mark Harmon in SUMMER SCHOOL and SIBLING RIVALRY with Kirstie Alley (who was also in the former). He folded up his director’s chair with 1997’s THAT OLD FEELING starring Bette Midler.

Ah, but the movies weren’t done with Carl Reiner the actor. In 2001 he was part of a hit trilogy as one of OCEAN’S ELEVEN…

And just last year Mr. Reiner joined another big hit movie franchise as the voice of “retired” toy “Carl Reineroceros” in TOY STORY 4.

And that’s a look back at the cinema career of Mr. Carl Reiner, just a modest chunk of his immense talents. Enjoy your rest after giving us several lifetimes of laughter. We’re happy you were with us for so long, though we’re sad that you won’t be sharing that incredible wit with the world any longer. What a wonderful legacy!

June 19, 2020

Actor Ian Holm (ALIEN, CHARIOTS OF FIRE, LORD OF THE RINGS) Dies at 88

Filed under: Actors,Obit — Tags: — Michelle McCue @ 10:30 am

ALIEN, LORD OF THE RINGS, THE FIFTH ELEMENT, THE MADNESS OF KING GEORGE, THE SWEET HEREAFTER and CHARIOTS OF FIRE. Moviegoers came to know Ian Holm in these films, along with countless others, and sadly the world of cinema has lost another great actor.

From Reuters:

British actor Ian Holm, best known for his roles in “The Lord of the Rings” trilogy and “Alien”, has died aged 88, the Guardian newspaper said on Friday.

The actor, who received an Oscar nomination for his performance in the 1981 film “Chariots of Fire”, had died from a Parkinson’s related illness, the paper said.

“It is with great sadness that the actor Sir Ian Holm CBE passed away this morning at the age of 88,” his agent told the paper. “He died peacefully in hospital, with his family and carer. Charming, kind and ferociously talented, we will miss him hugely.”

Holm began his career on stage working as part of the Royal Shakespeare Company and gained international exposure when he was cast as android Ash in the 1979 “Alien” film.

His role as an athletics coach in “Chariots of Fire” won him a British Academy film award (Bafta) and an Oscar nod for Best Supporting Actor, while he played Bilbo Baggins in two of The Lord of the Rings films, a role he reprised in the recent “The Hobbit” film series.

Here’s a look at his work:

THE FIFTH ELEMENT.

THE SWEET HEREAFTER

March 9, 2020

Actor Max Von Sydow Dead At Age 90

Filed under: Obit — Tags: — Movie Geeks @ 1:51 pm

Famous for his roles in the classic films The Seventh Seal, The Virgin Spring, The Exorcist, The Greatest Story Ever Told, Dune, Hannah and Her Sisters, Awakenings and Flash Gordon, Swedish-born, French actor Max von Sydow has died, his wife Catherine announced Monday. He was 90.

From the UPI:

“It is with a broken heart and with infinite sadness that we have the extreme pain of announcing the departure of Max von Sydow (on) March 8, 2020,” Catherine said in a statement to USA TODAY and Deadline.

No cause of death was specified.

He most recently played Lor San Tekka in Star Wars: The Force Awakens and the Three-Eyed Raven in Game of Thrones.

His other credits include The Tudors, Pelle the Conquerer, Hercules, Shutter Island, Minority Report, Rush Hour 3 and Extremely Loud & Incredibly Close.

February 19, 2020

WAMG Tribute: José Mojica Marins, ‘Coffin Joe’, Has Died

” Oh, and one last favor. If you pass by heaven, give my regards to the angels. But if you end up in hell, give my address to the devil. ” – Coffin Joe in THIS NIGHT I WILL POSSESS YOUR CORPSE

Brazilian horror star and international cult icon José Mojica Marins has died at age 83. RIP Coffin Joe.

Unholy undertaker, evil philosopher, denizen of dreams and hallucinations, Coffin Joe, with his trademark top hat, black cape, and long talon-like fingernails is a horror icon in his native Brazil. Revered as a national boogeyman, Coffin Joe has been immortalized in films, TV shows, radio programs, and comic books. He was the creation of writer-director-star Jose Mojica Marins, whose perversely original and strangely personal filmmaking style has been compared to an unholy blend of Mario Bava, Luis Bunuel, and Russ Meyer.

Jose Mojica Marins took Brazil by storm with the 1963 release of AT MIDNIGHT I’LL TAKE YOUR SOUL where he played Coffin Joe, a sadistic undertaker who despises religion and emotion and is concerned only with finding his idea of the “perfect” woman to continue his superior bloodline. It was the first entry in what would soon become known as the delirious, nightmarish Coffin Joe franchise. That film, as well as the subsequent Marins shockers such as THIS NIGHT I WILL POSSESS YOUR CORPSE (1967), THE STRANGE HOSTEL OF NAKED PLEASURES (1976), HALLUCINATIONS OF A DERANGED MIND (1978) and AWAKENING OF THE BEAST (1983) were not exported to the United States when they were new. These are some of the most bizarre and extreme films in horror history and it would take several decades for American cult movie fans, after suffering through 5th generation bootleg VHS tapes, to finally see good copies of the Coffin Joe series. Jose Mojica Marins has a loyal, global following but was still not very well known outside his native Brazil. RIP to a horror original .

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